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Trilogy is a collection of the works Garduño realized over many years of photography between Mexico and Europe. It is a magical land through which Flor Garduño glides, holding her camera. A land reminiscent of Mexico, where she was born; a land pervaded by myths and legends; a land plunged into a voluptuous and sensual nature, kissed by the sun of those exotic and ancestral places. Her great and magnificent visual production develops through a dance in three movements. The overture is Bestiarium, in which real and fictional images of enchanted animals come to life as metaphors of our dreams and passions. Then we have FantasticWomen, a celebration of the feminine universe and of the mystery and sensuality that spring from the female body. The dance ends with Silent Natures, where Garduño contemplates wilderness because, quoting the photographer herself, whenever I think of Silent natures, I must confess that I created these photographs for myself, to maintain my playful spirit throughout all these years.

Food in Vogue collects the most striking, mouthwatering food photography and finest food writing from one of the most respected magazines in the world.

Combining legendary essays by longtime Vogue food critic Jeffrey Steingarten, as well as contributions from rising food writers such as Tamar Adler and Oliver Strand, with original behind-the-scenes interviews, the book pairs portraits of world-renowned or rising chefs along with iconic food photography, much of it shot by Irving Penn and conceived by editor Phyllis Posnick.

Food in Vogue examines how Vogue’s relationship with and treatment of food has changed in its pages through lavish and challenging food photographs and its career-defining interviews with the world’s hottest chefs. Food in Vogue is more than a book about food. It’s a book about trends, fashion, and culture told through the world’s common language.

About the Author

Vogue is one of the most popular fashion and lifestyle magazines in print, and is celebrating its 125th anniversary in 2017. The magazine has been published and distributed by Condé Nast since 1905.

From bloomers to bikinis: sexy photos since the early days of photography

Mark Rotenberg was inspired to begin collecting lost and forgotten erotic photographs after he stumbled upon over a thousand very graphic vintage photos in a dumpster in Brooklyn. His collection now tops out at about 95,000 photos covering the period from 1860 to 1960.

This special 25th-anniversary edition draws highlights from Rotenberg's collection of crazy hardcore photographs that would make your grandmother squirm. How odd it is to see ladies in bloomers and corsets with men sporting handlebar moustaches, transfixed in the raunchiest of positions!

Насолоджуйтесь славою Формули-1 із цією 240-сторінковою великоформатною даниною пам’яті всім 33 чемпіонам світу у Формулі-1 із захоплюючими фотографіями та коментарями експертів.

З моменту початку Гран-прі в 1950 році лише 33 чоловіки отримали нагороду чемпіона світу у Формулі-1. Вперше легендарний коментатор Формули-1 Моріс Гамільтон і відзначені нагородами фотографи Бернард і Поль-Анрі Кайє об’єднують героїв цього культового виду спорту разом у приголомшливому фотозображенні врівноваженості, майстерності та переможного мислення, яке відрізняє швидких від лютих, еліту від талановитих.

Формула-1 та її чемпіони оживають завдяки:
- Вишукано написаний профіль кожного з 33 чемпіонів світу у Формулі-1 із ключовими подробицями з життя та кар’єри водія у Формулі-1
- Приголомшливі фотографії водіїв та їхніх автомобілів, як на трасі, так і поза нею
- Історичні інтерв’ю із загиблими героями спорту, включаючи Джеймса Ханта та Айртона Сенну
- Ексклюзивні цитати таких ікон, як Льюїс Хемілтон і Ніко Росберг
- Передмова Берні Екклстоуна, колишнього виконавчого директора Formula One Group

Розгорілися дебати щодо того, який водій найкращий із кращих. Це неможливо сказати. Але це не завадить енергійній та інформованій дискусії, яка зазвичай ґрунтується на особистих уподобаннях, які коливаються любов’ю. Кожен із цих чемпіонів неодноразово відчував і показував приголомшливі виступи.

З цією гарною даниною найжорстокішого виду спорту та неймовірних спортсменів, які їздять на краю гонитви за величчю, настав час обрати свого улюбленого чемпіона Формули-1.

