Книги по шитью и вышивке

The events of your life, from local walks to exotic trips, can provide endless inspiration for textile art. This inspiring book shows you how to record your experiences, using sketchbooks, journals and photography, to create personal narratives that can form a starting point for more finished stitched-textile pieces.

Acclaimed textile artist and teacher Cas Holmes, whose work is often inspired by her life and the journeys she makes, helps you find inspiration through your own life and explains how to record what you see in sketchbooks and journals, which can often become beautiful objects in themselves. She explains how you can use photography, both as documentation and as inspiration, and sometimes incorporate it into the work itself, along with found objects and ephemera.

Throughout the book are useful techniques that can be harnessed to add extra interest to your work, such as methods for making layered collages, how to 'sketch' with stitch, and advice on design and colour. If you want to create beautiful, unique work inspired by your life and travels, this is the perfect book for you.

About the Author:

Cas Holmes is one of UK’s most renowned textile artists. She exhibits widely and runs courses at West Dean College in West Sussex. She is the author of Textile Landscape, Stitch Stories, The Found Object in Textile Art and Connected Cloth, also published by Batsford. She has also written for magazines and websites including Embroidery, The Quilter and TextileArtist and for The Festival of Quilts. She lives in Maidstone, Kent.

An evocative exploration of how travel – local and far away – can inform, inspire and enhance textile art.

Travel has always featured heavily in textile art, from artists’ ‘travelling sketchbooks’ to large-scale installations mapping coastal erosion or the effects of climate change. In this book, renowned textile artist Anne Kelly shows how to capture your travels, past and present, in stitch, with practical techniques sitting alongside inspiring images.

She begins the book by discussing maps in textile art, including their iconography as well as incorporating actual maps into textile work. She then goes on to explore the influence of different cultures from across the globe on textile art.

From India and Peru to Scotland and Scandinavia, the book shows how to harness traditional techniques, fabrics, motifs and colours for use in your own work. The chapter ‘Stopping Places’ captures the moments in time on a journey that can be distilled, remembered and documented to create stitched postcards, sketchbooks and other pieces. The final chapter, ‘Space and the Imagination’, explores the possibilities of space travel as a source of inspiration, and covers inner space too, with artists mapping their own emotional journeys.

Including a wealth of practical tricks and techniques as well as exquisite photography of both Anne’s own work and that of other leading textile artists, this fascinating book will inspire all textile artists, embroiderers and makers to use past travels to influence their work.

About the Author:

Anne Kelly is a textile artist and tutor. She trained in Canada and the UK and now teaches and speaks to guilds and groups. Her work is exhibited widely in solo and group exhibitions, including private collections in the UK and abroad, the Vatican Collection in Rome and at the Textile Museum of Canada in Toronto. She was recently artist-in-residence at Sussex Prairies Garden in West Sussex and exhibited at the international World of Threads Festival and the Prague Patchwork Meeting. She is the co-author of Connected Cloth, also published by Batsford.

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Пролистать книгу Textile Travels: Capturing World Travel in Cloth на Google Books.

The Ultimate Textile Bible

Textilepedia is an extensive textile dictionary that covers all essential fabric knowledge – from deciphering different types of materials to understanding your finishing options. A balance between text and imagery; it acts as a quick easy-to-navigate guide – simplifying complicated fabric and fiber information using comparisons and relatable stories.

An Easy Guide for Fabric

Textilepedia​ helps to provide answers for your fabric selection:

- Light or heavyweight?
- Rough or soft texture?
- Breathable or not?
- Easy to drape?

The book is here to answer all those questions – and then some.

- Why do fabrics have different widths?
- What makes a fiber or fabric elastic?
- Which fabrics are best for printing?
- Are all-natural fibers sustainable?

Packed with need-to-know information about textiles, Textilepedia is a benefit to an array of levels and roles within the fashion industry.

A Portable Textile Library

Textilepedia brings a comprehensive knowledge of textile applications to you. From how to choose fibers, the formation of yarns, the characteristics of common fabrics, and the effects of textile finishing, the book serves as an all-in-one textile information hub.

