Книги по орнаментам

Here is an exceptional insight into the unique ironwork created by today’s artist-blacksmiths. Over 250 color photographs display details of contemporary iron objects, including flowers, grape clusters, leaves, small and large animals that attest to the blacksmith’s role as a sculptor.

There are amazing scrolls, folds, twists, textures, and weaves not normally associated with the hard material. With heat, hammer, talent, and muscle, the modern artist-blacksmith is forging exciting forms that permeate our surroundings.

The casual viewer may often overlook details of small elements used to create a magnificent whole. Dona Z. Meilach shows how focusing on the iron details of flowers, leaves, and amazing critters makes ordinary fences, gates, and chandeliers extraordinary.

Functional joints become beautiful elements for furniture, fireplace accessories, candlestick holders, and other iron items we use daily. Dona’s approach will open one’s eyes to “see” and respect this burgeoning art form.

This stimulating book is a must for metalworkers, designers, artists, gallery owners, art lovers, and museum directors.

The ultimate sourcebook and practical guide to Islamic geometric patterns, now updated with seven new compositions

With the aid of this book, everyone can learn how to create their own dazzling geometric patterns or re-create classic examples. All one needs is a pencil, a ruler, a compass – and a steady hand. Technical tips demonstrate the basics: how to draw a square, hexagon or pentagon. This is followed by some of the best examples of geometric patterns from around the world, from key buildings and artworks including La Mezquita (Spain), Cappella Palatina (Italy), the Umayyad Mosque (Syria) and the Shah Jahan Mosque (Pakistan). Arranged into levels of complexity, these are accompanied with carefully explained, step-by-step instructions.

Contents List:

Introduction • 1. The Basics • 2. Step-by-Step Construction: The Great Mosque of Cordoba; The Great Mosque of Kairouan; Mosque of Ibn Tulun; Esrefoglu Mosque; Capella Palatina; Ak Medrese; The ‘Abd al-Samad Complex; The Umayyad Mosque; The Great Mosque of Herat; Chella necropolis; The Alhambra; East Tower of Kharraqan; Shah Jahan Mosque; Al-Fahidi historical district; Mustansariyya Madrasa; Ben Yusuf Madrasa; Tomb of Itimad ud-Daula; The Alcazar; Mamluk Koran; Tomb of Bibi Jawindi; Qarawiyyin Mosque; Moulay Ishmael; Darwish Pasha Mosque • Further reading

About the Author

Eric Broug runs Broug Ateliers for Islamic Architecture, Arts and Crafts. He is also the author of Islamic Design Workbook and Islamic Geometric Design, both published by Thames & Hudson.

Revised and expanded edition

Collecting a mix of Marimekko's classic prints and sought-after new designs,

this treasure trove of colour and pattern is housed in a keepsake box.

From traditional floral motifs to patterns inspired by natural phenomena, from icons depicting mythical features and deities, to lattices and geometrically constructed elements, Oriental patterns evoke a distinct cultural charm.

This volume shows how various hues can be harmonised to transform these patterns dramatically. Providing hundreds of possibilities for every design project, it takes the appreciation of colour to a new level.

Over 1,500 of the world's most popular and influential patterns gathered together in a unique reference book

The ultimate visual encyclopaedia, Pattern Design features more than 1,500 images of the world’s most popular and influential patterns. Organized by theme from flora to geometric, from pictorial to psychedelic, this invaluable resource also includes in-depth features on the work of key designers from the rich history of pattern-making, including William Morris, Sonia Delaunay, Charles and Ray Eames, Lucienne Day and Orla Kiely. This inspiring sourcebook is an essential creative tool for design professionals, students and aficionados alike.

About the Author:

Elizabeth Wilhide is the author of many books on design and interiors, including William Morris: Décor and Design, Sir Edwin Lutyens: Design in the English Tradition, The Mackintosh Style, Surface and Finish and Scandinavian Home. Most recently, she was consultant editor and contributor to Design: The Whole Story, published by Thames & Hudson.

Contents List:

Introduction • 1. Flora: Specific; generic and multi-floral; Vegetal forms • 2. Fauna: Specific; Menagerie; Mythical Creatures • 3. Geometric: Linear; Curved; Grids and Knots; Composite • 4. Pictorial: The Huma Figure; Scenic; Travel; Household; Work; Play; Costume • 5. Abstract: Free Form; Optical; Camouflage; Scientific; Psychedelic; Signs and Symbols • Features on Designers

A visual analysis of the colours used in furnishing fabrics and wallpapers from the 15th century to now, providing inspiration for designers

Spectrum offers a fascinating visual analysis of the colour palettes used in furnishing fabrics and wallpapers from the 15th century to the present day. Presented in chronological order, the earliest detail is taken from an early 15th-century embroidery in brick red, dusky pink, sage green, mustard yellow and smoky blue, the last from a graphic wallpaper design of 2009 that combines orange and yellow on a dramatic, dark background. Next to each pattern is a colour grid, which shows the relative proportions of the colours used, each labelled with its CMYK number – a worldwide standard printing code for colour that precisely identifies it. The grid gives a clear understanding of the ways colours have been expertly combined at different periods to create the beautiful designs we admire and emulate today.

