Дизайн

Creative Bible. An updated edition of the best-selling reference work for copywriting

In 1995, the D&AD published a book on the intricate art of writing for advertising. Now, D&AD and TASCHEN join forces to bring you this updated and redesigned edition with essays by 53 leading professionals from across the world. This book isn’t just indispensable for marketing writers, but for anyone who needs to win people over online, on paper, or in person.

In 1995, the D&AD published a book on the art of writing for advertising. The then best-selling book remains an important reference work today — a bible for creative directors. D&AD and TASCHEN have joined forces to bring you an updated and redesigned edition of the publication. Regarded as the most challenging field in advertising, copywriting is usually left to the most talented professionals — often agency leaders or owners themselves. The book features a work selection and essays by 53 leading professionals in the world, including copywriting superstars such as David Abbott, Lionel Hunt, Steve Hayden, Dan Wieden, Neil French, Mike Lescarbeau, Adrian Holmes, and Barbara Nokes.

The lessons to be learned on these pages will help you create clearer and more persuasive arguments, whether you are writing an inspiring speech, an engaging web banner or a persuasive letter. This is not simply a “must-have” book for people in advertising and marketing, it is also a “should-have” for anyone who needs to involve or influence people, by webpage, on paper, or in person.

The editor:

D&AD is a nonprofit educational charity that was launched in 1962 by a group of London-based creative revolutionaries including David Bailey, Terence Donovan and Alan Fletcher, with iconic and legendary professionals on both its judging panels and winners lists. By celebrating creative communication and rewarding its practitioners, D&AD raises standards across the industry. The annual D&AD Awards—the industry’s biggest and best — rewards outstanding creativity, originality, technical excellence and innovation in design and advertising.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

One of art history’s previously overlooked treasures — the vibrant ceramic tiles of Syria and especially Damascus — are the subject of this fascinating study by a leading Islamic art expert.

The architectural ceramic decoration is one of the most celebrated manifestations of the arts of Islam. Spanning a period from the 13th to the 20th century, the tiles featured in this book exhibit a rich range of influences from Persia, Turkey, China and even Europe. A renowned specialist in the fields of Islamic and Indian art, Arthur Millner explores the historical context that allowed the uniquely creative achievement of Syrian craftsmen to flourish, and why tiles from this region are less restricted in artistic expression than those from better-known centers of production. The complex and interconnected nature of tile designs, techniques and color palettes is explored, highlighting what is distinctive about Damascus ceramics and how they relate to tiles produced in other parts of the Islamic world. Finally, the author traces the journey made by many of these tiles to the West, embellishing the interiors of wealthy clients as Islamic art became both fashionable and influential in late 19th-century art and design.

About the Author:

Arthur Millner is a consultant and independent scholar in the field of Indian and Islamic art. He lectures at the London School of Oriental and African Studies, the V&A Museum, the Royal Asiatic Society and the Oriental Rug and Textile Society. He is the author of Indian Tiles (Prestel, 2021).

Following the overwhelming success of the first volume in the series, Dark Inspiration 2 charts new territory in the world of macabre aesthetics, showcasing the best new artworks in the genre that are sure to disturb and alarm.

From depictions of our most primal fears to scenes of death and injury, this new collection explores the demons that haunt us all. Some appear as nightmare visions dreamt and hopefully forgotten, others are unexplainable tableaus, sure to confuse and bewilder. All are fascinating. In a variety of media including digital and hand rendered illustration, sculpture, photography and more.

Artists include: Alex Garant, Anton Semenov, Dan Hillier, Daniel Martin Diaz, Elisa Ancori, Evelyn Bencicova, Fiona Roberts, Fuco Ueda, Hannes Hummel, Januz Miralles, Johnson Tsang, Katy Horan, Kim Simonsson, Leta Sobierajski, Lola Dupre, Nicoletta Ceccoli and many more.

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Fascination and fear for the unknown and uncontrollable in life has been a recurring theme in art. That mystical feeling often leads to a strong internal urge to explore the depths of human souls. To artists, the uncharted territories set no boundaries for imagination. What seems to be an eerie, apocalyptic world is only a truthful reflection of actuality in these artists’ mind.

