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From the places of the Colonna, Farnese, Orsini and Altemps where, whitin their secret rooms, the papal throne was disputed over the course of centuries, to the magnificent ducal palaces of Venice and Genoa, manifest symbol of the political and economic power of the maritime republics, to the royal splendour of the Bourbon and Savoy palaces where bauty and history wonderfully and indissolubly merged.
Edith Wharton’s Italian Villas and Their Gardens, a seminal work on garden design, is a testament to the passionate connoisseurship of one of America’s greatest writers. A comprehensive look at the history and character of Italian garden architecture and ornamentation, the book explores more than seventy-five villas, capturing what Wharton calls their "garden-magic" and illuminating the intimate relationship between the house, its formal gardens, and the surrounding countryside.This beautiful hardcover facsimile is carefully reproduced from the first edition published in 1904 and features all of the original plates, including twenty-six illustrations by Maxfield Parrish, as well as décollage edges. It is published in association with The Mount Press. A portion of the proceeds of the sale of the book support the restoration of The Mount, the Massachusetts estate designed and built by Wharton based on the principles articulated in this book and in The Decoration of Houses. Elegantly written and informed by Wharton’s sensitivity and wit, Italian Villas and Their Gardens is a work that belongs on the shelf of every lover of gardens and good taste.
The buildings burned in our memories, which to us represent the spirit of fifties and sixties architectural design, were those whose pictures were widely published in magazines and books; but what about those that got lost in the process, hardly or never appearing in publication?
The exchange of visual information is crucial to the development, evolution, and promotion of architectural movements. If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion. With this book, TASCHEN brings them to light, paying homage to California Modernism in all its forms.
The abandoned files of Julius Shulman show us another side of Modernism that has stayed quiet for so many years. Bringing together nearly 250 forgotten masterpieces, Modernism Rediscovered pays tribute to these lesser known yet outstanding contributions to the modern architectural movement. It's like sneaking into a private history, into homes that have rarely been seen and hardly appreciated as of yet.
About the photographer:
A resident of Los Angeles since 1920, Julius Shulman has been documenting modernist architecture in Southern California and across the globe for nearly eight decades. His images of Pierre Koenig's Case Study House No. 22 (1960) in Los Angeles and Richard J. Neutra's Kaufmann House (1947) in Palm Springs are among the most recognizable and iconic architectural photographs of the 20th century. Shulman's interest in photography developed into a career when he photographed Neutra's Kun Residence in Los Angeles with his Kodak Vestpocket camera in 1936. Neutra admired young Shulman's images and continued to commission his work. Other leading architects of the time followed suit, as did hundreds of magazines, newspapers, and book publishers. Shulman's numerous awards include the Architectural Photography Medal from the American Institute of Architects (1969), a lifetime achievement award from the International Center of Photography in New York (1998), and honorary doctorates from various academic institutions.
The latest in this successful series, this book features around 150 of the most important buildings in the history of world architecture – from the pyramids and Parthenon to some of the most significant works by recent architects.
The buildings are organized by type – from places of worship and public buildings to houses – and are divided into nine chapters, each with an informative introduction that surveys the history of that type. For each building there are numerous, accurate scale drawings showing a combination of floor plans, elevations and sections as appropriate, all specially redrawn for this book.
The quality and number of the line drawings, together with the authoritative text by a renowned architectural historian, allow all the buildings to be understood in detail and make this an invaluable resource for students.
Featuring more than 100 of the most significant and influential buildings of the twentieth century, this second edition includes both classic works by such seminal architects as Le Courbusier, Frank Lloyd Wright, Mies van der Rohe and Alvar Aalto, as well as those by more recent masters, such as Norman Foster, Frank Gehry and Rem Koolhaas. Addtional buildings and images make this new edition even more comprehensive and up-to-date.
