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Standing in front of a room packed with 360 photographers at his seminar, Scott Kelby asked for a show of hands: “How many of you own some kind of an off-camera flash? A Nikon, Canon, Yongnuo, etc.?” About 340 hands went up. “Okay, I have one more question, but before you raise your hand, I want you to really think about your answer. Let’s see a show of hands — how many of you love using your off-camera flash?” Out of those 360 people, just four people raised their hands. He was stunned.

Sadly, the results were similar in city after city, even in different countries. It’s like we all bought a flash during the “hot shoe flash revolution” of 2008–2011, but we’re not getting the results we got them for in the first place. Not even close. We don’t “love” our flashes, and worse yet, in many cases, we’ve even stopped using them altogether. But it doesn’t have to be that way. You just need somebody to help you unlock the real secrets to getting beautiful, consistent, and easily repeatable results.

That’s why The Flash Book book was created — to help you finally fall in love with your flash — and the best news is, it’s way easier than you’d think. In fact, you’ll be surprised at how simple it really can be because you’re not going to learn a bunch of geeky flash stuff, and you’re not going to have to do math, and you’re not going to need a light meter (it’s not that kind of book). Instead, you’re going to learn an amazingly simple system — one that Scott has been using for years — and the best thing about this system is that it’s so darn easy (it’s probably very different from what you might have seen “on the Internet,” but this system works, and once you try it, you’ll become a believer).

Here’s how the book works: Each idea or technique is just one page, and it starts from scratch, taking you through the flash settings (just the few simple ones you actually need to know); the camera settings (Scott gives you his own settings, and you might not even need to change them during your shoot); and which affordable accessories you really need to start using flash like a pro.

This isn’t a book of theory, full of confusing jargon and complicated concepts. This is a book on which settings to use, and exactly how and when to use them. The whole book is written in Scott’s plain-English, down-to-earth style, which makes the experience more like the two of you are out together on a shoot. It’s time to fall truly head-over-heels in love with your flash, so you can start creating the type of images with your flash that you’ve always dreamed of, and this is the book that can take you there.

Table of Contents:
Chapter 1: Flash Controls and Settings
Chapter 2: Next Level Flash Stuff
Chapter 3: Camera Settings for Working with Flash
Chapter 4: Using Flash for Portraits
Chapter 5: Using Flash on Location
Chapter 6: How to Light Backgrounds
Chapter 7: Using Flash at Weddings
Chapter 8: How to Mount Your Flash
Chapter 9: Flash Tricks
Chapter 10: Flash Workflow

About the Author:

Scott Kelby is the world's #1 best-selling author of photography technique books, as well as Editor and Publisher of the highly acclaimed Photoshop User magazine. He is co-host of the influential weekly photography talk show The Grid and he teaches digital photography workshops and seminars around the world. Scott is an award-winning author of over 60 books, including How Do I Do That in Lightroom?, How Do I Do That in Photoshop?, The Lightroom Book for Digital Photographers, The Digital Photography Book series, Professional Portrait Retouching Techniques for Photographers, and Light It, Shoot It, Retouch It. He lives in Oldsmar, FL. For more on Scott, visit his fantastic blog at scottkelby.com.

Photographer, award-winning author, Editor of Photoshop User magazine, Publisher of Lightroom magazine, founder of the annual 'Scott Kelby Worldwide Photo Walk,' CEO of the KelbyOne Online Educational Community for Photographers, Lightroom and Photoshop users; co-host of the live weekly photography podcast "The Grid," Conference Technical Chair for the annual Photoshop World Conference, and struggling guitar player.

Have you ever dreamed of taking such incredible landscape photos that your friends and family say, “Wait a minute, this is your photo?! You took this?” Well, you’re in luck. Right here, in this book, pro photographer and award-winning author Scott Kelby teaches you how to shoot and edit jaw-dropping landscape photographs. Scott shares all his secrets and time-tested techniques, as he discusses everything from his go-to essential gear and camera settings to the landscape photography techniques you need to create absolutely stunning images. From epic scenes at sunrise to capturing streams and waterfalls with that smooth, silky look, and from photographing the night sky or the Milky Way to creating breathtaking, sweeping panoramas, Scott has got you covered.

