Искусство

Roman emperors, Arab scholars, and early travellers were already drawn to and enchanted by the fascination of the land along the Nile. The pyramids of Giza, the temple-city of Karnak, or the Valley of the Kings with the grave of Tutankhamen even today maintain their extraordinary force of attraction.Across the centuries, the high culture of the ancient Egyptians has pertained its allure. This can certainly be attributed to their astounding architectural, artistic, and technological achievements as well as their high level of writing and literature. The unified world view of old Egypt, in which science and religion are an indissoluble unity, impresses us deeply, as well.

From the Land of the Pharaohs. The finest treasures of ancient Egypt

Discover some of the most stunning masterpieces of ancient Egypt. This catalogue gathers sarcophagi, statues, murals, and other timeless treasures by unknown masters from the Old Kingdom to the Roman Period. Find out why these centuries-old gems of World Cultural Heritage are displayed alongside masterworks of Michelangelo and da Vinci, from New York to Cairo.

The art of ancient Egypt that has been handed down to us bears no names of its creators, and yet we value the creations of these unknown masters no less than the works of later centuries, such as statues by Michelangelo or the paintings by Leonardo da Vinci. This book introduces some of the most important masterpieces, ranging from the Old Kingdom during the Third millennium BC to the Roman Period.

The works encompass sculptures, reliefs, sarcophagi, murals, masks, and decorative items, most of them now in the Egyptian Museum in Cairo, but some occupying places of honor as part of the World Cultural Heritage in museums such as the Louvre in Paris, the British Museum in London, the Egyptian Museum in Berlin, and the Metropolitan Museum in New York.

Featured works include:
Seated statue of King Djoser
Wood relief of Hesire on a dining table
Statue of a scribe made of various materials
Funerary relief of Aschait
Sphinx of Sesostris III
Robed statue of Cherihotep
Reliefs from the Temple at Carnac
Sarcophagus of Queen Hatshepsut
Murals from Thebes
Seated figure of the goddess Sachmet
Statue of Queen Teje
Head of Akhenaten (Amenophis IV)
Queen Nefertiti
Golden mask of Tutankhamun
Ramses II from Abu Simbel
Horus falcon made of granite
Stone relief from the temple ambulatory at Edfu

The author:

Rose-Marie Hagen was born in Switzerland and studied history, Romance languages, and literature in Lausanne. After further studies in Paris and Florence, she lectured at the American University in Washington, D.C.

Rainer Hagen was born in Hamburg and graduated in literature and theater studies in Munich. He later worked for radio and TV, most recently as chief editor of a German public broadcasting service. Together they have collaborated on several TASCHEN titles, including Masterpieces in Detail, Pieter Bruegel, and Francisco de Goya.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

Jewelry and decorative manufactured goods in Egyptian Revival style capitalized on public fascination resulting from the rediscovery of Egyptian monuments and artifacts in the late 19th and early 20th centuries. Museum exhibitions, movies, and political events popularized Egyptian architectural designs throughout the world. This is the first book of its kind to focus on revival consumer goods inspired by the ancient culture, including jewelry. Over 400 color photographs and line drawings depict beautiful examples with symbols and images of Egyptian design. Bold colors of natural pigments created the pallets that modern manufacturers used. Images of sylized insects, hieroglyphics, sphinx, royal symbols, and geometric patterns are explored. The manufacturers are introduced with pertinent information that collectors will reference. A chronology of Egyptian history identifies the kingdoms and their relevant styles. This should be an important reference for designers, historians, and ornamental collectors alike. The values with the captions reflect the market today, and the glossary and index are useful for all.

A painter ahead of his time

Cretan-born painter Domenikos Theotokopoulos, better known by his Spanish nickname, El Greco (c.1541-1614), studied under Titian in Venice before settling down in Toledo. Commissioned by the church and local nobility, El Greco produced dramatic paintings marked by distorted figures and vibrant color contrasted with subtle grays. Though his work was appreciated by his contemporaries, especially intellectuals, it wasn’t until the 20th century that it was widely embraced and admired, influencing in particular the Expressionist and Cubist movements.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The author:
Michael Scholz-Hänsel studied art history, history, theatre studies, and Hispanic studies in Berlin and Hamburg, earning his doctorate in 1984. He has taught at Leipzig University since 2002 and has published widely, especially on topics relating to the Hispanic world. His research focuses on cross-cultural influences in the Mediterranean area, for example in the work of El Greco and Jusepe de Ribera.

