Сборники работ по искусству

As two of the most acclaimed fantasy artists working today, Boris and Julie have produced art for album covers, trading cards, posters and calendars for (in Boris' case) 30 years – as well as having 15 books of their work published under the Paper Tiger imprint.

During their careers Boris and Julie have become most famous for their paintings of the female form and this book is a collection of their greatest fantasy women.

The Fabulous Fantasy Women of Boris Vallejo and Julie Bell contains approximately 100 illustrations arranged thematically; these are divided into areas such as Amazonian women, Mermaids and Fighting women.

Nigel Suckling writes the introduction, the narrative accompanying the paintings and additional captions for many of the pieces

Painter Jack Vettriano emerged from the unlikely background of the Scottish coalfields – unknown and untutored – and has seen his canvases hung in the Royal Scottish Academy. His first exhibition sold out, then the second. He sent the maximum, three paintings, to the Royal Academy summer show in Piccadilly; all three were hung. Alongside over forty Vettriano paintings are stories, poems, dialogue from plays, and other fine examples of Scottish writing.

W Gordon Smith, playwright and art critic, has woven an anthology of new and old writing round the painter’s images, complementing them, matching their moods, extending the lives of his characters beyond their frozen moments on canvas. Some of Scotland’s most accomplished writers have accepted the challenge to put their imagination into free fall and, by interpreting Vettriano’s paintings in such diverse ways, plunder some of their mysteries and perhaps go some way towards explaining their unique appeal.

Alongside 40 Vettriano paintings are stories, poems, dialogue from plays, an other fine examples of Scottish writing. Smith has woven an anthology of new and old writing round the painter’s images, complementing and extending them.

About the Author:

Jack Vettriano is entirely self-taught. A Scotsman of Italian descent, he left school at sixteen to become a mining engineer working down the Fife coalfields. For his twenty-first birthday a girlfriend gave him a set of watercolour paints and from then on, he spent much of his spare time teaching himself to paint. His first solo exhibition in Edinburgh was a sell-out and since then he has had solo exhibitions in London, Hong Kong and New York. Over the last twenty years, interest in Vettriano’s work has grown consistently. Vettriano’s best known painting, The Singing Butler, was sold at Sotheby’s for close to £750,000. He was awarded an OBE for Services to the Visual Arts. In 2013, a major twenty year Retrospective exhibition of Vettriano’s work was staged at Kelvingrove art Gallery and Musuem in Glasgow. He lives in Edinburgh.

Botero has gained international fame, capturing the whimsy of life by painting corpulent and sometimes comical figures. The dilation of his subjects gives the figures an abstract, unreal, and even grotesque dimension. Studies in beauty and terror, Botero’s monumental figures can be sensual, and many are filled with pain and sorrow.

This monograph presents the paintings realized in the last thirty years and created using his own unique language, which is a distinguishing feature of his work and an extraordinary blend of Latin American tradition and European painting.

The first major survey of artist Katherine Bradford, renowned for her wholly personal paintings of swimmers, bathers, and superheroes.

Known for her vibrant palette and eccentric compositions, Katherine Bradford came to prominence late in life, when her unique style of painting finally garnered critical acclaim in the art world. The artist’s paintings are populated by a wide-ranging cast of characters—from swimmers to superheroes to, most recently, mothers—who anchor and connect her work across time and media. Her figures, who often defy society’s expectations of women (and other gender norms), thus serve as surrogates for a mother, painter, and lesbian coming of age at the turn of the twenty-first century. Featuring more than twenty years of her work, Flying Woman: The Paintings of Katherine Bradford considers the artist’s many themes, her ongoing exploration of different painterly modes, and her lifelong fascination with color.

About the Author:

Jaime DeSimone is the Robert and Elizabeth Nanovic Curator of Contemporary Art at the Portland Museum of Art in Maine. Nancy Princenthal is a New York–based art writer.

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Пролистать книгу Flying Woman: The Paintings of Katherine Bradford

A celebration of the enormously popular Italian painter, sculptor and interior decorator

Piero Fornasetti established an enduring reputation as a designer with a style that was all his own – a style based on illusionism, architectural perspectives and a host of personal leitmotifs, such as the sun, playing cards and fishes, from which he spun seemingly endless variations. 'He makes objects speak' said Gio Ponti, his friend and longtime collaborator.

Designers and collectors today celebrate his use of allusion, unsettling images and striking juxtaposition to create unique, whimsical objects. Fornasetti's masterpieces shock, delight and inspire.

The power and magnitude of his lifes work are vividly conveyed by this thorough evaluation written by Hugh Davies, director of the La Jolla Museum of Contemporary Art, and art historian Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response.

