История архитектуры

A fantastic collection of Soviet Asian architecture, many photographed here for the first time

Soviet Asia explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR.

The resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces – all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Grey concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics.

The residential and institutional architecture and interior design by an eminent London-based classical architect. John Simpson is one of the world’s leading practitioners of new classicism, a contemporary architecture movement that continues the practice of classical and traditional architecture and embraces the virtues of durability, functionality, and beauty. Simpson’s design ethos revolves around the notion that architecture is a public art where each facade forms the character and shape of the public realm — the streets, the squares, and the major civic spaces that we use — and as such must use a language of building that is recognizable and draws on our collective cultural experience. His architecture is thus understandable in a moment and is functional; it is built to last, to be beautiful, and to ensure the comfort and ease of those who experience it, be it the Queen’s Gallery at Buckingham Palace in London or an apartment in a historic building in New York. The work shown covers a wide range, from small-scale residential and apartment design to the country house and the town house to large-scale institutional designs. Featured projects include a new academic quadrangle at Eton College; the new school of architecture at the University of Notre Dame; rooms at Kensington Palace; the Stanhope Hotel renovation in New York; town houses in Belgravia and Chelsea, London; and much more.

About the Author:

David Watkin is professor of the history of architecture at the University of Cambridge.

A revised and updated edition of Sir John Summerson's classic book.

Derived from the principles of Greek and Roman architecture in antiquity, the classical style has long dominated the history of western architecture from the Renaissance to the present. Sir John Summerson’s timeless text, as relevant today as it was when first published, distils the visual language of architecture into its core classical elements, and illustrates that building throughout the ages express an awareness of the ‘grammar’ of style and its rules even if they vary, break or poetically contradict them. From the original edifices of Greece and Rome to the recapitulations and innovations of the Renaissance; the explosive rhetoric of the Baroque to the grave statements of Neo-classicism; and finally, the exuberant eclecticism of the Victorians and Edwardians to the 'stripped Neo-classicism' of some of the moderns; Summerson explains how every period has employed classical language to make their statement.

With a new introduction by academic and architectural historian Alan Powers, this introduction continues to be one of the defining texts on the subject and is essential reading for all students of architecture.

About the Author:

Sir John Newenham Summerson, CBE was one of the leading British architectural historians of the 20th century. He wrote mainly about British architecture, especially that of the Georgian Era. He was a Commissioner of the Royal Commission on the Historical Monuments of England, curator of Sir John Soane's Museum, London, and Slade Professor of Fine Art at the University of Oxford.

Contents List:

Preface
1. The Essentials of Classicism
2. The Grammar of Antiquity
3. Sixteenth-Century Linguistics
4. The Rhetoric of the Baroque
5. The Light of Reason – and of Archaeology
6. Classical into Modern
Glossary
Notes on the Literature of Classical Architecture
Sources of Illustrations

This exciting new book on British country houses offers an unusual and magnificent look at the lifestyle, architecture, and interior design of the country house of the British Isles.

From Brideshead to Downton Abbey, the country house is a subject of fantasy and curiosity, as well as a rich resource to explore the history of great architecture and decoration and the lives of landowners and those who made the houses work. With hundreds of photographs from the National Trust, and others from public and private collections, this visually lavish volume draws back the curtain on important historic homes in England, Wales, Scotland, and Ireland. At the same time it reveals the complex stories of these interiors, both grand and hidden, from great halls, libraries and entryways to the kitchens and stables and gardens. Locations featured include Knole, Cragside, Castle Howard, Chatsworth, Polesden Lacey, Petworth, Bodiam Castle, Blenheim, Longleat, and dozens more.
An insightful essay by renowned British author and historian David Cannadine explores how the idea of the country house has changed over the past forty years. Additional essays reflect on how changing twentieth century values have impacted the country house, with contributions by writers and scholars such as Sarah Callander-Beckett on the private house, Dr. Madge Dresser on slavery and the country house, and Dr. Oliver Cox on the 'Downton Abbey 'effect.' The texts are woven around extensive picture essays, introduced and curated by country house specialist Jeremy Musson, which look at the identity and image of British country houses of all kinds and the stories they contain.

