Книги о стилях архитектуры

A fantastic collection of Soviet Asian architecture, many photographed here for the first time

Soviet Asia explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR.

The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces – all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Grey concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics.

An ode to the classic Spanish-style houses of Santa Barbara. Spanish Colonial Style celebrates an extraordinary tradition in architecture whose hallmarks include whitewashed stucco and plaster walls, wood-beamed ceilings, dramatic fireplaces, and, above all, mystery and romance. Homes in this much-loved style of architecture welcome the visitor and embrace the resident, and architects James Osborne Craig and Mary McLaughlin Craig, early proponents of the style and influential disseminators of it, were masters of the form. Their work, until now, has been largely underappreciated and little seen. 

The Craigs played pivotal roles in the development of the Spanish Colonial Revival and of other styles of architecture in Santa Barbara, and the influence of their work spread much beyond that. In addition to shining a long overdue spotlight on the rich career of these tremendously influential architects, Spanish Colonial Style also heralds Santa Barbara as the small city of international importance that it became in the first half of the twentieth century.

About the Author:

Pamela Skewes-Cox is an artist and writer based in Massachusetts. Robert Sweeney is the author of Casa del Herrero: The Romance of Spanish Colonial. C. Ford Peatross is founding director of the Center for Architecture, Design, and Engineering at the Library of Congress. Matt Walla is the photographer of Casa del Herrero.

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Пролистать книгу Spanish Colonial Style: Santa Barbara and the Architecture of James Osborne Craig and Mary McLaughlin Craig

Charming old houses in a uniquely American form are lovingly showcased in this engaging book. 

Romantic, imaginative, and eminently photogenic, Carpenter Gothic homes feature fairy-tale–like exterior details — steep gables; pointed arches, windows, and doors; elaborate gingerbread trim; and porches — in addition to one-of-a-kind, highly desired interior features that imbue the homes with a wealth of character — arched entryways, bay windows, stained glass, fireplaces, and wooden ceiling beams. 

The first of the Victorian romantic architectural revivals to sweep America during the nineteenth century, the Carpenter Gothic style was inspired by the pattern books of Andrew Jackson Downing and made possible by the invention of the steam-powered scroll saw. Homebuilders created these delightfully fanciful houses in most states across the country. 
Storybook Cottages highlights both the picturesque exteriors of these homes as well as the incomparable interiors that give them such warmth. Presented are stunning photographs by Paul Rocheleau, Tim Street-Porter, Steve Gross, and Sue Daley, among others, along with illustrative examples from Downing’s pattern books, and black-and-white images from the Historic American Buildings Survey. 

The text examines the roots of the style, from Medieval Europe and Gothic cathedrals through Inigo Jones, Augustus Pugin, and the Gothic Revival; the role of the American Gothic, from the pattern books of Andrew Jackson Downing and Alexander Jackson Davis (Rural Residences, Victorian Cottage Residences, The Architecture of Country Houses) that inspired the style to the impact of the scroll saw, which allowed local builders to interpret Gothic Revival architectural details in wood, thus creating the Carpenter Gothic style; and the hallmarks of Carpenter Gothic, from sharply peaked gables to board-and-batten siding, peaked windows and doors, gingerbread trim on porches, stained glass windows, and decorated bargeboards, among other features. 

The primary focus will be on exterior architectural details in homes and carriage houses, but will also include decorative elements of the Carpenter Gothic style, from wallpapers to carpets and furnishings. The text will also discuss historic interiors, adapting the style for modern living, and floor plans, wallpapers, carpets, and furnishings inspired by the Carpenter Gothic style.

About the Author

Gladys Montgomery has written features for publications such as Antiques and Fine Art, Old House Interiors, Country Living, Yankee, Country Decorating Ideas, and Country Victorian. She edits the award-winning magazine Berkshire Living Home + Garden.

The residential and institutional architecture and interior design by an eminent London-based classical architect. John Simpson is one of the world’s leading practitioners of new classicism, a contemporary architecture movement that continues the practice of classical and traditional architecture and embraces the virtues of durability, functionality, and beauty. Simpson’s design ethos revolves around the notion that architecture is a public art where each facade forms the character and shape of the public realm — the streets, the squares, and the major civic spaces that we use — and as such must use a language of building that is recognizable and draws on our collective cultural experience. His architecture is thus understandable in a moment and is functional; it is built to last, to be beautiful, and to ensure the comfort and ease of those who experience it, be it the Queen’s Gallery at Buckingham Palace in London or an apartment in a historic building in New York. The work shown covers a wide range, from small-scale residential and apartment design to the country house and the town house to large-scale institutional designs. Featured projects include a new academic quadrangle at Eton College; the new school of architecture at the University of Notre Dame; rooms at Kensington Palace; the Stanhope Hotel renovation in New York; town houses in Belgravia and Chelsea, London; and much more.

