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It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country's major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger's pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an "economic miracle." The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created.

The photographs portray a country caught between the opposite poles of technological modernism and cultural restoration, between affluence and penury, between German Gemütlichkeit and the constant threat of the Cold War. They show the winners and losers of the "economic miracle," people from all social classes, at home, at work, in their very limited free time and as consumers. But they also show a country that looks, in retrospect, like a film from the middle of the last century. Of his color photographs, the Frankfurter Allgemeine Zeitung wrote, "they are exceptional contemporary documents indicating how swiftly the grayness of everyday life became infused
with color again."
About the photographer:
Josef Heinrich Darchinger started working as a freelance photojournalist in 1952. Darchinger’s photographs began to regularly appear in reputable German print media starting in the mid-1960s. In his years as a photographer for Der Spiegel and Die Zeit, Darchinger had a formative influence on the magazines’ national news coverage of Bonn. He also presented his work at exhibitions and in collections of photographic portraits—for instance of Helmut Schmidt, Willy Brandt, Richard von Weizsäcker, or Heinrich Böll. Darchinger received numerous awards, among which was the prestigious Dr. Erich Salomon Award from the German Photographic Association.

Across the vast, wind-swept plains of Mongolia, nomadic tribes freely roam - only guided by the rhythmic changes of the seasons. Beginning in 2000, Hamid Sardar immersed himself in this fascinating people's way of life, following them throughout their daily rituals, hunting expeditions, and spiritual practices to capture their centuries-old practices. With a breathtaking mix of color and black-and-white images, Sardar's debut book is a poignant visual journey showcasing Mongolia's last traveling shamans and hunters. Especially fascinated by their spiritual relationship with land and animals, Sardar beautifully documents the wisdom, customs, and manners of an array of individuals, from horse-breeders and eagle masters to traditional healers.

Accompanied by an informative text, this title is a must-have for anyone interested in anthropology, photography, and adventure.

About the Author:

Born in Iran in 1966, Hamid Sardar is a scholar of Tibetan and Mongol languages who received a Ph.D. from Harvard. Inspired by the pioneers of ethno-photography during the Age of Exploration, in 2000 he set out to live with nomadic tribes in Mongolia and journeyed with them for eight years. The subject of four award-winning documentary films, his photographs captured during that time have been exhibited in galleries across the world.

The name of David Bailey is synonymous with photographs of beautiful people. In this latest celebration of his art, he brings together for the first time the best of all these photographs from the 1960s up to the present day.

Through his long and extraordinarily successful career, he has focused on the faces that represents the apex of beauty for a particular time. Like the rainbow, this beauty comes and goes – yet Bailey has spent a lifetime chasing these rainbows and has succeeded in capturing the iconic faces of each era.

Commissioned by the finest fashion magazines of the time, most notably Italian and French Vogue, these portraits include models such as Jean Shrimpton, Marie Helvin, Jerry Hall, Penelope Tree, and Bailey’s wife, Catherine Dyer. But Bailey’s idea of beauty does not end with fashionable women. It encompasses such pillars of contemporary culture as Yves St Laurent, Helmut Newton and Manolo Blahnik, as well as startling ethnographic portraits, and Bailey’s strangely haunting paintings – published here in book form for the first time – reveal at their heart an abstract kind of beauty.

Robin Muir’s text charts Bailey’s meteoric career from his first days at Vogue up to today and reminds us of the ways in which Britain’s greatest living photographer has challenged our notions of female beauty with his own highly personal vision.

No admirer of either beauty or Bailey will want to be without this book.

If David Bailey was the quintessential London photographer during the Swinging Sixties, the photographs he produced in the 1970s reflect a radical reorientation. As can be seen in this superb and comprehensive selection, his subject matter became truly international.

