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Readymade Man. Changing the course of 20th-century art

When is a urinal no longer a urinal? When Marcel Duchamp declared it to be art. From his infamous Fountain to reworked Mona Lisa with mustache and beard, this essential introduction to Duchamp surveys his audacious practice of “readymades” and beyond and its critical place in 20th-century art.

When is a urinal no longer a urinal? When Marcel Duchamp (1887–1968) declared it to be art. The uproar that greeted the French artist’s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today.

This essential introduction distills all the daring and the scandal of Duchamp’s practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic “readymades” such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the “retinal” experience.

The author:

Janis Mink studied art history at Smith College and gained her doctorate in Hamburg under Martin Warnke. She is presently a writer and curator.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Beautifully illustrated and unparalleled in scope, this is an elegant visual celebration befitting the life and work of the "prince of the piano." 

Duke Ellington was the undisputed father of the American songbook. A prolific writer and consummate performer, Ellington was the author of such standards as "Solitude," "Prelude to a Kiss," and "It Don’t Mean a Thing (If It Ain’t Got that Swing)." With a career that spanned five decades, he is one of the defining composers of the Jazz Age. With unprecedented access to the Ellington family archives, this long-overdue book illuminates the life and work of an icon of twentieth-century music from his humble beginnings to his long-lasting success. 

Every stage of Ellington’s career is brought to life, from sepia photographs of his early days in Washington, DC, to colorful playbills from the Harlem Renaissance of the 1920s, his triumphant tours of Europe in the 1930s, and his pioneering explosion of form and genre in the 1940s and beyond. 

Alongside more than two hundred stunning images, contributions from peers such as Dave Brubeck, Cornel West, Quincy Jones, and Tony Bennett shed light on Ellington’s musical legacy, while the voice of his granddaughter Mercedes reveals the character behind the charisma, and the man behind the piano.

About the Authors:

Mercedes Ellington has danced in and choreographed many Broadway productions, including programs at the Alvin Ailey American Dance Theater.

Steven Brower is the author of Woody Guthrie Artworks and Satchmo: The Wonderful Art and World of Louis Armstrong.

Tony Bennett is a legendary jazz singer whose career has spanned decades.

Dave Brubeck was an acclaimed experimental American jazz pianist and composer.

Cornel West is a philosopher, activist, political commentator, and occasional musician.

Quincy Jones is a musician, composer, and record producer, with a record seventy-nine Grammy Award nominations.

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Пролистать книгу Duke Ellington: An American Composer and Icon

Explore the creation of Denis Villeneuve’s Dune through this evocative fusion of star Josh Brolin’s sublime writing and cinematographer Greig Fraser’s candid set photography.

During the shooting of Dune, director Denis Villeneuve asked Fraser if he would document the filming process using still photography. This unusual request led the cinematographer on an unexpected creative journey that yielded an electrifying gallery of photographs that were candid, spontaneous, abstract, and wholly evocative.

Meanwhile, Brolin, a natural writer, was so moved by the experience of shooting Dune ― in which he plays warmaster Gurney Halleck ― that he captured his experiences in vivid, poignant prose.

Close friends, Brolin and Fraser bonded further during production, solidifying a connection that led to this remarkable collaboration that seamlessly juxtaposes the actor’s enthralling writing with the cinematographer’s stunning images.

A unique new way to experience life on the set of Villeneuve’s Dune, this thrilling ode to the art of filmmaking from two of the most revered artists in the industry is an unmissable publishing event.

About the Author:

Greig Fraser is a cinematographer and producer known for Dune (2021), Rogue One (2016) and Zero Dark Thirty (2012).

Josh Brolin is an actor, producer and director known for Avengers: Endgame (2019), Avengers: Infinity War (2018) and No Country for Old Men (2007).