About the Author:

David Watkin is professor of the history of architecture at the University of Cambridge.

The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.

About the Authors:

Kathryn Masson is the author of several books, including Santa Barbara Style and Stables. Paul Rocheleau is the photographer of numerous books, including Stables and American Masterworks. Robert Winter is a leading California architectural historian and professor emeritus at Occidental College, Los Angeles.

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Пролистать книгу The California House: Adobe. Craftsman. Victorian. Spanish Colonial Revival

The brilliantly restored St. Giles House, in the idyllic Dorset countryside, offers high-point Georgian architecture and interiors that bridge many historical styles.

The 12th Earl of Shaftesbury, 39-year-old Nicholas Ashley-Cooper, invites the reader into the house that his family has called home since the fifteenth century. In recent years, his award-winning restoration has brought the house back to life, transforming exquisite spaces that honor the past while being suited to twenty-first-century living. English country-house splendor, through the hands of some of the world’s top artisans and craftspeople, returns to the house in the form of re-created wallpapers, customized paints, revived furniture from the Georgian and Victorian periods, reworked antique Brussels tapestries, restored plasterwork and textiles, and a complete overhaul of the landscape, with its sunken garden, woodlands, avenue of beeches, lake, and shell-encrusted grotto.

With stories of noteworthy architecture, beautiful interiors, and centuriesof a single family’s involvement in British and world history, this book will appeal to devotees of country living, the aristocratic life, historic houses, and English interior design.

About the Author:

The 12th Earl of Shaftesbury, Nicholas Ashley-Cooper, is an English peer and philanthropist. Tim Knox is a British art historian and director of the Royal Collection Trust. Justin Barton is a London-based photographer.

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Пролистать книгу The Rebirth of an English Country House: St Giles House

Celebrate the stunning interiors and glorious gardens of the Seguine House, New York’s undiscovered architectural gem and only once-working plantation. This gorgeous full-color photographic volume introduces the historic 1838 Greek Revival Joseph H. Seguine House and stables in Prince’s Bay, Staten Island, New York. Seguine made a fortune in oystering, candles, and produce, and as a founder of the Staten Island Railroad he also worked with Cornelius Vanderbilt. In creating this 100-acre working farm, stables, and estate grounds, Seguine was advised on the landscape design by Frederick Law Olmsted, famed for his design work on New York’s Central Park. This estate, an embodiment of the nineteenth century, is on the National Register of Historic Places and is a member of the Historic House Trust.

About the Author:

Christina Mantz is an interior designer, events planner, and entrepreneur with a strong interest in history who has worked on various projects, including the first Chinese Scholar’s Garden in the United States. Robert Mantz is a photographer and senior digital studio artist at McCann Worldgroup. Mario Buatta is an internationally acclaimed interior designer known for his English Country House style.

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Пролистать книгу The Seguine House: A Nineteenth-Century Working Estate in Twenty-First-Century New York City на сайте издательства.

The retro-futuristic epoch is one of the most visually spectacular in architecture’s history. The utopian buildings of the 1960s and 1970s never go out of style. This book compiles radical ideas, rediscovered photos, and visionary structures.

Driven by idealistic visions, utopian architecture aimed to overcome social divisions and political strife, to put us in touch with nature, and to enable us to live humane, healthy lives. For half a century, it was both hope and inspiration.

The Tale of Tomorrow surveys this diverse twentieth-century phenomenon, featuring renowned works like The House of the Century or the TWA terminal, as well as lesser-known masterpieces, and profiling major thinkers such as Oscar Niemeyer, Le Corbusier, and Eero Saarinen. By digging through archives, corresponding with descendants of departed architects, and restoring photographs, the collection of utopian approaches herein maintains a visual power and infectious optimism.

Looking at past dreams, The Tale of Tomorrow is a call to reclaim our future.

A quiet rural town until World War I, Zaporizhzhia exploded into a major industrial centre in the 1920s following the con­struction of the Dnipro Hydroelectric Station.