Among many other topics, you’ll learn:

- The secrets to getting super-sharp, crisp images (without having to buy a new lens).
- Exactly which camera settings work best for landscape photography and why (and which ones you should avoid).
- Where to focus your camera for tack-sharp images from foreground to background.
- How to shoot beautiful high dynamic range images and stunning panoramas (and even HDR panos!), along with how to post-process them like a pro.
- How to create captivating long-exposure landscape shots that wow your viewers.
- What gear you need, what gear you can skip, which accessories work best, and a ton of killer tips that will not only help you create better images, but make the entire experience that much more fun.

Table of Contents:
Chapter 1: Essential Gear
Chapter 2: Camera Settings & Lenses
Chapter 3: Before Your Shoot
Chapter 4: Composition
Chapter 5: HDR & Panos
Chapter 6: Long Exposures
Chapter 7: Starry Skies & the Milky Way
Chapter 8: Post-Processing
Chapter 9: Even More Tips
Chapter 10: Landscape Recipes

About the Author:

Scott Kelby is the world's #1 best-selling author of photography technique books, as well as Editor and Publisher of the highly acclaimed Photoshop User magazine. He is co-host of the influential weekly photography talk show The Grid and he teaches digital photography workshops and seminars around the world. Scott is an award-winning author of over 60 books, including How Do I Do That in Lightroom?, How Do I Do That in Photoshop?, The Lightroom Book for Digital Photographers, The Digital Photography Book series, Professional Portrait Retouching Techniques for Photographers, and Light It, Shoot It, Retouch It. He lives in Oldsmar, FL. For more on Scott, visit his fantastic blog at scottkelby.com.

Photographer, award-winning author, Editor of Photoshop User magazine, Publisher of Lightroom magazine, founder of the annual 'Scott Kelby Worldwide Photo Walk,' CEO of the KelbyOne Online Educational Community for Photographers, Lightroom and Photoshop users; co-host of the live weekly photography podcast "The Grid," Conference Technical Chair for the annual Photoshop World Conference, and struggling guitar player.

Amateurs, wedding photographers and portrait photographers of all kinds learn how to maximise the beauty of natural light in this first-ever technique book from acclaimed photographer Elizabeth Messina.

Natural light is by far the favourite choice of most amateur, wedding and portrait photographers, but many stick to conventional approaches, leaving the myriad, gorgeous possibilities of natural light unexplored.

This first-ever book by popular wedding, lifestyle and portrait photographer Elizabeth Messina shares her secrets on capturing flattering natural light in any lighting scenario, to create luminous portraits that appear lit from within.

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Пролистать книгу The Luminous Portrait: Capture the Beauty of Natural Light for Glowing, Flattering Photographs

Become inspired, find your voice, and create work that matters.

Why are human beings driven to make?

It’s as if we collectively intuited, long before science gave us the language, that the universe bends toward entropy, and every act of creation on our part is an act of defiance in the face of that evolving disorder.

When we pick up a paintbrush, or compose elements through our camera viewfinders, or press fingers into wet clay to wrestle form from a shapeless lump, we are bending things back toward Order and wrestling them from Chaos.

But making things is often not enough.

We also want the things we make to be filled with meaning. We’re each trying to describe what we know about life, to create a collective sense of “safety in numbers.” When we reach the end of our traditional descriptive powers, it’s time to weave collective meaning from poetry, painting, writing, dancing, photographing, filmmaking, storytelling, singing, animating, designing, performing, carving, sculpting, and a million other ways we daily create Order out of the Chaos and share it with each other for comfort.

On this journey we need a creative philosophy which will help us find our voice, discover our message, deal with the responses to our work, maintain inspiration, and stay mentally healthy and motivated creators as we strive to find “the meaning in the making.”

