История архитектуры

This beautiful, aspirational book offers a seductive vision of living and entertaining in the most elegantly appointed private interiors of Venice.

For centuries, millions have succumbed to the magic of Venice, but few have been able to venture into its sumptuous private spaces. This book invites us into the extravagant interiors and secret gardens via a tour of the grand apartments and private homes where Venetians have forged an inspiring approach to living and entertaining in grand Old World style.

This superbly photographed volume takes the reader behind the fabulous facades of Venice to explore its grand interiors and local cuisine. Featuring lively anecdotal text and stunning color photographs of private interiors otherwise not open to the public, and including recipes from Venice and the surrounding Veneto region, this beautifully illustrated volume is essential for anyone who has fantasized about living in one of the world’s most romantic cities. This is an enchanting volume for browsers, armchair tourists, and anyone interested in interior design.

About the Authors:

Lydia Fasoli is a journalist and stylist based in Paris. She has written for leading European publications. Francesco “Toto” Bergamo Rossi has devoted his life to the restoration, preservation, and promotion of the artistic and historical heritage of Venice and has helmed the Venetian Heritage Foundation since 2010. Marie-Pierre Morel is a lifestyle photographer whose work appears regularly in prestigious publications including Elle, Elle Decor, and Maison Francaise.

A journey through its emotional itineraries is unveiled for the very first time by the photographic masterpieces of Massimo Listri.

Villa Albani Torlonia, with its collections, the Italian garden, and the hemicycle of the Kaffeehaus, is a sublime testimony of that particular antiquarian taste which came to the fore in the mid-eighteenth century, that for which Rome became a favorite destination on the Grand Tour. The classicist dream of Cardinal Alessandro Albani (1692–1779), was preserved thanks to the Torlonia family, who purchased the villa in 1866, enlarging the collection and the gardens and restoring the most important cardinal residence of the eighteenth century.

More than 300 images by the great Italian master Massimo Listri recount the history of this extraordinary cultural heritage for the very first time. An immersive journey leads the reader between its collections of ancient masterpieces. Statues, bas-reliefs, and fountains are ensconced between the various buildings and gardens of the villa in a composition of environments, landscapes, and works of art forever waiting to be discovered.

About the Authors:

Massimo Listri is a photographer who has published more than 70 books and has exhibited his work at numerous solo exhibitions throughout the world. Carlo Gasparri is emeritus professor at the University of Naples Federico II and has authored several books about archaeology and Greek and Roman art. Raniero Gnoli is an Orientalist and historian of religions. Alvar González-Palacios is an author and art historian and former collaborator of FMR magazine.

The magnificent Italian gardens and water features of the famous 16th-century villa in a spectacular photo book

UNESCO World Heritage Site since 2001, Villa d’Este is an Italian garden masterpiece with an outstanding array of fountains, nymphaea, grottoes, water features and sound effects.

Following the disappointment for not having been elected Pope, Cardinal Ippolito II d’Este in this villa revived the splendour of the courts of Ferrara, Rome and Fontainebleau, echoing the magnificence of Villa Adriana.

Governor of Tivoli from 1550, the Cardinal immediately envisioned the creation of a garden on the slopes of the valley known as Valle Gaudente. But it was only after 1560 that the Villa’s architectural and iconological programme was defined by painter-archaeologist-architect Pirro Ligorio and executed by court architect Alberto Galvani. The palace was decorated by the leading exponents of late Roman Mannerism.

When Ippolito d’Este died in 1572 the villa was almost completed. Further 17th-century interventions were followed by a period of decline, until Cardinal Gustav Adolf von Hohenlohe infused new life into the property also welcoming the musician Franz Liszt (1811–1886). Acquired by the Italian State, Villa d’Este was restored and opened to the public in the 1920s and 1930s.