Посмотреть русскоязычное издание книги El Greco - Эль Греко

A prophet of modernism

Strong colors and sinuous figures

El Greco (1541–1614) was born Doménikos Theotokópoulos in Crete in 1541. He arrived in Venice in 1566, where his work was greatly influenced by Titian and Tintoretto. However when he made an offer to the Pope to paint over Michelangelo’s Last Judgement in the spirit of the Counter Reformation, he incurred the wrath of Roman artists to such an extent that a career in Italy was no longer conceivable. El Greco settled in Spain, in Toledo, where he received numerous commissions from the Church and the nobility. Between 1586 and 1588 he created one of the great works of European painting, the monumental Burial of the Count of Orgaz for a chapel altar in the parish church of Santo Tomé in Toledo. El Greco confined his palette to a small number of very expressively used shades, with an evident preference for pale purple, pink, and yellow and greyish tones. He located the iconographical events in a space that he dramatized by means of light and atmospheric phenomena. His œuvre had a wide-ranging impact on art up to and including modern 20th-century painting. Paul Cézanne and later Picasso and the Expressionists regarded El Greco as a prophet of modernism. A prophet of modernism

About the Series:
Each book in TASCHEN’s Basic Art series features:
a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
a concise biography
approximately 100 illustrations with explanatory captions

To his contemporaries in late 16th-century Venice, El Greco (1541­–1614) was a contrary fellow, an innate artist blessed with extraordinary talent, but stubborn in the pursuit of his own path. Throughout his career, as he progressed from Crete to Venice, to Rome and ultimately Toledo, Spain, “The Greek” stood apart from his peers, merging different Western art traditions to create a unique pictorial language.

El Greco’s single-minded style rejected naturalism and rejected accessibility. Works such as The Disrobing of Christ (1577–79), The Burial of the Count of Orgaz (1586–88), and The Vision of St John (1608–14) reveal elongated, twisted figures; unreal colours; and an experimental rendering of space — all resistant to easy viewing and intent, instead, on an art of epic grandeur and intellectual beauty.

Frequently regarded with suspicion and criticism during his lifetime, El Greco was revived by a troop of ardent modern admirers, including Pablo Picasso, Roger Fry, and Der Blaue Reiter pioneer Franz Marc. Today, the artist belongs to the privileged group of great old master painters, as much an anomaly of his age, as a reference point across the centuries.

This essential introduction from TASCHEN Basic Art 2.0 explores the influences and the ingredients of El Greco’s radical and singular vision, from the symbolic world of Byzantine icons and the humanistic values of the Renaissance to the nascent beginnings of conceptual practice.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Catalogue on the sensational exhibition featuring about 40 of El Greco’s works

The sensational oeuvre of El Greco (1541-1614) was first introduced to a broader German audience in 1910 through Julius Meier-Graefe’s journal, The Spanish Journey. Numerous artists subsequently caught “Greco fever” when they first saw larger groups of his works in exhibitions in Munich in 1911 and Düsseldorf in 1912. Max Beckmann, Oskar Kokoschka, Max Oppenheimer, Ludwig Meidner, and especially members of the Blaue Reiter - August Macke, Franz Marc, Albert Bloch, and others - recognized in El Greco a father figure for the Modernist movement, mentioning him in the same breath as Paul Cézanne.

This volume presents a general selection of over forty paintings by El Greco from the most famous museums around the world. At the same time, the young artists’ exploration of the paintings and visual spheres of the exceptional Spanish painter are discussed, opening up a fascinating view of the battle for Modernism.

At more than 120 bpm, electronic music sets the tempo on dancefloors around the globe. Accompanying the exhibition Electronic: From Kraftwerk to The Chemical Brothers, this book offers an insight into the visual culture of electronic music, and how technology, design, art and fashion have contributed to its power. With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularised across Europe through underground rave parties. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic’s Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre.

Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre’s virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; and iconic venues such as the Haçienda, Gatecrasher, Fabric, Berghain and the Warehouse Project. Reflecting the shifts in society over the past thirty years, electronic music has generated distinct visual languages as well as its own political and cultural ideals.

The paintings of Willem van Aelst (1627–1683) are known for their fine finish, innovative compositions, sumptuous subject matter, and rich, jewel-toned palette. Published on the occasion of an unprecedented traveling exhibition, this book celebrates Van Aelst’s achievements and his significant impact on Dutch still-life painting. 

Van Aelst masterfully depicted arrangements of fresh fruit and flowers, displays of dead game, and evocations of the forest floor, as well as elegant objects such as nautilus cups, distinctive silver vessels, and Venetian glassware. This book features twenty-five paintings from throughout his career. Catalog entries and a biographical essay are provided by Tanya Paul, James Clifton writes about the Medici court, Julie Berger Hochstrasser analyzes Van Aelst’s choice of subject matter, Arthur K. Wheelock Jr. discusses Van Aelst’s time in Amsterdam, and a team of conservators reveals his technical process.