Table of Contents:
Chapter 1: Order
Chapter 2: Logos
Chapter 3: Breath
Chapter 4: Voice
Chapter 5: Ego
Chapter 6: Control
Chapter 7: Attention
Chapter 8: Envy
Chapter 9: Critique
Chapter 10: Feel
Chapter 11: Shadows
Chapter 12: Meaning
Chapter 13: Time
Chapter 14: Benediction

About the Author:

Sean Tucker is a professional photographer and filmmaker based in the United Kingdom.

With a completely refreshed look to celebrate its tenth anniversary, Michael Freeman’s iconic bestseller, The Photographer’s Eye, has never looked better.

Design is the single most important factor in creating a successful photograph. The ability to see the potential for a strong picture and then organize the graphic elements into an effective, compelling composition has always been one of the key skills in making photographs.

Of course, digital photography has brought a new, exciting aspect to design first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second, because image-editing tools make it possible to alter and enhance the design after the shutter has been pressed. This has had a profound effect on the way digital photographers take pictures.

The Photographers Eye shows how anyone can develop an eye for seeing great digital photos. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.

About the Author:

Michael Freeman, professional photographer and best-selling author, was born in England in 1945, took a Masters in Geography at Brasenose College, Oxford University, and then worked in advertising in London for six years. In 1971 he made the life-changing decision to travel up the Amazon with two secondhand cameras, and when Time-Life used many of the pictures he came back with, he embarked on a full-time photographic career.
Since then, working for clients that include all the world's major magazines, most notably the Smithsonian Magazine (for which he has shot more than 40 stories over 30 years), Freeman's reputation as one of the world's leading reportage photographers has been consolidated. Of his many books, which have sold over 4 million copies worldwide, more than 60 titles are on the practice of photography. For this photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture.
Freeman's books on photography have been translated into 27 languages.

Taking a new look at composition, the theme of his bestselling classic The Photographer’s Eye, Michael Freeman now explores the visual mechanics of photography in its own native terms. Lushly illustrated with straight-to-the-point diagrams and graphic deconstructions, this new, digitally remastered edition speaks in that intuitive, visual, and instantaneous language in which photographers think and work.

Each section is organized into discrete units that articulate a working method for communicating particular ideas and capturing certain subjects. Dive into beautiful images and explore how each compositional element is placed and arranged in relationship to each other. Examine the outtakes from each shoot to understand why one particular image succeeded, compared to those shot before and after. Track the viewer’s eye as it moves throughout the photo to see the optical dynamics held within each frame. And most of all, internalize this graphic language so you can instantly recognise amazing and powerful shots as they appear in your own viewfinder.

About the Author:

Michael Freeman, professional photographer and best-selling author, was born in England in 1945, took a Masters in Geography at Brasenose College, Oxford University, and then worked in advertising in London for six years. In 1971 he made the life-changing decision to travel up the Amazon with two secondhand cameras, and when Time-Life used many of the pictures he came back with, he embarked on a full-time photographic career.
Since then, working for clients that include all the world's major magazines, most notably the Smithsonian Magazine (for which he has shot more than 40 stories over 30 years), Freeman's reputation as one of the world's leading reportage photographers has been consolidated. Of his many books, which have sold over 4 million copies worldwide, more than 60 titles are on the practice of photography. For this photographic educational work he was awarded the Prix Louis Philippe Clerc by the French Ministry of Culture.
Freeman's books on photography have been translated into 27 languages.

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Пролистать книгу The Photographers Eye: A graphic Guide: Instantly Understand Composition & Design for Better Photography на Google Books.

The secret behind a good photograph is not your camera. It’s not even the scene viewed through the viewfinder. It’s the mind of the photographer which turns an average photograph into an exceptional one.

In The Photographer’s Mind, professional photographer and author Michael Freeman unravels the mystery behind the creation of a photograph and reveals how to capture photos that really make you feel something.

The aim of this book is to answer what makes a photograph great and explore the ways that top photographers achieve this goal time and time again.

The Photographer’s Mind will provide you with invaluable knowledge on:
· Avoiding cliché
· The recurring nature of trends
· Style and composition
· Capturing light
· How to handle the unexpected

In The Photographer’s Vision, international bestseller Michael Freeman examines the work of photography’s greats, explaining how to view a photo and how to learn from looking at it.

