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The ladies are back, and this time with a trilogy of feline fun. Christine Montaquila and Kim Levin’s bestselling “feline guides” are now available as a boxed set, including Cattitude: The Feline Guide to Being Fabulous, Catrimony: The Feline Guide to Ruling the Relationship, and Caternal Instincts: The Feline Guide to Mastering Motherhood. All three feature the unique black-and-white documentary-style photography and clever captions that have kept cat lovers wanting more.

In Cattitude, the felines give us the dish on living large for women in any stage of life, offering advice like “Accept your body. Augment your ego,” and “Realize a tiara is a state of mind.” In Catrimony they conquer the milestone of marriage with witty suggestions to “Hide the videotape” and “Devise a holiday evacuation plan.” And, finally, in Caternal Instincts the ladies get real about the challenges of parenting, encouraging every mom to “Buy stain resistant everything” and “Accept the fact that you’ll never pee alone again.” Perfect for birthdays, weddings, baby showers, or any gift-giving occasion, the Cattitude Boxed Set is for cat lovers, photography buffs, and everyone in between.

About the Authors:

Kim Levin is a photographer who specializes in pet portraiture. Her company, Bark & Smile ® Pet Portraits, combines her passion for photography and her love of animals. Kim is the photographer and author of ten books including Why We Love Dogs, Why We Really Love Dogs, Why We Love Cats, and Dogma (all Andrews McMeel). Bark & Smile® books have sold over 250,000 copies to date and have been published in six languages: Japanese, Chinese, Korean, Dutch, Portuguese, and Spanish. Her gift line currently includes greeting cards, mugs, journals, calendars, e-greetings, postcard books, note cards and magnetic pads. She has appeared on Animal Planet, Fox News Channel, News 12 Long Island, and News 12 New Jersey. Her photography has been featured in Reader’s Digest, Photo District News, Italian Elle, Bark Magazine, The American Kennel Club Gazette, and NJ Monthly. She was the official photographer for the 2004 ASPCA “make adoption your first option” calendar. Kim lives in New Jersey with her husband, two kids, and adopted greyhound/collie mix, Charlie.
By day, Christine Montaquila works in advertising as a creative director. She lives in Chicago with her husband Brad, son Luca, daughter Francesca, and her tiger kitty, Maddie. She has loved cats since childhood and has the scars to prove it.

Chris Moore is the undisputed king of catwalk photography. His six-decade career includes images of all the iconic catwalk shows because he was at them all. This is the ultimate and only edit of Moore’s work throughout his career and covering the changing face of the catwalk.

Covering each of the decades images are accompanied with essays by award-winning fashion critic Alexander Fury, based on extensive interviews with Moore, exploring Moore’s career along with key catwalk moments.

From John Galliano’s graduation to Alexander McQueen’s final show, supermodels to showstoppers, Alaïa to Vivienne Westwood and more, Catwalking presents the definitive catwalk highlights captured by the man who has seen and shot it all.

About the authors:

Alexander Fury is an award-winning fashion journalist and critic. He was the first menswear critic at US Vogue.com, chief fashion correspondent at T: The New York Times Style Magazine and fashion editor at the Independent newspapers.

Chris Moore has been at the forefront of fashion photography since the 1950s and founded Catwalking.com, the first online archive of catwalk photography. Over his career he has worked with every leading national newspaper in the UK and is a long-standing contributor to The Sunday Times, the Financial Times and Grazia magazine, and was an important contributor to the International Herald Tribune. He received lifetime achievement awards for his contribution to fashion from the British Fashion Council and Graduate Fashion Week, and received honorary doctorate awards from the University of the Arts London and Northumbria University.

The definitive book on the legendary photographer's life in New York City, with many never-before-seen images and reminiscences by his closest friends and confidants.  

