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Cruise through this collection of Harley-Davidson's most iconic motorcycles!

When most people imagine a motorcycle, chances are they picture a Harley-Davidson. That's because Harley-Davidson machines look the way the primordial biker inside each of us feels a motorcycle should look. In short, Harley-Davidson makes mythic bikes. Harley-Davidson: The Complete History celebrates these iconic motorcycles, presenting them all in one beautifully illustrated book.

The most beloved and recognizable motorcycles are included here: the Knucklehead, the Panhead, the Peashooter, the KR, the Sportster, the XR750, the Shovelhead, the Evolution, the Twin Cam, the V-Rod, and all the rest. Pages in the book reveal historic images as well as modern photos from the top motorcycle photographers working today. Additionally, there are chapters from some of the most celebrated motorcycle writers of all time -- Peter Egan, Kevin Cameron, Ed Youngblood, Allan Girdler, Steve Anderson, and many more. All of this material combines to tell the story of every major motorcycle that Harley-Davidson has built, from the very first prototype to the Silent Gray Fellow to the latest liquid-cooled CVO Electra Glides and Softails. Harley-Davidson: The Complete History is the ultimate history of the ultimate motorcycle company.

About the Author:

Darwin Holmstrom has written, co-written, or contributed to more than thirty books on subjects ranging from motorcycles and muscle cars to Gibson Les Paul guitars, including Indian Motorcycles, GTO: Fifty Years, Let's Ride: Sonny Barger's Guide to Motorcycling, Top Muscle: The Rarest Cars from America's Fastest Decade, BMW Motorcycles, The Life Harley-Davidson, and The Complete Idiot's Guide to Motorcycles. Darwin is the former senior editor at Motorbooks and former Midwestern editor for Motorcyclist magazine.

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Maybe I’m Amazed. A personal portrait of Paul McCartney by Harry Benson

Harry Benson began photographing the young Paul McCartney in 1964, a pivotal year for the Beatles when they took America by storm, toured the world, and made their movie debut with A Hard Day’s Night—all documented by the affable Scotsman. And when the Fab Four called it quits, it was Benson who was afforded intimate access to Paul and wife Linda, as Paul forged a new path creatively and personally.

Through Benson’s lens, Paul traces the evolution of its namesake as an icon, performer, and a devoted family man. We follow the musician at the height of his fame with the Beatles; in the recording studio with Linda and their band, Wings; with the family; behind the scenes and on stage during the 1975–76 “Wings Over America” tour; dancing the night away at a star-studded party on the Queen Mary to celebrate the band’s newest album; and with Linda on the couple’s farm in the U.K. in the early 1990s—a fittingly soft landing after so many years of flying high.

Featuring more than 100 color and black-and-white images by the legendary photojournalist, many never seen before, this collection is a window onto a one-of-a-kind artist, one who has remained somewhat enigmatic despite nearly a lifetime of being in the limelight.

Collector’s Edition of 600 copies (No. 101–700), each numbered and signed by Harry Benson

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. Polaroids, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.

Maybe I’m Amazed. A personal portrait of Paul McCartney by Harry Benson

Harry Benson began photographing Paul McCartney in 1964, when the Beatles took America by storm, toured the world, and made their movie debut with A Hard Day’s Night. The legendary photojournalist was on hand to document it all. When the Fab Four came to an end, it was Benson who had intimate access to Paul and his wife Linda, as Paul forged a new path, creatively and personally.

Featuring more than 100 color and black-and-white images, this collection is a window into the life of one of the world’s best-known recording artists, one who has remained enigmatic despite a lifetime in the limelight.

Through Benson’s lens, Paul traces the evolution of its namesake from performer to icon, father and husband. We see the young musician at the height of his fame with the Beatles, in the recording studio with Linda and their band Wings, with the family, behind the scenes and on stage during the 1975–76 “Wings Over America” tour, partying with the stars, and at the couple’s quiet farm in the UK in the early 1990s.