About the Author:

David Cannadine is on the board of the Royal Oak Foundation (the American arm of the National Trust in Britain). The author of seventeen books, Cannadine has taught at Oxford, Cambridge, and Princeton. He is the president of the British Academy and editor of the Oxford Dictionary of National Biography and has served as chairman of the trustees of the National Portrait Gallery in London.

Jeremy Musson is a leading commentator and author on the British country house. He was architectural editor of Country Life from 1998 to 2007 and remains a regular contributor. Musson is the author of seventeen books including English Country House Interiors, Robert Adam, and The Drawing Room. A trustee of the Country Houses Foundation and the Stowe House Preservation Trust, he is also the co-writer and presenter of the BBC2's The Curious House.

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Пролистать книгу The Country House: Past, Present, Future: Great Houses of The British Isles

This volume goes behind the scenes to reveal the history and metamorphosis of the Hôtel de la Marine, a treasure of Parisian heritage.

The Hôtel de la Marine, an exemplary monument on Paris’s Place de la Concorde, is a superb architectural achievement constructed in the eighteenth century by Ange-Jacques Gabriel, the official architect of King Louis XV. The institution it housed was charged with choosing, purchasing, and maintaining all of the king’s furniture — from beds to the simplest chair — and the crown’s treasures were stored here until 1789, after which it became the site of the Ministry of the Navy for more than two hundred years.

An extensive four-year restoration was completed in 2021; the building reopened to the public and features a museum, conserved apartments that highlight the tastes of the eighteenth and nineteenth centuries, an exhibition hall, a bookshop, and three restaurants. Previously unpublished photography captures the splendor and majesty of the monument.

About the Authors:

Jérôme Hanover is a fashion and luxury journalist; he regularly writes for Vogue Paris, GQ, and Le Figaro, and contributed to Dior in Bloom (Flammarion, 2020). Gabriel Bauret is a photography historian, independent curator, and author. Ambroise Tézenas’s photographs have been published in Presidential Residences in France (Flammarion, 2021), Be My Guest (Flammarion, 2020), and Beijing: Theatre of the People (2006), which won a best European book of photography prize. His work has been exhibited all over Europe and Asia.

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Пролистать книгу The French Royal Wardrobe: The Hôtel de la Marine Restored

What exactly gave rise to the phantasmagoric ­buildings of ­starchitects such as Zaha Hadid?

How did inter­actions between artists and architects affect architectural production during the twentieth century? Which exhibitions and publications have had a lasting influence over the last century?

This concise volume chronicles the move­ments and trends in architecture over the past 120 ­years. Written as a narrative but split into succinct sections, it makes for clear and compelling reading.
In his pithy and personal style, the Rome-based critic and archi­tectural historian Luigi Prestinenza Puglisi explores the events and motivations that have driven the work of leading archi­tects from Frank Lloyd Wright and Louis Kahn, to Rem Koolhaas and Kazuyo Sejima.

With over 700 illustrations and a comprehensive list of practitioners, this insightful chronicle is both visually ­appealing and easy to navigate. It covers buildings from across the globe and details projects by contem­porary archi­tects, bringing readers fully up to date.

Adventure through the princely Thurn und Taxis estate, an enchanted palace where 1,000 years of history meets a thoroughly modern family. For 200 years the Thurn und Taxis family have called the palace of St. Emmeram home. Regarded as one of Germany’s finest examples of historicist architecture, the Regensburg residence’s myriad rooms trace centuries of distinctive styles: a Romanesque-Gothic cloister built between the twelfth and fourteenth centuries, a neo-Renaissance marble staircase, a number of Rococo and neo-Rococo staterooms, and a Baroque library frescoed in 1737. Celebrated photographer Todd Eberle captures the confluence of high art and grand architecture within the 500-room palace to reveal the curious tale of the Thurn und Taxis family. Complete with stately portraits and scenes of life at St. Emmeram, this monograph offers a glimpse into the world and glamour of one of the most important dynasties of the European aristocracy.