Visual Oriented - So Easy to Read

When it comes to understanding textiles, information can be tricky to digest – even for designers who work with materials and fabrics every day. That’s why we made sure Textilepedia is presented in a highly-visual, and easy-to-understand way. By incorporating clear and attractive images, illustrations, diagrams and icons, information is a breeze to read, understand, and remember.

Chapter 1 - Fiber

1. How to classify different types of fibers
2. The history, characteristics, and maintenance of individual fibers
3. Fiber shortcodes
4. Alternative substitutions for fibers
5. Common types of blended fibers
6. How to distinguish different fibers
7. Sustainable options for particular fibers

Chapter 2 - Yarns

1. Different yarn-spinning types and their pros and cons
2. How to calculate the yarn count in different yarn systems
3. Different types of ply and yarn twists
4. Common types of complex and textured yarns

Chapter 3 - Weaves

1. How to distinguish between different types of weaves
2. The thread count system
3. Principles of the weaving machines
4. Common woven fabric properties, applications, and variations
5. The stories of different woven fabrics
6. Common and alternative choices for particular fabrics

Chapter 4 - Knits

1. Types of stitches, wales, and courses
2. Yarn count choices for knitting fabrics
3. Different cutting types for knitted fabrics
4. The principles of knitting machines
5. The characteristics, common applications and a knitting diagram of the most common knitted fabric

Chapter 5 - Lace & Netting

1. Common types of laces
2. The lacing machine and the timeline of lace
3. The most common types of netting

Chapter 6 - Non-woven

1. Different production processes and the formation of non-woven fabrics
2. Common allocations for non-woven and felting fabrics

Chapter 7 - Hides

1. How to grade different types of leather
2. Classifications of different leathers
3. Characteristics of common leather types and their common applications

Chapter 8 - Finishings

1. Different dying processes and their properties
2. Different printing methods and how to choose the right one
3. Functional and aesthetic finishings for fabric enhancement

Chapter 9 - Pattern & color

1. Names of common patterns
2. Name suggestions for different fabric colors

Practicality comes first

We focus on presenting information using the most practical mindset possible, making knowledge easy to digest and apply. Skip the lengthy theory, and get straight to the information you need to know.

Textile Knowledge is the Foundation of Fashion Design

Fashion design is a combination of three important factors: imagination, fabrication, and execution. To ensure a strong fabrication foundation, knowledge of textiles is key. Not only is it the functional base of all your designs, but the stronger your understanding of textiles, the more you will be able to push the boundaries of creativity. Textilepedia will give you a head start in understanding textiles – and give you an edge in your fashion career.

From rugged Japanese firemen’s ceremonial robes and austere rural workwear to colourful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan’s rich tradition of textiles.

Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid-20th century. The Thomas Murray collection featured in this book includes daily dress, workwear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly coloured cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan’s complex textile history as well as inspiration for today’s designers and artists. This volume explores the range and artistry of the country’s tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.

About the Authors:

Thomas Murray is a dealer of Asian and tribal art and has an extensive personal collection of Japanese and Indonesian textiles. He is a past president of the Antique Tribal Art Dealers Association (ATADA), and served on President Obama's Cultural Property Advisory Committee at the Department of State in Washington, DC. Virginia Soenksen is Associate Director of the Madison Art Collection at James Madison University in Virginia. Anna Jackson is Keeper of the Asian Department at The Victoria and Albert Museum in London, where she is responsible for the museum's collection of Japanese textiles and dresses.

 

A guide to transforming found and cherished textiles.

Textile artist Mandy Pattullo shows how to source, refashion and repurpose vintage textiles to create beautiful collages and other unique textile objects. There are ideas for embellishment, stitch and appliqué as well as tips for transforming material into impressive quilts, bags, books, tablecloths, tapestry panels and wall hangings and much more.

Following the make-do-and-mend and folk art traditions of previous generations, Mandy provides simple instructions for working with a variety of vintage textiles and precious fragments. There are projects for working with quilts, patchworks, linen, lace, wool and even deconstructing pre-loved garments.

Each project beautifully demonstrates how fabrics and textiles can find a new and repurposed life and will inspire textile artists to incorporate these past beauties into their own work.

