Мистецтво

"Dans la plénitude de son talent, Guillaume Vogels se révèle le chantre du climat nordique, des ciels plombés, de la lumière mouvante. Dans ses paysages, ses vues de ville, ses marines, la richesse de sa palette de gris colorés, la vigueur de la touche, la spontanéité ferme des empâtements dégagent une émotion première qui déplace les frontières du sujet et en accentue l'expressivité. Son oeuvre tranche sur le naturalisme descriptif de l'époque par une étonnante nouveauté.

Après une brève formation à l'Académie des Beaux-Arts de Bruxelles, Vogels est attiré par la peinture de plein air. Il peint sur le motif à Ostende et à Bruxelles. En 1879, il se lie d'amitié avec James Ensor et Jan Toorop. Dès 1884, il participe aux expositions du Groupe des XX en compagnie de Cézanne, Monet, Renoir, Gauguin et Van Gogh.

Ce portrait d'un artiste qui fut une des figures majeures de l'école belge de peinture du XIXème siècle éclaire aussi le caractère spécifique de la peinture de plein air telle qu'elle s'épanouit dans un pays riche de traditions picturales."
Constantin Ekonomidès

Réunion de 70 oeuvres - huile, crayon, mine de plomb, aquarelle -, dont certaines relèvent de l'impressionnisme (Dunes, Nieuport-bains, L'Église des Minimes), d'un important artiste à redécouvrir.
Signalons de belles vues de Tervuren, Ostende, Anderlecht, Ixelles...

La plupart des reproductions sont à pleine page ; les huiles et aquarelles sont reproduites en couleurs.

Quelques reproductions de James ENSOR, Périclès PANTAZIS et un portrait par Jan TOOROP.

Defining Decadence. The legacy of Gustav Klimt

Fall under the spell of Gustav Klimt. The complete catalogue of his paintings, including new photographs of the Stoclet Frieze, this book follows the Viennese master through his prominent role in the Secessionist movement, his candid rendering of the female body, and the lustrous “golden phase” behind such shimmering works as The Kiss and Portrait of Adele Bloch-Bauer I.

A century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. This monograph gathers all of Klimt’s major works alongside authoritative art historical commentary and privileged access to the artist’s archive.

With top-quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous “golden phase” when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.

Through luminous spreads and carefully curated details, the monograph traces the repertoire of Japanese, Byzantine, and allegorical stimuli that informed Klimt’s flattened perspectives, his symbolic vocabulary, and his mosaic-like textures. Drawing upon contemporary critics and voices, the book also examines the art world’s polarized reception to Klimt’s pictures as much as his own stylistic trajectory. From his landscape painting to erotic works to the controversial ceiling for the Great Hall of the University of Vienna, we see how Klimt’s admixture of tradition and daring divided the press and public — becried by some as a pornographer, hailed by others as a modern maestro.

The editor and author:

Tobias G. Natter is an internationally acknowledged expert on art in “Vienna around 1900.” For many years he worked at the Austrian Belvedere Gallery in Vienna, latterly as head curator. He also worked as guest curator at the Tate Liverpool, the Neue Galerie New York, the Hamburger Kunsthalle, the Schirn in Frankfurt am Main, and the Jewish Museum in Vienna. From 2006 to 2011, he directed the Vorarlberg Museum in Bregenz, and from 2011 to 2013 was director of the Leopold Museum in Vienna. In 2014 he founded Natter Fine Arts, which specializes in assessing works of art and developing exhibition concepts. He is the author of TASCHEN’s Gustav Klimt. Complete Paintings, Art for All. The Colour Woodcut in Vienna around 1900 and Egon Schiele. The Complete Paintings 1909–1918.

Defining Decadence. The legacy of Gustav Klimt

Fall under the spell of Gustav Klimt. A century after his death, the Viennese artist still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. Master of 19th-century Viennese art and pioneer of the Secessionist movement, Klimt built up a shimmering legacy of lustrous tones and gold leaf textures, including such beloved works as The Kiss and The Woman in Gold.

A century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. In this neat, dependable monograph, we gather all of Klimt's major works alongside authoritative art historical commentary and privileged archival material from Klimt’s own archive to trace the evolution of his astonishing oeuvre.

With top-quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous “golden phase” when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.

About the author:

Tobias G. Natter is an internationally acknowledged expert on art in “Vienna around 1900.” For many years he worked at the Austrian Belvedere Gallery in Vienna, latterly as head curator. He also worked as guest curator at the Tate Liverpool, the Neue Galerie New York, the Hamburger Kunsthalle, the Schirn in Frankfurt am Main, and the Jewish Museum in Vienna. From 2006 to 2011, he directed the Vorarlberg Museum in Bregenz, and from 2011 to 2013 was director of the Leopold Museum in Vienna. In 2014 he founded Natter Fine Arts, which specializes in assessing works of art and developing exhibition concepts. He is the author of TASCHEN’s Gustav Klimt. Complete Paintings, Art for All. The Colour Woodcut in Vienna around 1900 and Egon Schiele. The Complete Paintings 1909–1918.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Defining Decadence. The legacy of Gustav Klimt

A century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. This monograph gathers all of Klimt’s major works alongside authoritative art historical commentary and privileged access to the artist’s archive.