Though he is most famous for his engravings, Albrecht Dürer (1471-1528) was also a master painter and draftsman whose work exemplifies the spirit of German art. Dürer`s importance in the German High Renaissance was such that he can be considered to embody the movement entirely. His visits to Italy (where he studied most notably with Giovanni Bellini) had a profound effect on his artistic development and enabled him to combine both German and Italian influences in his work. In his later life, Dürer`s passion for knowledge and progress led him to research and write on the subjects of art theory and mathematics, making him not only the greatest Northern European artist of his time, but also one of its leading thinkers. This overview of Dürer`s entire oeuvre - covering his oil, tempera, and watercolor paintings, copper and wood engravings, and his drawings and sketches - is the perfect introduction to his work.

About the Series:
Every book in TASCHEN's Basic Art Series features:
* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Though most famous for his engravings, Albrecht Dürer (1471-1528) was also a master painter and draftsman whose work exemplified the spirit of German art. Dürer's importance in the German High Renaissance was such that he can be considered to embody the movement entirely. His visits to Italy (where he studied most notably with Giovanni Bellini) had a profound effect on his artistic development and enabled him to combine both German and Italian influences in his work. In his later life, Dürer's passion for knowledge and progress led him to research and write on the subjects of art theory and mathematics, making him not only the greatest Northern European artist of his time but also one of its leading thinkers. This overview of Dürer's entire oeuvre - covering his oil, tempera, and watercolour paintings, copper and wood engravings, and his drawings and sketches - is the perfect introduction to his work.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

The prints of darkness. The art, theory, and woodcut print revolution of Albrecht Dürer

A polymath of the German Renaissance, Albrecht Dürer (1471 - 1528) was a prolific artist, theorist, and writer whose works explored everything from religion to art theory to philosophy. His vast body of work includes altarpieces, portraits, self-portraits, watercolors, and books, but is most celebrated for its astonishing collection of woodcut prints, which transformed printmaking from an artisan practice into a whole new art form. 

Dürer's woodcuts astonish in scale as much as detail. Through works such as Apocalypse and the Triumphal Arch for Emperor Maximilian I, he created dense, meticulous compositions that were much larger, much more finely cut, and far more complex than any earlier woodcut efforts. With an ambitious tonal and dynamic range, he introduced a new level of conceptual, emotional, and spiritual intensity. His two major woodcut series on Christ's Passion named The Large Passion and The Small Passion after their size, are particularly remarkable for their vivid human treatment of the Christian narrative. In his copper engraving, Melancholia I, meanwhile, Dürer created a startling vision of emotional ennui, often cited as a defining early image of a depressive or melancholic state. 

Ever inquisitive, Dürer absorbed ideas not only from masters and fellow artists in Germany but also from Italy, while his own influence extended across Europe for generations to come. In this essential TASCHEN introduction, we explore this pioneering figure s complex practice, his omnivorous intellect, and the key works which shaped his enduring legacy.

About the series:

Each book in TASCHEN s Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Five full centuries lie between us and the life of Albrecht Dürer (1471-1528). His ability to represent a subject with an absolute fidelity to every detail seemed miraculous to his contemporaries, and still astounds us now: we need only think of his water-colours of plants and animals.

In addition, Dürer was the first painter to devote such close attention to the art of the self-portrait. No artist before him painted as many as he. The works by Dürer collected in this book show the full range of this artist's unique genius.

About the Series:
Every book in TASCHEN's Basic Art Series features:

• a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
• approximately 100 color illustrations with explanatory captions
• a concise biography

64 aquarelles et dessins classés par ordre chronologique. Détails, gros plans. Biographie, bibliographie.

A photographic look into the world of vinyl record collectors — including Questlove — in the most intimate of environments — their record rooms.

Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

This lavishly illustrated book is an authoritative study of Dutch painting from 1600 to 1800 and covers all the major artists of the period -- including Hals, Rembrandt, and Vermeer -- setting them firmly in the wider context of Dutch art. It has immediately established itself as the new standard work in this great period of painting.