About the Author:

Mandy Patullo trained as a surface pattern and textile designer and now is a textile artist, exhibiting her own work around the UK and also running textile workshops. Her work is based on collage techniques and she makes a conscious effort not to buy new fabric but repurpose the range of beautiful existing pieces that can be found everywhere. 

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Пролистать книгу Textiles Transformed: Thread and Thrift with Reclaimed Textiles на Google Books.

An essential primer for students and first-stop reference for professionals, The Fashion Design Reference & Specification Book takes the fashion designer through the entire design process, from conceiving a garment to marketing it.

This valuable handbook contains the information and ideas essential to planning and executing fashion projects of every scale and distills them in an easy-to-use format that is compact enough to slip into a tote. Linking six central phases in the cycle of fashion — research, editing, design, construction, connection, and evolution —The Fashion Design Reference & Specification Book helps designers develop effective strategies for building a cohesive collection and communicating their vision.

About the Authors:

Jay Calderin teaches a wide variety of fashion and professional development courses at the School of Fashion Design in Boston, MA, where he is also the Director of Creative Marketing. He founded and serves as Executive Director of Boston Fashion Week. Calderin’s designs have appeared in the pages of Vogue and Elle magazines.

Laura Volpintesta teaches fashion illustration, presentation and concept development at Parson's New School of Design. She resides in New York City.

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Пролистать книгу The Fashion Design Reference & Specification Book: Everything Fashion Designers Need to Know Every Day на Google Books.

A revised edition of this essential guide to fabric properties, peculiarities and garment-design potential

Here is the fabric and textile directory that dressmakers and fashion designers everywhere have been waiting for. This book is like having your own personal shopper – able to recommend fabrics to suit the effects you want to achieve, show you how the fabric will perform, and tell you the best ways of using it.

- Organized by function: do you want a fabric for structure, fluidity and movement, added volume, definition or decoration? This book works in such a way that you can view the fabric as the medium from which the garment design can be achieved right from the beginning.
- Each textile in the directory is accompanied by samples of the fabric presented so that its properties come alive, allowing you to really understand how a fabric might behave.
- The chart section at the back of the book includes essential guides to fibre properties, fabric structure and weight, fabric characteristics and end-use.

Contents List:

Introduction • 1. The Landscape of Textile Design: The Language of Textiles Design; The Designer’s Social Responsibility • 2. The Directory: Achieving the Design Concept; Structure; Fluidity; Expansion; Compression; Ornamentation • 3. Terminology and Resources: Easy Reference Field Guides; Glossary; Socially Responsible Materials; General Resources

About the Author:

Gail Baugh has extensive fashion industry experience, particularly in global product development and sourcing for large retail chains. She is currently teaching textiles and merchandising at both San Francisco State University and the Fashion Institute of Design and Merchandising.

Fashion design is a process of investigating, researching and constantly questioning what you are doing and why. This book shows students and professional designers how to use visual research to develop a personal aesthetic as a fashion designer in a global industry.

The first section of this comprehensive guide demonstrates the research process underpinning the work of design icons from Coco Chanel and Jean Paul Gaultier to Vivienne Westwood and Alexander McQueen. It reveals the many different areas of inspiration they draw on, from precursors such as Christian Dior’s ‘New Look’ to traditional textiles from around the world.

The second section introduces a wide range of themes that often inform fashion design research, including vintage and retro, the use of archives and the influence of art movements such as op-art and surrealism.

A series of detailed case studies investigates the research process in the work of designers such as Paul Smith, Comme des Garçons and Anna Sui, among others. Many visual examples are included and influences are analysed.

Topics include:
• Historical Research • Art as Inspiration • Uniforms • Heritage • World Architecture and Fashion • Nature and Science • Denim and Workwear • Sportswear • Zeitgeist • Film • Style Icons • Street Style • Concepts • Fabric Manipulation • Colour • Structure

Packed with over 550 designs organized thematically – a visual feast

The Pattern Base presents textile and surface design by some of the most exciting up-and-coming designers worldwide and points to the way ahead for this vibrant field

The future possibilities of print, pattern and clothing are endless and this book leads the way into that future – it is a wonderful sourcebook for all students, professionals and enthusiasts of textile and fashion design.

