Искусство

A major survey of KAWS and his eye-popping work, from collectible art toys to UNIQLO T-shirts, from graffiti to museum exhibitions

Appropriating characters, images and effects from pop culture, the work of KAWS blurs the lines between high and low art, and between art and fashion.

Effectively deploying film and television favourites for his toys, large-scale sculpture and bold, nearly abstract painting, KAWS recasts the familiar colours and forms of popular entertainment in cheeky and often poignantly human terms. Influenced by Andy Warhol and other Pop artists, hard-edge abstract painting and graffiti, KAWS’ work deftly straddles consumer culture and artistic innovation, and his distinctive style is as much at home in his toys as in his monumental sculpture. KAWS: Where the End Starts explores the artist’s prolific career in depth, featuring key paintings, sculptures, drawings, toys and fashion and advertising designs.

This extensive monograph, including contributions from Andrea Karnes, Michael Auping, Dieter Buchhart and Pharrell Williams, reveals critical aspects of KAWS’ formal and conceptual development over the past 20 years, as his career has shifted from graffiti to fine art and collaborations with designers and brands such as Comme des Garçons, SUPREME, Nigo (A Bathing Ape) and Nike.

Published in a hardcover edition with more than 150 color reproductions by the Museum of Modern Art, Fort Worth in conjunction with the major 2016 Fall exhibition on KAWS.

About the Authors:

Brooklyn-based KAWS (born in 1974) is widely considered one of the most relevant artists of his generation. Within the Pop art tradition, he has created a prolific body of influential work, which both engages young people with contemporary art and straddles the worlds of art and design to include both product and graphic design, paintings, murals and sculpture.

Marla Price is Director of the Modern Art Museum of Fort Worth.

Michael Auping is Chief Curator at the Modern Art Museum of Fort Worth, Texas, and the author of books on abstract expressionism, Clyfford Still, and Arshile Gorky.

By the time of his death from AIDS at the age of 31, Keith Haring (1958-1990) was already a wildly successful and popular artist. Haring`s original and instantly recognizable style, full of thick black lines, bold colours, and graffiti-inspired cartoon-like figures won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York`s SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact.

Bursting with colour and featuring Keith Haring’s powerful messages, this collection of posters includes insightful commentary and dazzling reproductions

Whether Keith Haring was raising awareness of the AIDS epidemic and apartheid or celebrating life, music, and dance, his signature illustrations became part of the cultural landscape of the 1980s. Posters were central to Haring’s oeuvre and the perfect medium for his inclusive, accessible, and figurative style. Author Jurgen Doring offers fascinating insights into Haring’s work, providing commentary on each of the exquisitely reproduced posters. Important reference work and a vibrant celebration of a world-renowned artist, this book will delight Haring’s many fans throughout the world.

Exuberant, profane, witty, and provocative, the images in this book reveal the political dimension of Keith Haring’s artistic concerns

Through his graffiti-inspired drawings, paintings, sculptures, murals, and other works, Keith Haring created an immediately recognizable visual iconography that spoke to an enormous population — gay and straight, young and old, male and female. His importance in the annals of popular culture is indisputable, but little attention has been paid to his advocacy for social justice.

Haring’s political perspective is the focus of this visually arresting selection of works that traces the artist’s development and historical significance and gives new gravitas to his career. Accompanying a major exhibition at the de Young museum in San Francisco, this book features more than 130 works of art, including large-scale paintings on tarpaulin and canvas, sculptures, and subway drawings. Together they create a narrative that explores Haring’s responses to nuclear disarmament, racial inequality, capitalist excess, environmental degradation, and other prevalent social issues.

Essays and conversations with writers, critics, and art dealers round out this important analysis of Haring’s life, career, and passion.

About the Author:

Dieter Buchhart is an art critic for Kunstforum International and the author of Keith Haring: The Political Line (DelMonico Books·Prestel).

As one of today’s most exciting artists, Kenny Scharf rose to prominence in the New York art scene in the ’80s as part of a dynamic and influential group of artists that included Andy Warhol, Keith Haring, and Jean-Michel Basquiat. He has since returned to California, but he has retained the playful Pop aesthetic for which he is internationally renowned.

This completely new volume covers Scharf’s illustrious career and his experiences and activities in the downtown art scene. His work is instantly recognizable, with idiosyncratic cartoon creatures popping up in the oddest of places: in paintings, on functional objects, or piled up on top of each other to form huge totem-poles.

