Архітектура

What city made Don Johnson a Ferrari-driving pastel-suit-wearing international icon, is playground for the America’s retired upper crust, birthplace of the plastic-pink-flamingo-in-the-front-yard phenomenon, and home to America’s biggest Cuban population? You don’t have to be a genius to figure out that Miami is the singular town in question. Fun, happy, and sexy homes populate this dreamy seaside city where blue sky, green palm leaves, and electric vibes provide an exotic backdrop to the fabulous and outrageous interiors we’ve selected for you. Among the gems we’ve mined for this new addition to our Interiors collection are locations used in the television series “Flipper” and “Miami Vice,” a house on stilts suspended over the crystal clear ocean water, a high-rise apartment with jaw-dropping views, the Art Deco fabulousness of Morris Lapidus’s Eden Roc hotel, and a Cuban woman’s modest home bursting with kitschy religious paraphernalia. Whether they’re exploding with color and pizzazz or imploding with white minimalism, these are the crème de la crème of Miami pads.

Fun, happy, and sexy homes populate this dreamy seaside city where blue sky, green palm leaves, and electric vibes provide an exotic backdrop to the fabulous and outrageous interiors we`ve selected for you. Whether they`re exploding with color and pizzazz or imploding with white minimalism, these are the crème de la crème of Miami pads.

Highlights include:
• classic 1950s Eden Roc Hotel by Morris Lapidus
• residence of artist Michele Oka in South Beach
• the house of Tui Pranich designed according to strict Feng Shui principles
• apartment of a Cuban woman in an Art Deco district
• "Stiltsville" - colorful huts hovering over the water on stilts

Michael Graves's career has been one of the most remarkably creative and successful of any American architect practicing today.

His extensive oeuvre includes such renowned projects as the Walt Disney World Dolphin Hotel and the Walt Disney World Swan Hotel in Florida, the San Juan Capistrano Library in California, and the precedent-setting Portland Building in Oregon, as well as designs for his highly popular lines of furniture, home furnishings, and artifacts. Graves's signature aesthetic -- elemental shapes, references to historical forms, and warm colors that often reflect Italian and classical influences-- is recognized worldwide. Presented in this monograph are seventy-one of Graves's built and unbuilt projects of the past five years, generously illustrated with photographs, plans, and Graves's evocative colored sketches.

Featured projects in the United States include the Denver Central Library in Colorado; the Michael C. Carlos Museum at Emory University in Atlanta, with its extraordinary galleries for ancient art; and several private residences, including Graves's own Italianate villa in Princeton, New Jersey. Also included are numerous international commissions, among them De Resident, the Ministry of Culture office building in The Hague; Hotel New York at Euro Disneyland Park Paris; the Hyatt Regency Hotel and Office Building in Fukuoka, Japan; sixteen additional projects in Japan; and others in Germany, the Netherlands, Wales, China, and Israel.

Michael Graves has been at the forefront of architecture and design since he founded his practice in Princeton, New Jersey, in 1964.

Cited by Paul Goldberger, architecture critic for the New Yorker, as "the most truly original voice American architecture has produced in some time," Graves has received many prestigious awards, including the 1999 National Medal of Arts and the 2001 Gold Medal from the American Institute of Architects. This, the fourth volume to document the architect's oeuvre, is a must-have for all architecture enthusiasts. Graves has secured international acclaim and celebrity status for his modern interpretations of traditional and classical architecture and remains one of the profession's most celebrated figures.

Presented in this monograph are over 100 of Graves' built and unbuilt projects of the past eight years, generously illustrated with photographs, plans, and the architect's evocative colored sketches.

Creating your dream house - a prospect as exciting as it is daunting. Michael S Smith, a favorite among celebrity clientele, reveals the method of his design magic. Offering thoughtful ideas and practical advice, the designer walks the reader through his process, from the gathering of resource material (from magazines and iconic films to something as simple as a shell or a swatch of vintage fabric), expertly pairing simpler and grander elements (or inexpensive with more extravagant objects), perfecting the editing process, to knowing when a room is finished.

