Мистецтво

This is a creative guide to designing jewellery, written by experienced jewellery maker, Liz Olver. In this book she gives comprehensive details on the essential stages of the design process - from working out the brief and seeking inspiration to working with technical drawings and developing the idea further as the piece evolves. Case studies, real-life projects and tips provide professional advice and encouragement. The book is written and illustrated in a clear cut and easily accessible style.

У 2017 році Марк Райден, «хрещений батько поп-сюрреалізму», взявся за нове середовище: балет. У партнерстві з Американським балетним театром (ABT) він створив «Збиті вершки», новий шедевр, який з тих пір став частиною класичного репертуару театру.

У The Art of Whipped Cream представлені інтерв’ю та коментарі провідних танцюристів — у тому числі Місті Коплленд, Девіда Халберга, Стелли Абрера, Джилліан Мерфі та Данііла Сімкіна — та членів творчої групи, які демонструють дивовижне концептуальне мистецтво Райдена, а також картини, створені спеціально для цього видання. Слідкуйте за процесом Марка Райдена від початкових малюнків до сценографії та станьте частиною цього новаторського нового балету. Від костюмів до задників і аксесуарів, ви зможете спостерігати та переживати шоу через ексклюзивні зображення, ніби ви сидите в першому ряду!

Про авторів:

Поєднуючи теми поп-культури з технікою, що нагадує старих майстрів, Марк Райден створив унікальний стиль, який стирає традиційні межі між високим і низьким мистецтвом. Його роботи вперше привернули увагу в 1990-х роках, коли він започаткував новий жанр живопису, «поп-сюрреалізм», потягнувши за собою безліч послідовників. Райден перевершив початкові сюрреалістичні стратегії, обираючи теми, наповнені культурним відтінком.

Марк Райден отримав ступінь бакалавра в 1987 році в коледжі дизайну Art Center у Пасадені. Його картини виставлялися в музеях і галереях по всьому світу, включаючи ретроспективу «Cámara de las maravillas» у The Centro de Arte Contemporáneo у Малазі, що охоплює кар’єру, а також більш ранню ретроспективу «Wondertoonel» у Музеї мистецтв Фрай у Сіетлі та Музеї каліфорнійського мистецтва Пасадени. Він живе в Портленді, штат Орегон, зі своєю дружиною, художницею Меріон Пек.

Олексій Ратманський народився в Санкт-Петербурзі та навчався в Балетній школі Великого театру в Москві.Його виконавська кар’єра включала посади головного танцюриста Українського національного балету, Королівського балету Вінніпегу та Королівського балету Данії. Він ставив балети для Маріїнського балету, Королівського балету Данії, Королівського шведського балету, Голландського національного балету, Нью-Йоркського балету, Балету Сан-Франциско, Австралійського балету, Київського балету та Державного балету Джорджії.

This oversized collector’s edition showcases antique paintings and drawings of birds and animals from the most important natural history collection in France.

An unparalleled collection of the most beautiful—yet scientific—depictions of flora and fauna ever produced, these artworks document three centuries of exploration of the far reaches of the world—a rich visual record harking back to a time when science relied upon painstaking human illustration as the only way to record exotic plants and unknown animals observed during voyages of discovery.

All the artworks included here were depicted on vellum, a high-quality, long-lasting parchment that fell out of use around 1900 when it was supplanted by photography. France’s national collection consists of over 7,000 such artworks and is among the world’s finest. Flora and fauna from every corner of the globe are represented in precisely rendered color and detail.

Sadly, many of the species depicted in these masterful yet hauntingly accurate portraits are now endangered, threatened—or in many cases, already extinct. This volume is both a celebration of the human quest for knowledge and an epitaph for a fast disappearing world—as well as a feast for the eyes for anyone who loves birds or vintage natural history art. This exquisite and timeless book is beautifully presented in a jacketed volume within a slipcase and luxuriously packaged within an illustrated mailer with a handle for portability.

About the Author:

Pascale Heurtel is chief curator and director of libraries and Michelle Lenoir is honorary director of the Muséum national d’histoire naturelle in Paris.