On the occasion of Sir Paul's 80th birthday, Paul gives an all-access look at a life spent making the world’s most popular music. A must for any music fan.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, the David Bailey SUMO and Andy Warhol. Polaroids.

The Fab Five. Behind Beatlemania

“These photos convey a really happy period for them and for me. It all comes down to music, they were without a doubt the greatest band of the 20th century, and that’s why these photographs are so important.” – Harry Benson, 2012

In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa, when he got a call from the photo editor of London newspaper The Daily Express. He was now going with The Beatles to Paris to document French Beatlemania and what followed was the biggest (ticket to) ride of his life.

Benson was warmly welcomed into The Beatles’ inner sanctum, resulting in some of the most intimate photographs ever taken of the band, then on the cusp of world domination. In Paris, he took the famous photograph of the Fab Four having a pillow fight at the George V Hotel; he shot their groundbreaking first visit to the United States, the full impact of New York hysteria, their famous appearance on The Ed Sullivan show, the band in Florida, including their surprising encounter with Cassius Clay; as well as on the set of A Hard Day’s Night. The relationship continued in 1966, including George’s honeymoon in Barbados and their notorious US tour, under the shadow cast by Lennon’s comment that the Beatles were “bigger than Jesus Christ.”

Benson’s luminous black and white photographs show at close quarters The Beatles composing, performing, encountering their fans, relaxing, and engaging with each other, while trying to cope with their increasingly isolating fame. In addition to hundreds of photographs, many previously unseen, there is an introductory essay by Benson as well as quotes and newspaper clippings from the period.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

Behind Beatlemania. Privileged access to the Fab Four

The best of Harry Benson’s era-defining Beatles portfolio, capturing the Liverpudlian quartet on the road, performing, and coming to terms with skyrocketing fame. From a pillow fight in Paris to their first U.S. tour, shot in luminous black and white, Benson’s pictures show intimate glimpses of George, John, Paul, and Ringo composing, relaxing, and engaging with euphoric fans.

In early 1964, photographer Harry Benson received a call from the photo editor of London’s Daily Express, who asked him to cover the Beatles’ trip to Paris. It was the beginning of a career-defining relationship, which would both make Benson’s name and produce some of the most intimate photographs ever taken of the Beatles.

In Paris, Benson captured the Fab Four in the midst of a pillow fight at the George V Hotel, a spontaneous moment which came to epitomize the spirit of the band — Benson himself has called it the best shot of his career. Later that year, he followed the group on the road for their debut U.S. tour, documenting their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also photographed George Harrison’s honeymoon in Barbados, documented the Beatles on the set of their debut movie A Hard Day’s Night, and was present on the now infamous 1966 tour when John Lennon said that the Beatles were “more popular than Jesus.”

Previously out-of-print, this re-edition brings back the best of Benson’s luminous black-and-white Beatles portfolio. Complemented by quotes and newspaper clippings from the period, an introduction by the photographer himself adds exciting personal testimony to these iconic images of the greatest band in musical history.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

Immortalizing the people and moments that have defined the past 60 years, world-renowned photojournalist Harry Benson has become as much a part of history as the photographs themselves. The scope of his accomplishments as a photojournalist is nothing short of remarkable: he has photographed every U.S. president since Eisenhower, as well as Robert F. Kennedy on the night he was assassinated, and Martin Luther King Jr. at his funeral; he has shot stars such as Elizabeth Taylor, Mick Jagger, Dolly Parton, Michael Jackson, Greta Garbo, and Truman Capote; he covered both the rise and fall of the Berlin wall, the IRA hunger strikes, the Freedom March through Mississippi, the Watts riots, 9/11, and conflicts in Kuwait, Bosnia, Somalia, Afghanistan, and Israel; and, on the eve of his 80th birthday, Benson is still at it, crisscrossing the globe on assignment for Conde Nast.