About the Authors:

Sir John Richardson is a British art historian and Picasso biographer. Princess Gloria von Thurn und Taxis is the matriarch of the princely house of the Thurn and Taxis. André Leon Talley is an author and contributing editor of Vogue. Alexander Count von Schoenburg is a journalist and author. Elisabeth von Thurn und Taxis is an author and writer for Vogue.

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Пролистать книгу The House of Thurn und Taxis

The remarkable story of the architecture and interior design of America’s most famous country inn and restaurant. The transformation of the internationally acclaimed Inn at Little Washington — from a rural garage into a sumptuous country house hotel — reads like an enchanted fairy tale. Legendary chef and owner Patrick O’Connell tells the story of how this property was reimagined with a team of skilled designers and architects. The inn, which opened in 1978, is considered a masterpiece in American hotel and restaurant design and has expanded to include not only the original main building, but an entire village of cottages, guesthouses, and gardens. British interior designer Joyce Conwy Evans collaborated with O’Connell in creating the sensational English-style ambience. Lavishly photographed and enhanced by Conwy Evans’s watercolor renderings, this gorgeous book features luxurious guest rooms, stunning bathrooms, exquisite tabletop vignettes, floral arrangements, and displays of art, which will inspire every home decorator.

About the Author:

Patrick O’Connell is a self-taught chef who has pioneered a refined, regional American cuisine. A member of the Relais & Chateâux group, The Inn at Little Washington became America’s first five–star inn. The restaurant has won many accolades, including five James Beard awards. Derry Moore was a contributing photographer for Nest. He photographs for Architectural Digest and other magazines, and is the author of In House, Rooms, and The Englishman’s Room. Gordon Beall specializes in architecture and interior design. His photographs appear frequently in publications such as Architectural Digest.

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Пролистать книгу The Inn at Little Washington: A Magnificent Obsession

An unprecedented tour of the most stunning and architecturally significant palatial homes of Russia's nobility, many not previously photographed and inaccessible to visitors.

This luxurious presentation takes the reader on a breathtaking tour through the most magnificent mansions in St. Petersburg, Russia, built by the prerevolutionary aristocracy.

Palaces of St. Petersburg reflects the unparalleled access and meticulous research of the authors, showcasing private residences that are unsurpassed in their historical importance and artistic grandeur. From the world-renowned Yusupov Palace, where Count Yusupov, famous for killing Rasputin, carried out his courtly duties, to the Polovtsov Palace, its unassuming facade concealing one of the most spectacular interiors of St. Petersburg, these residences have been an integral part of Russian history.

This volume gives readers a glimpse into the interiors of these family homes with their sweeping marble staircases and grand rooms with elaborate parquet floors, intricate moldings, and mosaic details, enriched with sculptures and tapestries. All-new photography--as well as archival images showing the rooms and art collections as they existed in the day--celebrate the enduring beauty and exquisite restorations of these masterpieces, which reflect a lost way of life.

About the Authors:

Thierry Morel is a curator, author, and a former director of the Hermitage Foundation UK. He curated the groundbreaking exhibition Houghton Revisited and edited and contributed to the catalog Houghton Revisited: The Walpole Masterpieces from Catherine the Great's Hermitage.

Elizaveta Renne is a senior curator at the State Hermitage Museum in St. Petersburg, Russia, and the author of numerous catalogs including Sixteenth- to Nineteenth-Century British Painting: State Hermitage Museum Catalogue.

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Пролистать книгу The Splendor of St. Petersburg: Art & Life in Late Imperial Palaces of Russia

The Russian imperial residence of Tsarskoye Selo – the ‘Tsar’s Village’ – is now more than three hundred years old. It was once a modest estate housing a summer residence for Catherine I, second wife of Peter the Great. The building now known as the Catherine Palace was extensively rebuilt by Empress Elizabeth and then lavishly refurbished by Catherine II, known as Catherine the Great.