Richard Marshall helps navigate the reader across the decades of Scharf’s career. Carlo McCormick’s essay focuses on Scharf’s fanciful customized cars and installations. Ann Magnuson reminisces about Scharf’s happenings in the East Village and the club scene.

About the Author:

Richard Marshall is an independent curator, consultant, and art historian based in New York. Between 1975 and 1993 he was a curator at the Whitney Museum of American Art, New York. Carlo McCormick is senior editor at Paper magazine in New York. Ann Magnuson is an actress and performance artist living in Los Angeles.

The Joan Miro Foundation presents "Her Memory", an exhibition by Kiki Smith organised in collaboration with the Museum Haus Esters in Krefeld and the Kunsthalle Nurnberg, containing recent work by this US artist. It could in fact be called an exhibition in progress, since it has been amplified in each venue anterior to the exhibition presented in the Foundation, which is the last location of this tour. Kiki Smith was born in Nurnberg in 1954 to an artistic family: her mother an opera singer and her father Minimalist artist Tony Smith. Her work is characterised by a constant reflection on human existence and on life and death; and her drawings of the human body, which are both traumatic and poetic. She reached international recognition at the end of the 1980s. In 2006-2007, the Walker Art Center in Minneapolis and the Whitney Museum in New York organised a touring retrospective exhibition, "Kiki Smith: A Gathering, 1980-2005", which signalled the end of a period.

The Boy King’s Journey through the Underworld. Tutankhamun’s royal voyage into paradise, as told by ancient Egyptian treasures

Buried in the 14th century BC but unearthed by Howard Carter in 1922, the objects entombed with Tutankhamun are an invaluable window into a long-extinct belief system. Seen today, they create an intricate picture of how the ancient Egyptian people viewed the perilous journey to paradise, a utopian Egypt that could only be entered following the final judgment.

When acclaimed photographer Sandro Vannini started his work in Egypt in the late ’90s, a technological revolution was about to unfold. Emerging technologies enabled him to document murals, tombs, and artifacts in unprecedented detail. Using the time-consuming and strenuous multi-shot technique, Vannini produced complete photographic reproductions that revealed colors in their original tones with vivid intensity. Through these extraordinary images, we discover the objects’ quintessential features alongside the sophisticated and cleverly hidden details.

In collaboration with a series of international exhibitions, starting with King Tut: Treasures of the Golden Pharaoh at the California Science Center in March 2018, this comprehensive guide marks the centenary of Carter’s first excavations in the Valley of the Kings. These inestimable works endure through Vannini's photographs in their full, timeless splendor.

From offerings and rituals to Osiris and eternal life, Vannini’s portfolio covers all facets of ancient Egyptian culture — but it is Tutankhamun’s unique legacy that dominates these images. With texts by the photographer, captions by specialist Mohamed Megahed, and chapter introductions from scholars in the field, King Tut. The Journey through the Underworld puts much-debated mysteries to rest. The learned yet accessible forewords come from distinguished Egyptologists including Salima Ikram and David P. Silverman. Insightful narratives, resplendent images, and a contemporary standpoint make this title a fitting tribute to the Boy King’s odyssey, illuminating an epoch that spanned an unimaginable 4,000 years.

The photographer:

Sandro Vannini started his career as a photographer in 1982, and today lives and works between Italy and Egypt. Active in the latter since 1997, and with special permission to access sites forbidden to the public, he has compiled an extensive visual archive of ancient Egyptian culture. Along the way, he first pioneered techniques that enable the use of leading digital photography in the extreme temperatures in the Valley of the Kings. Vannini’s photographs are among those assisting the work of the Egyptian Museum in Cairo in the restoration of artifacts. Since 2016, he has been directing and producing television programs and documentary series in collaboration with Zahi Hawass, and is also the author of several books.

A radical innovator, a pioneer of new artistic form

German expressionist painter and graphic artist Ernst Ludwig Kirchner (1880-1938), co-founder of the Brücke movement, produced some of the most outstanding woodcuts and powerful expressionist works of the 20th century. Tragically, he committed suicide after having his work condemned as "degenerate" by the Nazis.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:

Norbert Wolf graduated in art history, linguistics and medieval studies at the universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Düsseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velázquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting and Symbolism.
 

Bridging the gap. Expressionist pioneer Ernst Ludwig Kirchner heralded a new perspective in 20th-century painting

Ernst Ludwig Kirchner was a German Expressionist pioneer, a prolific painter and printmaker, and cofounder of Die Brücke movement. Through vivid landscapes, stark nudes, and dynamic urban scenes, this introductory book explores his radical painting in pre–World War I Germany and his leading influence on 20th-century art.

