Книги по коллекционированию

Confessions of a connoisseur

Insiders' tips: discover the world of design with the help of thirty-two international experts and learn why the most valuable furniture is not what you think it is

Adam Lindemann’s second volume is the follow-up to Collecting Contemporary, an unprecedented success, introducing the lay reader to collecting contemporary art, with tell-all interviews by the biggest players in the global art market. The idea for this volume came when he was furnishing his new house. "Art collectors like myself who hung beautiful contemporary paintings on their walls suddenly saw their furniture look sad and tired," Lindemann writes in his preface, relating how hobby became passion and an overwhelming desire to know everything. Which is how this latest volume manages to give such a perfect introduction into collectible design: it follows the path its author took.

Today’s design market has its roots in the late eighteenth century: artists created porcelain pieces in editions that became in high demand. From Art Deco to the Wiener Werkstätte, Bauhaus to the Eameses, the French modernists, and a whole bunch of designers many haven’t heard of yet, this volume is the best guide to the collectability and overall desirability of design for connoisseurs and amateurs alike.

Collecting Design tells all about an addictive occupation, vintage pieces vs. limited editions, the big names and what to keep an eye on, all from the perspective of a passionate collector meeting market luminaries for in-depth conversations—his fellow collectors (Bruno Bischofberger, Michael Boyd, Peter M. Brant, Dennis Freedman, Dakis Joannou, Reed Krakoff, Ronald Lauder), the dealers (Anthony DeLorenzo, Suzanne Demisch, Ulrich Fiedler, Barry Friedman, Didier and Clémence Krzentowski, Zesty Meyers and Evan Snyderman, Murray Moss, Patrick Seguin, Alasdhair Willis), select tastemakers (Jacques Grange, Marc Jacobs, Karl Lagerfeld, Peter Marino, Robert Rubin, Ian Schrager, Axel Vervoordt), and auction experts (Gerti Draxler from Dorotheum, Vienna, Philippe Garner from Christie’s, Peter and Shannon Loughrey from LAMA, Los Angeles, Alexander Payne from Phillips de Pury, Richard Wright, James Zemaitis from Sotheby’s).

Lindemann writes: "Sitting down for hours with 32 experts, I can now discuss the finer points of Emile-Jacques Ruhlmann versus Eileen Gray, Carlo Mollino versus Gio Ponti, of Marc Newson versus Ron Arad, and so on. I hope you will enjoy and profit from this fascinating field as much as I have."

The author:
Adam Lindemann is a private investor and influential collector of contemporary art and design. In partnership with designer Marc Newson, he re-launched Ikepod, a Swiss watch design company. He also writes a monthly column on collecting for The New York Observer.

A comprehensive guide to the dazzling ceramics of Clarence Cliff - a must-have for Art Deco collectors

The dazzling ceramics of Clarice Cliff and of the Wilkinson Pottery that first encouraged her work in the 1920s are among the best of many fine achievements of the renowned Staffordshire Potteries in the English Midlands. Today they have become one of the great collectables from the twentieth century. The exuberant colours and bold shapes of her classic Art Deco pieces have caught the imagination of collectors and auction houses the world over as prices move inexorably upwards.

After years of research both in the Wilkinson archives and through oral testimonies of surviving employees, Greg Slater has produced the ultimate survey of Clarice Cliff's work and those of her largely uncredited colleagues from the 1920s to the 1950s.

This massive reference work identifies the pattern name, designer, date and decoration method of all the significant piece, and a host of lesser-known ones. Accessible through three indexes - pattern name, number and backstamp - the book is broadly chronological, organized by Pattern (including ranges assigned by the Wilkinson Pottery and recognizable themes) and also by Shape (an instant identifier for ceramics without a backstamp).

With copious illustrations - all fully referenced and indexed - along with an introduction, bibliography, glossary and collectors' guide, this is the definitive book on the subject and will be for generations to come.