This book looks at a later period in the history of what is now one of the largest cities in Ukraine, the 1950s to 1980s, when the focus in Soviet policy shifted from industrialisation to welfare and from production to consumption. In this respect, Zaporizhzhia may be seen as ‘a local model of the birth of a modern society’ – Soviet consumer society. Historian Pavlo Kravchuk and historian and graphic designer Mykhailo Mordovskoi skilfully combine text and images to show how this shift played out in urban planning, architecture, and, more importantly, the lives of ordinary Soviet citizens.

Prefabricated construction techniques enabled the rapid erection of districts of mass housing, giving ordinary people a small apartment of their own for the first time. With this came a need for consumer goods. At the same time, sitting in their new kitchens, people gained a modicum of privacy and a space in which to meet and discuss, away from the controlling eye of the state. The new Soviet apartment was ‘a place of leisure’, but also of dissidence – the beginning of the end of the regime.

About the Authors:

Pavlo Kravchuk is a Ukrainian architectural historian. Chief specialist in historical and cultural heritage at the Department of Culture and Tourism at Zaporizhzhia City Council. One of the founders of the Zaporizhzhia Museum of Architecture. Creative director of the digital portal Zaporizhzhia Heritage. Author and coordinator of 'Programmes for protecting cultural and historical monuments of Zaporizhzhia City for 2018-2022'. Editor of the Ukrainian-German publication Fragile Heritage: Architectural Modernism of the Ukrainian South and East: late 1950s-1980s (2023).

Mykhailo Mordovskoi is a Ukrainian historian and -designer. Head of the municipal museum network in Zaporizhzhia. Author of the permanent exhibition at the Zaporizhzhia Museum of Architecture. Holder of the Heritage Solidarity Fellowship for Ukraine from Europa Nostra, Global Heritage Fund, and ALIPH (2022). Curator of the Rethinking Space cultural centre - the first public space in Ukraine focused on understanding the events of the current Russian--Ukrainian war (2023).

A comprehensive overview of current trends in classicist and vernacular architecture. This book presents 130 projects that reconsider what it means to practice as a traditional architect in the twenty-first century, including a substantial body of work from non-Western countries as well as work by contemporary masters of classical design such as Robert A. M. Stern, Allan Greenberg, Andrés Duany and Elizabeth Plater-Zyberk, and Quinlan and Francis Terry. The projects assembled here highlight the awareness of a sustainable localism and the continuity of traditional building crafts on a global scale and reveal the resilience and originality of traditional building cultures despite the enormous economic and cultural pressures of contemporary development. This is an optimistic vision of a new breed of traditional architects who endeavor to enrich the future while honoring the past.

About the Authors:

Alireza Sagharchi, R.I.B.A., is the principal of Stanhope Gate Architecture+Urban Design. Lucien Steil is an architect and academic who has worked with Léon Krier and Maurice Culot in Brussels at the Archive d’Architecture Moderne and has been a visiting critic at universities in Europe and North America. HRH The Prince of Wales established The Prince’s Foundation for the Built Environment to improve the quality of people’s lives by teaching and practicing timeless and ecological ways of planning, designing, and building. Léon Krier has taught architecture and urbanism at the Royal College of Arts, in London, and at Princeton University, Yale University, the University of Notre Dame, and the University of Virginia. He received the inaugural Richard Driehaus Prize for Classical Architecture.

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Пролистать книгу Traditional Architecture: Timeless Building for the Twenty-First Century

The ultimate design bible for the Victorian home, placing period features and 19th-century design in context and exploring how today’s designers are adapting these houses in innovative ways for contemporary lifestyles

Loved for their period character, Victorian homes aren’t always suited to modern living. Victorian Modern is the ultimate design bible to help you make sense of those inherited quirks and features, showing how artists, designers and creative homeowners are turning their own homes into contemporary showstoppers.

The book comprises seven chapters, organized according to how we use our homes: dining, cooking, entertaining, sleeping, bathing, working and transitional areas, such as hallways. Each chapter explains how the Victorians designed and decorated these spaces, before moving on to their modern interpretations. Inside are plenty of tips, tricks and inspiration for transforming your 19th-century home into a light-filled modern one, ready for the 21st century.

Combining cultural context with advice and inspiration from the homes of interior designers, architects and stylists, Victorian Modern reveals how the history and design of 19th-century homes can influence and inform our modern lifestyles and home decor in fresh and interesting ways.