Detailing the nearly encyclopedic range of styles he culls from to create his signature style, the designer describes recent examples of his work, beginning with a modest and quirkily designed house in Bel Air, Smith redid for himself. Razed, rebuilt, and decorated over the course of five years, the house allowed Smith to experiment and explore ideas freely and the result is a gracious home, as welcoming as it is stylish. In addition to his California residence, twenty other projects are featured, from a New England clapboard to a Malibu villa overlooking the Pacific to a city townhouse. In each, Smith deconstructs the elements which come together to make the ideal home.

About the Author

One of Architectural Digest’s 100 Top Designers and winner of Elle Decor’s Designer of the Year Award in 2003, Michael S. Smith is an internationally respected interior designer. He is the author of Michael Smith’s Elements of Style. Christine Pittel is a senior editor at House Beautiful magazine. Her writing has also appeared in the New York Times, Town & Country, Harper's Bazaar, House & Garden, and many other publications.

Acclaimed designer Michael S Smith has earned a reputation as the thinking celebrity's decorator, with a client list that includes Cindy Crawford, Kate Capshaw, Steven Spielberg, Dustin Hoffman, and Michelle Pfeiffer.

Pairing lush interiors with dynamic insider advice, Michael Smith's Elements of Style beautifully captures the essential building blocks of good interior design. Smith covers in depth the most common decorating decisions everyone faces: working with colour, selecting the right paint, choosing window treatments and floor coverings, creating a luxurious bed, and building a furniture collection over time.

Illustrated with stunning colour photography, including a dozen homes presented in-depth to demonstrate how rooms work alone and together, the book also includes practical sidebars on learning how to buy antiques and attend auctions, how to ready your home for sale, and how to create a house that can evolve over time.

This invaluable, idea-filled resource is about polished, fresh design that is both aspirational and attainable.

About the Authors

Michael Smith is one of Architectural Digest's 100 Top Designers and winner of Elle Décor's Designer of the Year award in 2003. His work is regularly featured in Architectural Digest, Elle Decor, Town & Country, W, and House Beautiful, among others.

Diane Dorrans Saeks is the bestselling author of fifteen books, including Hollywood Style, and was a founding editor of Metropolitan Home and Garden Design magazines. She is currently Interior Design editor for Paper City and a correspondent for W and WWD. She lives in San Francisco.

Архітектор і професор архітектури Річард Горден, колишній партнер Нормана Фостера, є піонером невеликих споруд, побудованих з використанням найсучасніших матеріалів і технологій. Поєднуючи високотехнологічне проектування з методами промислового дизайну, він і його студенти-дослідники в Мюнхені створили інноваційний ряд революційних будівель у різноманітних умовах.

Від Ski Haus (доставляється в Альпи гелікоптером і використовується альпіністськими та рятувальними командами) і антарктичних житлових модулів до мікрокомпактного будинку, повністю автономного збірного будинку, який вміщується в куб площею 2,65 м 2, ці конструкції розроблені для їх адаптації до нашої мінливої ​​планети, стилю життя та основних людських потреб.

Проекти Річарда Гордена спираються на технології морської та авіаційної промисловості, а також на природні форми, щоб створювати невеликі будівлі, які є не тільки дуже функціональними, але й екологічно чистими.

Very small buildings have a special appeal. The constraints of space and cost can actually liberate the imagination. Most of the projects in this book consist of no more than a few key spaces, in many cases just a single space. They are united only by their compact nature, the pleasure that they can provide and the intelligence that they embody.

A brief introduction is followed by five thematic chapters: Public Realm, Community Spaces, On the Move, Compact Living and Extra Space. The 53 case studies include a park bench that transforms into a shelter for the homeless in Australia, an inflatable treetop structure for rainforest observation, a portable house for victims of hurricane Katrina, a transportable church in Finland and a suspended office in France.