Про авторів:

Моріс Хемілтон працював у Формулі-1 з 1977 року та був кореспондентом Observer з автоперегонів протягом 20 років. Він написав більше 20 книг, а також коментує Формулу-1 для BBC Radio. Зараз він активно бере участь в онлайн-спільноті в Twitter і пише кілька блогів, продовжуючи писати книги про гонки.

Архів Cahier є єдиною колекцією фотографій, що висвітлює історію чемпіонату Формули-1, яка залишилася в руках її оригінальних авторів.Два фотографи створили цей архів: Бернар Кайє та його син Поль-Анрі, додавши колекції два дуже різні стилі. Бернард був репортером і мав дар перетворювати людей по-справжньому живими подіями за допомогою своїх фотографій. Поль-Анрі, з іншого боку, завжди схилявся до художнього підходу до фотографії. Однак спільним у їхніх фотографіях є те, що вони завжди виходять за межі ілюстративного виміру.

Складено та відредаговано командою провідних журналістів Формули-1, а також містить письмові внески пілотів, керівників команд і технічних директорів.

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Погортати книгу Formula One: The Champions: 70 Years of Legendary F1 Drivers на Google Books.

Bask in Formula One glory with this 240-page, large-format tribute to all 33 F1 World Champions, featuring exhilarating photography and expert commentary.

Since the Grand Prix’s start in 1950, just 33 men have achieved the accolade of F1 World Champion. For the first time, legendary F1 commentator Maurice Hamilton and award-winning photographers Bernard and Paul-Henri Cahier bring the heroes of this iconic sport together, in a stunning photographic portrayal of the poise, skill and winning mindset that separates the fast from the furious, the elite from the talented.

Formula One and its champions are brought to life with:
- An exquisitely written profile of each of the 33 F1 World Champions, with key details from the driver’s life and F1 career
- Stunning photography of the drivers and their cars, both on and off the track
- Historic interviews with the sport’s lost heroes, including James Hunt and Ayrton Senna
- Exclusive quotes from icons such as Lewis Hamilton and Nico Rosberg
- A foreword by Bernie Ecclestone, former chief executive of the Formula One Group

Debate has raged over which driver is the best of the best. It is impossible to say. But that will not deter energetic and informed discussion, usually predicated on a personal preference swayed by affection. Each of these champions will have experienced and delivered pulse-raising performances many times over.

With this handsome homage to the most ferocious of sports and the incredible sportsmen who drive at the edge in pursuit of greatness, it is time to choose your favorite F1 Champion.

About the Authors:

Maurice Hamilton has been part of the Formula One scene since 1977 and was the Observer's motor racing correspondent for 20 years. He has written more than 20 books as well as commentating on Formula One for BBC Radio. He is now actively involved with the online community on Twitter and writes several blogs whilst continuing to write books about racing.

The Cahier Archive is the only photographic collection covering the history of the Formula One Championship to have remained in the hands of its original authors. Two photographers have built this archive: Bernard Cahier and his son Paul-Henri, giving the collection two very different styles. Bernard was a reporter and had the gift to make people truly live events through his pictures. Paul-Henri, on the other hand, has always leaned towards an artistic approach to photography. The common ground of their photos though, is that they always go beyond the illustrative dimension.

Compiled and edited by a team of leading Formula One journalists, and featuring written contributions from drivers, team principals and technical directors.

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Пролистать книгу Formula One: The Champions: 70 Years of Legendary F1 Drivers на Google Books.

It was in interwar central Europe that photography as a modern art form was established.

It fired the imagination of hundreds of progressive artists across Austria, Czechoslovakia, Germany, Hungary and Poland.
It became a symbol of modernity for millions through its use in magazines, newspapers, advertising and books.

Published to accompany an exhibition organized by the National Gallery of Art, Washington, this book presents the work that redefined the very notion of art and embodied at times a dizzying freedom from traditional social roles.

Familiar names such as László Moholy-Nagy, Josef Sudek and the Bauhaus are connected to a wealth of individuals and organizations whose influence is being recovered for the first time.

The perceptive text explores topics ranging from the avant-garde (surrealism, experimental photography) to popular culture (tabloids, sports, the ‘new woman’) to extremist politics and war. Particular attention is given to photomontage, a technique that epitomized the era and found broad acceptance among artists and mass media outlets.