The estate now is not only a piece of art history but a living testimony to the tastes and private passions of the Romanov family. Their clothes and porcelain, their desks and bookshelves build an intimate and involving portrait of life in imperial Russia.

This empress’s love of art and decoration is evident in the sumptuous interiors and in the extensive park, filled with fanciful pavilions, bridges and monuments. Catherine also commissioned the neoclassical Alexander Palace for her favourite grandson, the future Alexander I; this later became home to the last tsar, Nicholas II, and his family until their exile to Siberia.

Occupied by the Nazi forces in 1941, Tsarskoye Selo saw its treasures plundered and many of its interiors left derelict. Fortunately, some of its magnificent interiors survived, while others, such as the extravagant Amber Room, have since been painstakingly restored to their former opulence.

The palaces and pavilions are a glorious showcase for Russian art and craftsmanship in a huge variety of materials and techniques, from the mirrors and lavish gilding of the Great Hall to the blood-red beauty of the Agate Rooms, their walls lined with Siberian jasper.

Specially commissioned photographs by Marc Walter are accompanied by fascinating archive images, capturing a bygone age of baroque splendour that will captivate art lovers and historians alike.

The retro-futuristic epoch is one of the most visually spectacular in architecture’s history. The utopian buildings of the 1960s and 1970s never go out of style. This book compiles radical ideas, rediscovered photos, and visionary structures.

Driven by idealistic visions, utopian architecture aimed to overcome social divisions and political strife, to put us in touch with nature, and to enable us to live humane, healthy lives. For half a century, it was both hope and inspiration.

The Tale of Tomorrow surveys this diverse twentieth-century phenomenon, featuring renowned works like The House of the Century or the TWA terminal, as well as lesser-known masterpieces, and profiling major thinkers such as Oscar Niemeyer, Le Corbusier, and Eero Saarinen. By digging through archives, corresponding with descendants of departed architects, and restoring photographs, the collection of utopian approaches herein maintains a visual power and infectious optimism.

Looking at past dreams, The Tale of Tomorrow is a call to reclaim our future.

This visually stunning volume explores Monticello, both house and plantation, with texts that present a current assessment of Jefferson’s cultural contributions to his noteworthy home and the fledgling country.

Thomas Jefferson (1743–1826), third president of the United States, designed his Virginia residence with innovations that were progressive, even unprecedented, in the new world. Six acclaimed arts and cultural luminaries pay homage to Jefferson, citing his work at Monticello as testament to his genius in art, culture, and science, from his adaptation of Palladian architecture, his sweeping vision for landscape design, his experimental gardens, and his passion for French wine and cuisine to his eclectic mix of European and American art and artifacts and the creation of the country’s seminal library. Each writer considers the important role, and the painful reality, of Jefferson’s enslaved workforce, which made his lifestyle and plantation possible. This book, illustrated with superb photography by Miguel Flores-Vianna, is a necessary addition to the libraries of those who love historical architecture and landscape design, art and cultural history, and the lives of prominent Americans.

About the Authors:

Leslie Greene Bowman is president of Monticello and the Thomas Jefferson Foundation. Charlotte Moss is a designer and author. Miguel Flores-Vianna is an interiors photographer. Annette Gordon-Reed is a Pulitzer Prize–winning author and historian. Carla Hayden is the 14th Librarian of Congress. Jay McInerney is a novelist and wine columnist. Jon Meacham is a Pulitzer Prize–winning presidential historian. Xavier Salomon is the deputy director/chief curator at The Frick Collection (NYC). Gil Schafer is an award-winning architect. Alice Waters is a chef, activist, and author. Thomas Woltz is an award-winning landscape architect.

