Архитектура

Aria d’Italia is a Tod’s brand project that represents the Italy of the present and future through the faces and voices of young talents.

Aria d’Italia celebrates the contemporary Italian lifestyle and its values, highlighting talent and passion for quality in every aspect of life, from the culinary world to art, from social life to the loving care of traditions. The book demonstrates a harmony of action and thought that transcends nationality and can be embraced by all. As artist Costanza Chia, one of the people involved in this research, says, “There is poetry in doing things calmly and carefully: this is the warm Italian touch.”

Exploring eight keywords including Joy, Boldness, Passion, and Heritage, Aria d’Italia tells the personal and professional stories of young artists, entrepreneurs, and artisans who represent the heart of the Italian identity, motivated by an ongoing quest for beauty. These protagonists have been photographed by Guido Taroni in their homes and in the places that best represent their origins.

The title Aria d’Italia is inspired by the eponymous magazine published between 1939 and 1941 by collector Daria Guarnati, which brought together impressive collaborators such as Giò Ponti. With avant-garde taste, Guarnati enhanced Italy’s artistic heritage in all its expressions, from graphics to literature, art to design — and launched the concept of Italian style.

About the Author:

Paola Jacobbi is a journalist and writer who has worked as senior editor for Vanity Fair Italia. Guido Taroni is a photographer who has worked with major brands and important Italian and international publishing houses. Stefano Tonchi is a fashion journalist, author, and curator. He held the role of editor-in-chief of W, editor-in-chief of T: The New York Times Style Magazine, and fashion creative director for Esquire. He is currently Editorial Director of the Palm Beach based magazine Palmer. Micaela Sessa is a fashion stylist and consultant for fashion magazines and brands.

Published for the celebrations of the fifth centenary of the printing of the first book in Armenian in Venice (1512), this volume offers a rich, fascinating chronological survey, presenting over 200 works from the leading museums and libraries of Armenia and Europe, and including some extremely rare manuscripts and miniatures (loaned exceptionally for the exhibition in Venice). Together, they document the great achievements of the Armenian civilisation in the spiritual, artistic, architectural, economic and intellectual sectors.

The ancient stelae with engraved cross, the miniatures with bright colours, the sacred architecture and precious reliquaries preserved for centuries at the Holy See of the Apostolic Armenian Church at Echmiadzin will lead the visitor in his discovery of the civilisation of this great people from the early days of Christianity to the end of the 19th century.

The book places a great emphasis on the long and fruitful contacts between the Armenians and other cultures in Europe and the Far East. In particular, it illustrates the special and centuries-old relationship with Venice through a series of historic documents, manuscripts and works of art, describing how the presence of the Armenians in the lagoon began and developed, and their political, economic and cultural contacts with the city. In the last section, thanks to a series of rare manuscripts, the book takes a look at Armenian science, theology, philosophy, historiography and literature. A special section is dedicated to Armenian printing, which dates back to 1512.

The finest editions from the presses dotted throughout the Armenian colonies around the world are presented here. In this special chapter, particular emphasis is accorded to the glorious Armenian printing tradition in Venice, which reached its greatest heights thanks to the hard work and enlightened dedication of the Mechitarist Fathers.

Arquitectonica is one of the most prestigious international firms practicing today. Based in Miami, it now has offices in Los Angeles, Paris, Manila, Lima, Buenos Aires, São Paulo, Hong Kong, and Shanghai. This monograph covers the firm's groundbreaking work of the past 20 years, documenting recent work with insightful project descriptions, lush full-color photographs, and representative architectural plans.

Early on, Arquitectonica virtually created a new Miami with their signature modernism, in which the International Style is brought to life with colour and vibrancy. They have since taken their work global, with major projects worldwide. Their high-style modern architecture appeals to private and public clients alike and has resulted in large retail projects in Hong Kong, a performing arts center in Dijon, France, and hotels in New York City and Asia as well as a variety of work in South America.

Beth Dunlop's introductory essay traces the firm's work from early pivotal condominium towers that brought Arquitectonica to prominence in the 1970s up to projects being built today. Compiled by two of the firm's founding partners, Laurinda Spear and Bernardo Fort-Brescia, this monograph will be the definitive English language book in print on Arquitectonica.

The global upheavals that took place over the course of the 20th century provoked an incredible metamorphosis of western art. The abundance of creative productivity during this century revolutionised the art world, breaking down barriers and resulting in an extraordinary proliferation of artistic currents. In this brilliant work, the author presents the essential disciplines and different artistic movements that accompanied the political, cultural, ideological, and social upheavals of the 20th century.

Each volume of the Art & Architecture series is opulently illustrated. The highly readable texts provide concentrated information on accessing well-known and less known sites in the world of art. An image of every piece of art that is described is included, allowing readers to easily recognize the original in situ. Insets on cultural and historical topics and illustrated glossaries, summaries and timelines supplement the body text - leaving a deeper, more lasting impression of the works discussed.

Each volume of the Art & Architecture series is opulently illustrated. The highly readable texts provide concentrated information on accessing well-known and less known sites in the world of art. An image of every piece of art that is described is included, allowing readers to easily recognize the original in situ. Insets on cultural and historical topics and illustrated glossaries, summaries and timelines supplement the body text - leaving a deeper, more lasting impression of the works discussed.

Each volume of the Art & Architecture series is opulently illustrated. The highly readable texts provide concentrated information on accessing well-known and less known sites in the world of art. An image of every piece of art that is described is included, allowing readers to easily recognize the original in situ. Insets on cultural and historical topics and illustrated glossaries, summaries and timelines supplement the body text - leaving a deeper, more lasting impression of the works discussed.