About the Author

Tanya Paul is the Ruth G. Hardman Curator of European Art at the Philbrook Museum of Art, in Tulsa, Oklahoma. James Clifton is director of the Sarah Campbell Blaffer Foundation and curator of Renaissance and Baroque painting at the Museum of Fine Arts, Houston. Julie Berger Hochstrasser is associate professor of art history at the University of Iowa. Arthur K. Wheelock Jr., is curator of Dutch and Flemish paintings at the National Gallery of Art, Washington, D.C.

One of the world's most renowned makeup artists, Yasmin Heinz works at the cutting edge of fashion

From photoshoots to runway shows and from music videos to advertising, Heinz's expertise is in demand by photographers, designers, and celebrities alike. This sumptuous volume of her most striking creations is divided into sections that echo the universe's four elements: earth, air, fire, and water.

Chosen from Heinz's vast archive, and featuring renowned illustrators and artists, the images in this book reveal her extraordinary skills-whether adding contour to a beautiful face, or completely transforming another. Weaving together the best of fashion, beauty, and photography, this irresistible volume shows that makeup can be an exciting form of art.

About the Authors:

Yasmin Heinz is one of the world’s most in-demand makeup artists. During her career she has worked with designers such as Chanel, Dior, Thierry Mugler, Jean-Paul Gaultier, and Sonia Rykiel; magazines like Elle, Harper’s BAZAAR, Vanity Fair, and Vogue; and with celebrities from all walks of life.

Jess Henley is a beauty writer, stylist, and director. She has spent the past 15 years reviewing, analyzing, and testing all things beauty to see what really is the best on the market as well as producing shoots with top photographers and makeup artists such as Yasmin Heinz.

Elizabeth Taylor was one of the first great actresses to embrace the Hollywood lifestyle. Accomplished in her field and revered for her beauty, Liz's career firmly placed her in the limelight from an early age. Films such as 'National Velvet', 'Who''s Afraid of Virginia Woolf?' and 'Cat on a Hot Tin Roof' paved the way for her to become the first actress to be paid $1 million for her infamous appearance with Richard Burton in Cleopatra.

Elizabeth's off-screen life was as eventful as her on-screen one – the press fascination with her many marriages creating the kind of celebrity obsession we see today. In later life her involvement with charity work, especially her own AIDS charity has shown another side to this award winning actress.

'Life in Pictures' documents the life and career of this beauty icon, showing many images of the woman, in private and public, which will be a delight to her many fans. A detailed biography accompanies the images.

This book brings together a collection of photographs and commentary celebrating Elizabeth Taylor's timeless sense of style, both on-screen and off, which ran the gamut from her high glamour Hollywood gowns and jewelry to her extraordinary earthy beauty which transcended every embellishment of fashion.

She was a star who was both idolized as a screen goddess and viewed by her adoring public as someone who was approachable, relatable and fun. Her style was a synthesis of her on-screen persona and her private life, both often turbulent and thrilling. This luminous photographic retrospective of the great roles and public and private moments captures the style and essence of one of Hollywood's last great stars. In her unforgettable performances in films like A Place in the Sun, Cat on a Hot Tin Roof, and Butterfield 8, she sustained an on-screen image of smoldering passion and a dark, private toughness which was tempered by her overt, almost alarming, vulnerability. As one of the most photographed celebrities in the world, the public saw her personal style from 1940s starlet to sex kitten of the 50s and 60s to the perennial divorcée of the 70s to the compassionate activist of her later years.

Elizabeth Taylor: Her Life in Style is a visual celebration of the life and times of a Hollywood legend whose image will endure forever as a symbol of glamour and beauty.

Probably the greatest cultural icon of the 20th century, Elvis Presley is referred to by his first name only, and also as the `King of Rock `n` Roll`. Throughout his career, he set records for concert attendance, television ratings and recording sales and is one of the bestselling and most influential artists in the history of popular music. This book charts the extraordinary life of this legend, from his early life through his illustrious career, with fabulous rare and classic photographs.

Although Emil Nolde is famous for his dramatic ocean views and colorful flower gardens, his love of the fantastical and grotesque has received less attention to date. Yet, it is clear from his autobiography and many letters that they had a significant impact on his artistic work. Besides his first oil painting, the Bergriesen (Mountain giants, 1895/96), his alpine postcards from before 1900 also display his fascination with the imaginary: here, the Swiss mountains appear as bizarre human physiognomies. His turning away from reality in favor of a grotesque, alternative world can be seen throughout his oeuvre, from its beginnings, to the Grotesken (1905) and watercolors from 1918/1919, to the years when he was forbidden to practice his profession under the Nazis.

The exhibition catalogue, which presents works of art never before shown, is also the first to discover a fascinating side of the great painter and water colorist.Exhibition: 30.4.-9.7.2017, Internationale Tage Ingelheim at Museum Wiesbaden; 23.7.-15.10.2017, Buchheim Museum der Phantasie, Bernried am Starnberger See