Includes maps, biographies of the featured photographers, and a scholarly bibliography.

For the past four decades, François Halard has had the most privileged view on the world of art, interior design, and culture.

From his perch as the photographer of choice of Vogue to World of Interiors, he has captured many of the world’s most cherished spaces. Many of these have been catalogued in the first two volumes of his Rizzoli series. New Vision is the final of his three-volume magnum opus.

From film director Michelangelo Antonioni’s and actress Monica Vitti’s modernist hideaway in Sardenia to the painter Cy Twombly’s family retreat on the Italian coast, from Isamu Noguchi’s private studio in Japan to Luis Barragan’s lost masterpiece in Mexico, these are Halard’s most personal and intimate images yet published. Going beyond mere documentation, these photographs are the results of decades of a trained eye to see beyond the space into its essential soul. As the lover and collector of art and objects himself, each of Halard’s photo is a masterclass in acquiring by looking. Traversing between interior portraiture, authentication, and a cultural x-ray vision, the photographs collected here are a testament to a personal and unique visual imagination.

About the Author:

Francois Halard has been a regular contributor to American Vogue, Apartamento, T Magazine, and Cabana, among others, for over thirty years. His work for these publications established him as the most prolific and well-known interior and architectural photographer of our time.

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Пролистать книгу François Halard: The Last Pictures: New Vision  на сайте издательства.

In this book the successful French writer Francois-Marie Banier, whose intellectual mentor was Salvador Dali, reveals himself as a sensitive photographer. He shows his friends from international social and cultural circles in private, relaxed and unmasked.

Eye to Eye, the first personal portfolio by master photographer Frans Lanting, presents an extraordinary collection of animal images by an award-winning photographer and naturalist who "has set the standards for a whole generation of wildlife photographers," according to the BBC.

More than 140 photographs, made over a period of twenty years, reveal the unique personal aesthetic Frans Lanting brings to wildlife photography, as well as the startling new perspective on animals his images provoke. In a review of his work The New York Times states, "Mr. Lanting's photographs take creatures that have become ordinary and familiar and transform them into haunting new visions."

This book's exquisite images are accompanied by personal stories and observations from a lifetime of working with wild animals around the world, ranging from orangutans in the rain forests of Borneo to emperor penguins in Antarctica. More than 70 species are represented in this astonishing portrait gallery celebrating the diversity of life on earth.

Frans Lanting does not seek in these encounters the beauty traditionally revered by wildlife photographers: "The perfection I seek in my photographic compositions is a means to show the strength and dignity of animals in nature." Frans Lanting's work has been lauded by designers as art, by biologists as science, and by others as a new vision of the relationship between animals and people - one that challenges us to look animals in the eye and see ourselves.

Where the wild things are. From South America to Africa, up close with rainforest flora and fauna

Jungles is a personal exploration of nature in the tropics by master photographer, storyteller, and naturalist Frans Lanting. In a unique collection of images made over a period of 20 years in jungles from the lowlands of the Congo to the cloud forests of the Andes, Lanting interprets the aesthetic splendor and the remarkable natural history of the tropical rainforest - a realm of bewildering complexity where nothing is the way it first appears. "While the essence of photography is to show, jungles hide, or at best, suggest," Lanting writes. "So I opted to show impressions of jungles to evoke a sense of their kaleidoscopic nature - the glimpses of faces that melt into shadows, the bursts of color and shimmering light."

The book features four portfolios of images taken years and continents apart and stories of field expeditions into tropical wilderness areas. "Water and Light" shows the interplay of these elements with plant and animal life, with a story about life after dark in the jungles of Central America. "Color and Camouflage" explores the need to hide and the desire to be seen, and details a journey to a remote part of the Amazon Basin to document macaws. "Anarchy and Order" features impressions of growth and movement, and leads to a trek up a mountain in Borneo. "Form and Evolution" is an ode to the wonders of natural selection, and culminates in encounters with primates in the forests of Madagascar and Africa.

In photographs ranging from spectacular gatherings of rainbow-colored macaws to the misty exhalations of a forest at dawn, Lanting evokes the lush sensuality and intricate natural order of the tropical regions that form the beating heart of life on earth.