Harry Benson: Photographs is a visual celebration of Benson's incomparable career. Organized into chapters on celebrity, art, fashion, sports, politics, and photojournalism, Harry Benson: Photographs features a distinctive mix of iconic images alongside never-before-published photographs of Sir Winston Churchill, Nelson Mandela, Queen Elizabeth, Princess Diana, Jackie Kennedy Onassis, Billy Graham, Bobby Fischer, Muhammad Ali, the Beatles, Sonny Liston, Chuck Berry, O.J. Simpson, Yogi Berra, Sophia Loren, Kate Moss, Gloria Swanson, James Brown, Fred Astaire, Johnny Carson, Jack Nicholson, Marlon Brando, Al Pacino, Clint Eastwood, Woody Allen, Spike Lee, Alfred Hitchcock, Federico Fellini, Joseph Papp, Andy Warhol, Liza Minelli, Barbra Streisand, Halston, Giorgio Armani, Valentino, Diana Vreeland, and countless others. With unique access to the most elusive, alluring, and enduring legends of our time, Benson's magnum opus is an unsurpassed masterpiece of contemporary photojournalism and portraiture.

Hasselblad - manufacturer of the finest photographic technology for more than five decades - sponsors the elite Masters contest each year, recognizing both the top established and upcoming photographers. Starting with 1,700 accomplished entrants who submitted ten photographs each, the Hasselblad team rigorously narrowed the selection to 100 finalists. Five editors of respected international photo magazines were then assigned the difficult task of choosing ten ultimate winners. These ten Hasselblad masters were given access to the finest photographic equipment and asked to interpret the theme "emotion" in their own distinctive ways.

This book contains compelling projects from each of the winning photographers.

Whether the incredible pieces of haute couture were designed by Chanel, Dior, Gaultier, Lacroix, Elie Saab, Philip Treacy, or Valentino, their beauty is preserved in the gorgeous images captured with a large-format camera using Polaroid material by Cathleen Naundorf and collected in this book. Her well-honed technique, inspired by her mentor Horst P. Horst, which combines instant film’s distinctive colors and shadow with the artist’s remarkable instinct, results in photographs that resemble paintings - haunting, muted, and raw. Not only are they a feast for fashion-hungry eyes, but they are also a testament to the talents of this young artist who has forged a formidable reputation in the fashion world. Featuring stunning couture images, this book presents renowned fashion photographer Cathleen Naundorf’s work with Polaroid photography from the past six years..

A portrait of Havana before it changes forever. A unique look inside the old mansions of the Cuban capital

Havana. Just saying the name evokes images of bright Caribbean colors, American cars with fins from the 1950s, and once-glorious buildings fallen into ruin. Now that this socialist island country is open once more, this picture will soon change. Now is the time to pause for a moment and take a closer look at Cuba’s capital city. Bernhard Hartmann starts on the streets, showing us cafes, shops, and boxing clubs, but he also takes us behind the facades of the mansions, whose well-worn charms immediately captivate the viewer. Crumbling plaster, cracked walls, worn stair treads — we see all of this in the pictures, and yet these places are vibrant and alive. Traces of bourgeois life, dignified and stylish, survive despite the adversity, masterfully captured in brilliant photographs.

About the Author:

Bernhard Hartmann was born in 1955 in Frankfurt am Main, Germany, and began working as a photographer for a major German newspaper at the age of 18. While he was still in law school, he became a self-taught landscape and architecture photographer. In addition to solo and group exhibitions in Germany and abroad, his photos have appeared in German and international publications, and many of his pictures have won awards (the Sony Awards, Epson International Pano Awards, and International Color Awards, among others). Bernhard Hartmann particularly enjoys photographing art venues. He has done photo series of opera houses, theaters, and country manors in Europe.

Frank De Mulder is synonymous with erotic photography of the highest caliber. Known as a leader in his field, he endeavors to connect us with each model’s unique personality. All his images are both highly original and sensually compelling. This season marks the publication of the fourth book of his critically acclaimed and internationally renowned nude photography. Entitled Heaven, those who browse these pages will certainly enter a fantastical realm. Thoroughly charged with eroticism, these works have a sophistication few others approach. Each composition is complex, combining a daring spirit with a nuanced sensibility. As you’d expect from De Mulder, the settings are exotic, the models are some of the most stunning in the world, with narratives intriguing and provocative.