About the Authors:

Jonathan Brough is a Clarice Cliff expert and on the editorial board of the Clarice Cliff magazine The Agora
Greg Slater is the editor of the online Clarice Cliff collector’s magazine, The Agora. He is the author of Comprehensively Clarice Cliff, also published by Thames & Hudson.

All wristwatches are true ‘micromarvels’ of engineering, yet some models have such enduring appeal that they attract the attention of collectors, investors and regular wearers alike. Now available in paperback for the first time, Cult Watches is a lavishly illustrated account of the world’s most popular classic timepieces – the top 30 that have achieved cult status, from the Rolex Submariner and the Tissot Banana Watch to the Ingersoll Mickey Mouse watches and the ‘quartz revolution’ Swatches. Watch-industry expert Michael Balfour introduces the great watchmaking innovators, sets their horological masterpieces in context and discusses their legacies. With future contenders for the status of cult watch also considered, this is a lively and informative history of some of the most sought-after and desirable watches ever produced.

• The first book devoted to the wristwatches with the most dedicated following
• Each model and its brand is profusely illustrated with both historical and contemporary images, for ready reference
• An elegantly produced book that will appeal to watch enthusiasts, collectors and investors worldwide

 

From Anchor Hocking's Manhattan pattern to Carder and Teague designs for Steuben, all of the major American companies who made Art Deco glass during the Depression Era-Cambridge, Consolidated, Duncan, Fostoria, Heisey, Libbey, Morgantown, Tiffin, and many others-are presented in this long-awaited book. With more than 350 color photos of both popular and rare examples, informative captions with values, plus patent drawings, company information, a bibliography, and a detailed index, this book will delight anyone interested in this highly collectible American glassware or in the Art Deco style.

A beautifully illustrated book showcasing masterpieces of European porcelain from The Met’s renowned collection

The quest to discover the process of making porcelain was one of the defining aspects of post-Renaissance Europe, and it had significant artistic, technical, and commercial ramifications. This beautifully illustrated book showcases ninety works, spanning the late 16th to the mid-19th century, and reflecting the major currents of European porcelain production. Each work is shown in glorious new photography, accompanied by analysis and interpretation by one of the leading experts in European decorative arts. Featuring blue-and-white wares from Italy, rare examples of German Meissen, French Sèvres, British Chelsea porcelain, and much more, this is a long-overdue survey of the greatest porcelain treasures from The Met’s vast collection.

About the Authors:

Jeffrey H. Munger is former curator and Elizabeth Sullivan is former associate research curator, both in the Department of European Sculpture and Decorative Arts at The Metropolitan Museum of Art.  

Du Paquier, an independently operating Viennese porcelain factory, was established in 1718, only eight years after Meissen. Although its heyday was brief, lasting only twenty-five years, Du Paquier produced porcelain of great beauty, notable for an enchantingly graceful style and consummate sophistication of execution. In three sumptuously illustrated volumes, scholars of international standing present the distinctive style and the exciting history of Du Paquier porcelain in the context of Baroque Vienna. The first comprehensive publication on this important porcelain factory, this work has been made possible through a five-year research programme conducted by the Melinda and Paul Sullivan Foundation for the Decorative Arts. The objects shown, many of them for the first time here, are in major public and private collections.

The first volume deals with the historical and stylistic background of Du Paquier porcelain: art and architecture in early eighteenth-century Baroque Vienna; furthermore, the history of the porcelain factory, its style and its manifold sources of inspiration as well as Du Paquier’s relationship to Meissen and the role played at Du Paquier by independent porcelain painters and decorators (Hausmaler). The second volume places this Viennese porcelain in its cultural context, providing broad-ranging information on court banquet ceremony as well as private pleasures such as drinking and festive dining. Objects used in aristocratic circles are shown along with choice presents of state made to the Ottoman and Russian courts. In addition, this volume contains a new study on the Dubsky Room, the only room still in existence devoted to Du Paquier porcelain. The contents of the third volume include an annotated catalogue comprising approx. 500 objects, scholarly analysis and a chapter on the history of collecting Du Paquier porcelain, an inventory of the Dubsky Room, a bilingual glossary of terms and a complete bibliography. An enclosed CD-ROM contains transcriptions of original documents that have played an important role in the history of the Du Paquier porcelain factory.