Each volume of the Art & Architecture series is opulently illustrated. The highly readable texts provide concentrated information on accessing well-known and less known sites in the world of art. An image of every piece of art that is described is included, allowing readers to easily recognize the original in situ. Insets on cultural and historical topics and illustrated glossaries, summaries and timelines supplement the body text - leaving a deeper, more lasting impression of the works discussed.

Each volume of the Art & Architecture series is opulently illustrated. The highly readable texts provide concentrated information on accessing well-known and less known sites in the world of art. An image of every piece of art that is described is included, allowing readers to easily recognize the original in situ. Insets on cultural and historical topics and illustrated glossaries, summaries and timelines supplement the body text - leaving a deeper, more lasting impression of the works discussed.

Art Deco came to represent the refreshing, energetic and optimistic outlook after the First World War. This collection of 80 Masterworks by artists and designers such as Tamara de Lempicka, Clarice Cliff and Frank Lloyd Wright will inspire this familiar with the subject and enthusiastic newcomers alike .

Sexy, modern, and unabashedly consumer-oriented, Art Deco was a new kind of style, flourishing at a time of rapid technological change and social upheaval

Lacking the philosophical basis of other European design movements, Deco borrowed motifs from numerous sources - Japan, Africa, ancient Egyptian and Mayan cultures, avant-garde European art--simply to create novel visual effects.

Art Deco 1910-1939 surveys the sources and development of the popular style with more than 400 colour illustrations and 40 chapters by numerous design specialists. The authors track Deco around the globe, from Paris to the United States - where it got its biggest boost from mass production - to Northern and Central Europe, Latin America, Japan, India, and New Zealand.

The book's broad focus encompasses industrial artefacts (the Hindenburg blimp, the Burlington Zephyr locomotive), as well as architecture, furniture, accessories, fashion, jewellery, typography and poster design. Despite the existence of other prominent artistic movements during the 1920s and '30s, the authors tend to hang the Deco label on virtually any object that portrays the effects of technology or employs colour, luxury materials or artificial light in striking ways. It does seem a stretch to include Man Ray's photographs, Sonia Delaunay's textiles and the movie King Kong in the Deco pantheon. But the great strength of Art Deco 1910-1939 is that it reveals the social context of Deco, not just its pretty face.
__________________

‘The best book on Art Deco to have appeared so far, and likely to remain so.’ Bevis Hillier, Literary Review

Art Deco – the style redolent of the flapper girl, the luxury ocean liner, Hollywood film and the skyscraper – came to epitomize the glamour, luxury and hedonism of the Jazz Age. It burst on to the world stage at the 1925 Exposition internationale des art decoratifs et industriels modernes in Paris, and quickly swept across the globe. Its influence was felt everywhere, from the skylines of New York and Shanghai to the design of fashionable eveningwear and plastic radios. Above all, it became the signature style of the pleasure palaces of the age – hotels, cocktail bars, nightclubs and cinemas.

This authoritative publication brings together leading experts to explore the sources, varied forms of expression, distinct visual language and global reach of Art Deco. With its breathtaking illustrations, this lavish volume is the definitive book on what is, arguably, the most popular style of the twentieth century.

About the Authors

Charlotte Benton is an independent architecture and design historian. Her publications include A Different World? E´migre´ Architects in Britain, 1928–1958 (1995).

Tim Benton is Professor of Art History at the Open University. He has also co-curated a number of exhibitions, including Thirties: British Art and Design before the War (1979) and Art and Power (1996).

Ghislaine Wood is a Senior Curator in the V&A’s Research Department. She was curator of touring exhibition Art Deco 1910– 1939 (2003) and deputy curator of the major exhibition Art Nouveau 1890–1914 (V&A 2000).

Art Deco buildings, with their highly ornate façades and dramatic forms, are a vital part of our surroundings.

This wide-ranging exploration of Art Deco architectural design embraces many different times and places in its summary of the movement’s origins, development and influence. Various types of architecture were termed Art Deco, and their antecedents might include Arts and Crafts, fin-de-siècle Vienna, Cubism, Expressionism and the Bauhaus.

Patricia Bayer shows that Art Deco masterpieces can be seen and admired worldwide: from the skyscrapers of New York City to imperial dwellings in Tokyo; from Sydney Harbour Bridge and the Battersea Power Station to movie theatres and diners across America. Post-modernism now uses its motifs and idioms, and many of the original buildings still survive, fully restored to their former glory.

Sumptuously illustrated, this is a comprehensive guide to the best-loved of all 20th-century architectural styles.

By the time of the Paris exhibition of 1925 from which Art Deco took its name, the idea that an interior and its furnishings should form a complete design - a "total look" - dominated the thinking of both designers and their clients. Studios began to emerge to serve the needs of a design and style-conscious middle-class. This text displays the flourishing design ingenuity through contemporary photographs and illustrations of selected interiors complemented with modern photographs of individual pieces. It traces the sylistic evolution and dominant motifs of Deco, the triumph of the 1925 exhibition and the pure "high style" of the Paris ensembliers; the growth of Streamline Moderne offshoots in the US; the international revival of Deco as a decorative style for a new generation of post-modern designers; and the restoration of many Art Deco interiors to their original state.

Treasure is brought back to life in this fantastic volume of decorative ironwork and sculpture. Fantastic photography explores the work of artisans of the burgeoning Moderne Art movement in Paris. Selected from folio volumes published in the mid-1920s to inspire fellow artists on the cutting edge, the more than 500 exciting pieces shared in this compendium have proven themselves timeless in their classic lines and exquisite detailing. This is a must-have volume for artisans of the forge, sculpture studios, and all fans of Art Deco-era decorative arts.