On a major assignment for Vogue in January 1970, Bailey photographed fashion against the dramatic mountain backdrops of Central Turkey. Throughout the decade that followed, he determined to photograph peoples and places across the world that fascinated him. His incisive documents of India, Peru, Japan, Haiti, Brazil and New Guinea, many previously unpublished, culminate in the most political of his reportages – haunting images of the Vietnamese boat people.

Alongside these remarkable photographs, Locations presents the best of Bailey’s 1970s fashion sittings. During this era Bailey also continued as a master of the art of portraiture, his subjects ranging from Salvador Dalí and Mick Jagger to Mother Teresa. His acclaimed television documentaries on Andy Warhol, Cecil Beaton and Luchino Visconti provided yet more opportunities for compelling stills.

Loving the Alien. Behind the scenes of Nic Roeg’s 1976 sci-fi masterpiece starring David Bowie

Haunting, hallucinatory, and with a mesmerizing lead role performance from David Bowie, Nic Roeg’s The Man Who Fell to Earth is a cult piece of science fiction. This book gathers a bumper collection of stills and behind-the-scenes images by unit photographer David James, including stunning shots of Bowie as humanoid alien Thomas Jerome Newton.

First advertised as a “mind-stretching experience,” Nicolas Roeg’s 1976 The Man Who Fell to Earth stunned the cinema world. A tour-de-force of science fiction as art form, the movie brought not only hallucinatory visuals and haunting exploration of contemporary alienation, but also glam-rock legend David Bowie in his lead role debut as paranoid alien Newton.

Based on Walter Tevis’s 1963 sci-fi fable of the same title, The Man Who Fell to Earth follows alien Newton from his arrival on earth in search of water; his transition to wealthy entrepreneur, leveraging the advanced technologies of his native planet; his sexual awakening with the young Mary-Lou; and then the discovery of his alien identity, his imprisonment, abandonment, and descent into alcoholism. Throughout, Roeg coaxed a beguiling performance from his cast, presenting not only Bowie in ethereal space-traveller glory, but also pitch-perfect supporting performances from Candy Clark, Rip Torn, and Buck Henry.

TASCHEN’s The Man Who Fell to Earth presents a plenitude of stills and behind-the-scenes images by unit photographer David James, including numerous shots of Bowie at his playful and ambiguous best. A fresh introductory essay explores the shooting of the film and its lasting impact, drawing upon an exclusive interview with David James, who brings first-hand insights into the making of this sci-fi masterwork.

The editor:

Paul Duncan is a film historian whose TASCHEN books include The James Bond Archives, The Charlie Chaplin Archives, The Godfather Family Album, Taxi Driver, Film Noir, and Horror Cinema, as well as publications on film directors, film genres, movie stars, and film posters.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

"coming from a perspective based on how I see the world with my eyes, heart, ears and brain; I like to think of myself not only as a photographer...but as a psychographer." David Drebin was born in Toronto, Canada and is based in New York City since his graduation from Parson School of Design in 1996.

After success in the commercial world doing ad campaigns internationally for companies from American Express, Davidoff, New York Times to name a few as well as magazines from Vanity Fair, Travel and Leisure, GQ, Elle, Rolling Stone and many others David has gone on to have exhibitions in Los Angeles and Berlin.

LOVE & OTHER STORIES - in spite of David Drebin being a master of staging, the figures entangled in their emotions all seem to feel unobserved and safe. We remain unaware about the causes of the passionate feelings of his female characters, their experiences before being captured in their apparently agitated moods. One has to create a story behind these photos and this way embark on an exciting journey into the imagination. They remind us of film scenes we have never seen.

David Drebin’s photos are very expressive, matching the subjects that are filled with exciting details. The observer can’t escape the mood of each female character highlighted in these photos.

16 notecards (with envelopes) featuring four of Hockney’s paintings of his beloved dachshunds, Stanley and Boodgie

This set of 16 notecards (four each of four designs) features David Hockney’s drawings of his dogs Stanley and Boodgie. Included in this set are 16 envelopes.

