Искусство

100 colour and 22 b/w illustrations

Douglas Gordon is among the leading artists who emerged in British art during the 1980s and 1990s, and is considered one of the best contemporary video artists. He was born in 1966 in Glasgow, and was the winner, in 1996, of the Turner Prize, the most prestigious international contemporary arts award. He has long been interested in the double expressive registers of communication – verbal and images in movement – and has distinguished himself in terms of uncommonly sized video installations, and for his texts, which are printed on the walls of exhibition spaces in the most unusual places.

The catalogue has been produced for his first Italian solo show organised at the Mart in Rovereto, and comprises a long interview conducted by Mirta D’Argenzio, in which the British artist speaks about his most recent work, a film on the French soccer player Zinedine Zidane created with Philippe Parreno and presented in 2006 at the Cannes Film Festival. He talks about his inspiration for the film and its end. This is the catalyst to a publication taking in the artist’s complete oeuvre, which includes photography, objects and films. It is not surprising that Gordon is particularly well-known for his video works in which he reuses sequences from famous Hollywood films, such as his 24 Hour Psycho, in which the famous Hitchcock film is shown for a surreal length of time: 24 hours.

A great deal of the artist’s work explores popular culture, from films such as Rear Window, The Exorcist and Taxi Driver, and also anonymous documentaries, in order to examine perceptive processes and to interfere with viewers’ expectations. All this is set out clearly in the final extensive part of the catalogue, in which there is an overview of works ranging from installations permanently on show in cult contemporary spaces such as the Tate Modern in London and the Guggenheim, to film stills and finally the great textual work created especially for the exhibition spaces of the Mart in Rovereto.

Utilizing as few words as possible, but presenting a tremendous variety and volume of illustrations, this all-in-one guide details the fundamentals of drawing in its various phases and fields. In the opening pages, the author points out the first step on the road to creative achievement: artists must learn how to see people and things in terms of pictures, then master the techniques needed to express themselves on paper.
Geared to newcomers and yet still beneficial for more experienced artists, Moranz’s illuminating advice covers everything from nude and draped figures to the art of portraits and sketching animals. He covers the effective use of various mediums, including pencil, charcoal, pen, and wash. Plus, he offers helpful tips on developing a sixth sense about perspective, the basics of composition, reflecting light and shadow, and more. There's even a chapter on taking drawing one step further — from a pleasurable hobby to a successful commercial venture.
Reprint of Mastery of Drawing, Richard R. Smith Publisher Inc., New York, 1950.

Rediscover a more child-like approach to creating with Drawing and Painting Imaginary Animals! Through fun and creative exercises, Carla Sonheim teaches you to draw a variety of fun animals and creatures, including:

- Dogs
- Birds
- Elephants
- Fish
- Cats
- Rabbits
- And many others

You'll also find a variety of unique mixed-media techniques to help you bring your creatures to life, resulting in a unique finished art piece. Improve your drawing skills, expand your creativity, and learn new art techniques - and have loads of fun doing it! - with Drawing and Painting Imaginary Animals.

This is a botanically based (as opposed to free-form drawing) practical manual on how to paint a vast range of plants in watercolour and other media.

Drawing on her experience as a botanical art teacher, Christina Brodie takes a holistic approach to botanical art, covering: botanical terminology; drawing and painting techniques in a wide range of media; dissection and examination of plants; fieldwork studies; microscope work and tips on presentation.

Having been taken through the various techniques in clear steps, the reader will be able to draw and paint flowers, fruit, leaves, stems and roots, trees, fungi, ferns and horsetails, seaweeds and other algae, mosses and lichens with remarkable precision and stunning detail.

A book whose sales have not diminished but rather increased dramatically since its publication 45 years ago, this bestselling classic is the ultimate manual of drawing taught by the late Robert Beverly Hale, who’s famed lectures and classes at New York City’s Art Student League captivated artists and art educators from around the world.

Faithfully producing and methodically analyzing 100 master drawings - including works of Michelangelo, Leonardo da Vinci, Rodin, Goya, and Rembrandt among others - Hale shows how these artists tackled basic problems such as line, light and planes, mass, position and thrust, and anatomy. With detailed analytical captions and diagrams, every lesson is clearly delineated and illustrated. Throughout, also, is commentary that sheds light on the creative process of drawing and offers deep insight into the unsurpassed achievements of the masters.

This expansive and informative book on Surrealist drawing reveals drawing to be a fundamental medium of Surrealist expression.

Drawing, often considered a minor art, was central to Surrealism from the very beginning.

Automatic drawing, exquisite cadavers, and frottage are just a few of the techniques invented by Surrealists as means to tap into the subconscious realm. While previous books have examined the connection between drawings and Surrealist paintings, "Drawing Surrealism" is the first to recognize the medium as a fundamental form of Surrealist expression, and to explore its impact on other media as well.

Surrealist collage, photography, and even paintings are presented in the context of drawing as a metaphor for innovation and experimentation. It is also the first book to encompass a wide array of artists on a global scale — from the great figures in Surrealist history to lesser-known Surrealists from Japan, Central Europe, and the Americas, where the movement had a profound and lasting effect. In addition to brilliant reproductions of drawings and other works by more than 100 artists, this volume also includes a substantial historical essay by the exhibition’s curator as well as informative essays by leading scholars.

This groundbreaking book offers a deep understanding of the techniques and concerns that made Surrealism such an intimate perceptual revolution.