From the 1930s, when he helped revolutionize fashion journalism, through the 1960s, when he launched headlong into the Pop art era, London-based photographer Cecil Beaton brought to New York City his own perspective - aristocratic, sexually ambiguous, and theatrical. At the same time, New York offered Beaton innumerable opportunities to reinvent himself and his career.

Cecil Beaton: The New York Years features sketches, costumes, set designs, previously unpublished letters, and over 220 photographs and drawings, many in color and never seen before. This volume documents Beaton's most influential relationships with quintessential figures of the New York art scene, including Greta Garbo, his female confidant and muse, and Andy Warhol. Richly illustrated, Cecil Beaton is the definitive portfolio chronicling Beaton's stunning career in fashion, portraiture, and the performing arts.  The book will be divided into five parts:

Beaton in Vogue: Beaton's photography for Condé Nast's Vogue in the 1930s hastened the decline of fashion illustration in favor of today's emphasis on photography. Beaton himself became a celebrity photographer, as famous as his subjects, in the later mold of Richard Avedon and Annie Leibovitz.

Beaton and the Stage: After World War II, Beaton appeared on the New York stage as an actor, and he also designed sets and costumes for such musicals as My Fair Lady and Coco and operas Vanessa and La Traviata, both at the Metropolitan Opera. 

Beaton on New York: Beaton produced many illustrated books on New York City and his tell-all diaries detailed his life among the city's best-known figures. Beaton was also commissioned to produce innumerable photographs of New Yorkers, from Truman Capote to Tom Wolfe.

Beaton on Garbo: Greta Garbo was Beaton's closest female friend  She was also his muse, and his photographs captured her in many different scenarios and moods from the mid-1940s, when she ended her Hollywood career and permanently moved to New York.

Beaton on Warhol: In 1968, Beaton was advised to photograph a group of young New Yorkers, the most famous of which was Andy Warhol and his Factory. In effect, this photo shoot charted the passing of the torch from Beaton to Warhol, two figures who defined their era's concepts of popular culture, celebrity, and sexual mores.

About the Author:

Donald Albrecht is the Museum of the City of New York's curator of architecture and design. He has contributed essays to a number of books about architecture and design, including Andree Putman: Complete Works and Gabellini: Architecture of the Interior.

In the last sixty years certain celebrities have really left an indelible mark on history: Paul Newman, Audrey Hepburn, Clint Eastwood, Elizabeth Taylor, Andy Warhol, Barack Obama, Marilyn Monroe, Picasso, Yoko Ono...This book represents a stroll through this aspect of popular culture - a compilation of biographical photographs of over 300 celebrities (actors, artists, pop stars, politicians, models, media stars) who will always be unforgettable. Illustrated throughout with over 400 full colour and black-and-white iconic photographs.

A visual history of the 20th century, the photographs in this volume cover events which range from the hard history of politics to new inventions, the arts, society and fashion. The images have been drawn from international agencies such as Life, Magnum, Picture Post and Stern. The book is divided into six chronological sections corresponding to significant historical moments. Each section opens with a short historical overview which introduces the main concerns during the period covered. There is also a selection of quotations which capture the flavour of the period covered. There are extended captions at the end of each section providing historical information about each photograph.

This selection of over 1,000 photographs was assembled under the direction of the photo editor of London's Sunday Times Magazine, Bruce Bernard, who provided the text. These photographs provide a wide scope of 20th-century life. Most are documentary in style, representing major historical events, but the worlds of fashion, entertainment and popular culture are represented, too.

Перший спільний проект фотографа Беттіни Реймс і письменника/мистецтвознавця Сержа Брамлі. Культивовані літературні зізнання месьє X, абсолютно стриманого вуайєриста з одержимою цікавістю до жіночого тіла, протиставляються фотографіям, які говорять набагато чіткішою мовою, яка розповідає про жіночу еротику та ексгібіціонізм, як ніхто інший.