About the Author:

David Hockney is considered one of the most influential British artists of the 20th century. He has produced work in almost every medium - painting, drawing, stage design, photography and printmaking - and has stretched the boundaries of all of them. Born in Bradford, England, in 1937, Hockney attended art school in London before moving to Los Angeles in the 1960s. There, he painted his famous swimming pool paintings. In a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time. He continues to create and exhibit art.

Good News. The possibility of what could be

TASCHEN is proud to announce the long-awaited, latest and final publications from artist David LaChapelle: a two-volume project to complete his career-spanning anthology. Here, Good News picks up from Lost + Found, in a monumental curation of images never before published in book form. It marks a dramatic conclusion to LaChapelle’s five-book narrative, one that has captivated a generation of viewers across the globe.

TASCHEN is proud to announce Lost + Found and Good News, the long-awaited, latest and final publications from artist David LaChapelle. The books are the fourth and fifth instalments of LaChapelle’s five-book anthology, which began with LaChapelle Land (1996), continued with Hotel LaChapelle (1999), and followed by Heaven to Hell (2006).

Good News follows David LaChapelle’s creative renaissance as he surrenders to contemplations of mortality, moving beyond the material world in a quest for paradise. Featuring a monumental curation of images that have never before been published in book form, it is a sublime and arresting new body of work that attempts to photograph that which can’t be photographed. It represents the final chapter to LaChapelle’s narrative in a collection of books that have captivated a generation of viewers across the globe.

Good News features:
Pamela Anderson, Lana Del Rey, Sharon Gault, Janet Jackson, Michael Jackson, Paris Jackson, David LaChapelle, Amanda Lepore, Miriam Makeba, Sergei Polunin, Tupac Shakur, Elizabeth Taylor, and many more...

Lost + Found. An illuminated manuscript for the time we live in

TASCHEN is proud to announce the long-awaited, latest and final publications from artist David LaChapelle: a two-volume project to complete his five-book, career-spanning anthology. In Lost + Found, LaChapelle unveils a visual record of the times we live in. Together with Good News, it represents a sublime concluding chapter to LaChapelle’s captivating narrative.

TASCHEN is proud to announce Lost + Found and Good News, the long-awaited, latest and final publications from artist David LaChapelle. The books are the fourth and fifth installments of LaChapelle’s five-book anthology, which began with LaChapelle Land (1996), continued with Hotel LaChapelle (1999), and followed by Heaven to Hell (2006).

Lost + Found, Part I is a visual recording of the times we live in and the issues we face, expressed through David LaChapelle’s unique and distinctive vision. Featuring a monumental curation of images that have never before been published in book form, it chronicles LaChapelle’s strongest images as a visionary to date while encapsulating our time in history.

This fourth volume also introduces a decade of unseen work from LaChapelle’s creative renaissance, where he offers a bridge into paradise and the sublime, leading viewers into volume two: Good News.

Lost + Found, Part I features:
Pamela Anderson, Julian Assange, Isabella Blow, David Bowie, Naomi Campbell, Hillary Clinton, Frances Bean Cobain, Miley Cyrus, Lana Del Rey, Lady Gaga, Sharon Gault, Daphne Guinness, Whitney Houston, Kris Jenner, Kendall Jenner, Bruce Jenner, Kylie Jenner, Dwayne Johnson, Khloe Kardashian, Kim Kardashian, Eartha Kitt, David LaChapelle, Amanda Lepore, Nicki Minaj, Katy Perry, Sergei Polunin, Keith Richards, Rihanna, Chris Rock, Amber Rose, Britney Spears, Uma Thurman, Andy Warhol, Kanye West, Pharrell Williams, Amy Winehouse, and many others...

Burning Beauty is a comprehensive summary of photographer David LaChapelle, stretching from the early 1980s to 2012.

With more than 200 colour illustrations and four essays, it reflects LaChapelles entire oeuvre.