Photographers featured include some of the most distinguished names in photography’s history: Nick Knight, Frederick Henry Evans, Frans Lanting, Tim Page, Wolfgang Tillmans, Nan Goldin, Walker Evans, Cindy Sherman, Elliott Erwitt, Trent Parke, Jeff Wall, Paul Strand, Romano Cagnoni and many more, making this book visually stunning as well as intellectually rigorous.

Photographer and best-selling author Joe McNally shares stories and lessons from a life in photography.

When Joe McNally moved to New York City in 1976, his first job was at the Daily News as a copyboy, “the wretched dog of the newsroom.” He was earning the lowest pay grade possible and living in a cheap hotel in Manhattan. Life was not glamorous. But with a fierce drive, an eye for a picture, and a willingness to take (almost) any assignment that came his way, Joe stepped out onto the always precarious tightrope of the freelance photographer — and never looked back. Fast forward 40 years, and his work has included assignments and stories for National Geographic, Time, LIFE, Sports Illustrated, and more. He has traveled for assignments to nearly 70 countries and received dozens of awards for his photography.

In The Real Deal, Joe tells us how it all started, and candidly shares stories, lessons, and insights he has collected along the way. This is not a dedicated how-to book about “where to put the light,” though there is certainly instructional information to be gleaned here. This is also not a navel-gazing look back at “the good old days,” because those never really existed anyway. Instead, The Real Deal is simply a collection of candid “field notes” — some short, some quite long — gathered over time that, together, become an intimate look behind the scenes at a photographer who has pretty much seen and done it all.

Though the photography industry bears little resemblance to the industry just 10 years ago (much less 40 years ago), what it really takes to become a successful photographer — the character traits, the fundamental lessons, the ability to adapt, and then adapt again — remains the same. Joe writes about everything from the crucial ability to know how to use (and make!) window light to the importance of creating long-term relationships built on trust; from lessons learned after a day in the field to the need to follow your imagination wherever it takes you; from the “random” and “lucky” moments that propel one’s career to the wonders and pitfalls of today’s camera technology. For every mention of f-stops and shutter speeds, there is equal discussion about the importance of access, the occasional moment of hubris, and the idea of becoming iconic.

Before Joe was a celebrated and award-winning photographer, before he was a well-respected educator and author of multiple bestselling books, he was just…Joe, hustling every day, from one assignment to the next, piecing together a portfolio, a skill set, a reputation, a career. He imagined a life — and then took pictures of it. Here are a few frames.

About the Author:

Joe McNally is an internationally acclaimed, award-winning photographer and filmmaker whose prolific career includes assignments in 70 countries. McNally won the first Alfred Eisenstaedt Award for Journalistic Impact for a LIFE coverage titled, The Panorama of War. McNally has been honored numerous times by Communication Arts, PDN, Graphis, American Photo, POY, and The World Press Photo Foundation. McNally is masterful at lighting and is known for his large-scale production work, in addition to his vast storytelling experience which stems from assignment work for legendary publications such as LIFE and National Geographic. His wide range of commercial and assignment work is regularly cited in social media surveys as sources of inspiration and industry leadership.

The Short Story of Photography is a new and innovative introduction to the subject of photography. Simply constructed, the book explores 50 key photographs from the first experiments in the early ninteenth century to digital photography.

Accessible and concise, the book explains how, why and when certain photographs really have changed the world. It demystifies technical jargon, giving readers a thorough understanding and broad enjoyment of photography since its creation.

About the author:

Ian Haydn Smith is the editor of Curzon Magazine and BFI Filmmakers Magazine. He has written and broadcast widely on film and photography.

The urban environment offers a whole host of subjects to photograph, even in the smallest of towns. In the time it takes to walk a street or two, you can photograph panoramic skylines, people up close, at work or play, abstract architectural details, frenetic street activity and peaceful park scenes. You can capture elements of the past and present through the city’s architecture in one carefully composed street scene, then, within minutes, frame up the most recognisable landmark in the city.

