Архитектура

This is a monograph on celebrated interior design firm Ricky C T Wong Design. It features 24 recent projects Ricky and Simon Chong live by the philosophy, 'Ambience is a passion that cannot be expressed, but experienced'. They regard it as something surpassing physical beauty, an indulgence that delivers unique vitality, stimulation, and spiritual aestheticism to an interior space. It is the concerted coordination of the whole interior environment: the harmony between spatial proportion, illumination, materials and colours that attains a peak of artistic sensation with which to stimulate people's passions and sublime responses. This powerful ambience is demonstrated in projects including clubhouses, flats, houses and retail spaces.

‘As good a treatment of this subject as one could ever hope for’ – Los Angeles Times

After its initial explosion in mid-1920s Europe, American designers began to make their own contribution to the style of Art Deco. Most of the important buildings of the 1930s were embellished with Art Deco ornamentation — from the Oviatt Building in Los Angeles to New York’s romantic Chrysler Building. The style was adopted in Hollywood and Art Deco became part of the background of ordinary people.

A dynamic American tradition developed in virtually all the applied arts, as demonstrated by the dazzling illustrations in this book. In chapters covering subjects such as furniture, silverware, glass, architecture, sculpture and painting, jewelry and world fairs, Alastair Duncan explores this wide and exuberant subject, reassessing the work of such gifted artists as Donald Deskey, Paul Manship, Gilbert Rohde, Walter von Nessen, and many others whose vision helped to transform American art and design.

A lavishly illustrated survey of American Art Deco architecture.

Art deco architecture flourished in large cities and small towns throughout America in the 1920s and 1930s. Many of the best examples office buildings, movie theaters, hotels, and churches are still in use. Deco architects, artists, and designers drew on European styles but were most committed to a style that grew organically, as they saw it, from their native soil. Two themes bound Deco buildings and their decorative schemes together: a regional pride that tied buildings to their specific locales and functions, and a growing national symbolism that asserted the buildings' identity as uniquely, independently American.

American Art Deco features description sand over 500 color photographs of seventy-five lavish and innovatively designed buildings across the country that have been preserved both outside and in, giving the full scope of this beloved, exciting style.

In a career that spanned the first half of this century, Philip Trammell Shutze produced over 750 architectural works. Because his production was so large, this first book to examine his buildings concentrates on the more important ones, which as a body represent an architectural achievement of a very high order of refinement, grace, and beauty.

Although Shutze practiced from 1912 to 1968, covering the period of the ascendancy of modernism through its final triumph, he remained a firmly committed classicist, practicing out of an office in Atlanta where he produced an extraordinary body of monumental commercial and institutional buildings and country villas.

After graduating from Georgia Tech, Shutze stayed a year at Columbia University before he won the prestigious Rome Prize in 1915. Travelling to Rome later that year, he became a member of one of the earliest classes of fellows to occupy the recently completed American Academy on the Janiculum overlooking the city. The magnificent palazzo designed by America's most renowned architectural firm, McKim, Mead, and White, did not, however, please the fellows, who found it "too new," and therefore not authentic (Shutze would later devote much attention to techniques for instantly aging building facades).

With the coming of the First World War, Shutze and most of his classmates stayed in Rome as Red Cross volunteers, but when the war was over they returned to the Academy and to their studies. During his five years in Rome, Shutze immersed himself in learning everything he could about the great buildings of the Renaissance and Baroque periods. He painstakingly measured those buildings as well as the monuments of the Roman Empire, committing the smallest of details to paper and to memory.

Returning to the U.S. in 1920, Shutze worked in New York for Mott Schmidt, who designed townhouses for such families as the Astors, Morgans, and Vanderbilts, and he also worked for F. Burrall Hoffman, whose masterpiece is Villa Vizcaya in Miami. Within a few years, though, he returned to Georgia where he remained as the epitome of the "gentleman architect," designing some of the most beautiful buildings ever to grace the American landscape.

Interior designer and decorative arts and antiques expert Thomas Jayne follows up his essential 2010 compendium The Finest Rooms in America with this new collection of his own work.

Thomas Jayne possesses a unique dual vision—he keeps one eye focused on the aesthetic traditions of the past, and the other looking forward: innovating, creating, and imagining interiors to suit modern sensibilities. His reverence for traditional ideas does not restrict Jayne’s understanding of what makes a beautiful room—rather than seeking to replicate and repeat the exact décor from past, Jayne finds inspiration in the distinctive histories of the spaces in which he works. In every project he undertakes, he draws on his rich academic background in the decorative arts to design interiors that harmonize with their historical settings, yet also connect intimately to the active and modern lives of families who call these remarkable buildings home.

Jayne believes that American interior decoration is unique in its combination of elements from European and Asian cultural traditions with indigenous ideas and materials, in its emphasis on comfort and livability, and in its human scale. Presented here for the first time, his projects reflect this sensibility, drawing from established traditions and reinterpreting them for contemporary life. Drawing on the legacies of Albert Hadley and Sister Parish, Jayne insists on authenticity and comfort, incorporating elegant antiques and art with a subtle but warm palette and a welcoming setting.