Tapping into the uncanny domain of grotesqueries and the occult, Dark Inspiration II is a rich profusion of bone-chilling art created by more than 50 artists worldwide. Childhood reveries, aged folklore and mysteries, and morbid fascination with death and mental pain juxtapose to examine mortal sins, existence and human relationships with the universe. Encompassing illustrations, sculptures, installations, photography and set design, the sensuous collection carries forward the ritual of its first volume to amass a variety of dark and mournful expressions that are at once alluring, bewildering and inspirational to peruse.

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О книге Dark InspirationII: Grotesque illustrations, art and design

Dark InspirationII: Grotesque illustrations, art and design – это продолжение знаменитого первого тома серии, который имел ошеломляющий успех. Второй том представляет Вашему вниманию новую теорию о мире мрачной эстетики, демонстрируя новые лучшие произведения искусства в этом жанре, которые будоражат воображение и вызывают необъяснимое чувство тревоги.

В этой новой коллекции собраны изображения наших самых больших страхов: от сцен смерти и увечий, до наших внутренних демонов и не только. Некоторые из картин выглядят, как кошмарные видения, о которых Вы мечтали забыть, а другие - похожи на необъяснимые сцены, которые снова и снова сбивают с толку. Все подается в очень увлекательном формате,
 с помощью средств массовой информации, цифровых и ручных иллюстраций, скульптур, фотографий и многого другого.

Dark InspirationII: Grotesque illustrations, art and design включает в себя работы таких художников, как Алекс Гарант, Антон Семенов, Дэн Хиллиер, Даниэль Мартин Диас, ЭлизаАнкори, Эвелин Бенчикова, Фиона Робертс, Фуко Уэда, ХаннесХуммель, ЯнузМираллес, Джонсон Цанг, Кэти Хоран, Ким Симонссон, Лета Соберайски, Лола Дюплетре Нор, Лола Дюплетре Нор Чекколи и др.

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Очарование и страх перед неизвестным и тем, что не подвластно контролю, всегда было волнующей темой в искусстве. Это мистическое ощущение часто приводит к желанию исследовать глубины человеческой души. Для художников такие неизведанные территории - только повод для игры воображения. То, что кажется жутким или вовсе концом света, является всего лишь правдивым отражением действительности, в сознании этих художников.

Книга Dark InspirationII: Grotesque illustrations, art and design – собрание «ужасающего» искусства, созданное, более чем, 50 художниками по всему миру. Детские воспоминания, древний фольклор, а также увлечение смертью и болью, сопоставляются с существованием человека и его отношением со Вселенной. Чувственная коллекция, включающая иллюстрации, скульптуры, инсталляции, фотографии и сценографии, продолжает историю первого тома. Накапливая множество темных и печальных изображений, она манит, сбивает с толку, но вдохновляет к прочтению.

David Ragg is a third generation florist, following in the footsteps of his mother and grandmother. Surrounded by flowers from a very young age, he understands the simple beauty of one of nature's most wonderful creations, the flower. His philosophy and view on floral design are uncomplicated. Working with flowers should be fun, inventive and exciting and the finished product must stimulate and generate reaction. Contemporary floral design is not about forcing issues and concepts, but about letting the natural beauty of flowers speak for themselves and declare their own personality. In 2000 David Ragg became Interflora florist of the year, he was a competitor for the UK in the Interflora World Cup and in the UK Europa Cup. As a three-times Gold Medal Winner for Professional Floristry at the Chelsea Flower show, David's business has been raised to the higher ranks in the floral industry. He travels the globe teaching and demonstrating his skills. This new monograph showcases David's range and creative talent.

This rich archive features 240 authentic images from the heyday of Art Deco. Carefully chosen from European periodicals of the early 20th century, these full-color designs offer an abundant selection of outstanding pictures and patterns. Square, rectangular, and circular graphics include abstracts, animals, plants, people, boats, buildings, and much more.

Каталог Второго московского фестиваля графического дизайна и интерактивного искусства DeArt'05

В каталоге представлены более 1500 работ из 20 стран по следующим направлениям:

Графический дизайн
Интерактивный дизайн
Промышленный дизайн
Иллюстрация
Фотография

Фестиваль проходил с 7 по 13 ноября 2005 года в Британской школе дизайна, Москва.