LaChapelles imagery has the ability not only to attract our gaze with seductive and remarkable bodies, settings and objects in every conceivable and inconceivable constellation; it also has the capacity to incite reactions that charge our seeing with emotions that engender a relationship between the image and its viewer.

His imagery places the viewer in the midst of the turbulent visual culture of the past quarter-century and invites us to a blend of passion, comedy, exaggeration and critical reflection.

Published to accompany the exhibition Burning Beauty at The Swedish Museum of Photography in Stockholm, this book offers a unique insight in one of the most important contemporary artists in the world.

Через десять років після виставки The Air Is on Fire, яка представила фотографії та живопис Девіда Лінча, Fondation Cartier pour l’art contemporain опублікує книгу, яка містить понад сотню чорно-білих і кольорових зображень оголених жінок, створених художником. Ці еротично наповнені фотографії близькі до абстракції, пропонують калейдоскопічне бачення жінки. Вони свідчать про захоплення Девіда Лінча нескінченною різноманітністю людського тіла, водночас узгоджуючись із його кінематографічними роботами.

A set of a book and four CDs. Lifestyle, fashion and sightseeing in New York - a day in pictures and music in one of the world`s most impressive cities. The day ends where it began, with a view of the night skyline in the most exciting city in the world. The CDs feature music, which accompanies us through the day.

Celebrating twenty years of an agenda-setting powerhouse of contemporary style, design, and popular culture. Celebrated for discovering and promoting new artists, musicians, designers, and filmmakers, Dazed & Confused magazine has been a barometer of popular style and culture since its founding in London in 1991 by Jefferson Hack and the photographer Rankin.

Quickly renowned for its controversial attitude, Dazed represented a new wave in the British style press, bringing together figures from different creative fields and eras to produce extraordinary interviews and develop artwork for the magazine. From David Bowie to Bjork, Harmony Korine to David Lynch, Kate Moss to Stockhausen, and Rankin to Thom Yorke, the roster of the magazine’s subjects and contributing artists alone is a record of the evolution of contemporary pop culture.

Edited by its founders, this daringly illustrated book immortalizes the magazine’s most enduring features, from legendary photoshoots and iconic covers to controversial interviews, and supplements them with outtakes, ephemera from the editors’ offices, original artwork, and contributions from the photographers, designers, and artists behind it all.

From internationally acclaimed photographer Deborah Turbeville comes the first book on her highly influential visionary avant-garde fashion photography. Celebrated for her poetic grace and cinematic vision, Deborah Turbeville has produced fashion tableaux that draw the viewer into her otherworldly environments. A romantic and modernist, Turbeville bridges the boundaries between commercial fashion and fine arts photography. In this remarkable presentation, Turbeville reveals her highly individualistic point of view of fashion photography and the stories behind her photographs.

This first retrospective presentation of Turbeville's fashion photography was selected by the artist herself. In addition, she has designed the evocative layouts to create yet another masterwork. The presentation includes Turbeville's most famous photographs, among them the controversial Bathhouse series of 1975 for American Vogue with disturbingly isolated figures and her Woman in the Woods series of 1977 for Italian Vogue showing psychologically charged emotions, along with her numerous photography campaigns for labels like Sonia Rykiel, Valentino, Yamamoto, Ungaro, and Commes des Garçons, as well as commissions for Chanel and work that has never been seen before. Her most current project for Casa Vogue--Italian nobility dressed in special couture outfits--evokes Turbeville's vision of everlasting beauty.

About the Author

Deborah Turbeville, a fashion editor turned photographer, was a fashion editor for Mademoiselle in 1966. A portfolio of some very stylized photographs she did for Saks Fifth Avenue was her first big breakthrough into the fashion photography world. Subsequently, her work first appeared in Vogue in the 1970s. Since then she has been a dominant figure in contemporary photography. Turbeville has authored many books, including Unseen Versailles, Wallflower, Studio St. Petersburg, Past Imperfect 1978-1997, and Casa No Name. Her work continues to be exhibited around the world and is published regularly in many international magazines.