In this richly illustrated collection of both city and country residences, Jayne reveals the inspiration and thought behind each design, identifying elements from the architecture, the clients’ collections of art and antiques, and from the site itself that serves as the basis for the decoration of the rooms.

American Fashion Designers at Home offers an intimate look into the private quarters of more than 100 members of the Council of Fashion Designers of America - from the classic elegance of Carolina Herrera's Louis XV–influenced New York apartment to the pink-mirrored, flower-filled flat of Betsey Johnson. This collectible, one-of-a-kind sneak peek into the lives of CFDA stars reveals that fashion’s most creative minds also take their work home them.

Rima Suqi has been described as having “shopping in her soul,” however she is much more than just shopping. She’s a self-proclaimed “numbers junkie” who – through key relationships with retailers and designers – has developed a keen understanding of the business behind retail. She knows it’s not enough to be a pretty product; it’s got to be a product that sells. For this reason, companies large and small have sought out this trend expert to help brand themselves, name their products, write press releases, brochures, catalogs and advertising copy. Television producers love her natural on-camera style and often book her for lifestyle segments on everything from travel to fashion trends; she also hosts in-store events, product launches and shopping tours on request. A contributing writer for Alef and Organic Spa magazines, Suqi writes “Best Bets” for New York Magazine’s online edition, has authored three style books and and regularly writes for national magazines.

Anne Fairfax and Richard Sammons are at the forefront of a movement among architects today who draw inspiration from the wellspring of the classical traditions in architecture. 

They have developed a body of work that reflects and adheres to the long-held theories of proportion and order passed down through many past generations of scholarship and practice. The firm's office also served as the headquarters for Henry Hope Reid's Classical America, the only organization offering an alternative to modernist aesthetics until the establishment of the Institute of Classical Architecture in 1992. 

The twenty-four projects in this volume show the firm's consistent focus on classical architectural beauty, whether the chosen style be Palladian, Tuscan, Mediterranean, Georgian, Adamesque, Neo-classical, British or Dutch Colonial, Colonial Revival, or even East Coast Shingle Style, in all of which Fairfax & Sammons are eminently proficient. 

The projects selected out of the firm's large body of work include country houses located in Connecticut, New York, Virginia, and Florida, including the renovation of townhouses and apartments in New York City — all presented in new color photography.

About the Author:

Mary Miers is Architectural Writer for the London-based journal Country Life. She lives in London and Scotland. Adele Chatfield-Taylor is president of the American Academy in Rome. She lives in New York City.

Designer and merchant, collector and tastemaker, Thomas O’Brien has made a career of translating cool notions of modernism into an easy and generous array of modern styles that anyone can attain. Now he introduces readers to a range of those styles - from casual to formal, vintage to urban - alongside stunning photography and charming design stories.

O’Brien carefully describes the design process of his chosen projects, including a downtown New York City loft, a traditional Connecticut estate, and a converted schoolhouse in eastern Long Island. Each home explores a view on the modern design spectrum he has created, as well as the individual choices that make the design unique and its mix essentially American. He explains not only what was at work to create a given style, but how readers can import those practices to their own homes and personal design sensibilities. Important design principles such as architectural authenticity, color relationships, correctness of scale, and informed collecting are threaded through a practical narrative that reads like a master class in interior design.

American Modern is an inspiring design volume that will redefine the way readers think about modern interiors.

Who are the American Originals? They are photographer William Abranowicz’s pantheon of extraordinary subjects — artists, poets, rock stars, designers, heirs and heiresses, tastemakers, architects, designers — for whom the home represents the ultimate canvas of self-expression. In this lavish volume of more than 225 photographs, including many never-before-published images, Abranowicz invites us into the private spaces of extraordinary and fiercely authentic individuals, as seen through his inimitable eye.

Whether he’s capturing the cathedral-like quality of natural light in a New York City loft or taking readers to a rock ’n’ roll icon’s remote Gothic mansion on an otherwise deserted island, Abranowicz’s classical sensibility for light, form, and composition mingles with his innate curiosity and sense of humour, producing stunning, unconventional portraits of the living spaces and workplaces of larger-than-life Americans and European expats.

The images feature the homes of Ellen DeGeneres and Portia de Rossi, Bette Midler and Martin von Haselberg, John Mellencamp, John Derian, Frederico de Vera, Jeffrey Bilhuber, Robert Couturier, Linda Rodin, Cliff Fong, Mayer Rus, and many more. The text recounts Abranowicz’s personal interactions with his subjects and their homes, and muses on voyeurism, decoration, and honesty in design.

Meticulously crafted and lavishly produced, American Originals is a profound meditation on the interaction between people, place, and space by one of the world’s great working photographers. It is sure to be an essential source of inspiration not only for decorating and interior design but also for ways of living authentically and creatively in the modern world.

