Книги по живописи

Bursting with colour and featuring Keith Haring’s powerful messages, this collection of posters includes insightful commentary and dazzling reproductions

Whether Keith Haring was raising awareness of the AIDS epidemic and apartheid or celebrating life, music, and dance, his signature illustrations became part of the cultural landscape of the 1980s. Posters were central to Haring’s oeuvre and the perfect medium for his inclusive, accessible, and figurative style. Author Jurgen Doring offers fascinating insights into Haring’s work, providing commentary on each of the exquisitely reproduced posters. Important reference work and a vibrant celebration of a world-renowned artist, this book will delight Haring’s many fans throughout the world.

Exuberant, profane, witty, and provocative, the images in this book reveal the political dimension of Keith Haring’s artistic concerns

Through his graffiti-inspired drawings, paintings, sculptures, murals, and other works, Keith Haring created an immediately recognizable visual iconography that spoke to an enormous population — gay and straight, young and old, male and female. His importance in the annals of popular culture is indisputable, but little attention has been paid to his advocacy for social justice.

Haring’s political perspective is the focus of this visually arresting selection of works that traces the artist’s development and historical significance and gives new gravitas to his career. Accompanying a major exhibition at the de Young museum in San Francisco, this book features more than 130 works of art, including large-scale paintings on tarpaulin and canvas, sculptures, and subway drawings. Together they create a narrative that explores Haring’s responses to nuclear disarmament, racial inequality, capitalist excess, environmental degradation, and other prevalent social issues.

Essays and conversations with writers, critics, and art dealers round out this important analysis of Haring’s life, career, and passion.

About the Author:

Dieter Buchhart is an art critic for Kunstforum International and the author of Keith Haring: The Political Line (DelMonico Books·Prestel).

A radical innovator, a pioneer of new artistic form

German expressionist painter and graphic artist Ernst Ludwig Kirchner (1880-1938), co-founder of the Brücke movement, produced some of the most outstanding woodcuts and powerful expressionist works of the 20th century. Tragically, he committed suicide after having his work condemned as "degenerate" by the Nazis.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:

Norbert Wolf graduated in art history, linguistics and medieval studies at the universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Düsseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velázquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting and Symbolism.
 

Bridging the gap. Expressionist pioneer Ernst Ludwig Kirchner heralded a new perspective in 20th-century painting

Ernst Ludwig Kirchner was a German Expressionist pioneer, a prolific painter and printmaker, and cofounder of Die Brücke movement. Through vivid landscapes, stark nudes, and dynamic urban scenes, this introductory book explores his radical painting in pre–World War I Germany and his leading influence on 20th-century art.

Ernst Ludwig Kirchner (1880–1938) is regarded as one of the key figures in 20th-century European art. A Modernist to his bones, he sent seismic waves through the art world with his hard-edged, intensely colored paintings and disseminated his ideas through Die Brücke art movement and the MUIM-Institut school of modernist painting, both of which he cofounded.

Kirchner’s work reconciled past and present through an Expressionist prism, reflecting the latest avant-garde ideas in art, while exploring traditional academic approaches and subjects. His works tackled social, moral, and emotional questions with a fierce intensity. Distorted perspectives, rough lines, and unusual colors were mainstays of his practice, as well as a recurring interest in capturing the human form, whether in frenetic city vistas such as Berlin Street Scene (1913) or in his famously decadent studio.

In this introductory book, we explore the stretch of Kirchner’s career through Germany and Switzerland, including his founding of Die Brücke, and his inclusion in the Nazis’ infamous “degenerate art” exhibition in 1937. Along the way, we’ll encounter vivid landscapes, stark nudes, intense urban settings, and, above all, a persistent emphasis on the emotional experience of painter and viewer.

The author:

Norbert Wolf graduated in art history, linguistics, and medieval studies at the Universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Düsseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velázquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting, and Symbolism.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Geometrical figures and hieroglyphic elements

The delightfully unclassifiable work of a master painter

Designated as "degenerate" by the Nazis, Paul Klee (1879-1940) is today considered one of the most important artists of the 20th century. His works stand out for the variety in their forms of artistic expression.

His Tunisian water-colours depicting landscape, architecture and, above all, the North African light of this Mediterranean land constitute the true beginning of Klee’s painting career. Although these paintings still fall under the heading of ’objective,’ they already exhibit indications of his tendency toward abstraction and a language of forms.