The arts in Baroque Vienna represent the cultural background for the magnificent Du Paquier porcelain. These lavishly designed books provide a comprehensive introduction to this courtly society and the distinctive porcelain made by Du Paquier. Essays by distinguished scholars in the field make this publication a standard work, not only for specialists but also for collectors and connoisseurs of porcelain as well as anyone interested in the Baroque era.

Authors: Meredith Chilton | Johann Kräftner | Claudia Lehner-Jobst | Ghenete Zelleke | Johanna Lessmann | Sebastian Kuhn | Katharina Hantschmann | Samuel Wittwer

These pendulum clocks not only tell time but also depict magnificent bronze and gilded sculptures which more or less relate to time, especially of Greek and Roman mythology, American Indian or African origin, and inhabitants of exotic countries. The author explains the underlying stories and scenes of everyday life in panels which represent the new, post-revolutionary era of the middle class in 19th century France.

This book provides a guide to the history of Sevres porcelain as epitomised by seventy of the most important examples in the Royal Collection. Published to accompany the exhibition opening at The Queen's Gallery, London.

After more than ten years of intensive research, the first encyclopedia of GLASS MARKS from the 16th to the 20th century is now available; there has been no comparable publication until now! The starting point is the mark you are looking for. The encyclopedia is clearly arranged and easy to handle. Right next to the mark you will find all necessary information. The "mystery" of the markis solved and you will find sound information on the artists/manufacturers/or the producing glass factories, as well as when the works were produced. In addition you will find thousands of biographies of artists in glass and firms from Europe and North America. 

There is no other handbook of its kind on the market! Its unparalleled quality has already made it a standard work in the field.

Illustrations of over 11,000 signatures and marks

The creation of this important and lavishly illustrated book involved gathering material from all the major museums in Russia and abroad, as well as from public and private archives. It is a remembrance of things past and a testimonial to a great cultural and historic heritage. It is a book to fascinate anybody interested in art, collecting or Russian history.

Imperial Russia before the 1917 Revolution had a great tradition of private collecting. In this book, the authors reconstruct a tour of the great Russian collections as they would have been just prior to the fall of the Romanovs. The collections are brought back to life by watercolours and drawings of their palaces, as well as photographs of interiors, family portraits and, naturally, by the works of art that they collected, now all in Russian museums or museums abroad.

Later, among the tycoons created during the Industrial Revolution, were Pavel Tretyakov, whose gallery is now one of the most visited in Russia, and the Shchukin and Morozov families, who collected Picasso, Matisse, Braque, and all the Impressionists including Manet, Monet, Renoir, Degas, Cézanne and Gauguin.

The Japanese sword combines unbreakability, rigidity, and lethal cutting power, and it is in the resolution of these conflicting practical requirements that it emerges as a triumph of the forger's art. The mystique of the sword lingers on in our age of mechanized combat, but the aesthetic qualities for which swords are most valued by collectors today - the liveliness of the metal "skin," the confidence in every aspect of the design, the scrolling temper-line, the almost buoyant lightness of the hilt when the blade is held in the hand - all derive from what the Japanese sword demanded as a symbol of strength and as a weapon. As an instrument of clear persuasion, no other blade anywhere has ever been it's equal.

This volume, containing color and black-and-white plates, has been prepared as an introduction to the history and appreciation of the Japanese sword. Its author, until his death in 1978, was one of Japan's foremost sword experts, and his wide knowledge is here brought to bear on every aspect of sword lore, including forging techniques and problems of appraisal. Looking over the 1,500 years of sword history in Japan, Kanzan Sato notes how the major developments - the shift from the early straight blades to the tachi, which were longer curved blades slung edge downwards at the waist, to the familiar daishō pair of short and long swords worn by samurai until modern times - were the result of both technical innovation and changed fighting techniques. He examines the various fashions in sword mounts and the at times precious, highly decorated work of the smiths who specialized in sword guards, or tsuba, during the Momoyama and Edo periods.