Charlie Chaplin was one of Hollywood s most pivotal stars. He lived an interesting life both in his films and behind the camera. He is most recognized as the icon of the silent film era, mostly as the little tramp ; the man with the toothbrush moustache, bowler hat, bamboo cane, and a funny walk. He was born in London in 1889 to music hall-performing parents. After his parents split, he and his half brother spent time in and out of charity homes and workhouses between their mother's bouts of insanity. He started acting at 8, and began to tour with a vaudeville troupe that visited America. He never looked back. In 1913 in California, he signed on with Keystone Studios' popular comedy director Mack Sennett. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all. In November 1914 he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917 Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919 he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA). Chaplin was married four times and had a total of 11 children. He is considered one of the greatest filmmakers in the history of cinema.

The oversized volume "China" is sheer beauty from cover to cover, with 238 magnificent photos depicting sites obscure and well-known across the vast, ancient country.

We see scenes from such popular tourist sites as the Forbidden City, the terra-cotta soldiers of the Emperor Qin and the Great Wall. But we also get to see the lakes of Huanglong Valley, the Yungang Grottoes, vast gardens and the spectacular countryside; the imperial palace; the earthen houses of Fujian province; the skylines of China's thriving and modern cities, mountainside temples rising through the mist and much more.

The oversized volume "China" is sheer beauty from cover to cover, with 238 magnificent photos depicting sites obscure and well-known across the vast, ancient country.

We see scenes from such popular tourist sites as the Forbidden City, the terra-cotta soldiers of the Emperor Qin and the Great Wall. But we also get to see the lakes of Huanglong Valley, the Yungang Grottoes, vast gardens and the spectacular countryside; the imperial palace; the earthen houses of Fujian province; the skylines of China's thriving and modern cities, mountainside temples rising through the mist and much more.

The first monograph of one of the most exciting contemporary photographers, featuring all of his photography series to date and a look behind the scenes

Since the beginning of his career, Swiss-Italian photographer Christian Tagliavini has been fascinated by mise-en-scène photography and Renaissance portraiture. Referencing the painting style of the Old Masters, his carefully-staged photo portraits exude the dignity and composure of 15th and 16th-century courtly culture, meticulously replicating their dimensions, framing, and chiaroscuro effects. After his breakthrough with the series 1503, Tagliavini returns to the art historical theme with his new series, 1406, published for the first time in this book. In his process, however, Tagliavini takes a step further back from the Renaissance artist ideal, presenting himself instead as a “photographic craftsman” who designs each of his costumes and props by hand with a small team.

Particularly elaborate was the work on his most extensive series to-date, Voyages Extraordinaires, for which Tagliavini constructed entire scenes inspired by Jules Vernes’ novels. All of Tagliavini’s series are meticulously composed mise-en-scènes with a stunning, fantastical effect partly reminiscent of his early photographic idols Jeff Wall, Erwin Olaf, and Gregory Crewdson. This Tagliavini monograph includes all of his photographic series to-date as well as the images documenting the evolution of his projects he spent months working on. The result is both a comprehensive Tagliavini catalogue and a fascinating insight into the working process of one of the most original and talented photographers working today.

 About the Author:

Christian Tagliavini was born in 1971 and grew up in Italy and Switzerland. Before his photography career, he worked in engineering and architecture firms and as graphic designer, as reflected in his comprehensive approach.

Katalog Museum of Modern Art New York

Working as her own model for more than 30 years, Cindy Sherman has captured herself in a range of guises and personas, from screen siren to clown to aging socialite. Schirmer/Mosel is publishing the catalogue of her upcoming MoMA retrospective plus, on the occasion, reprints of two seminal series, Clowns and History Portraits

Published to accompany the first major survey of Cindy Sherman's work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist's 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman's sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977-80); centerfolds (1981); history portraits (1989-90); head shots (2000-2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman's career, weaving together art historical analysis and discussions of the artist's working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman's work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.
Cindy Sherman (born 1954) is widely recognized as one of the most important and influential artists in contemporary art. To create her photographs, she assumes multiple roles of photographer, model, makeup artist, hairdresser and stylist. With an arsenal of wigs, costumes, makeup, prosthetics and props, the artist has altered her physique and surroundings to create myriad tableaux, from screen siren to clown to aging socialite. Over the past 35 years, Sherman has sustained a provocative investigation into the nature of identity, drawn from movies, television, magazines, the Internet and art history. Sherman lives and works in New York City.