Yevonde (1893–1975) was a businesswoman and tireless creator, as an innovator committed to colour photography when it was not considered a serious medium, her work is significant in the history of British portrait photography. Yevonde championed photography during a time where there were few women photographers working professionally, and this book tells the story of her life, works, and 60-year career.

Yevonde: Life and Colour brings the photographer’s works together again for the first time in 20 years and features previously unpublished works. This book showcases her experimentation with a range of techniques and genres including colour photography, portraiture, still-lifes, solarisation, and the Vivex colour process, and repositions her as a modern artist of the twentieth century.

This highly illustrated publication provides in-depth context to Yevonde’s images, considering their aesthetic and mythic references. Yevonde’s portraits embody glorified tradition countered with a desire for the new.  Her most renowned body of work is a series of women dressed as goddesses posed in surreal tableaux from the 1930s.

About the Authors:

Clare Freestone is Curator, Photography, at the National Portrait Gallery, London. Recent publications include Photographs in Dialogue UAE – 1971 – UK (2020) and Ida Kar: Bohemian Photographer (2011), with contributions made to Love Stories: Art, Passion & Tragedy (2020).
Pamela G. Roberts is a researcher and curator. Recent publications include Alvin Langdon Coburn (2015) and A Century of Color Photography (2008), with contributions made to Madame Yevonde: Be Original or Die (1999).
Susanna Brown is a photography curator who previously worked for the Victoria & Albert Museum, London. Recent publications include Tim Walker: Wonderful Things (2019) and Horst: Photographer of Style (2014).
Lucinda Gosling is Head of Sales & Research at Mary Evans Picture Library. Recent publications include John Hassall: The Life and Art of the Poster King (2021), Great War Britain: The First World War at Home (2014) and Brushes and Bayonets: Cartoons, Sketches and Paintings of World War I (2008), with contributions made to Art of Feminism (2019).
Lizzie Broadbent has worked with teams for over 25 years in complex business, consulting and non-executive roles. Her blog, Women Who Meant Business, tells the stories of business women working in the late nineteenth and early twentieth centuries.
Georgia Atienza is Assistant Curator, Photographs (Acquisitions and Collections), at the National Portrait Gallery, London. Contributions made to recent publications include Love Stories: Art, Passion & Tragedy (2020), Ida Kar: Bohemian Photographer (2011) and The Virginia Woolf Bulletin (Issue No. 21, January 2006).

A comprehensive guide to Improving your landscape photography by one of today’s foremost landscape photographers

Landscape photography is perhaps the single most popular genre among DSLR owners. In 101 Top Tips for Digital Landscape Photography, experienced professional landscape guru Carl Heilman II gives the benefit of a lifetime spent shooting spectacular wilderness and mountain shots, offering a host of targeted tips and tricks that will allow photographers of all abilities to lift their landscape work to the next level.

The reader will learn how to harness natural drama, use difficult lighting situations to your advantage and capture unusual perspectives, all the while benefiting from Carl’s clear instruction and beautiful landscape work.

Michael Freeman's 101 Digital Photography Top Tips

В этом справочнике вы найдете:
- Эксклюзивные рекомендации от одного из мировых топ-фотографов;
- Экспертное руководство по использованию вашей цифровой фотокамеры по максимуму;
- Советы для фотографов с любым уровнем владения навыками фотографирования;
- Бесценную информацию, которая поможет вам делать снимки вашей мечты!

Хотите ли вы добиться большего от своей цифровой зеркальной камеры (DSLR) или просто ищете интересные идеи для творчества, "50 фотопроектов" позволят вам вырваться за пределы привычного и попробовать что-то действительно новое.
Всегда готовый делиться бесценными советами по созданию великолепных снимков Ли Фрост поможет вашей фотографии обрести второе дыхание. Автор не только покажет вам, что и как можно снимать, но и расскажет о своих удивительных экспериментах с необычной фототехникой - от пинхол-камеры до игрушечных фотоаппаратов.