Архітектура

This book illustrates trends in contemporary living on the basis of around twenty projects carried out by leading architects and interior designers. The reports demonstrate that contemporary living nowadays calls for more than the harmonious integration of the latest designer furniture in a modern context.

Over a million houses were built in Britain during the Edwardian period and another four million in the years between the two World Wars; most of these are still in use as homes today. This book explains to current owners of such houses why and by whom their properties were built, how the original occupants would have decorated, furnished and used them, and the development of the distinctive architectural styles of the time. The leading architects of the Edwardian period were enthusiasts for a return to English vernacular styles, in contrast to what they considered the dry rigidities of classicism and the extravaganzas of the Gothic revival and they were also obliged for the first time to address the changes necessary to incorporate innovations such as modern sanitation, bathing facilities and the use of electricity into their designs. The first half of the book looks at the styles which these men created for showpiece developments such as Hampstead Garden Suburb and Letchworth Garden City and the way in which their designs were copied by speculative builders and adapted for the first council houses as the suburbs started to spread ever-outwards along the railway lines and the new arterial roads from the centre of London and other great cities. There are also chapters on the gardens of the period. In the second half of the book individual chapters are devoted to the various elements of the house - fireplaces and chimneys, doors and windows, kitchens, bathrooms and WCs, staircases, etc - to the methods and materials used in their construction and to the decorative styles and materials fashionable at the time. For anyone who now owns or lives in a house built between 1900 and 1939 and who is interested in its history or in maintaining or restoring its period character this book will be an invaluable resource. Richard Russell Lawrence is the co-author, illustrator and designer of The Period Home: Style, Detail and Decoration 1774-1914 and the co-author or editor of six other books.

This beautifully illustrated book celebrates the Parisian mansion that has served as the residence of successive British Ambassadors to France since 1814.

The British Ambassadors Residence in Paris is one of the most splendid historic homes in the French capital and the most impressive of all British ambassadorial residences abroad. The author, Tim Knox, charts the stirring story of the house, from its origins as the home of the Ducs de Charost, to its opulent heyday under Napoleons sister, Pauline Bonaparte, Princess Borghese, much of whose luxurious furniture and decoration survives intact. Since 1814, when Pauline sold the house to the 1st Duke of Wellington, the mansion has served as the residence of successive British Ambassadors to France, who altered the house to suit their taste and character, notably Sir Duff Cooper and his beautiful wife, Lady Diana, whose Empire-style study is still redolent of their brilliant social circle in post-war Paris.

This beautiful house on the rue du Faubourg St. Honoré, furnished with masterpieces of French Empire furniture and decorative arts, English silver, and paintings by British artists, remains a splendid but hard-working setting for promoting the Franco-British relationship.

The Camondos were a family of bankers and philanthropists – ‘the Rothschilds of the East’. Arriving in Paris from Istanbul in 1869, their presence was soon noted in the worlds of business, music, art and the wealthier echelons of Paris society.

One man, Moïse de Camondo, made their mark permanent with the legacy of the Musée Nissim de Camondo, a magnificent Belle Époque mansion built to contain the family’s collection of 18th-century French art, and which became a memorial to his son who did not live to inherit it: Nissim de Camondo, a pilot during the First World War, was killed in aerial combat in 1917.

With Moïse’s death in 1935, and the deaths of remaining members of the family at Auschwitz in 1943–44, the Camondo line came to an end. The house was bequeathed to the French state, and survived the war intact.

The exceptional qualities of the house, its architecture and its beautiful decoration have been captured in superb photographs by Jean-Marie del Moral. Essays by curators and experts associated with the museum explore the splendour of each object and work of art in detail, tracing their history and setting them in context, and bringing to life the deeply moving story of a remarkable collection driven by passion.

Carpets of Afghanistan offers a detailed analysis of Afghanistan rug production, by the author Richard Parsons.

Carpets of Afghanistan is without a doubt one of the most detailed analysis of Afghanistan rug production ever published. Author Richard Parsons, for many years a buyer in Afghanistan for the well-known firm O.C.M (London) Ltd, treats the reader not only to a veritable feast of carpets and rugs, all with their attendant tribal origins and motifs vividly explained, but also to a fascinating journey through the history of a diverse and colourful country. The author shares his respect and admiration for Afghanistan's stoic people, who, somehow, despite political upheavals, forced resettlement, a harsh climate and often primitive nomadic conditions, manage to fashion exquisite works of art which reflect their pride in their many-faceted heritage.