Francis Bacon and the Masters presents more than twenty of the artist’s paintings, the majority coming from the extraordinary collection assembled by Bacon’s patrons, Robert and Lisa Sainsbury, over the course of the artist’s lifetime and now in the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich.

Along with other landmark paintings from the Tate Collection and other major public and private collections, these are placed in the context of masterpieces from the Hermitage Museum in St Petersburg: Egyptian mummy masks, Roman and Renaissance sculpture, and a number of the museum’s most famous paintings such as Rembrandt’s Portrait of an Old Man, Matisse’s Nymph and Satyr and Picasso’s A Young Lady. These remarkable works, brought together for a ground-breaking exhibition at the Hermitage and the Sainsbury Centre for Visual Arts, are given further context by items and photographs from Bacon’s own studio archive, now in Dublin.

The exhibition is guest curated in both venues by Dr Thierry Morel, and co-curated by Amanda Geitner and Calvin Winner from SCVA. The contributing authors are Dr Thierry Morel, Professor Paul Joannides (Cambridge University), Amanda Geitner (SCVA), Calvin Winner (SCVA) and Margarita Cappock (Dublin City Gallery The Hugh Lane).

This landmark publishing event presents the entire oeuvre of Bacon’s paintings for the first time in a deluxe five-volume boxed set

Editor Martin Harrison, following his appointment by the Estate of Francis Bacon, has devoted over a decade to the creation of this magnificent publication, the first-ever complete catalogue raisonné of the work of the great British painter. Including many previously unpublished paintings, this five-volume set allows Bacon’s oeuvre to be seen and assessed in its entirety for the first time, with all works reproduced in full colour. The only previous Bacon catalogue raisonné was published in 1964, gathering only 37% of Bacon’s ultimate oeuvre, and featuring only 27 colour reproductions. Only about half of the 584 paintings that survive are accessible to the public in exhibitions and publications; with Francis Bacon: Catalogue Raisonné, the painter’s entire oeuvre can be seen and assessed for the first time.

The catalogue, containing around 800 illustrations across five clothbound, hardcover volumes, includes three books comprising the study of Bacon’s entire working history, which are bookended by two further volumes: the first including an introduction, chronology and an indispensable index and users’ guide, and the second a catalogue of Bacon’s sketches with an illustrated bibliography. Beautifully produced and printed, the five volumes of Francis Bacon: Catalogue Raisonné are boxed within a handsome cloth slipcase.

Francis Bacon (1909-1992) was one of the great figurative painters of the twentieth century.

This book, newly available in paperback, provides a thorough account of the life and work of this complex and conflicted artist, whose paintings retain their visceral impact and relevance today. Essays by international scholars provide new insights into Bacon's art and life, and some fifty art works from every decade of his career from the pensive and shocking works of the 1940's to the exuberantly coloured and visceral large paintings of the 1970s and 80's show Bacon' unique representations of the human body through his mastery of paint.

Over 150 additional illustrations portray his studio, friends and lovers, and reveal the diversity of his source materials, from Velázquez to the motion photos of Eadweard Muybridge.

The exhibition and the catalog will show for the first time in Spain a selection of around 80 paintings and drawings by the Czech artist, all from the Centre Georges Pompidou, and documents from the collection of Pierre Brulle, a leading expert on Kupka, who was considered the first painter to explore the concept of abstract act. The splendid collection of works from the Centre Georges Pompidou, mostly donated by the artist's widow in 1963, shows very clearly the development of Kupka's art from his early Symbolist paintings to his final years. Frantisek Kupka (1871-1957) began his artistic career at the Academy of Fine Arts in Prague, where he learned an academic style. Later on, in Vienna, he began to take an interest in Symbolism and allegorical art. After moving to Paris in 1896, Kupka worked as a press and advertising illustrator while at the same time making contact with the early avant-garde movements such as Fauvism and Cubism, though maintaining his independence and his own personal language. His interest in Futurist writings meant that around 1910 his work started to become increasingly abstract, with the idea of reflecting movement and studying the effects of colour and the relationship between music and painting. This led to the publication of the book La Creation dans les arts plastiques in 1913. Despite his links to the "isms" of the period, Kupka always felt himself to be a lone experimenter.

Frida Kahlo - painter of pictures expressing the burdens that weighed upon her soul

The Mexican artist Frida Kahlo (1907-1954) is one of the most important 20th-century painters, and one of the few Latin American artists to have achieved a global reputation. In 1983 her work was declared the property of the Mexican state.

Kahlo was one of the daughters of an immigrant German photographer and a Mexican woman of Indian origin. Her life and work were more inextricably interwoven than in almost any other artist's case. Two events in her life were of crucial importance. When she was eighteen, a bus accident put her in hospital for a year with a smashed spinal column and fractured pelvis. It was in her sick bed that she first started to paint. Then, aged twenty-one, she married the world-famous Mexican mural artist Diego Rivera. She was to suffer the effects of the accident her whole life long, and was particularly pained by her inability to have children.