About the Authors:

Jo Leevers is an interiors writer, stylist and author. She has written for World of Interiors, Homes & Gardens, Livingetc and Elle Decoration, the Telegraph and Observer newspapers, and magazines in Europe, the US and Australia.
Rachael Smith is an interiors photographer whose work appears regularly in House & Garden, World of Interiors, Elle Decoration, Homes & Gardens, Architectural Digest and magazines in Asia and Europe, and the Times, Observer and Telegraph. Her books include London Shopfronts (2021) and Dungeness: Coastal Architecture (2022).

The history and art of one of the most important suburban aristocratic residences of the 16th century, among the oldest and most beautiful in the Alps

Illustrated by spectacular images, which are the result of a special photographic campaign conducted by Massimo Listri, this volume documents the architecture and rich artistic treasures of the famous residence, which is the only example in the Trentino region of a suburban villa from the Council period of the mid-16th century characterized by a portico and loggia arrangement, typical of Veronese architecture of the time. Inside the villa, Italian, Flemish, and German artists created frescoed decorations of the highest quality, including the cycle of 12 frescoes dedicated to the victories of Charles V, those depicting episodes from the Old and New Testaments, and those depicting the 12 months of the year.

Alongside these extraordinary frescos, the book presents sculptures and furniture, mainly from the Flemish and German area, and wooden metopes painted with grotesques and male and female portraits that can be traced back to specialists in this type of decoration, influenced by the engraving art of the time.

About the Authors:

Michelangelo Lupo (1948), an architect specializing in art history, was director of the Museo del Castello del Buonconsiglio in Trento from 1978 to 1984. He then went freelance and worked for long periods in the field of architectural restoration in Egypt, Libya, Jordan and Algeria.

Massimo Listri (1953), the master of architectural and environmental photography, has published over seventy books with the most prestigious publishers in Europe and the United States.

Astonishing buildings created for casual amusements, the splendid pavilions and garden follies of prerevolutionary France are the glorious productions of an age now past — but they continue to speak to us through the dazzling artistry of Dams and Zega.

Spanning 150 years and the reigns of four kings, the pleasure pavilions, garden follies, and châteaux of Ancien Régime France are fascinating for the stories that surround their creation as well as a visual feast and a delight. Typically the realm of scholars, the subject is given extraordinary life at the hands of the authors, through whose historically accurate, meticulously rendered watercolors the reader comes to see the sometimes grand, sometimes playful, always beautiful buildings, sculpture, and ornament as they were meant to be seen.

Dams and Zega have devoted much of a lifetime to rediscovering and illuminating these great treasures of world heritage, and this volume is the fruit of more than thirty years of passionate investigation. Intensive original research and devoted exploration informs the work, capturing the genius of these buildings through the medium of watercolor, which the author-artists harness to render building materials and surfaces with sensitivity and great range.

From the mannerist and early baroque guard pavilions at Blérancourt to the Château de Rosay, a fantasy realized in the form of an Anglo-Chinese folly park, this volume is a revelation, sure to captivate architects, historians, landscape designers, and garden lovers.

About the Authors:

Bernd H. Dams is an architect and architectural historian. Andrew Zega is an architectural illustrator, designer, and writer. Together, they have authored and illustrated a number of successful books, including Palaces of the Sun King, Chinoiseries, and Central Park NYC for Rizzoli.

An unprecedented tour through the rich interiors and magnificent collections of one of the great houses of the English country landscape, and a treasure of British architectural heritage.

Wilton House in Salisbury, England, has been the ancestral home of the Earl of Pembroke for nearly 500 years and boasts one of the most fascinating and varied histories of all Britain's historic houses.

Shaped over centuries by the most significant names in architecture and interior design, Wilton is known as the finest example of Palladian architecture in England, with interiors by Inigo Jones and John Webb, furniture by William Kent and Thomas Chippendale, and unparalleled collections of both classical sculpture and Old Master paintings--with masterpieces by Raphael, Titian, Rembrandt, and Tintoretto among its rooms.

The book explores the development of the house and its collections, from the Van Dyck paintings in Jones's remarkable Single and Double Cube state rooms to the Arundel marbles housed in James Wyatt's Gothic-revival cloisters. With a foreword by the Earl of Pembroke, a revelatory text by the historian John Martin Robinson, and imagery drawn both from Wilton's private archives and from eminent architectural and interiors photographers, this book lifts the veil on Wilton House and its remarkable history.

About the Author:

John Martin Robinson is a British architectural historian and officer of arms, and Heraldic Advisor to the National Trust. He has published many books on the architecture, interiors, and landscapes of historic British estates, and his writing has appeared in Country Life magazine.