Afghan rugs, which are instantly appealing due to their traditional colours and bold designs, open up a whole vista for the collector, from sumptuous piled purdahs to flat woven prayer rugs, all of them well illustrated in the 154 colour and 90 black and white plates.

About the Author:

On completing his National Service in Egypt, Richard Parsons spent some time with the Colonial Service, before joining a mining finance house and working for several years in West Africa. He was then posted to Tehran where he fell in love with Oriental carpets. On completion of his assignment in Iran and faced with the prospect of a London office, he abandoned his career for the carpet trade to the consternation of family and friends. He subsequently joined the prestigious firm of Oriental Carpet Wholesalers in the UK, whose agents buy from all over the carpet-making world for sale in the UK and redistribution throughout the world. After training at the London warehouse and in Iran, he was sent to Afghanistan as assistant buyer. He soon took over full responsibilities staying on in Afghanistan until 1979 when it was occupied by the Soviet Union. He then went as a buyer to Pakistan where he lived and worked until 1981, before moving to Hong Kong. His knowledge and love of Afghan rugs has prompted him to devote a great deal of time researching, writing and recording for posterity the details of rug production and tribal history in that remote but beautiful country. Richard Parsons died in February, 2002.

Drawing on the unparalleled collection of original designs for Central Park in the New York City Municipal Archives, Cynthia S. Brenwall tells the story of the creation of New York’s great public park, from its conception to its completion. This treasure trove of material ranges from the original winning competition entry; to meticulously detailed maps; to plans and elevations of buildings, some built, some unbuilt; to elegant designs for all kinds of fixtures needed in a world of gaslight and horses; to intricate engineering drawings of infrastructure elements. Much of it has never been published before. A virtual time machine that takes the reader on a journey through the park as it was originally envisioned, The Central Park is both a magnificent art book and a message from the past about what brilliant urban planning can do for a great city.

About the Authors:

Cynthia S. Brenwall is a conservator at the New York City Municipal Archives, which preserves the historical records of the government of New York City. She lives in New York City. 
Martin Filler is a prominent American architecture critic. He lives in New York City.
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Пролистать книгу The Central Park: Original Designs for New York's Greatest Treasure на Google Books.

Today’s glamorous chambers of curiosity are to apartment design what the dandy is to fashion.

The most fascinating apartments have always been those that reflect the essence of their interesting occupants. These apartments function as showcases for individual character, as chambers of curiosities reflecting unconventional life patterns. The apartment as dandy, as it were.

Apartments like these contain a conglomeration of objects and features that underscore the personalities of their occupants. Modern classics meet personal acquisitions and unconventional items with their own backstory. In these out-of-the-ordinary rooms, uniformity is avoided and the historical consorts with the futuristic. Anything goes: muted colors are set against geometric patterns, antiques against ultra-modern lights, an industrial lamp hovers over an oriental carpet, dark wood paneling offsets a Carl Auböck design, and paisley is a backdrop to onyx. The list of contrasts goes on.

Like the living spaces of modernist designers and architects, these collage-like interiors are not dull, utilitarian residential units but true chambers of curiosities. The acquisition of rare, weird, and often exotic articles has less to do with money spent and more to do with the fantasy and life path of its occupant and creator.

Thus we are presented with interiors reminiscent of movies by Kubrick, Fincher, or Lynch—sometimes with an ambiance that is cool and detached, sometimes glamorous, often enigmatic, and always engagingly different.

Over 256 pages The Chamber of Curiosity takes the reader on a tour of exciting interiors. As with our publication Northern Delights, this volume also provides portraits of trailblazing interior designers. Complementing features on Jean-Christophe Aumas from Voici-Voilá, Pietro Russo, Dimore Studio, Autoban, and the Harmony Club, additional texts about the featured owners and their furnishings reveal how lives and fantasies can be materialized into an interior universe of desire and wonder. The result is a book on pioneering interior designs that focuses not so much on the acquisition of the latest products as on the telling of a story.