This retrospective showcases the works of a leader of the Decadent movement, Baron Hans Henning Voigt (1887–1969). Better known as Alastair, the artist created works that are frequently likened to those of Aubrey Beardsley, Harry Clarke, and Edward Gorey. Alastair's highly ornate and distinctively ominous style blossomed with a series of erotic illustrations for the publisher and literary renegade Harry Crosby. This original selection of striking black-and-white drawings invites close examination and appreciation of the artist's skillful, sensual tone.

These shadowy, sinuous images include characters from stories by Oscar Wilde and Flaubert, as well as scenes from La Tosca and The Magic Flute. An informative Introduction by editor David A. Beronä, a historian of illustrated books, offers background on Alastair and his unique place in twentieth-century art and illustration. Art historians, bibliophiles, and collectors and students of drawing and book illustration will treasure this affordable compilation of hard-to-find works.

81 plates show development from youth to full style. Many favorites, many new. Introduction by Alfred Werner. Includes Self-Portrait at the Age of Thirteen, Female Nude (with Headcloth and Slippers), Orpheus Slain by Bacchantes, with Boy Running Away.

Seventy large-size illustrations trace Mucha's skills as a draftsman over more than 40 years. Among the more famous examples are original plans and drawings for "The Seasons," sketches for the Sarah Bernhardt poster, studies from Mucha's stunning and innovative stylebooks, and a sketch for the St. Louis World’s Fair poster.

Such is the work of these magic-wielding geniuses, as shown to us in this book, a fraction of their best work. Here erected is a universe of emotions where different artists from around the world show us their particular and sensual vision of jewelry today. Dreaming Jewelry is a meticulous selection of contemporary jewelry that sprouts from the idea of putting temptation within reach!

Readymade man. The anticonformist visionary

Marcel Duchamp (1887–1968), revolutionary artist, inventor of readymades, obsessive chess player, and master of the silent statement succeeded at the beginning of the 20th century to query art in its traditional form. His creations, not least his readymades such as the famous Fountain (a "reclaimed" urinal) or the Bottle Rack, are subversive and radical upshots of a critical confrontation with the production and marketing of art in the industrial age. While the young Duchamp still admired Monet, Fauvism, and Cubism, and for a while was quite closely aligned with the Dadaists and Surrealists, before long his work broke new ground and helped redefine art as we know it today.

The fact that Duchamp wanted to ensure that the self-irony and doubt, particularly in his own works, were constructively understood is best shown in one of his few statements on the subject: “I force myself to contradict myself in order to avoid conforming to my own taste.” Duchamp has long been an enigma to art historians while a great source of inspiration to other artists. This study addresses the myth and the reality, revealing a compelling portrait of Marcel Duchamp, the man and the artist.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:

Janis Mink studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.

Посмотреть издание книги Duchamp в мягкой обложке.

An enigma to art historians and a great source of inspiration to other artists

Someone else may have invented the wheel, but Marcel Duchamp (1887-1968) invented the ready-made. A bottle dryer may be a bottle dryer, but signed by Duchamp it is also one of the major works of 20th century art.

Duchamp has been an enigma to art historians and a great source of inspiration to other artists. This study addresses the myth and reveals the compelling charisma of Marcel Duchamp.

About the Series:

• Each book in TASCHEN’s  Basic Art Series features:
• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The author:
Janis Mink studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.

Посмотреть издание книги Duchamp в твердом переплете.

Readymade Man. Changing the course of 20th-century art

When is a urinal no longer a urinal? When Marcel Duchamp declared it to be art. From his infamous Fountain to reworked Mona Lisa with mustache and beard, this essential introduction to Duchamp surveys his audacious practice of “readymades” and beyond and its critical place in 20th-century art.

When is a urinal no longer a urinal? When Marcel Duchamp (1887–1968) declared it to be art. The uproar that greeted the French artist’s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today.

This essential introduction distills all the daring and the scandal of Duchamp’s practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic “readymades” such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the “retinal” experience.

The author:

Janis Mink studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Beautifully illustrated and unparalleled in scope, this is an elegant visual celebration befitting the life and work of the "prince of the piano." 

Duke Ellington was the undisputed father of the American songbook. A prolific writer and consummate performer, Ellington was the author of such standards as "Solitude," "Prelude to a Kiss," and "It Don’t Mean a Thing (If It Ain’t Got that Swing)." With a career that spanned five decades, he is one of the defining composers of the Jazz Age. With unprecedented access to the Ellington family archives, this long-overdue book illuminates the life and work of an icon of twentieth-century music from his humble beginnings to his long-lasting success. 

Every stage of Ellington’s career is brought to life, from sepia photographs of his early days in Washington, DC, to colorful playbills from the Harlem Renaissance of the 1920s, his triumphant tours of Europe in the 1930s, and his pioneering explosion of form and genre in the 1940s and beyond. 

Alongside more than two hundred stunning images, contributions from peers such as Dave Brubeck, Cornel West, Quincy Jones, and Tony Bennett shed light on Ellington’s musical legacy, while the voice of his granddaughter Mercedes reveals the character behind the charisma, and the man behind the piano.

About the Authors:

Mercedes Ellington has danced in and choreographed many Broadway productions, including programs at the Alvin Ailey American Dance Theater.

Steven Brower is the author of Woody Guthrie Artworks and Satchmo: The Wonderful Art and World of Louis Armstrong.

Tony Bennett is a legendary jazz singer whose career has spanned decades.

Dave Brubeck was an acclaimed experimental American jazz pianist and composer.

Cornel West is a philosopher, activist, political commentator, and occasional musician.

Quincy Jones is a musician, composer, and record producer, with a record seventy-nine Grammy Award nominations.

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Пролистать книгу Duke Ellington: An American Composer and Icon