About the Author:

Javier Molins is an independent curator. He has organised more than 30 exhibitions internationally, including exhibitions devoted to Pablo Picasso, Joan Miró, Tony Cragg, Jaume Plensa, Manolo Valdés, Julian Opie and Valerio Adami in Spain, France, Italy, United Kingdom, Belgium, Switzerland, Singapore and Dubai. In 2019, on the occasion of the 58th Venice Biennale, he curated a solo exhibition of Sean Scully at San Giorgio Maggiore. His expertise is called upon as an art critic by several Spanish media outlets. Molins has lectured at the Royal Academy of Arts of London and The Courtauld Institute of Arts. He lives and works in London.

The history and art of one of the most important suburban aristocratic residences of the 16th century, among the oldest and most beautiful in the Alps

Illustrated by spectacular images, which are the result of a special photographic campaign conducted by Massimo Listri, this volume documents the architecture and rich artistic treasures of the famous residence, which is the only example in the Trentino region of a suburban villa from the Council period of the mid-16th century characterized by a portico and loggia arrangement, typical of Veronese architecture of the time. Inside the villa, Italian, Flemish, and German artists created frescoed decorations of the highest quality, including the cycle of 12 frescoes dedicated to the victories of Charles V, those depicting episodes from the Old and New Testaments, and those depicting the 12 months of the year.

Alongside these extraordinary frescos, the book presents sculptures and furniture, mainly from the Flemish and German area, and wooden metopes painted with grotesques and male and female portraits that can be traced back to specialists in this type of decoration, influenced by the engraving art of the time.

About the Authors:

Michelangelo Lupo (1948), an architect specializing in art history, was director of the Museo del Castello del Buonconsiglio in Trento from 1978 to 1984. He then went freelance and worked for long periods in the field of architectural restoration in Egypt, Libya, Jordan and Algeria.

Massimo Listri (1953), the master of architectural and environmental photography, has published over seventy books with the most prestigious publishers in Europe and the United States.

Since the Second World War, technology has caught up with our imagination: such practitioners as Daniel Libeskind, Rem Koolhaas, Peter Eisenman and Zaha Hadid, whose works were often considered too experimental or controversial to construct, are now creating real, iconic buildings.

The definitive history of visionary and experimental architecture since 1945, Visionary Architecture contains:–
• A thematic overview of the most important and far-reaching work produced in the last sixty years
• A survey of some of the most exciting practices working today, particularly in the digital realm, shown through case studies in each chapter, such as Diller+Scofidio, Morphosis and NOX
• Illustrated glossary of ideas, movements, people and terms.

Narrative, case studies and glossary thus offer a complete resource for students and professionals and will become the authoritative source on a subject of essential interest for all in the world of architecture, building and construction.

Astonishing buildings created for casual amusements, the splendid pavilions and garden follies of prerevolutionary France are the glorious productions of an age now past — but they continue to speak to us through the dazzling artistry of Dams and Zega.

Spanning 150 years and the reigns of four kings, the pleasure pavilions, garden follies, and châteaux of Ancien Régime France are fascinating for the stories that surround their creation as well as a visual feast and a delight. Typically the realm of scholars, the subject is given extraordinary life at the hands of the authors, through whose historically accurate, meticulously rendered watercolors the reader comes to see the sometimes grand, sometimes playful, always beautiful buildings, sculpture, and ornament as they were meant to be seen.

Dams and Zega have devoted much of a lifetime to rediscovering and illuminating these great treasures of world heritage, and this volume is the fruit of more than thirty years of passionate investigation. Intensive original research and devoted exploration informs the work, capturing the genius of these buildings through the medium of watercolor, which the author-artists harness to render building materials and surfaces with sensitivity and great range.

From the mannerist and early baroque guard pavilions at Blérancourt to the Château de Rosay, a fantasy realized in the form of an Anglo-Chinese folly park, this volume is a revelation, sure to captivate architects, historians, landscape designers, and garden lovers.

About the Authors:

Bernd H. Dams is an architect and architectural historian. Andrew Zega is an architectural illustrator, designer, and writer. Together, they have authored and illustrated a number of successful books, including Palaces of the Sun King, Chinoiseries, and Central Park NYC for Rizzoli.