Geometrical figures and hieroglyphic elements characterize the majority of these works, which for this reason seem reminiscent of ’naive’ and playful children’s painting. In reality, however, Klee’s paintings have their roots in theoretical considerations, their recurrent symbols conveying personal and at times political content.

About the Series:
Every book in TASCHEN's Basic Art Series features:

• a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
• approximately 100 color illustrations with explanatory captions
• a concise biography

Thinking eye. A unique language of symbols, literature, and light 

With careful theories and many thousands of paintings, drawings, and watercolours, Paul Klee (1879-1940) is considered one of the most cerebral and prolific leaders of 20th-century European art. Though typically small in scale, his works are remarkable for their sophisticated thought and meticulous nuances of line, colour, and tonality. Klee s stylistic formation was shaped by early affiliation with the German expressionist group Der Blaue Reiter and, in particular, by a 1914 trip to Tunisia which transformed his use of colour. 

After the war, he taught at the esteemed Bauhaus school, where his lectures, like his emerging practice, emphasized the symbolic potential of shades, lines, and geometries. Klee was also inspired by Cubism, poetry, music, literature, language, and the simplistic power of children s art. Famed for his simple stick figures, he often combined the appearance of untutored naivety with rigorous composition and intellectual significance.

This book provides a selection of key Klee works to introduce his style and influence. From sun-drenched landscapes to enigmatic wordplay, discover a world at once simplistic, symbolic, and dazzlingly colourful.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

"A new world calls for a new man"

In the mid-Fifties, Yves Klein (1928-1962) conquered the world of art, declaring that "a new world calls for a new man". His idiosyncratic style and huge charisma set him on a youthful career in the great art capital, Paris. Soon his famous blue pictures, large-format canvases conceived as spaces for meditation, were making him a name far beyond France.

In a short but intense creative life of just seven years, Klein painted over a thousand pictures which are among the classics of modern art. This book offers an exciting sample of his work.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

Gustav Klimt’s art is thoroughly fin de siècle. It expresses the apocalyptic atmosphere of Vienna’s upper-middle-class society - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt (1862–1918) and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death, and death, therefore, plays an important role in Klimt’s art. Klimt’s fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. Particularly his drawings, which have been widely admired for their artistic excellence, are dominated by the erotic portrayal of women. Klimt saw the world “in female form.” Author Gottfried Fliedl also discusses the Secession movement and Klimt’s role within this important group of artists.

This uniquely exhaustive survey of the leading artist of Viennese Art Nouveau style offers art lovers an irresistible opportunity: page after page of Klimt's paintings and frescoes along with illuminating commentary about his life and career.

The author presents Klimt's entire painted oeuvre on an unprecedented scale. His commentary reflects the latest academic findings, such as Klimt's newly discovered church frescoes in Istria, in chapters featuring a wide range of topics, including Klimt and women, the Viennese Secession, landscapes, portraits, and allegories.

This volume's remarkable packaging reflects the magnificence of the work within. The book's large format allows close examination of the exquisite detail and luminescent quality of the work for which Klimt is renowned, making it a perfect gift or collector's item. Best of all, it provides viewers with an all-encompassing perspective on one of history's greatest painters.

The feminine world. The work of the great Austrian symbolist

Gustav Klimt’s ornate art expresses the apocalyptic atmosphere of Vienna’s upper-middle-class society around the turn of the 20th century — a society devoted to the cultivation of aesthetic awareness and the cult of pleasure.

The ecstatic joy which Klimt (1862–1918) and his contemporaries found — or hoped to find — in beauty was constantly overshadowed by death. And death, therefore, plays an important role in Klimt’s art. Klimt’s fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. His drawings in particular, which have been widely admired for their artistic excellence, are dominated by the sensual portrayal of women.

About the Series:

Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:

Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

Посмотреть русскоязычное издание книги Klimt - Густав Климт. Мир в женских образах

Gold, flowers, and female beauty. The work of the decadent Austrian symbolist

The unfading popularity of Gustav Klimt (1862-1918) attests not only to the particular appeal of his luxuriant painting but also to the universal themes with which he worked: love, feminine beauty, ageing, and death.

The son of a goldsmith, Klimt created surfaces of ornate and jewel-like luminosity which show influence of both Egyptian and Japanese art. Through paintings, murals, and friezes, his work is defined by radiant colour, fluid lines, floral elements, and mosaic-like patterning.

With a number of subjects dealing with sensuality and desire as well as anxiety and despair, all this iridescence is also suffused with feeling. Klimt's numerous images of women, characterized by curvaceous forms, tender flesh, red lips and flushed cheeks, were particularly charged with passion, at a time when such frank eroticism was still taboo in Viennese upper-middle-class society.