The dense Asian city of Hong Kong has shaped and moulded Rocco Yim's views on architecure for more than 20 years. He sees architecture as being shaped by the city, rather than the reverse, a view that is fully expressed in his projects in the bustling Asian cities that are his specialty. His role as urban designer is that of a versatile, dynamic and incisive conceptual planner. This book features a selection of the early and later works of Rocco Yim, both built and unbuilt, and gives an unprecedented insight into the unique relationship this remarkable architect has with the city. Introductions by Professor Gary Hack of the University of Pennsylvania, and Professor Dennis Sharp analyse the contribution that Rocco Yim has made to contemporary architecture. An essay by Rocco Yim adds further insight.

Published to overwhelming critical acclaim, this classic study of cities explains how and why cities - among the most enduring and remarkable of all human artefacts - took the shape they did.

Professor Kostof focuses on a number of themes - organic patterns, the grid, the city as a diagram, the grand manner, and the skyline - and interprets the hidden order of urban patterns.

Photographs, historical views and specially commissioned drawings vividly depict a global mosaic of city-building: the shaping of medieval Siena; the creation of New Delhi as the crown of the Raj, the remodelling of Moscow as the self-styled capital of world socialism and the transformation of the skyline as religious and civic symbols yield to the towers of corporate business. This is an enthralling book, of vital interest to architects, planners and social historians.

A sumptuous, large-format photographic tour of the extraordinary collections of antiques housed in fifteen private residences in Italy.

Over 150 superb photographs from the Country Life archive are selected especially here to highlight 25 major houses and their architects in a stunning and astoundingly thorough display.

In The Classical Country House architectural historian David Watkin takes a fresh and innovative look at the traditional British country house and shows how Classicism has been a seminal influence on British architecture since the seventeenth century. He demonstrates how the antecedents of the British Classical house, which lie in both Greek and Roman antiquity, were vigorously revived in the masterpieces of the Italian Renaissance, and enjoyed new life when transplanted to Britain by Inigo Jones, after his Grand Tour of the Continent in 1613 14. The book consists of five parts. The first looks at the birth of English Classicism in the seventeenth century, when houses such as Wilton House in Wiltshire (where Jones and John Webb designed the celebrated Double Cube Room) and Coleshill in Berkshire, reflect a rejection of contemporary styles in favour of a Renaissance-influenced design. The second part shows how the flowering of Classic design in the eighteenth century led to the creation of some of the most celebrated houses of the period: Chiswick House, Holkham Hall, Sir John Soane's Pitzhanger Manor, and the Grecian templar house, Grange Park. The third part recounts how the austerity of many buildings designed in the 18th century gave way to the richer styles of the Italian Renaissance Revival in the 19th century seen, for example, in Kingston Lacy, Dorset and Brodsworth Hall, Yorkshire. The final two chapters, on the twentieth century and beyond, reveal how even as individual an architect as Sir Edwin Lutyens immersed himself in a Classical language of design, in houses as diverse as Nashdom, Gledstone and the British Embassy in Washington D.C; and how, as the influence of Modernist design has waned, Classical styles have been revived most notably in the houses of Raymond Erith after the Second World War, and more recently by architects such as Quinlan Terry. David Watkin has selected over 150 of the finest images from the Country Life archive to illustrate an incisive study of 26 major houses and their architects. This highly informative and enlightening survey of Classicism through the centuries is a major addition to architectural history.

Readers who love new traditional design that's clean and refined yet comfortable will find inspiration and liberation in how acclaimed designer and author Darryl Carter perceives the home as a collection of beloved hand-selected items.

In The New Traditional, Darryl Carter laid out the principles of his widely recognized and beloved design aesthetic, which balances individual comfort with a subtle color palette to achieve serene and timeless style. Now, Darryl explores the essence of what brings a home to life, from textures to multipurpose furniture to unexpected objects.

The Collected Home dazzles with gorgeous photographs of rooms and details, and enlightening text about what makes a space extraordinary. Additionally, Darryl provides--for the first time ever--hands-on advice for approaching home design, such as defining short- and long-term goals, from selecting an antique door knocker to planning the architectural elements of an addition.

Lavishly illustrated, this book is a must-have for anyone who desires a home that feels richly layered, full of character, and unquestionably calm.