Vor genau dreißig Jahren, 1982, hat Schirmer/Mosel das erste Cindy Sherman-Buch überhaupt veröffentlicht und in die Welt getragen. Die 1954 in Glen Ridge, New Jersey, geborene Künstlerin hat seitdem in atemberaubendem Tempo internationale Anerkennung erfahren, die ihren – bisherigen – Höhepunkt jetzt in der großen Einzelaus stellung im New Yorker Museum of Modern Art findet. Es ist uns zugleich Pflicht und Vergnügen, den zur Retrospektive erscheinenden MoMA-Katalog in einer deutschen Ausgabe vorzulegen.
Mit dem vielschichtigen, zwischen Kunst und Photographie anzusiedelnden Werk Cindy Shermans haben sich seit ihren Anfängen vor gut dreißig Jahren Kunstkritiker und -historiker, Soziologen, Feministinnen und Philosophen auseinandergesetzt. Ihre Selbstportraits, die keine sind, bieten nach wie vor Stoff für gesellschaftstheoretische Diskurse über Gender, Repräsentation, Identität, und die oft radikalen thematischen Brüche von Serie zu Serie werfen immer wieder Fragen nach der Person auf, die hinter all diesen Maskeraden und Inszenierungen steckt.
„Möge die wahre Cindy Sherman bitte vortreten“ betitelt Kuratorin Eva Respini in Anlehnung an eine amerikanische Fernsehshow der 50er Jahre ihren Essay für diese Publikation – um zu dem Schluss zu kommen: „Es gibt keine wahre Cindy Sherman, nur unendlich viele Figuren, in denen sich die zahllos vermittelten Bilder widerspiegeln, von denen wir täglich bombardiert werden … und die letzten Endes unser Selbstbild beeinflussen.“
Schirmer/Mosel. Hrsg. von Eva Respini. Mit Beiträgen von Johanna Burton und John Waters. Aus dem Amerikanischen von Matthias Wolf, Saskia Bontjes van Beek und Ursula Wulfekamp. 264 Seiten, 255 Tafeln in Farbe und Duotone. Format: 24,2 x 30,5 cm, gebunden. Deutsche Ausgabe.

Untitled Film Stills Сінді Шерман, серія чорно-білих фотографій, створених між 1977 і 1980 роками, вважається одним із найоригінальніших і найвпливовіших досягнень сучасного мистецтва. Дотепний, провокаційний і допитливий, цей жвавий каталог жіночих ролей, натхненний фільмами, торкається життєво важливої ​​теми нашої культури. Ця книга знаменує собою перший випадок, коли вся серія була опублікована як єдиний твір. Шерман упорядкувала послідовність знімків і написала особисте есе про їх створення.

До оригінальних шістдесяти дев'яти кадрів з фільму вона також додала сімдесятий, з рулону плівки, який протягом кількох років був втрачений.

A look at the seminal work of this conceptual artist, who photographed her trademark performances and created dramatic narrative collages using the results.

Created in 1975, A Play of Selves is a visual tale of a young woman overwhelmed by her various, conflicting alter-egos and her final triumph over self-doubt. Acted out with sixteen separate characters, the seventy-two photographic assemblages mark Sherman’s earliest explorations of her trademark use of herself as the subject in staged photographs.

Sherman originally shot hundreds of photographs of herself costumed as the various characters in dozens of poses. After cutting out the individual images from black-and-white prints, she used an elaborately formulated, handwritten script to organize the images into the five-act “play.” The piece was first shown in 1975, in Buffalo, New York, where Sherman was a student.