This book presents a selection of Klimt's work, introducing his pictorial world of decoration and desire, as well as his influence on artists to come. 

About the series:

Each book in TASCHEN s Basic Art series features:

 - a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
 - a concise biography
 - approximately 100 illustrations with explanatory captions

Eloquent and provocative drawings, exquisitely reproduced, provide an intimate encounter with these two daring Austrian masters.

Gustav Klimt and Egon Schiele were two of the most daring and controversial artists in Vienna during the culturally turbulent decades around the turn of the 20th century. They worked out their provocative depictions of the human body, created in a search for psychological truth as well as physical realism, in the direct and intimate medium of drawing. In Klimt’s studies, the distinctive character or unsettling emotional resonance of the person portrayed comes through in the artist’s delicate, sinuous lines. The striking presence of the individual in Schiele’s more finished drawings, often rendered with extreme frankness and bold colouration, pulses with dramatic immediacy. Although Klimt was almost thirty years Schiele’s senior, he quickly recognized and encouraged the younger artist’s extraordinary talent.

The sixty important works exquisitely reproduced in large format in this volume reach from each artist’s early academic studies to more incisive and unconventional explorations of nature, psychology, sexuality and spirituality. By giving viewers access to these artists’ worlds, this album of unforgettable drawings provides a direct connection to the minds of two master draftsmen exploring the limits of representation, as well as the shock of recognition at seeing our own inner lives caught on paper.

Since the 1950s, German painter Konrad Klapheck has been producing a rigorous body of work. The bulk of his extraordinarily focused artistic career comprises a continued painterly investigation of technological machines and everyday objects such as typewriters, sewing machines, and ventilators. The artist’s canvases, however, are not mere depictions; the objects Klapheck presents are subtly anthropomorphized and charged with psychological, social, and political meaning. A telephone, for example, takes on a playful, eroticized quality in one canvas, while a typewriter becomes a menacing object evocative of brute power in another. An artist’s artist, Klapheck has never painted according to fashions dictated by the art world; he is a painter guided by his own obsessions. However, his work bears a number of crucial relationships to the history of painting and to the artistic and intellectual concerns of postwar art. In its unexpected combination of deadpan depiction and evocative playfulness, Klapheck’s canvases forge an important link in twentieth-century art, melding elements from Surrealism and Pop Art with a singular painterly sensibility to create a uniquely influential body of work.

This long-overdue English-language monograph comprises an in-depth examination of Klapheck’s work, bringing together an extensive group of paintings that span the continued course of his career. The publication provides an overview of important paintings of technological devices and machinery, while also presenting examples of more recent evocative, figurative work.

Konrad Witz (c. 1400 – c. 1446) counts among the most radical revivalists of painting in the first half of the fifteenth century. While his achievements testify to his knowledge of the Old Netherlandish painting of his time, they also constitute Witz’s extraordinarily original signature. The uncontested highlight of his work is the Geneva Altar (1444), which features the Biblical scene of Peter fishing embedded in a veduta-like view of Lake Geneva - the first topographically accurate, identifiable landscape in the history of German painting.

There is hardly any doubt among researchers that the approximately twenty panels for four commissioned altars were made by Witz himself. All the more diverse, then, are the opinions about his education, career, sphere of influence, and successors. This publication discusses new theses with respect to Witz’s artistic background.

An exploration of the rivalry between Kuniyoshi and Kunisada, two of the most popular Japanese ukiyo-e woodblock print artists of the nineteenth century, based on masterworks from the peerless Japanese art collection at the Museum of Fine Arts, Boston.

Rival ukiyo-e masters Kuniyoshi and Kunisada were the two most admired designers of figure prints in nineteenth-century Japan. Famous for the realism of his portraits of Kabuki actors, the sensuality of his beautiful women and the luxurious settings he imagined for historical scenes, Kunisada was the popular favourite during his lifetime. Kuniyoshi is loved by connoisseurs and collectors today for his dynamic action scenes of warriors and monsters (which foreshadowed present-day manga and anime), his comic prints, and even a few especially daring works that included forbidden political satire in disguise. With scores of illustrations in glorious full colour, this beautifully produced volume presents Kuniyoshi and Kunisada’s artistic rivalry through a selection of outstanding works from the unparalleled Japanese art collection of the Museum of Fine Arts, Boston. Readers are invited to decide for themselves which of the two is their personal favourite.