An unprecedented tour through the rich interiors and magnificent collections of one of the great houses of the English country landscape, and a treasure of British architectural heritage.

Wilton House in Salisbury, England, has been the ancestral home of the Earl of Pembroke for nearly 500 years and boasts one of the most fascinating and varied histories of all Britain's historic houses.

Shaped over centuries by the most significant names in architecture and interior design, Wilton is known as the finest example of Palladian architecture in England, with interiors by Inigo Jones and John Webb, furniture by William Kent and Thomas Chippendale, and unparalleled collections of both classical sculpture and Old Master paintings--with masterpieces by Raphael, Titian, Rembrandt, and Tintoretto among its rooms.

The book explores the development of the house and its collections, from the Van Dyck paintings in Jones's remarkable Single and Double Cube state rooms to the Arundel marbles housed in James Wyatt's Gothic-revival cloisters. With a foreword by the Earl of Pembroke, a revelatory text by the historian John Martin Robinson, and imagery drawn both from Wilton's private archives and from eminent architectural and interiors photographers, this book lifts the veil on Wilton House and its remarkable history.

About the Author:

John Martin Robinson is a British architectural historian and officer of arms, and Heraldic Advisor to the National Trust. He has published many books on the architecture, interiors, and landscapes of historic British estates, and his writing has appeared in Country Life magazine.

An accessible, global survey of architecture’s greats

A world of beauty and genius is unveiled in over 350 photographs which take you on an epic journey celebrating the finest examples of architecture from over 2,000 years of civilization.

Deftly splitting the history of architecture into two parts at AD1500, World Architecture: The Masterworks contains over 80 buildings, over 40 of which are featured in detailed photo essays. The book includes both the acknowledged stars – the Pantheon; Hagia Sophia; the great cathedrals of Europe; Islamic masterpieces at Isfahan and Samarkand; the Sydney Opera House – and the unfamiliar – the Hindu temple of Prambanan in Java; the Pilgrimage church of Sainte-Foy at Conques, France; and Santa Maria della Consolazione at Todi, Italy, among others.

World Architecture: The Masterworks is the perfect volume for anyone with even a passing interest in architecture and its crowning achievements.

Contents List:

Introduction: What is an Architectural Masterwork? • I. Before AD1500 • II. After AD1500

About the Author:

Will Pryce, a trained architect and award-winning photographer, is the author of six books, all published by Thames & Hudson.

The greatest challenge in designing homes is negotiating the delicate balance between aesthetics and the personal desires of the occupants. While it`s important for the structure to reflect the vision and style of the architect, the client must ultimately feel at home beneath the roof. It is particularly interesting, therefore, to examine the homes that architects create for themselves. If houses reflect their owners` personalities, then architects` own homes are like autobiographies. Location, layout, style, lighting, artwork, furnishings — every detail adds color to the story. Each of these 100 dwellings, presented A-Z by architect, speaks more about its designer than any other building possibly could.

Since the mythical Tower of Babel, humans have continuously tried to erect monuments to match their oversized egos. With ancient ziggurats, the Taj Mahal or the Empire State Building, man has for centuries demonstrated his force by raising structures for purposes both religious and profane.
As international cultural statements without words, symbols of a people’s values - devotion, patriotism, power - symbols of a civilisation’s grandeur, these monuments still fascinate and attract an ever-growing public who is captivated by the creativity and ingenuity of these architects and stonemasons.
Their historical message goes far beyond mere art history, for they tell us of the lives and evolution of the peoples of the past, as does the Parthenon in Athens, many times destroyed, rebuilt, reused, attacked, pillaged and restored once again today.
This work, featuring 1000 monuments chosen from around the globe, retraces human history, the techniques, styles and philosophies necessary for the construction of so many splendours over the centuries, providing a panorama of the most celebrated monuments while evoking the passion of their makers. The reader can explore the changing values of humanity through the edifices it has built and understand these structures as triumphs of humankind.