This unique sourcebook will provide inspiration for all designers, both amateur and professional.

Contents List:

Introduction • About this book • About these objects • 15th century • 16th century • 17th century • 18th century • 19th century • 20th–21st century • Further reading

About the Author:

Ros Byam Shaw is a journalist who writes on design and interiors for The World of Interiors and House and Garden. She is the author of Farrow & Ball Living with Colour and Farrow & Ball Decorating with Colour as well as numerous other books on historic houses and interiors.

To the general public, Alphonse Maria Mucha (1860-1939) is perhaps best known for his posters of Sarah Bernhardt and magnificent decorative panels such as "The Seasons" — works that continue to grow in popularity and value as the resurgence of interest in Art Nouveau increases. Among graphic artists and commercial designers, Mucha is praised for the innovative style books that pioneered the use of Art Nouveau in commercial packaging, design, and ornament.

The most important of these style books was Documents Décoratifs, published in 1901 at the height of Mucha's fame as the high priest of the Art Nouveau movement. While the artist's fame rests largely on his posters, it is in the smaller works of the style books, or design portfolios, that the refinement of his technique can best be appreciated. The present volume, carefully reproduced from an extremely rare and valuable set of originals, contains all 72 plates of the Documents Décoratifs portfolio. Included are designs for jewellery, wallpaper, stained glass, furniture, and tableware; figure and botanical studies; and a selection of Mucha's famous panneaux décoratifs. Eighteen of the plates are in full colour, while the remaining 54 are reproduced in two or more colour tones.

In addition to numerous innovative designs for practical and decorative objects, the elegant craftsmanship and meticulous execution that characterized all of Mucha's work is evident in studies of langorous nudes, portrait sketches, delicately rendered plant and animal motifs, exquisite modelling of drapery and cloth, and the flowing, fantastic forms created as experiments in pure design. In the Foreword by Gabriel Mourey, specially translated for this edition, Mucha's own philosophy of art, and the relation of the Documents to the rest of his work, receive an appreciative and informative discussion.

Hitherto available only in scattered sources, or in the libraries of wealthy collectors, the complete Documents Décoratifs is now available in this inexpensive one-volume edition. Lovers of Mucha's work, admirers of Art Nouveau, and the application of that style to the decorative arts, will want to own this fine royalty-free collection by one of the greatest masters of the technique.

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Пролистать книгу The Art Nouveau Style Book of Alphonse Mucha на Google Books.

The skull is one of the most recognizable symbols of today’s contemporary visual culture. Adorning T-Shirts, badges and rock memorabilia as the ultimate symbol of anarchy and rebellion, the image of the skull has found its way into the vocabulary of urban life.

In response to this cultural phenomenon, The Book of Skulls presents a cool visual guide to the skull, charting its rebirth through music and street fashion to become today’s ultimate anti-establishment icon. From the Grateful Dead to skater punk graffiti, from haute-couture to Damien Hirst, this book is the ultimate collection of iconic and unusual skull motifs.

Packaged in an amazing 'skeleton' binding and drawing together artwork from music, fashion, street art and graphic design, The Book of Skulls is a celebration of one of today’s most iconic cultural symbols.

About the Author:

Faye Dowling is a freelance editor, curator and art buyer specializing in photography, illustration, design, and contemporary visual culture. She has worked for magazines including Dazed & Confused, Varoom, Frieze, Eye, Edit and Pictured.

Packed with over 550 designs organized thematically – a visual feast

The Pattern Base presents textile and surface design by some of the most exciting up-and-coming designers worldwide and points to the way ahead for this vibrant field

The future possibilities of print, pattern and clothing are endless and this book leads the way into that future – it is a wonderful sourcebook for all students, professionals and enthusiasts of textile and fashion design.

The Pattern Base includes illustrative, abstract, geometric, floral, representational and digital designs; and knitted, woven, hand-dyed and digitally printed fabrics, all drawn from the author’s online archive and blog, which she co-founded with Audrey Victoria Keiffer.

In tandem with the rise of exciting new technologies is a renewed appreciation of traditional craftsmanship and the handmade; of the tactility and construction of fabrics of all kinds. Illustrated biographies profile thirteen of the most significant textiles designers working today, who share new ways to communicate, experiment and become inspired.