Architects Philip Johnson, Marcel Breuer, Landis Gores, Eliot Noyes, Edward Durell Stone, and others created an extraordinary collection of modern houses in New Canaan, Connecticut, in the 1940s and 1950s.

The bucolic New England town — a suburb of Manhattan — became the site of fervent experimentation by some of the leading lights of the movement in the United States, the architects known as the Harvard Five, whose modern aesthetic could be traced to the Bauhaus school of design. There they promoted their core principles: simplicity, openness, and sensitivity to site and nature, and built glass, wood, steel, and fieldstone houses that established architectural modernism as the ideal of domesticity in the twentieth century.

Architects Jeffrey Matz and Cristina A. Ross, photographer Michael Biondo, and graphic designer Lorenzo Ottaviani present this vanishing generation of iconic American houses as more than an issue of restoration or preservation, but as an evolving legacy that adapts to contemporary life. Selecting a representative group of sixteen houses covering the period between the 1950s and 1978, they portray each one in great detail, with floor plans, timelines, and both archival and luminous new photography — from the clean, minimalist look of the initial construction, to subsequent additions by some of the most significant architects of our time including Toshiko Mori, Roger Ferris, and Joeb Moore. Voices of the architects and builders, original owners and current occupants combine to describe how the houses are enjoyed and lived in today, and how the modernist residence is more than just a philosophy of design and construction, but also a philosophy of living.

Ludwig Mies van der Rohe (1886–1969) was one of the founding fathers of modern architecture. The creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945–1951) and the Seagram Building in New York (1954–1958), Mies was one of the founders of a new architectural style. Well known for his motto "less is more," he sought a kind of refined purity in architectural expression that was not seen in the reduced vocabulary of other Bauhaus members. His goal was not simply building for those of modest income but building economically in terms of sustainability, both in a technical and aesthetical way; the use of industrial materials such as steel and glass were the foundation of this approach. Though the extreme reduction of form and material in his work garnered some criticism, over the years many have tried - mostly unsuccessfully - to copy his original and elegant style.

This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.

About the Series:

Every book in TASCHEN's Basic Architecture Series features:

- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings

Ludwig Mies van der Rohe (1886–1969) was one of the founding fathers of modern architecture, and creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945–1951) and the Seagram Building in New York (1954–1958). Famed for his motto "less is more," Mies sought a refined purity in architectural expression that was missing from the vocabulary of his Bauhaus peers. He aimed to build for those of modest income while also building economically and sustainably, both in technical and esthetic terms; the use of industrial materials such as steel and glass were the foundation of this approach. Though his stark forms and modern materials provoked some criticism, over the years many have tried—most unsuccessfully—to copy his original and elegant style.

This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Ludwig Mies van der Rohe was one of the leading figures of twentieth-century architecture. For architects and many others who are committed to the modernist tradition, he is a pivotal figure. With in-depth, scholarly essays and opulent photographs and plans, this book traces the multifaceted development of his work, including his first Berlin buildings, his villa projects, his work at the Bauhaus in the 1930s, and his American projects of the postwar years.

Less is more. Finding perfection in purity

Famed for his motto less is more, Ludwig Mies van der Rohe (1886 1969) was one of the founding fathers of modern architecture and a hotly-debated tastemaker of twentieth-century aesthetics and urban experience.

Van der Rohe s philosophy was one of underlying truth in pure forms and proportions. With the help of contemporary technological and material developments, he sought a stripped-down purity to architecture, showcased by the likes of the Seagram Building and Farnsworth House. Some spoke out against this stark approach as the precursor to bland, generic cityscapes. Others cite van der Rohe as the ultimate master of an abidingly elegant essence.

This book presents more than 20 of van der Rohe s projects from the period 1906 1967 to introduce his groundbreaking practise and influence in both America and Europe. 

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)