The centerpiece of this book, however, is a detailed examination of over a dozen of Japan's most revered blades, including the Ō-Kanehira and the Dōjigiri by Yasutsuna, perhaps the two finest swords in Japan and as clear and beautiful today as when they were forged some 900 years ago. The discussion of what makes these blades special and how they have been passed down for generations offers the reader a wealth of insight into the sword in Japan as heirloom and cultural treasure.

About the author

Kanzau Sato was born in Yamagata Prefecture in 1907 and until his death in 1978 was regarded as one of Japan's foremost experts on the Japanese sword. A graduate of Kokugakuin University, he worked in the section for National Treasures, Ministry of Education, and Tokyo National Museum. He was Executive Director of the Society for the Preservation of Japanese Art Swords and Vice-Director of the Sword Museum. His publications include works on Kotetsu and Higo metal-working.

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Пролистать книгу Japanese Sword: Comprehensive Guide на Google Books.

Is a watch ever a work of art? Is a watchmaker ever an artist?

To answer these questions and many more, Michael Clerizo spent months listening to eleven of the world’s most renowned watchmakers. In mansions, villas, shops and ateliers of all sizes these extraordinary individuals told their stories.

We hear of lives mastering the skills of mechanical watchmaking, and crowned with the success of finding others willing to buy and treasure their work. These men also speak fervently of their common goal: ensuring that the mechanical watch continues to thrive in a world dominated by disposable quartz watches.

The book’s many photographs offer a retrospective exhibition of the watches of George Daniels, Svend Andersen, Vincent Calabrese, Philippe Dufour, Antoine Preziuso, Franck Muller, Aniceto Jiménez Pita, Alain Silberstein, Marco Lang, Vianney Halter and Roger Smith.

In addition, twenty other remarkable watchmakers and workshops from Switzerland, Austria, Germany, Holland, Finland, Ireland and Hungary are introduced and illustrated. Also included are a technical glossary, suggestions for further reading, and a list of specialist websites and magazines.

About the Author:

Michael Clerizo is noted for his in-depth analysis of bespoke luxury products for the Financial Times, the Wall Street Journal, the Robb Report and specialist watch and other magazines.

If you want to know the value of your antiques - or find out how the antiques market is faring - the world's best-selling antiques price guide is the place to look.

Every year more than 8,000 items are photographed to make Miller's Antiques Handbook the most comprehensive and informative price guide on the market. Whether you're buying or selling, a dealer, collector or auctioneer, this is the book you need to help you keep track of the international market. Whenever you're buying or selling always take Judith with you.

About the Author:

Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books, which are held in high regard by collectors and dealers. Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and co-hosts the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including Financial Times, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.

Miller's Antiques Handbook & Price Guide remains the essential and trusted guide to the antiques market. It has earned the reputation of being the book no dealer, collector or auctioneer should be without.

It is compiled by Judith Miller, world-renowned antiques expert and co-founder of the book, who selects the guide's 8000-plus featured antiques.

The images in the guide are changed for every edition to keep the book up to date with collecting and buying trends. The antiques are shown in full colour with detailed descriptions and a current price range. Special 'Judith Picks' sections give fascinating background and valuation details for particularly interesting or unusual objects.

Special features explain why one piece is worth more than another, show how to value an item and teach you to be your own valuer. Biographies of designers and factories give the background information you need to help date and value objects.

About the Author:

Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books, which are held in high regard by collectors and dealers. Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and co-hosts the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including Financial Times, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.

Miller's Antiques Handbook & Price Guide remains the essential and trusted guide to the antiques market. It has earned the reputation of being the book no dealer, collector or auctioneer should be without.

It is compiled by Judith Miller, world-renowned antiques expert and co-founder of the book, who selects the guide's 8000-plus featured antiques.

About the Author:

Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books, which are held in high regard by collectors and dealers. Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and co-hosts the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including Financial Times, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.