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Пролистать книгу Thomas Jefferson at Monticello: Architecture, Landscape, Collections, Books, Food, Wine

In Yugoslavia’s “Third Way” architecture, Brutalism meets the fantastical

Squeezed between the two rival Cold War blocs, Yugoslav architecture consistently adhered to a modernist trajectory. As a founding nation of the Non-Aligned Movement, Yugoslavia became a major exporter of modernist architecture to Africa and the Middle East in a postcolonial world. By merging a variety of local traditions and contemporary international influences in the context of a unique Yugoslav brand of socialism, often described as the “Third Way,” local architects produced a veritable “parallel universe” of modern architecture during the 45 years of the country’s existence. This remarkable body of work has sparked recurrent international interest, yet a rigorous interpretative study never materialized in the United States until now.

Published in conjunction with a major exhibition on the architectural production of Yugoslavia between 1948 and 1980, this is the first publication to showcase an understudied but important body of modernist architecture. Featuring new scholarship and previously unpublished archival materials, this richly illustrated publication sheds light on key ideological concepts of Yugoslav architecture, urbanism and society by delving into the exceptional projects and key figures of the era, among them Bogdan Bogdanovic, Zoran Bojovic, Drago Galic, Janko Konstantinov, Georgi Konstantinovski, Niko Kralj, Boris Magaš, Juraj Neidhardt, Jože Plecnik, Svetlana Kana Radevic, Edvard Ravnikar, Vjenceslav Richter, Milica Šteric, Ivan Štraus and Zlatko Ugljen.

A comprehensive overview of current trends in classicist and vernacular architecture. This book presents 130 projects that reconsider what it means to practice as a traditional architect in the twenty-first century, including a substantial body of work from non-Western countries as well as work by contemporary masters of classical design such as Robert A. M. Stern, Allan Greenberg, Andrés Duany and Elizabeth Plater-Zyberk, and Quinlan and Francis Terry. The projects assembled here highlight the awareness of a sustainable localism and the continuity of traditional building crafts on a global scale and reveal the resilience and originality of traditional building cultures despite the enormous economic and cultural pressures of contemporary development. This is an optimistic vision of a new breed of traditional architects who endeavor to enrich the future while honoring the past.

About the Authors:

Alireza Sagharchi, R.I.B.A., is the principal of Stanhope Gate Architecture+Urban Design. Lucien Steil is an architect and academic who has worked with Léon Krier and Maurice Culot in Brussels at the Archive d’Architecture Moderne and has been a visiting critic at universities in Europe and North America. HRH The Prince of Wales established The Prince’s Foundation for the Built Environment to improve the quality of people’s lives by teaching and practicing timeless and ecological ways of planning, designing, and building. Léon Krier has taught architecture and urbanism at the Royal College of Arts, in London, and at Princeton University, Yale University, the University of Notre Dame, and the University of Virginia. He received the inaugural Richard Driehaus Prize for Classical Architecture.

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Пролистать книгу Traditional Architecture: Timeless Building for the Twenty-First Century

This beautiful, aspirational book offers a seductive vision of living and entertaining in the most elegantly appointed private interiors of Venice.

For centuries, millions have succumbed to the magic of Venice, but few have been able to venture into its sumptuous private spaces. This book invites us into the extravagant interiors and secret gardens via a tour of the grand apartments and private homes where Venetians have forged an inspiring approach to living and entertaining in grand Old World style.

This superbly photographed volume takes the reader behind the fabulous facades of Venice to explore its grand interiors and local cuisine. Featuring lively anecdotal text and stunning color photographs of private interiors otherwise not open to the public, and including recipes from Venice and the surrounding Veneto region, this beautifully illustrated volume is essential for anyone who has fantasized about living in one of the world’s most romantic cities. This is an enchanting volume for browsers, armchair tourists, and anyone interested in interior design.

About the Authors:

Lydia Fasoli is a journalist and stylist based in Paris. She has written for leading European publications. Francesco “Toto” Bergamo Rossi has devoted his life to the restoration, preservation, and promotion of the artistic and historical heritage of Venice and has helmed the Venetian Heritage Foundation since 2010. Marie-Pierre Morel is a lifestyle photographer whose work appears regularly in prestigious publications including Elle, Elle Decor, and Maison Francaise.