"Seymour Slive's text first appeared in 1966 in partnership with the late Jakob Rosenberg. It was wonderful then, and it is even more so now that Mr. Slive has revised and expanded his text, and the number of illustrations is now 432, about twice as many as before". -- John Russell, New York Times Book Review

"Slive is a great teacher and he knows how to impart his enthusiasm to his readers.... This volume is the useful instrument which every user will hope and expect to find". -- Lyckle De Vries, Burlington Magazine

"Like the original Pelican volume, this one is an essential reference and serves both the academic and the general reader". -- Choice

There is something magical about earrings - they remain the most demanding and the most rewarding examples of the jeweller’s art. In this volume, as much a romance as a fine piece of art-historical research, the authors trace the history of earrings from ancient times to later periods from the 18th century onwards, when techniques of cutting gemstones were perfected.

The great names among the designers and international jewelry houses are all represented - among them Boucheron, Cartier, Mellerio, Van Cleef & Arpels, Verdura, Andrew Grima, Bulgari, Marina B., David Webb, Harry Winston and Graff. Illustrations cover every period and style, from Classical motifs to Rococo flowers to the bold lines of Art Deco creations. This study will be a rich source of inspiration and delight for collectors and fashion lovers, students and designers of jewelry.

From gigs in tiny church halls in the mid-sixties to multi-million selling albums and spectacular stadium shows all around the world, the Pink Floyd story in a rock legend.

This remarkable book is a celebration of Pink Floyd's entire career - 2007 marks the official 40th anniversary since they started recording. It contains a biographical account of the band's collective and individual careers from their pre-Floyd origins in 1962 right through to the present day.

Echoes also combines, for the very first time, a meticulously researched chronological listing of every single Pink Floyd and solo concert, set list, TV and radio appearance plus a UK and US discography.

Illustrated throughout with a wealth of rare and previously unpublished photographs as well as rare graphic memorabilia, including posters, advertisements, handbills and tickets from every era of the band's remarkable history, it is, quite simply, the most comprehensive account of Pink Floyd in print.

About the Author
Glenn Povey was the founder of the highly regarded Pink Floyd fan-magazine Brain Damage which he edited between 1985 and 1993. He was responsible for launching the career of the Australian Pink Floyd Show, a band he subsequently managed for two years following their debut UK show at the first International Pink Floyd Fan-Convention, an event he  organised at Wembley Stadium Conference Centre in 1993.

Since then Glenn has worked in the music industry as a booking agent and promoter for a variety of artists including The Electric Prunes, Caravan, Hawkwind, Hugh Cornwell, Gong, Magma, Ozric Tentacles, Porcupine Tree, The Pretty Things and The Seeds. He also promoted the Canterbury Fayre rock festival, headlined in its fourth and final year by Roy Harper and Robert Plant.

In 2002 he successfully re-launched the career of the legendary rock icon Arthur Lee and, acting in a management capacity, toured with his band Love across the world for three years.

An incurable Pink Floyd fan this is now his second book on the subject, having written, compiled and co-researched Pink Floyd: In The Flesh in 1997. He has also written extensively on the band for a variety of music magazines including Mojo and Record Collector.

French artist Edgar Degas was famous for his drawing, painting, sculpture and printmaking. Although a member of the Impressionists, with Monet, Pissaro and Renoir his work focused on indoor subjects, particularly his acutely observed pieces on ballerinas. His masterful studies of real-life resonate still today and he remains one of the most popular painters in the world. This beautiful new book showcases all of his major works (including Ballet Rehearsal, The Star and The Ballet Class), with detailed captions, and a long essay on life, art and influences.

In light of the popular, “beautiful” paintings of his Impressionist phase, it is easy to lose sight of the complexity of the oeuvre of Edgar Degas (1834–1917). All his life, the artist experimented with printing techniques and drawing as well as photography and sculpture. In his late work (1890–1910/12), the delicate, detailed painting of his mature period yields to a unique pleasure in technical experimentation and an obsessive creativity, which increasingly liberated the means of depiction from its reproductive function. As if in a dreamlike state, the present and past, things seen and remembered, are united, resulting in nude studies, ballet scenes, landscapes, and portraits. This is the first publication to present a comprehensive view of the technical diversity and wide range of themes in Degas’ oeuvre.