One big slice of cheesecake. Pin-up travels the long road from barracks wall to high art

In the 15 years since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up: drawings, paintings and pastels of an idealized female face and figure intended for public display, was produced between 1920 and 1970, for use on calendars, and magazine covers and centerfolds. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious. Today it’s popularity is huge, and ripe for an equally huge and truly comprehensive collector’s edition.

Formidably sized, The Art of Pin-up is an impressive book that will be coveted by casual fans as well as hardcore pin-up collectors. The top 10 artists are profiled in depth. Each chapter opens with a tipped-in reproduction of an original calendar or magazine cover by that artist. The reproduction quality of the paintings, pastels, and preparatory sketches that follow — largely sourced from the original art — invites the viewer to trace the brush strokes, while the exquisite period calendars, vintage prints, and original model photos document the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.

In addition to the chapters on the 10 featured artists, the book includes thumbnail bios and representative art of 85 additional artists, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.

One Big Slice of Cheesecake. Pin-up travels the long road from barracks wall to high art

Since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up — drawings, paintings, and pastels of an idealized female face and figure intended for public display — was produced between 1920 and 1970 for calendars, magazine covers, and centerfolds. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.

Based on the formidably sized Art of Pin-up, this accessible edition gathers nearly 100 artists alongside in-depth showcases of the top 10 names in the game. Each chapter opens with a reproduction of an original calendar or magazine cover by that artist. The reproduction quality of the paintings, pastels, and preparatory sketches that follow — largely sourced from the original art — invites the viewer to trace the brushstrokes, while the exquisite period calendars, vintage prints, and original model photos document the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.

In addition to the chapters on the 10 featured artists, the book includes bios and art of 85 painters, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.

The editor:

Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN’s Sexy Book Editor. Her titles include the “body part” series, The Art of Pin-up, Psychedelic Sex, and Ren Hang.

The contributing authors:

Sarahjane Blum is an author, cultural historian, and co-owner of Grapefruit Moon Gallery, which specializes in original American illustration art. She lives in Minneapolis, Minnesota.

Louis Meisel is owner of one of the oldest pin-up and illustration art galleries in New York. He is the co-author of TASCHEN’s The Great American Pin-up and Gil Elvgren: All his Glamorous American Pin-ups.

Robert E. McGinnis began his career in 1947 as a cartoonist, and produced his first cover illustrations for 1956 issues of the magazines True Detective and Master Detective. Then in 1958, he painted his first paperback book cover, and from that day forward his work was in demand.

The emergence of the “McGinnis Woman” — long-legged, intelligent, alluring, and enigmatic — established him as the go-to artist for detective novels. His work appeared on Mike Shayne titles and the Perry Mason series, and he produced 100 paintings for the Carter Brown adventures. Yet McGinnis became famous for his work in other genres as well: espionage, romance, historicals, gothics, and Westerns.

McGinnis’s first major magazine assignments were for The Saturday Evening Post, and his work has graced the pages of Cosmopolitan, National Geographic, Good Housekeeping, Guideposts, and others. McGinnis women frequently cropped up in the men’s magazines of the ’60s and ’70s.

His first movie poster was for Breakfast at Tiffany’s, with an iconic rendering of Audrey Hepburn. Almost instantly, his poster artwork could be seen everywhere — in theaters, on billboards, in newspapers, and even on soundtrack albums. His work for Hollywood became a who’s-who, with posters for James Bond, The Odd Couple, Woody Allen, The Private Life of Sherlock Holmes, and many more.

Some of his most ambitious works have been his gallery paintings, often depicting stunning American landscapes, vast Western vistas, and of course, beautiful women. The Art of Robert E. McGinnis collection reveals the full scope and beauty of the work of a true American master — one whose legacy continues today

This book is a visual chronicle of the Lucasfilm art department’s creation of new worlds, unforgettable characters and newly imagined droids, vehicles and weapons for the first movie in the Star Wars Anthology series — Rogue One: A Star Wars Story. In the same format and style as Abrams’ The Art of Star Wars: The Force Awakens, the book gives readers unprecedented access to hundreds of concept paintings, sketches, storyboards, matte paintings, blueprints and character, costume, and vehicle designs. The Art of Rogue One: A Star Wars Story will stand as the definitive guide to the artwork and imagination behind the newest chapter in the Star Wars franchise and will delight Star Wars fans and cineastes for decades to come.