From internationally acclaimed photographer Deborah Turbeville comes the first book on her highly influential visionary avant-garde fashion photography. Celebrated for her poetic grace and cinematic vision, Deborah Turbeville has produced fashion tableaux that draw the viewer into her otherworldly environments. A romantic and modernist, Turbeville bridges the boundaries between commercial fashion and fine arts photography. In this remarkable presentation, Turbeville reveals her highly individualistic point of view of fashion photography and the stories behind her photographs.

This first retrospective presentation of Turbeville's fashion photography was selected by the artist herself. In addition, she has designed the evocative layouts to create yet another masterwork. The presentation includes Turbeville's most famous photographs, among them the controversial Bathhouse series of 1975 for American Vogue with disturbingly isolated figures and her Woman in the Woods series of 1977 for Italian Vogue showing psychologically charged emotions, along with her numerous photography campaigns for labels like Sonia Rykiel, Valentino, Yamamoto, Ungaro, and Commes des Garçons, as well as commissions for Chanel and work that has never been seen before. Her most current project for Casa Vogue--Italian nobility dressed in special couture outfits--evokes Turbeville's vision of everlasting beauty.

About the Author

Deborah Turbeville, a fashion editor turned photographer, was a fashion editor for Mademoiselle in 1966. A portfolio of some very stylized photographs she did for Saks Fifth Avenue was her first big breakthrough into the fashion photography world. Subsequently, her work first appeared in Vogue in the 1970s. Since then she has been a dominant figure in contemporary photography. Turbeville has authored many books, including Unseen Versailles, Wallflower, Studio St. Petersburg, Past Imperfect 1978-1997, and Casa No Name. Her work continues to be exhibited around the world and is published regularly in many international magazines.

Decay can possess the drama of a landslide or the intimacy of cracked skin. In Decay, photographers Nathan Troi Anderson and J.K. Putnam share how decay looks to them through their lenses. Shot in color and black & white, with their cameras trained on a wide array of subjects, decay begins to take shape, framed by written insights about how they perceive this natural phenomenon.

In a distinctly MBP twist, Decay also doubles as a pattern book, providing readers with 50 high-resolution, royalty-free patterns of decay that can be used for any number of graphic design applications.

More than 4,500 objects on 415 plates illustrate a remarkable variety of decorative ironwork from Roman times to the 19th century. Drawn from a rare 1924 source by a noted scholar and collector, it runs the gamut from door knockers and grilles to jewelry and religious symbols.
Reprint of the J. Schemit, Paris, 1924 edition.

TASCHEN's Decorative Art series, whose six installments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles.

Decorative Art 1950s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style.

While European design was extraordinarily inventive, American design was looking to an idealized vision of the future - between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.

Postwar boom decor. Design trends and styles of the 1950s

Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.

TASCHEN’s Decorative Art 50s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities and these new homes reflected the new style. While European design was extraordinarily inventive, American design was looking to an idealized vision of the future — between them, a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.

The editors:

Charlotte Fiell, Peter Fiell have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A–Z, Scandinavian Design, Designing the 21st Century, Graphic Design for the 21st Century, 1000 Lights and Contemporary Graphic Design. They also edited TASCHEN’s Decorative Art series and the 12-volume Domus 1928–1999.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

TASCHEN's 25th anniversary - Special edition! Pop and space age interiors: Highlights from Decorative Art, The Studio Yearbook! TASCHEN's Decorative Arts series, whose six installments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles.

Decorative Arts 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and industrial manufacture, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also pedominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Pasmore, Panton, Safdie, Sottsass, Paolozzi, and Lomazzi did what they could to oblige.

Hippie or Pop? Opposing styles in 1960s design

Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.

Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and industrial manufacture, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also predominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Pasmore, Panton, Safdie, Sottsass, Paolozzi, and Lomazzi did what they could to oblige.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

TASCHEN's Decorative Arts series, whose six instalments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook.

Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles. This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the '60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways, it was a more extreme era for design than the previous decade.

Experimentalism was everywhere, and many projects thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favour of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Arts 1970s includes the work of the decade's brightest stars, such as Afra and Tobia Scarpa, Luigi Coltani, Ettore Sottsass, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.