The Pattern Base includes illustrative, abstract, geometric, floral, representational and digital designs; and knitted, woven, hand-dyed and digitally printed fabrics, all drawn from the author’s online archive and blog, which she co-founded with Audrey Victoria Keiffer.

In tandem with the rise of exciting new technologies is a renewed appreciation of traditional craftsmanship and the handmade; of the tactility and construction of fabrics of all kinds. Illustrated biographies profile thirteen of the most significant textiles designers working today, who share new ways to communicate, experiment and become inspired.

Contents List:

Introduction • 1: Geometric • 2: Florals • 3: Representational • 4: Digital • 5: Abstract • 6: Illustrative • 7: Fabric Swatches • 8: Featured Artists (Lorenzo Nanni, Charlotte Linton, Hannah Truran, Senyor Pablo, Dan Riley + Jeannine Han, Kayla Mattes, Sabine Ducasse, Anna-Marie Leppisaari, Anita Hirlekar, Jonah Jacobs, Adrià Colorado, String Theory, Abby Thomas)

About the Author:

Kristi O’Meara is a designer, illustrator and co-founder of www.thepatternbase.com, an online archive and blog dedicated to profiling the latest, most exciting work in textile and surface design around the world.

List of Contributors:

Audrey Victoria Keiffer, Lorenzo Nanni, Charlotte Linton, Hannah Truran, Senyor Pablo, Dan Riley, Jeannine Han, Kayla Mattes, Sabine Ducasse, Anna-Mari Leppisaari, Anita Hirkelar, Jonah Jacobs, Adrià Colorado, String Theory, Abby Thomas

This stunning picture book chronicles one hundred years of classic patterns, featuring designs in a wide variety of styles, art movements and countries of origin to give an overview of surface design from the beginning of the last century to the present day.

The book is full of original patterns from textiles, wallpaper, furniture and ceramics and other decorative designs, drawn from a wide range of sources, including the rarely seen archives of leading manufacturers and private collections. Images are arranged by colour and retro and contemporary images come together so that exciting and unexpected juxtapositions occur.

Featuring stunning patterns from celebrated artists, such as Henry Moore and Eduardo Paolozzi, to contemporary practitioners, such as Eley Kishimoto and Rob Ryan, this rich visual history of patterns will be a source of inspiration to designers everywhere.

The first publication devoted to the textile designs of one of the twentieth century’s greatest artists, showcasing a rarely discussed aspect of the Pop Art superstar’s career

Andy Warhol (1928–1987), a giant of twentieth century art, is known to most people for his iconic images of soup cans, Coke bottles, and Marilyn Monroe. Before his meteoric rise to fame in the early 1960s as a Pop Art superstar, Warhol was a highly successful commercial artist in New York.

The late Matt Wrbican, former chief archivist of the Warhol Museum in Pittsburgh, once said “there are very few stories left to tell about Warhol, but textiles is one of them”. This is the first book devoted to the commercial textile designs of this leading figure in the history of art. With stunning new photography throughout, including unpublished images of newly discovered textiles, the book sheds new light on a previously undocumented but important aspect of Warhol’s oeuvre.

Featuring over 30 different textiles, from ice cream sundaes to acrobatic clowns, Warhol: The Textiles offers a unique record of the beginnings of one of the twentieth century’s greatest artists.

About the Author:

Geoffrey Rayner and Richard Chamberlain are independent gallery owners, researchers, curators, and authors. 

William Morris Textiles was the first comprehensive survey of the many hundreds of original, colourful textiles produced by William Morris and the two commercial companies he founded and managed. To this day it remains the authority in the field, and this revised edition has been completely rewritten and expanded with beautiful new photography. Linda Parry provides new insight into the embroideries, printed and woven textiles, carpets and tapestries produced by Morris & Co., giving in-depth information about their design and manufacture. The varied, often highly specialized processes involved are discussed in detail, as are Morris's working methods.

50 step-by-step projects, plus practical advice on hanging curtains, choosing fabric, and measuring up

Learn to sew curtains, shades, pillows, and more and make your home truly your own with these 50 beautiful projects. Sewing your own home furnishings will allow you to choose exactly the fabric and style you want, and will make your home unique.