The photographer:
Dutch-born Frans Lanting has been hailed as one of the great nature photographers of our time. For the past two decades, he has documented wildlife and our relationship with nature in environments from the Amazon to Antarctica. Exhibits of his photographs have been shown at major museums in Paris, Milan, Tokyo, New York, Madrid, and Amsterdam.

The editor:
Christine Eckstrom is a writer and TV producer whose work has appeared in National Geographic, Audubon, and International Wildlife. Her feature story "The Last Real Africa" won a 2007 Lowell Thomas Award for Best Magazine Article on Foreign Travel from the Society of American Travel Writers. She is also the author of Forgotten Edens: Exploring the World's Wild Places (1993). She collaborates with husband Frans Lanting from their home base in California.

Beauty of the beasts. Frans Lanting’s vibrant tribute to the Old Africa of Okavango

"Botswana, many say, represents the last of Old Africa. And in the heart of this arid land lies a place as inspiring and as incongruous as the snow-capped summit of Kilimanjaro rising on the equator: that is the Okavango, one of the greatest wetlands on earth, whose very existence in the middle of a desert is nothing short of miraculous." — Frans Lanting, 1993

For a year, Frans Lanting roamed the wetlands and deserts of northern Botswana, living by the rhythms of the water and the movements of the animals as he captured them on film. National Geographic had sent him there on assignment, but what he would take away was much more than a magazine story; it was a seminal and unparalleled collection of photographs depicting an epic world of wilderness and wildlife. As Lanting wrote, “To many who have seen the fate of other wild areas in Africa and elsewhere in the world, the very notion that such a place as Okavango still exists is like a dream.” Living out of vehicles and canvas tents, gliding through swamps, following lions by night - Lanting, armed with his cameras, got up close and personal with some of the planet’s most formidable creatures.

The book he published a few years later, Okavango, was a testament not only to the wondrous wildlife of the region, but also to Lanting’s extraordinary courage, skill, and photographic vision. After many publications of Lanting’s work, including Life, Jungles, Eye to Eye, and Penguin, TASCHEN now revisits his original classic which drew critical praise worldwide with this updated and expanded edition of Okavango, further enhanced with all new reproductions and dozens of previously unpublished photos, as well as a new preface by Lanting.

František Drtikol (1883–1961) is considered to be the first Czech photographer enjoying international fame. Anna Fárová’s legendary exhibit in Prague in 1972 led to the rediscovery of his briefly forgotten work.

This elaborate, illustrated volume is devoted to the nude portraits, one of the focal points in Dritkol’s oeuvre. Art Nouveau and Symbolism were strong influences on his early photographs, in which his nudes are presented as dreamy nymphs or femme fatales.

After the end of World War I, he developed his own fascinating photographic style, characterized by geometric elements, expressive, dynamic poses, and dramatic lighting. An “Art Deco photographer,” as Fárová called him, Drtikol was inspired by Futurism, Expressionism, and Cubism to discover his own lyrical, formal vocabulary.

Though he is best known for his Art Nouveau and Art Deco nudes, when Frantisek Drtikol (1883-1961) passed way, he left more portrait photography than anything else--thousands of images made between 1910 and the 1930s.

This ambitious book is the first ever devoted to those portraits alone. The selection, culled from some 2,000 in Prague's National Archive, presents a gallery of eminent Czechs and Slovaks during the first Czechoslovak Republic, as well as prominent visitors to the country from many walks of life. Apart from their pure documentary value, these images reflect Drtikol's efforts to capture his sitters' inner selves, bridging idealism and materialism.

The artist has also been the subject of The Photographer Frantisek Drtikoland Photographs by Frantisek Drtikol; this volume is compiled and written by Josef Moucha.