For each of the buildings included there are numerous, accurate scale plans showing typical floors, together with elevations, sections and site plans where appropriate. All of these have been specially commissioned for the book and are based on the most reliable information and sources. There is also a concise text explaining the significant architectural features of the building and the influences it shows or generated, together with full-colour images. Cross-references to other buildings in the book highlight the various connections between these key structures.
There are few images of 20th-century architecture more iconic than the nighttime view of Case Study House #22 set on its eagle’s-nest site high above the lights of Los Angeles. With his two innovative houses for the famous project of the Arts and Architecture magazine, American architect Pierre Koenig (1925-2004) became one of the leading figures of the Modern movement in America. While still a student of architecture, he designed and built his first exposed steel house in 1950, proving that the use of prefabricated materials could allow for spatial freedom in affordable houses. Koenig’s houses, like the Johnson House (1962) or the Oberman House (1962), are a direct response to Southern California’s extremely warm and dry climate. His work is deeply marked by his commitment to environmentally and socially responsible design. His houses have thus become characteristic of the spirit of a whole generation: they perfectly capture the excitement and optimism of the American postwar society.
About the Series:
Every book in TASCHEN's Basic Architecture Series features:
- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings
The iron colossus: the construction of the Eiffel Tower in XXL-sized drawings and photographs When it was completed in 1889, the Eiffel Tower was the highest structure in the world, measuring 300 meters (984 feet). Built for the World’s Fair, it was initially granted a 20-year permit; this permit was thankfully extended and now the Eiffel Tower is one of the world’s most famous structures, having become practically synonymous with Paris itself and receiving more than six million visitors annually. This XL reprint explores the design and construction of this remarkable building; published in 1900 as a large folio by Gustave Eiffel himself in a limited edition of 500 copies, the original was never sold on the market — it was exclusively given and donated by Eiffel. Featuring 53 double-page plates of 4.300 technical drawings explaining the design as well as 33 photographs of the construction, the book reveals the complex and fascinating process of bringing the Eiffel Tower to life. Though the technical drawing will especially appeal to designers wishing to discover the engineering genius behind Eiffel’s masterpiece, everyone can appreciate this very rare and special book about Paris’s glorious mascot.
Born Charles-Edouard Jeanneret, Le Corbusier (1887-1965) adopted his famous pseudonym after publishing his ideas in the review L’Esprit Nouveau in 1920. The few buildings he was able to design during the 1920s, when he also spent much of his time painting and writing, brought him to the forefront of modern architecture, though it wasn’t until after World War II that his epoch-making buildings were constructed, such as the Unité d’Habitation in Marseilles and the Church of Notre Dame du Haut in Ronchamp.
Посмотреть русскоязычное издание книги Le Corbusier - Ле Корбюзье
About the Series:
Every book in TASCHEN's Basic Architecture Series features:
Architect and engraver Paul Letarouilly dedicated more than 30 years of his life to creating the most complete collection of plans, elevations, and details of the buildings and monuments of Renaissance Rome.
This student's edition of his achievement features highlights from five massive volumes, originally published between 1825 and 1882. Its systematic overview illustrates the principles of design behind the works of Michelangelo, Sangallo, Peruzzi, Vignola, Bramante, Bernini, Fontana, dalla Porta, Maderno, Borromini, and other great builders of the sixteenth and seventeenth centuries.
Letarouilly's engravings, which illustrate the translation of the principles behind classical architecture into the new age of the Renaissance, served as a major source of inspiration from the moment of their publication, and they remain standard references to this day. This edition includes informative text by classical architect and scholar John Barrington Bayley that offers insights into the architecture of Rome's palaces, villas, and squares as well as St. Peter's and the Vatican.
Ideal for students of classical, Renaissance, and Roman architecture, this affordable volume also constitutes a useful guide for visitors to Rome.
Glasgow Style: The life and work of Glasgow School pioneer, Charles Rennie Mackintosh
Scottish architect, designer, and painter Charles Rennie Mackintosh (1868 - 1928) was one of the earliest pioneers of modern architecture and design. While he never received major recognition in his hometown of Glasgow, his bold new blend of simplicity and poetic details inspired modernists across Europe.