There’s never been a better time to sew for the home, with a huge range of furnishing fabrics available in stores and online. And the money you save by making these items yourself can be put towards buying the loveliest fabrics you can afford, making your home more beautiful still. Designer Vanessa Arbuthnott guides you through 50 projects, each made in one of her own beautiful printed fabrics, and all with easy-to-follow illustrated instructions.

The projects range from the simplest of pillow covers for the novice stitcher, through to lined curtains with an array of different headings, shades, bed throws, and table linen. There is also a chapter on accessories, such as a cook’s apron, and table mats, which would all be a great starting point if you want to brush up on your skills before tackling a larger project. Vanessa explains how each of her collections was developed, and what inspired her designs, but if you prefer to choose your own material, there is plenty of advice on selecting fabrics, using color, cutting out, matching pattern repeats, piping, and hand-stitching, as well as a techniques section covering the basic sewing skills you will need.

Guidance on measuring for curtains and shades, and on ways to hang them, as well as instructions for valances and an upholstered cornice, make this a complete introduction to sewing your own window treatments, and more. Previously published as The Home-Sewn Home, this new edition includes four completely new projects and inspirational photography featuring Vanessa’s most recent fabric collections throughout.

About the author

Vanessa Arbuthnott started her own fabric design business ten years ago and was soon featured in Country Living and the Saturday Telegraph. She has never looked back and her enthusiasm for designing fabric is as strong as ever. This is her first book. Vanessa is based in Gloucestershire, UK.

Gail Abbott is a home stylist and writer whose work regularly appears in interiors magazines such as The World of Interiors, Homes & Gardens and Ideal Home. She is the author of nine books, including Shoestring Chic, Living with Light, Decorating with Blue and White, Living with White, and The Newly-Wed’s Guide to Setting up Home, all published by CICO Books. Gail is based in Cambridge, UK.

Advanced Creative Draping teaches designers and students how to drape fashion-forward, conceptual designs that use elements of couture construction to elevate the work to the highest level of fashion.

Five methods of draping are explored as well as draping using embellishments or particular surface designs. The final chapter demonstrates how to create a high-quality heirloom garment.

Featuring specially commissioned step-by-step photography, the book includes tips from designers working with draping methods today. Essentially an advanced textbook for the serious fashion student, it also serves as a workroom reference book for professional fashion and costume designers.

About the Author:

Karolyn Kiisel is currently teaching costume at the Theater Academy of Los Angeles City College, and taught at Otis College of Art and Design in Los Angeles for over twenty years. Her fashion designs have been sold internationally, and her costume work has appeared widely on screen and stage.

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Alabama Studio Sewing Patterns: A Guide to Customizing a Hand-Stitched Alabama Chanin Wardrobe by Natalie Chanin is a companion to the Alabama Studio Series: Alabama Stitch Book, Alabama Studio Style, and Alabama Studio Sewing + Design. In this final volume of the four-book series, Chanin offers, by popular demand, three new core patterns—the A-Line Dress/Tunic/Top, the Long and Short Wrap Skirt, and the Classic Coat/Jacket/Cardigan — and a guide to customizing garments to fit and flatter. For ease, convenience, and to ease its ecological footprint, this book comes with a CD rather than paper patterns. The disc contains patterns for all of the garments from the previous books in the Alabama Studio series with additional sizing for XXL, the three new patterns, plus five Alabama Chanin stencil designs, including the Polka Dot in three sizes, the popular New Leaves, and the classic Magdalena (all for readers to print as needed for their individual sewing purposes). Printed and bound in the USA.

This instalment highlights:

- 9 core garment patterns with up to 34 standard variations, plus 3 bonus pocket patterns
- Patterns from the entire Alabama Studio book series with the additional XXL size
- 5 full-scale stencil designs, plus a free bonus download available from Alabama Chanin’s website (https://alabamachanin.com/resources/large-scallops-stencil-artwork)
- Useful, convenient CD that minimizes its ecological footprint by conserving paper

About the Author:

Natalie Chanin is the founder and creative director of Alabama Chanin and author of Alabama Stitch Book, Alabama Studio Style, Alabama Studio Sewing + Design, and Alabama Studio Sewing Patterns.