About the Authors:

William Abranowicz has been a photographer for nearly forty years. His work is found in collections throughout the world, including the Metropolitan Museum of Art, the National Portrait Gallery of the Smithsonian Institution, the National Portrait Gallery in London, the Getty Museum, the Corcoran Gallery of Art, the Menil Collection Library, Bibliothèque Nationale, the International Center of Photography, and the Museum of Art at RISD. His work has appeared in nearly every major publication in the United States, Europe, and Asia. He served as a contributing photographer to Condé Nast Traveler for twenty-five years and has created campaigns for brands such as American Express Platinum Card, Rolex, Ralph Lauren, Estée Lauder, Eddie Bauer, Orvis, Old Navy, and Target. He is a master printer and has worked with the negatives of Edward Steichen, Horst P. Horst, George Hoyningen-Huene, Mike Disfarmer, and George Tice. Along with his son, Zander, and daughter, Max, Abranowicz is a licensed falconer. He is an avid environmentalist engaged in water, land, and climate issues nationally and locally. Abranowicz lives in Bedford, New York, with his wife, Andrea Raisfeld.

Zander Abranowicz, William’s son and frequent collaborator, is a writer and editor for the design firm Athletics. He contributes regularly to Travel & Leisure and Elle Decor. He is a licensed falconer and lives in New York City.

This spectacular publication brings together the best new architecture and design in North America today. 

Amsterdam Design 1900–1930 In the early 20th century, two movements emerged that were to define Dutch design of the early 20th century: de Stijl (the Style) and de Amsterdamse School (the Amsterdam School). De Stijl was the minimal and modernist of the two.

De Amsterdamse School, on the other hand, broke with rational convention and allowed for the frivolous use of ornament. Amsterdam 1900–1930 contains a visual guide to the design methodology used by graphic designers, architects and artists at the time and hundreds of examples of designs from the first three decades of the 20th century.

CD with designs included.

This book is dedicated to unusual landscapes and architecture from around the world. Often amusing and sometimes downright bizarre, the buildings featured in this book possess both a quirky sense of fun as well as being environmentally friendly. Each chapter deals with a different aspect of modern architecture and also shows how each 'amusing' structure has been specifically designed to be sustainable and ecologically sound. "The Landscape Series" is a compilation of volumes featuring projects that show a strong ecological conscience and innovation in working with the landscape in order to produce architectural structures that are both beautiful and sustainable.

For 28 years the world-renowned interior designer Bunny Williams has been involved in a passionate love affair with an 18th-century New England manor house that she found in sad repair.

From the moment she walked up the driveway and her palms began to perspire, Williams knew she wanted the affair to last forever. In her sumptuous new book, An Affair with a House, the venerable decorator describes in detail how she and her husband, antiques dealer John Rosselli, rescued, nurtured, renovated, and decorated the well-worn house, giving it new life as they restored each room, resurrected the abandoned gardens, and filled this weekend home with family and friends.

Through photographs, anecdotes, how-tos, and recipes, Williams provides a rare inside look at a top decorator's retreat and explains how she approached the joys, pleasures, challenges, obstacles, and day-to-day realities of creating a beautiful, comfortable country home. An Affair with a House provides a wealth of advice on interior decor and such topics as mixing design styles, but it also addresses such practical matters as stocking the pantry and outfitting the linen closet.

Beautiful photographs of the house, the gardens, and the property's rustic structures provide an intimate glimpse of the couple's lifestyle and illustrate a way of life we can all appreciate and learn from.

For over sixty years Sir Nikolaus Pevsner’s study of European architecture has been regarded as a seminal work which has inspired countless students of architecture. In this updated larger format edition with elegant and accessible design, an extra dimension is provided through the integration of over 200 superb colour photographs.

Pevsner reviewed the most beautiful, dramatic and outstanding structures that represent the styles and cultures of Europe from the fourth century onwards. His grand tour of Europe’s Romanesque basilicas, Gothic cathedrals, Renaissance villas and Baroque churches, sublimely defines ‘the changing spirits of the changing ages’.

In later chapters, he considers the revival of medieval forms in the age of Romanticism and the Arts and Crafts Movement through to the radical and unsparing geometry of twentieth-century Modernism. He concluded his survey in the post-war years and the start of the redefinition of so many devastated cityscapes.

In a new preface and an illuminating postscript, the architect Michael Forsyth continues where Pevsner left off by bringing the review to the present day. In a consideration of recent buildings in Europe by modern masters such as James Stirling, Norman Foster and Frank Gehry, he identifies a natural evolution of architectural achievement.

An Outline of European Architecture continues to be as stimulating and relevant as ever. Through his perceptive understanding of the heritage of past civilisations, and in the delineation of the buildings that continue to be recognized as the greatest symbols of artistic endeavour, Pevsner remains the essential guide and companion.

Sir Nikolaus Pevsner (1902–1983) is considered by many to have been the most influential writer on the history of architecture in the twentieth century.
Michael Forsyth is an architect and Director of Studies at the University of Bath.