Long before pin-ups, Playboy, or the Internet, enterprising Parisians at the turn of the 20th-century turned the relatively new invention of the camera toward the female nude. Artfully posed with classical architecture or in flirtatious dishabille with stockings and lingerie, the winking models embody the erotic fantasies of a repressed society. Some of the women shown are demure and shy, wearing a slip or low-cut blouse-a great tease in an age when showing an ankle was scandalous. Their daring glimpses of decolletage carry a particular charge, so rare in today's world of overexposure. These cards were sold, often in packets, at street kiosks and under tabac counters, hush-hush but nevertheless ubiquitous. As foreigners flooded the city in the early part of the 20th-century, the cards became cherished souvenirs that were secretly collected and shared among men abroad. This is when the phrase "French postcards" became a euphemistic code for erotic nude images. These lovely ladies evoke a campy nostalgia that celebrates a healthy, voluptuous ideal of sensual feminine beauty. More retro than raunchy, French Postcards has the saucy fun of a naughty valentine, sure to charm and entertain a friend or lover.

Видавництво MÖREL з гордістю представляє найважливішу на сьогодні ретроспективну книгу, присвячену українському художнику Борису Михайлову (народився 1938 року в Харкові).

Вважається одним із найвпливовіших сучасних художників Східної Європи, він понад п'ятдесят років розробляє низку експериментальних фотографічних робіт, що досліджують соціальні та політичні теми.

Новаторська практика Бориса Михайлова охоплює документальну фотографію, концептуальні роботи, живопис та перформанс. З 1960-х років він створює зворушливий літопис бурхливих змін в Україні, що супроводжували розпад Радянського Союзу, та катастрофічних наслідків його розпаду.

У надзвичайно багатому корпусі робіт, який не піддається категоризації, Михайлов руйнує візуальні коди. Винаходячи власну художню мову в серіях, що надзвичайно різняться за технікою, форматом та підходом, він свідчить про суворі соціальні реалії та абсурд свого часу.

Поєднуючи гумор і трагедію, Борис Михайлов невпинно захищає художню свободу як засіб опору. Завдяки своєму безкомпромісному трактуванню суперечливих тем він демонструє підривну силу мистецтва.

Понад півстоліття він є свідком впливу радянської системи на свою країну, створюючи складну та потужну фотографічну розповідь про сучасну історію України, яка у світлі поточних подій є ще більш зворушливою та повчальною.

Від "blaue horse" до наших днів 1965-2022

Опубліковано з нагоди великої ретроспективи Бориса Михайлова в MEP, Париж
Книга об'єднує 27 проектів Михайлова за останні 57 років.

Тісно співпрацюючи з Борисом та Вітою Михайловими над дизайном та редагуванням книги, ми включили понад 3000 слів у цитатах, що дають унікальне розуміння кожного проекту, методології та філософії Бориса.

Другий буклет з есе, написаними Саймоном Бейкером (директором MEP, Париж), Лорі Гурвіц (куратором виставки) та художницею Лі Ледар (художницею та другом Михайлових), доповнює основну книгу. Також до цієї роботи входять переклади серії «В’язкість» та «Незакінчена дисертація».

Про художника:

Борис Михайлов, народжений у 1938 році в Харкові, Україна, за освітою інженер, є фотографом-самоучкою. На початку своєї кар’єри йому подарували камеру, щоб задокументувати державний завод, де він працював; він використовував її для фотографування оголеної дружини. Він проявив їх у лабораторії заводу та був звільнений після того, як їх знайшли агенти КДБ.

Сьогодні його вважають однією з найважливіших постатей на міжнародній мистецькій сцені, він отримав багато престижних нагород, серед яких премію Goslar Kaiserring Award 2015 року, премію Citibank Private Bank Photography Prize (тепер нагорода Deutsche Börse Photography Foundation Award) у 2001 році та премію Hasselblad Award у 2000 році. Він представляв Україну на Венеційській бієнале у 2007 році та знову у 2017 році.

Його роботи виставлялися на провідних міжнародних майданчиках, включаючи Tate Modern у Лондоні, MoMA у Нью-Йорку, а нещодавно – у Berlinische Galerie та C/O Berlin у Берліні, Pinchuk Art Center у Києві, Sprengel Museum у Ганновері та Staatliche Kunsthalle у Баден-Бадені.

Борис Михайлов представлений у Парижі галереєю Suzanne Tarasieve. Він також виставляє свої роботи в галереї Sprovieri у Лондоні, Guido Costa Projects у Турині, Barbara Gross у Мюнхені та galerii Barbara Weiss у Берліні.

Він живе між Берліном та Харковом зі своєю дружиною Вітою.