Kahlo's arresting pictures, most of them small format self-portraits, express the burdens that weighed upon her soul: her unbearable physical pain, the grief that Rivera's occasional affairs prompted, the sorrow her childlessness caused her, her homesickness when living abroad and her longing to feel that she had put down roots, profound loneliness. But they also declare her passionate love for her husband, her pronounced sensuousness, and her unwavering survival instinct.

About the Series:
Every book in TASCHEN's Basic Art Series features:

•a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
•approximately 100 color illustrations with explanatory captions
•a concise biography

The author:
Andrea Kettenmann (born in 1959) studied art history in Gießen, Göttingen and Heidelberg before joining the art history department of the University of Hamburg. In 1986 she visited Mexico on a fellowship, and now lives there, working as a freelance art historian. She has now worked on a number of exhibitions and catalogues, including the catalogue for the retrospective on Diego Rivera, Frida Kahlo’s husband, in Detroit.

Pain and passion. The original and intimate art of Mexico’s most famous female painter

The arresting pictures of Frida Kahlo (1907–54) were in many ways expressions of trauma. Through a near-fatal road accident at the age of 18, failing health, a turbulent marriage, miscarriage and childlessness, she transformed the afflictions into revolutionary art.

In literal or metaphorical self-portraiture, Kahlo looks out at the viewer with an audacious glare, rejecting her destiny as a passive victim and rather intertwining expressions of her experience into a hybrid surreal-real language of living: hair, roots, veins, vines, tendrils and fallopian tubes. Many of her works also explore the Communist political ideals which Kahlo shared with her husband Diego Rivera. The artist described her paintings as “the most sincere and real thing that I could do in order to express what I felt inside and outside of myself.”

This book introduces a rich body of Kahlo’s work to explore her unremitting determination as an artist, and her significance as a painter, feminist icon, and a pioneer of Latin American culture.

 About the series

Each book in TASCHEN’s Basic Art series features:

 -  a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
 -  a concise biography
 -  approximately 100 illustrations with explanatory captions

42 selected master works by legendary Mexican painter Frida Kahlo. A special bargain in first-class Schirmer/Mosel quality.

This companion volume to an ambitious retrospective holds a mirror up to the iconic artist whose work so strongly reflected her life.

The life and work of Frida Kahlo were inextricably intertwined. This beautiful monograph celebrates the artist while exploring the lesser-known aspects of her story. Reproductions of Kahlo's paintings are accompanied by a series of illuminating essays that explore the artist’s private writings and the intense public interest in her life, the role of physical and mental suffering in the creative process, and the coded and double meanings hidden in so much of Kahlo’s work. In addition, a photographic essay compiled by her grandniece, Cristina Kahlo, features images from the family’s private collection. As an icon of female strength and suffering, Frida Kahlo has become something of an art world myth. This scholarly yet profoundly moving illustrated tribute to her life and work offers a measured perspective that rises above the noise of celebrity to discover the true artist and the truth of her art.

About the authors:

Peter von Becker is a writer, was head of the cultural section of the Berlin newspaper Der Tagesspiegel and continues to write regularly for this section.
Ingried Brugger is Director of the Bank Austria Kunstforum, Vienna.
Salomon Grimberg is a psychiatrist for children in Dallas and co-editor of the catalogue raisonné of Frida Kahlo's work.
Cristina Kahlo is a photographer in Mexico City and Frida Kahlo's grandniece. She is curator for the photography section of the exhibition in which family-owned photographs will be shown.
Arnaldo Kraus is a physician in Mexico City.
Helga Prignitz-Poda is an art historian and specialist in Latin American studies and lives in Istanbul and Berlin. She is a co-editor of the catalogue raisonné of Frida Kahlo's work and curator of the exhibition.
Francisco Reyes Palma is a historian, critic, and curator of Mexican art in Mexico City.
Florian Steininger is a curator of the Bank Austria Kunstforum, Vienna.
Jeanette Zwingenberger is an art historian in Paris.

This book traces the extraordinary life of an artist whose unforgettable imagery combined cruelty and wit, honesty and insolence, pain and empowerment.

Admired by the Surrealists and photographed by the greatest, Frida Kahlo was most renowned for her self-portraits and unusual still lifes. She learned about suffering at an early age. She contracted polio when she was six and was seriously maimed in a bus accident at the age of eighteen, which led to injuries that affected her for the rest of her life. She had a legendarily turbulent marriage to the great mural painter Diego Rivera, with whom she formed a strong attachment to indigenous Mexican folk art and a deep commitment to Communism.