About the author
Historian of art, architecture and urbanism, Christopher E. M. Pearson is a specialist in twentieth century visual culture. Born in Vancouver, Canada, he holds a degree in art history from the Courtauld Institute of Art and defended a thesis in architectural history at Stanford University. He has taught courses in art and architectural history at Stanford, the University of California, Davis, Santa Clara University, Arizona State University, the University of Oregon and Trinity University in San Antonio, Texas. In 2006, he was one of the founders of Quest University Canada. His publications number many studies of modern art and architecture.

Книга представляет собой богато иллюстрированное руководство по истории западноевропейской и американской архитектуры последнего тысячелетия. Она содержит обширные сведения о художественной специфике и эволюции этого искусства, истории архитектурных стилей, многообразии их региональных вариантов и отдельных направлений, знакомит с творчеством великих зодчих. Издание включает 600 цветных иллюстраций, воспроизводящих фасады и интерьеры известнейших архитектурных сооружений; каждая из 148 статей, расположенных на отдельном развороте, имеет свое название и посвящена определенному периоду или стране; кроме того, анализируются особенности 36 шедевров мировой архитектуры. Текст дополнен приложением, включающим краткие биографические сведения о 180 ведущих архитекторах мира, а также словарь использованных в тексте архитектурных терминов.

Издание рассчитано на самый широкий круг читателей, интересующихся историей мировой художественной культуры.

This excellent introduction to the major developments in art and architecture that emerged from seventeenth century Western Europe bridges the gap between the specialized study and a more general survey. Seventeenth-Century Art & Architecture encompasses the socio-political and cultural background of the period. In the process it examines the careers of the most significant painters, sculptors and architects, and those of less well-known artists. Major artists covered include Bernini, Borromini, Caravaggio, Carracci, Claude, Girardon, Guercino, Hals, Jones, Le Brun, Le Vau, Murillo, Poussin, Rembrandt, Reni, Ribera, Rubens, Ruisdael, Steen, van Dyck, Velzquez, Vermeer, Wren and Zurbarn. The seventeenth century also witnessed the emergence of successful women painters such as Artemisia Gentileschi and Clara Peeters, who receive due attention here.

Attractive, useful and entertaining, this collection of great buildings is a course in architectural history for readers of all ages.

The fifty buildings presented here in chronological order represent the most compelling, intriguing, and awe-inspiring structures from all over the world. Along with the Pyramids of Cheops, the Parthenon, and the Colosseum, readers will learn about other masterpieces such as the Hagia Sophia in Turkey; Cambodia's Temple Complex at Angor Wat; the Potala Palace in Lhasa; and the Jewish Museum in Berlin. Each entry features full color photographs of the structure along with informative text presented in a dynamic format. Readers can find basic information about each building's artistic relevance, style, and contextual history while timelines and sidebars offer additional notes about architectural periods and techniques. From ancient Jordan and Guatemala to modern-day Manhattan and Munich, this world tour of great places offers a mini-course in architecture that will satisfy even the most passionate student's lust for learning about why and how we continue to create amazing buildings.

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Beautiful reproduction of a 1791 classic describes the qualifications and duties of an architect. The 53 beautifully engraved, fine line plates display ornate compartments for coved ceilings; plans and elevations of pilaster capitals; pedestals for columns; arches; ballusters; and other architectural features. 53 black-and-white illustrations.

Architect Léon Krier asks, “Can a war criminal be a great artist?” Speer, Adolf Hitler's architect of choice, happens to be responsible for one of the boldest architectural and urban oeuvres of modern times.

First published in 1985 to an acute and critical reception, Albert Speer: Architecture 1932-1942 is a lucid, wide-ranging study of an important neoclassical architect. Yet is is simultaneously much more: a philosophical rumination on art and politics, good and evil. With aid from a new introduction by influential American architect Robert A. M. Stern, Krier candidly confronts the great difficulty of disentangling the architecture and urbanism of Albert Speer from its political intentions.

Krier bases his study on interviews with Speer just before his death. The projects presented center on his plan for Berlin, an unprecedented modernization of the city intended to be the capital of Europe.