Пролистать книгу The Collected Home: Rooms with Style, Grace, and History

For more than fifty years, sisters Susan Collier and Sarah Campbell have been at the forefront of textile design with their vibrant hand-painted patterns.

Launching their careers in London during the Swinging Sixties, they made their names with stunning collections for Liberty of London Prints, and their renowned patterns, with a painterly aesthetic, marked a significant turning point in textile design.

Endlessly inventive, their work has been taken up by fashion leaders including Liberty, Yves Saint Laurent and Jaeger and major homeware producers, like Habitat, Martex, JP Stevens, Fischbacher and P Kaufmann. Inspiring a new generation of textile designers, their prints and patterns are in great demand on the vintage markets.

In 2011, the National Theatre, London, celebrated fifty years of their exuberant designs to great acclaim. Important examples of their work are held in the permanent collections of the Victoria and Albert Museum, London, and the Smithsonian Cooper-Hewitt National Design Museum, New York.

It's hard to imagine a more comprehensive look at color scheme possibilities.  --  Los Angeles Times

What a cool idea for the color challenged among us... 200 combinations fit for a king and queen and their royal family.  --  Booklist

When it comes to decorating, the endless color choices available are enough to overwhelm the most determined home decorator.
The Color Scheme Bible solves that problem, and with hardcover sales of 100,000 its value is well proven. This lay-flat paperback edition is sure to be an equally popular choice.

With 200 color scheme ideas to choose from, The Color Scheme Bible is an easy-to-use and inspiring reference to using color in the home. It describes how colors interact and the effects they have on a room. It explains how to choose colors that complement each other for a subdued effect, and which colors and combinations energize a room. The book also includes 50 recommended palettes that can be used with different materials for refreshingly original color schemes.

Features include:

- How color creates ambiance and atmosphere
- How to use color to give a small room the illusion of space and depth
- 200 distinctive color schemes inspired by nature, art, travel, and even a favorite possession
- 50 recommended palettes

A "How to Use This Book" gatefold.

The Color Scheme Bible changed the way we approach choosing colors for the walls, floors and furniture in our homes. It is an essential handbook for decorators and interior designers. 

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Какой секрет есть у дизайнера относительно быстрого и легкого преобразования интерьера?
Секрет - в цвете.

Книга "Цвет. Энциклопедия" содержит советы по подбору цветов, хорошо сочетающихся друг с другом.

Это разделенное на важнейшие цветовые группы теоретическое и практическое пособие представляет читателю около 200 цветовых схем.

В каждом цветовом разделе содержится своя шкала оттенков - от ярких цветов до бледных пастельных тонов.

- Откройте для себя, как можно использовать цвет, чтобы придать интерьеру впечатление глубины, тепла и освещенности.
- Дизайнерские схемы основываются на опыте восприятия природы и предметов искусства, а также на впечатлениях от путешествий.
- Создавайте в доме теплые и зазывающие спальни, спокойные гостиные, энергичные кухонные и игровые зоны.

Whether you want to redecorate an entire house or simply jazz up a dull room, colour can give your home a whole new look. The Colour Design File is your key to exploring this powerful decorative element. Every aspect of colour is expertly covered: Using colour discusses the properties and qualities of the different colours, how colours work together and how colour is affected by light, texture and scale. Neutrals and naturals showcases a decorative palette from white to black, encompassing cream to chocolate brown and every shade of grey. The colours takes you on a journey through the spectrum. Each colour is shown in real homes: alone, in a dazzling array of shades, and with other colours. Useful information includes an address list of great places for finding colour and space for notes.200 colour photographs

Whether you want to redecorate an entire house or simply jazz up a dull room, colour can give your home a whole new look. The Colour Design File is your key to exploring this powerful decorative element. Every aspect of colour is expertly covered: Using colour discusses the properties and qualities of the different colours, how colours work together and how colour is affected by light, texture and scale. Neutrals and naturals showcases a decorative palette from white to black, encompassing cream to chocolate brown and every shade of grey. The colours takes you on a journey through the spectrum. Each colour is shown in real homes: alone, in a dazzling array of shades, and with other colours. Useful information includes an address list of great places for finding colour and space for notes.