Mackintosh s avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining a healthy dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light.
Mackintosh's projects in Glasgow include the famous Willow Tearooms, the private residences Windyhill and The Hill House, and the Mackintosh Building at the Glasgow School of Art, widely considered his masterwork. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as The Four; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair.
On the continent, this Glasgow Style was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear, yet lyrical, forms. In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe.
About the series:
Each book in TASCHEN's Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
Excellently framed and designed, with bold, receding arches, the open timber roofs of the medieval period featured massive mouldings, carved timbers, and intricate tracery. Today, these roofs are recognized for their striking beauty, rich ornamentation, and the consummate skills of the carpenters and builders who crafted them.
This excellent reproduction of a rare nineteenth-century volume includes numerous full-page illustrations and construction details revealing a wealth of information on the major roof styles (tie-beam, trussed rafter, hammer-beam, and collar-braced) of medieval English churches. More than 50 illustrations of 34 English churches are included, among them the exquisite double hammer-beam roof of Knapton Church in Norwich, the richly ornamented roof over Trinity Chapel, Cirencester Church, in Gloucestershire, and the magnificent roof over Wymondham Church, in Norfolk, in which hammer-beams, boldly projecting into the nave, are exquisitely carved into figures of angels with expanding wings.
These and many more masterly constructions are captured in the authors' own geometric and perspective drawings (done on-site), superbly reproduced here in detailed, highly accurate engravings. In addition to a wealth of pictorial detail, the authors also provide an informative general introduction to the major types of roof construction, as well as expert commentary on each individual roof, describing its distinguishing characteristics, ornament, measurements, and other details.
Artists and illustrators will prize these beautifully rendered plates for their beauty and detail, while architects, antiquarians, and lovers of things medieval will appreciate the authenticity of the plates and the knowledgeable commentary of the architect-authors.
Republication of the London, 1849 edition.
Ludwig Mies van der Rohe (1886–1969) was one of the founding fathers of modern architecture. The creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945–1951) and the Seagram Building in New York (1954–1958), Mies was one of the founders of a new architectural style. Well known for his motto "less is more," he sought a kind of refined purity in architectural expression that was not seen in the reduced vocabulary of other Bauhaus members. His goal was not simply building for those of modest income but building economically in terms of sustainability, both in a technical and aesthetical way; the use of industrial materials such as steel and glass were the foundation of this approach. Though the extreme reduction of form and material in his work garnered some criticism, over the years many have tried - mostly unsuccessfully - to copy his original and elegant style.
This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings.
About the Series:
Every book in TASCHEN's Basic Architecture Series features:
- approximately 120 images, including photographs, sketches, drawings, and floor plans
- introductory essays exploring the architect's life and work, touching on family and background as well as collaborations with other architects
- the most important works presented in chronological order, with descriptions of client and/or architect wishes as well as construction problems and resolutions
-an appendix including a list of complete or selected works, biography, bibliography, and a map indicating the locations of the architect's most famous buildings
With its streamlined shapes and forward-looking approach, the Art Deco style still looks modern today. In the 1920s and 1930s, designers and craftsmen made innovative use of both natural and man-made materials to produce elegant pieces that broke with tradition and celebrated the future. In this beautifully illustrated guide, antiques expert Judith Miller explores the key makers and pieces of the movement, explaining what to look for as a collector.
The book explores all the key collecting areas, with chapters on furniture, glass, ceramics, sculpture, metalwork, silver and plastics, prints and posters, rugs and textiles. With clear price codes and biographies of key makers and designers, the book also contains "A Closer Look" and "Good, Better, Best, Masterpiece" features comparing ranges of items from makers and factories.
About the Author:
Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books, which are held in high regard by collectors and dealers. Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and co-hosts the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including Financial Times, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.