Contents List:

Introduction • 1: Geometric • 2: Florals • 3: Representational • 4: Digital • 5: Abstract • 6: Illustrative • 7: Fabric Swatches • 8: Featured Artists (Lorenzo Nanni, Charlotte Linton, Hannah Truran, Senyor Pablo, Dan Riley + Jeannine Han, Kayla Mattes, Sabine Ducasse, Anna-Marie Leppisaari, Anita Hirlekar, Jonah Jacobs, Adrià Colorado, String Theory, Abby Thomas)

About the Author:

Kristi O’Meara is a designer, illustrator and co-founder of www.thepatternbase.com, an online archive and blog dedicated to profiling the latest, most exciting work in textile and surface design around the world.

List of Contributors:

Audrey Victoria Keiffer, Lorenzo Nanni, Charlotte Linton, Hannah Truran, Senyor Pablo, Dan Riley, Jeannine Han, Kayla Mattes, Sabine Ducasse, Anna-Mari Leppisaari, Anita Hirkelar, Jonah Jacobs, Adrià Colorado, String Theory, Abby Thomas

Curated by New York City's celebrated Textile Arts Center, this vibrant, pattern-filled collection features one hundred postcards from ten international designers. Housed in an equally vivid keepsake box, the postcards are ideal for correspondence, enclosure notes, and inspiration boards alike. The set also includes a booklet about the designers, highlighting their creative processes and influences.

Contributors include: New York designers Shanan Campanaro (Eskayel), Brittany Keats Cerullo, Helen Dealtry, Leah Reena Goren, Hannah Schultz, and Leanne Shapton; California designers Jennifer Parry Dodge (Ermie) and Kindah Khalidy; and international designers Victoria Garcia (Australia) and Anna Niestroj of Blink Blink (Germany).

This stunning picture book chronicles one hundred years of classic patterns, featuring designs in a wide variety of styles, art movements and countries of origin to give an overview of surface design from the beginning of the last century to the present day.

The book is full of original patterns from textiles, wallpaper, furniture and ceramics and other decorative designs, drawn from a wide range of sources, including the rarely seen archives of leading manufacturers and private collections. Images are arranged by colour and retro and contemporary images come together so that exciting and unexpected juxtapositions occur.

Featuring stunning patterns from celebrated artists, such as Henry Moore and Eduardo Paolozzi, to contemporary practitioners, such as Eley Kishimoto and Rob Ryan, this rich visual history of patterns will be a source of inspiration to designers everywhere.

A richly illustrated sourcebook of two-dimensional pattern and three dimensional ornamentation, presenting more than 1,000 historic and contemporary examples from around the world

The wealth of surface pattern and three-dimensional ornamentation in the many objects that enrich our lives is testament to the inventiveness of designers and craftspeople around the globe and throughout history.

This richly illustrated, easy-to-navigate sourcebook presents more than 1,000 historic and contemporary examples of pattern and ornamentation from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also of three-dimensional ornamentation and embellishment.

Two-dimensional pattern is ubiquitous, no matter what the age of an object or where it was created. From Japanese kimono and William Morris fabrics to Chinese porcelain and contemporary furniture, such works reveal humanity’s unceasing desire to combine pattern with design. Just as prevalent are examples of three-dimensional embellishments that go far beyond the requirements of their practical use: an acrylic handbag has a carved motif of insects and wildflowers, a cobalt-blue pottery ewer has a dragon’s-head spout and an early 19th-century fruit plate is shaped like a seashell.

Designers working today are as fascinated and inspired by pattern and ornament as they have always been. This expertly compiled selection will appeal to designers, artists, illustrators and other creatives from all disciplines as well as anyone interested in visual and material culture.

About the Author:

Amelia Calver is Licensing Research and Development Manager at the Victoria and Albert Museum, London. She has worked at the V&A for more than twenty years and has an impressive familiarity with the museum’s extensive collections, particularly of the fabric and wallpaper designs from around the world that have been acquired during the V&A’s 170-year history.

These beautiful postcards have been selected from the bestselling V&A Pattern titles. 

Drawing on designs intended for textiles, wallpaper, fashion and furnishing, this richly varied collection is a resource for artists, designers and students, as well as a charming addition to the design fan's stationery collection. Presented in a colourful presentation box, these beautifully printed patterns range from the intricate floral motifs of William Morris and C.F.A. Voysey to the wit and vibrancy of Pop era design; from the cool restraint of Fifties textile design to the iconic designs of Liberty & Co. 

A desirable gift and a surprising trove of design inspiration, this postcard collection is the perfect introduction to the V&A's design collections.

About the Artist:

William Morris - textile designer, writer and social pioneer, William Morris and his work have long been associated with the V&A. In 1865, his company was commissioned to design the West Dining Room at the museum, which features early examples of a number of the organic patterns that would make his name. Born in Walthamstow in 1836, Morris was captivated by nature from childhood, spending much of his time exploring Epping Forest and the surrounding countryside. These themes informed much of his textile design, and his mastery of pattern ensured an enduring appeal.