With top quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous “golden phase” when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.

Through luminous spreads and carefully curated details, the monograph traces the repertoire of Japanese, Byzantine, and allegorical stimuli that informed Klimt’s flattened perspectives, his symbolic vocabulary, and his mosaic-like textures. Drawing upon contemporary critics and voices, the book also examines the art world’s polarized reception to Klimt’s pictures as much as his own stylistic trajectory. From his landscape painting to erotic works to the controversial ceiling for the Great Hall of the University of Vienna, we see how Klimt’s admixture of tradition and daring divided the press and public — becried by some as a pornographer, hailed by others as a modern maestro.

The editor and author:

Tobias G. Natter is an internationally acknowledged expert on art in “Vienna around 1900.” For many years he worked at the Austrian Belvedere Gallery in Vienna, latterly as head curator. He also worked as guest curator at the Tate Liverpool, the Neue Galerie New York, the Hamburger Kunsthalle, the Schirn in Frankfurt am Main, and the Jewish Museum in Vienna. From 2006 to 2011, he directed the Vorarlberg Museum in Bregenz, and from 2011 to 2013 was director of the Leopold Museum in Vienna. In 2014 he founded Natter Fine Arts, which specializes in assessing works of art and developing exhibition concepts. He is the author of TASCHEN’s Gustav Klimt. Complete Paintings, Art for All. The Colour Woodcut in Vienna around 1900 and Egon Schiele. The Complete Paintings 1909–1918.

Gustav Klimt: In search of the “total artwork” follows the course of Klimt’s career. It starts with his early work as one of Vienna’s most successful public muralists and concluding with his later triumph as the city’s foremost society portraitist. In between, the publication examines Klimt’s absorption of Symbolist influences, his collaborations with the Vienna Secession and the Wiener Werkstätte, and his involvement with the 1908 “Kunstschau”, the last major exhibition organized by and for the Austrian avant-garde prior to the outbreak of World War I.

Gustav Klimt, well known for his sensual, arresting depictions of women (The Kiss, Fulfillment, The Tree of Life), was a founder of the Viennese Secession movement at the turn of the 20th century, Vienna's own Art Nouveau.

His extravagant work was an obsessive manifestation of the dazzling intellectual society of his time and he painted very large canvases combining oils with gold foil. This beautiful new book brings together a wide selection of Klimt’s magnificent work.

A rich survey of the life and work of one of the most intriguing artists of the twentieth century.

Published in conjunction with an exciting exhibition at the Neue Galerie New York, opening in autumn 2007, this beautifully produced book features more than one hundred color plates in a generous layout that allows close viewing of the artist's paintings and drawings. Admirers of Klimt will discover fascinating essays by leading scholars, many containing new research and fresh insights. The essays' subjects include Klimt's earliest patrons; his studios; the role of photography in his erotic work; profiles of the most important women in the artist's life; his relationship with Gustav Mahler and Auguste Rodin; his never-before-published 1917 notebook; and an interview by Neue Galerie director Renée Price with Maria Altmann, heir to the five paintings stolen by the Nazis that were recently returned to her by the Austrian government. Perfect for casual perusing or serious study, this lavish exploration of Klimt's life and art, and the influence of Klimt on popular culture, is certain to find a wide audience.

A splendid volume featuring the work of Gustave Courbet, the great reviver of French nineteenth-century art, whose lifelike images continue to fascinate a diverse audience.

The life and works of Gustave Courbet (1819–1877) — widely considered one of the most outstanding advocates of Realism — represent a revolt against the academic tradition of painting and conservative politics. Technically masterful, his captivating paintings contrasted the idealization of nature with realistic representation, often triggering downright scandal among his contemporaries.

By examining Courbet’s major works — self-portraits, portraits, genre paintings, landscapes, nudes, hunting scenes, still lives — this splendid volume spans the Frenchman’s entire artistic career and his involvement with politics. Renowned experts shed light on his development of a realistic, critical style, describe his great influence on both contemporaries and later generations, and consider his works in their own art-historical context, as well as his relationship to early photography, which also strove to create a faithful reproduction of reality.

Child of materialism and positivism, Courbet was without doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting from conventional rules. He became from then on the leader of pictorial realism.

This text on Courbet is the result of years of intensive research and traces with great care contradictory testimonies, the praises as well as the negative critics this controversial painter had during his times. Through his precision as an art historian, Georges Riat sheds new light on the work of this artist who created a real separation with the academicism of the time.

This is a reference guide to the equipment, materials and techniques that can be used when making jewellery. It is aimed at the beginner but it would also be suitable for the more experienced jeweller. It shows in step-by-step sequences how to accomplish various techniques. It also explains the pros and cons of different materials and finishes and how to achieve them.

In Handbuilt, A Potter's Guide, pottery expert Melissa Weiss shows you the basics of crafting without a wheel, how to harvest and work wild clay, and using natural glazes.