In addition to his unequalled credentials as a fine-art photographer, Belgian native Frank de Mulder has created works for such world-famous publications as Playboy, GQ, and Elle. He is unsurpassed at developing a real connection with his models — a trust and empathy abundantly evident in his work.

 - Yet another erotic epic from this contemporary master
 - Diehard fans and neophytes alike will appreciate how elegance flirts with edginess
 - A must-have for all aficionados of modern erotic photography
 - The master of erotic photography presents his new masterpiece also as limited collector's edition - Limited Edition of 50 copies. Comes in a portfolio with a numbered photoprint and hand-signed by Frank De Mulder, all packed in a handmade box.

Our sex and beauty power pack, the four-in-one complete edition of Helmut Newton's Illustrated is available in an unchanged reprint.

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

Instant Newton. A collection of Helmut Newton's test Polaroids

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition "Helmut Newton Polaroids" at the Museum für Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

The photographer:

Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and original as ever.

The collection “Sex & Landscapes” brings together a rich selection from Helmut Newton’s little-known landscape and travel photographs, as well as unseen “tougher” sex pictures, described by Philippe Garner of de Pury & Luxembourg as “Helmut’s world of dark, brooding seas, baroque statuary, crashing waves, a long desert highway under threatening skies, a Berlin park at dusk, enigmatic apartment buildings at night, the Rhine seen from the air, the shadows of airplanes, all this interwoven with hard and voyeuristic sexual imagery, plus a touch of his high style and glamour.” The book’s publication coincides with the exhibition of “Sex and Landscapes,” which will open on June 3 at the inauguration of the Helmut Newton Foundation in Berlin.

About the photographer:

About the author:

Philippe Garner is a Director of Christie's and is their International Head of Photographs and of 20th Century Decorative Art & Design. He is widely recognised as an authority within these fields and has written numerous essays and books on specific aspects of the history of photography and the applied arts. His books include studies of the life and work of Emile Gallé and photographers Cecil Beaton and John Cowan, as well as thematic investigations such as his Sixties Design for TASCHEN. He has also curated museum exhibitions in London, Paris and Tokyo.

Shooting Beauties: the fashion photography of Helmut Newton

"Carte Blanche" for the commissioned works between art and commerce

Helmut Newton did not distinguish compositionally or stylistically between his magazine work and assignments for commercial clients. He ironically referred to himself as “a gun for hire.” That was also the title of June Newton's legendary book about his commercial photography, which is now available in a new edition revised by the Helmut Newton Foundation.

"Some people's photography is an art. Mine is not. If they happen to be exhibited in a gallery or a museum, that's fine. But that's not why I do them. I'm a gun for hire," Helmut Newton told Newsweek in 2004. This prosaic proclamation from one of the 20th century's most celebrated photographers may be perceived as shocking. Still it firmly positions Newton as the no-frills image-maker that he was. His work is so powerful and striking, that it defies categorization. In refusing to call his work "art," Newton leaves us free to do so. Judging from the amount of museum and gallery shows that have featured his work, it is clear that the option has been widely exercised.

A Gun for Hire brings together a selection of Newton's fashion catalog work from the early 1960s to 2003 including work for BiBA (the first fashion catalog in 1962), Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Villeroy & Boch and Absolut Vodka, as well as his last editorial photographs for US and Italian Vogue — encompassing the body of work he made as a "gun for hire."

With an introduction by Matthias Harder and statements by Pierre Bergé, Tom Ford, Josephine Hart, June Newton, and Anna Wintour.

Client list: BiBA, Chanel, Yves Saint Laurent, Versace, Thierry Mugler, Blumarine, Italian Vogue, US Vogue, German Vogue, Villeroy & Boch, Bikini Calendar for Sportsmagazin, Absolut Vodka

About the photographer:

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970`s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.