Ernst Ludwig Kirchner (1880–1938) is regarded as one of the key figures in 20th-century European art. A Modernist to his bones, he sent seismic waves through the art world with his hard-edged, intensely colored paintings and disseminated his ideas through Die Brücke art movement and the MUIM-Institut school of modernist painting, both of which he cofounded.

Kirchner’s work reconciled past and present through an Expressionist prism, reflecting the latest avant-garde ideas in art, while exploring traditional academic approaches and subjects. His works tackled social, moral, and emotional questions with a fierce intensity. Distorted perspectives, rough lines, and unusual colors were mainstays of his practice, as well as a recurring interest in capturing the human form, whether in frenetic city vistas such as Berlin Street Scene (1913) or in his famously decadent studio.

In this introductory book, we explore the stretch of Kirchner’s career through Germany and Switzerland, including his founding of Die Brücke, and his inclusion in the Nazis’ infamous “degenerate art” exhibition in 1937. Along the way, we’ll encounter vivid landscapes, stark nudes, intense urban settings, and, above all, a persistent emphasis on the emotional experience of painter and viewer.

The author:

Norbert Wolf graduated in art history, linguistics, and medieval studies at the Universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Düsseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velázquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting, and Symbolism.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Geometrical figures and hieroglyphic elements

The delightfully unclassifiable work of a master painter

Designated as "degenerate" by the Nazis, Paul Klee (1879-1940) is today considered one of the most important artists of the 20th century. His works stand out for the variety in their forms of artistic expression.

His Tunisian water-colours depicting landscape, architecture and, above all, the North African light of this Mediterranean land constitute the true beginning of Klee’s painting career. Although these paintings still fall under the heading of ’objective,’ they already exhibit indications of his tendency toward abstraction and a language of forms.

Geometrical figures and hieroglyphic elements characterize the majority of these works, which for this reason seem reminiscent of ’naive’ and playful children’s painting. In reality, however, Klee’s paintings have their roots in theoretical considerations, their recurrent symbols conveying personal and at times political content.

About the Series:
Every book in TASCHEN's Basic Art Series features:

• a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
• approximately 100 color illustrations with explanatory captions
• a concise biography

Thinking eye. A unique language of symbols, literature, and light 

With careful theories and many thousands of paintings, drawings, and watercolours, Paul Klee (1879-1940) is considered one of the most cerebral and prolific leaders of 20th-century European art. Though typically small in scale, his works are remarkable for their sophisticated thought and meticulous nuances of line, colour, and tonality. Klee s stylistic formation was shaped by early affiliation with the German expressionist group Der Blaue Reiter and, in particular, by a 1914 trip to Tunisia which transformed his use of colour. 

After the war, he taught at the esteemed Bauhaus school, where his lectures, like his emerging practice, emphasized the symbolic potential of shades, lines, and geometries. Klee was also inspired by Cubism, poetry, music, literature, language, and the simplistic power of children s art. Famed for his simple stick figures, he often combined the appearance of untutored naivety with rigorous composition and intellectual significance.

This book provides a selection of key Klee works to introduce his style and influence. From sun-drenched landscapes to enigmatic wordplay, discover a world at once simplistic, symbolic, and dazzlingly colourful.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

"A new world calls for a new man"

In the mid-Fifties, Yves Klein (1928-1962) conquered the world of art, declaring that "a new world calls for a new man". His idiosyncratic style and huge charisma set him on a youthful career in the great art capital, Paris. Soon his famous blue pictures, large-format canvases conceived as spaces for meditation, were making him a name far beyond France.

In a short but intense creative life of just seven years, Klein painted over a thousand pictures which are among the classics of modern art. This book offers an exciting sample of his work.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

Gustav Klimt’s art is thoroughly fin de siècle. It expresses the apocalyptic atmosphere of Vienna’s upper-middle-class society - a society devoted to the cultivation of aesthetic awareness and the cult of pleasure. The ecstatic joy which Klimt (1862–1918) and his contemporaries found - or hoped to find - in beauty was constantly overshadowed by death, and death, therefore, plays an important role in Klimt’s art. Klimt’s fame, however, rests on his reputation as one of the greatest erotic painters and graphic artists of his times. Particularly his drawings, which have been widely admired for their artistic excellence, are dominated by the erotic portrayal of women. Klimt saw the world “in female form.” Author Gottfried Fliedl also discusses the Secession movement and Klimt’s role within this important group of artists.