Handbuilt pottery is the perfect way for new potters to dive into this unique medium because it doesn't require access to a potter's wheel. In Handbuilt, A Potter's Guide, Melissa Weiss takes an organic approach to harvesting and working with local clays, and even shows you how to mix your own glazes to use on functional pottery for use at home.

Students of pottery the world over have travelled to North Carolina to attend Weiss's classes. Now you don't have to! In this book, Melissa provides you with a solid course on slab and pinch-pot techniques that allow beginning students to master the basics and progress through finished wares.

Looking to go a little deeper? Melissa also offers her unique knowledge of how to dig and process local clays for use in pottery, and for the techniques she has developed for creating unique glazes with ash, salt, and other dry materials.

Learn the basics of handbuilding and more with this engaging guide.

About the Author:

Melissa Weiss is an Asheville, North Carolina, potter and a true handmade maker. Each pot she makes contains clay that she digs up on her land in Arkansas. From there, she drives the clay back to her studio in Asheville where she cleans it and incorporates it into her clay bodies. Melissa makes a variety of ash and celadon glazes and fires her pots in a gas reduction kiln. She teaches classes in handbuilding at intervals throughout the year, including at the famous Penland Art School and the North Carolina Pottery Center. She also operates an 8,000 square foot art cooperative called Southside Studios that houses studio space for 20 potters. Melissa  participates in shows in Boston, Philadelphia, and Chicago and exhibits her work in galleries from New York City to Fayetteville, Arkansas. She has 39.2k followers on Instagram (melissaweisspottery). Learn more about Melissa at www.melissaweisspottery.com.

_________

Пролистать книгу Handbuilt, A Potter's Guide: Master Timeless Techniques, Explore New Forms, Dig and Process Your Own Clay -- for Functional Pottery Without the Wheel на Google Books.

In this manual, 15 young designers demonstrate today’s craft activities. With the right techniques and materials you can create practical and visually appealing objects for all sorts of contexts. The palette ranges from fashionable accessories such as felt handbags and jewellery by way of furniture ideas and table decorations to practical hints for daily life and little surprises that can be created at lightning speed. All the techniques are explained precisely, step by step, and where necessary accompanied by patterns, so that they can be easily executed even by beginners. And the results are truly impressive!

Highlights
• More than 140 trendy craft ideas by 15 young designers
• Introduction to all important techniques: sewing, crochet, felting, papier-mâché, glass and wood engraving, and much more
• Fashion and home accessories, lighting ideas, practical hints, table decorations, brainwaves
• With step-by-step instructions and patterns

Discover the exceptional artistry and rich traditions being kept alive by Japanese artisans in the 21st century.

In an era where global interest in handmade, small-batch products is heightening as a response to mass production, Handmade in Japan takes a look inside the workshops of the country’s artisans, revealing their endless pursuit of excellence, and what it means to dedicate one’s life to the stewardship of irreplaceable cultural heritage. Find inspiration in the exploration of handmade processes using sustainable materials and discover the lengths these makers go to in ensuring every product is perfect.

From hand-painted kimono dyeing to wooden trays carving, Handmade in Japan meets the craftspeople of Japan's diverse regions with unique insights into their traditions and how they work.

About the Author:

Irwin Wong is an editorial and commercial photographer based in Tokyo. Originally from Melbourne, Australia, he moved to Japan in 2005. He developed an interest in craftsmanship after photographing several artisans for work. His clients include Apple, The Washington Post, Forbes, and Nike.

Die Graue Passion gilt als ein Hauptwerk von Hans Holbein d. Ä. (um 1465–1524) und als eine der ungewöhnlichsten Passionsfolgen der altdeutschen Kunst. Schon der Name des zwischen 1494 und 1500 entstandenen Zyklus weist auf die farbliche Gestaltung der Bildfolge hin. Ihr kommt innerhalb der europäischen Malerei eine einzigartige Stellung zu. Der vermutlich in Augsburg geborene Künstler zählt neben Martin Schongauer und Albrecht Dürer zu den bedeutendsten deutschen Malern seiner Zeit. Mit seiner Kunst steht Hans Holbein d. Ä. zwischen den Epochen, am Übergang von der Spätgotik zur Renaissance. Die Publikation verdeutlicht die künstlerische Herkunft und Wirkung der Grauen Passion durch eine exemplarische Werkauswahl der Vorgänger und Zeitgenossen Holbeins. Eine eingehende Dokumentation gibt Einblicke in die aufwendigen Restaurierungsarbeiten, die an den zwölf Bildtafeln vorgenommen wurden.

The “Gray Passion” is one of Hans Holbein the Elder’s great masterpieces, as well as one of the most unusual passion cycles in German art. Painted between 1494 and 1500, the cycle’s title refers to its color scheme. This set of panels occupies a unique position within European painting. Holbein, who was probably born in Augsburg around 1465, was one of the most important painters of his time, in a class with Martin Schongauer and Albrecht Dürer. His art places him between eras, on the threshold between Late Gothic and the Renaissance. Thanks to the inclusion of an exemplary selection of works by Holbein’s predecessors and contemporaries, this publication sheds light on the artistic background and impact of the “Gray Passion.” Thorough documentation provides insight into the elaborate restoration of the cycle’s twelve panels.