Directed by Gareth Edwards (Godzilla, Monsters), with production design by Doug Chiang and Neil Lamont, Rogue One chronicles the adventures of a Rebel cell tasked with a desperate mission: to steal the plans for the Death Star before it can be used to enforce the Emperor’s rule. The all-star cast includes Felicity Jones, Diego Luna, Forest Whitaker, Mads Mikkelsen, Alan Tudyk, Riz Ahmen, Ben Mendelsohn, and Donnie Yen.

About the Authors

Josh Kushins has worked steadily for various Hollywood studios most recently on the Publicity teams for Lucasfilm Ltd. and DC Comics, and is the Director of Special Projects at the American Film Institute. He is the author of The Art of John Carter: A Visual Journey (Disney, 2012).

Doug Chiang and Neil Lamont served as co-production designers for Rogue One.

BAFTA–nominated Gareth Edwards (Monsters, Godzilla [2014]) served as director.

his official behind-the-scenes companion to the Disney+ Star Wars series The Mandalorian features exclusive concept art, character and costume sketches, and vehicle and creature designs.

The Art of Star Wars: The Mandalorian takes fans behind the scenes of the first-ever live-action Star Wars television series. Filled with concept art, sketches, and interviews with key cast, crew, and creatives, including executive producer/showrunner/writer Jon Favreau and executive producer/director Dave Filoni, The Art of Star Wars: The Mandalorian will provide readers with an exclusive look at a whole new universe of Star Wars characters, locations, and vehicles.

Premiering in November 2019 as a key launch title for Disney+, The Mandalorian follows the adventures of galactic gunslinger Din Djarin and the Child as they traverse the outer systems of the galaxy and evade remnants of the Empire. Readers will encounter early visual and conceptual ideas for these new characters and unexplored frontiers, filled with crime syndicates, bounty hunters, and smugglers. The gritty, lived-in cantinas and spaceports are populated by a talented cast that includes Pedro Pascal (Game of Thrones), Werner Herzog (Fitzcarraldo, Grizzly Man), Nick Nolte (48 Hours), Gina Carano (Haywire, Deadpool), Giancarlo Esposito (Breaking Bad), and Carl Weathers (Rocky).

About the Authors:

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department at Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’ Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015), The Art of Star Wars: The Last Jedi (Abrams, 2017), The Art of Star Wars: The Rise of Skywalker (Abrams, 2020), and The Art of Star Wars: The Mandalorian, Season Two (Abrams, 2022). He lives in San Francisco. 

Doug Chiang is an Academy Award®–winning artist, author, and production designer. As creative director for Industrial Light & Magic, he served as visual effects art director of films such as Terminator 2: Judgment Day, The Mask, and Forrest Gump. In 1995, George Lucas personally selected Chiang to serve as head of the Lucasfilm art department for seven years on Star Wars: Episodes I and II. He left Lucasfilm in 2002 to form his own design studio, IceBlink Studios. Chiang returned to Lucasfilm in 2013 to work on Star Wars: The Force Awakens and currently serves as Lucasfilm VP and executive creative director. He served as production designer and design supervisor on The Mandalorian seasons one and two.

The official behind-the-scenes concept, production, and post-production art for Star Wars: The Rise of Skywalker.

Go inside the creative process behind the most anticipated film of the century. The latest trilogy in the Star Wars film series brings the Skywalker Saga to a close and The Art of The Rise of Skywalker will take readers into the creative process behind visualizing the epic worlds, creatures, characters, costumes, weapons and vehicles of the landmark conclusion more than 40 years in the making.

About the Author

Lucasfilm creative art manager Phil Szostak has worked in conjunction with Star Wars art departments since 2008. A graduate of the School of Visual Arts in New York, Szostak ran the JAK Films Art Department on Skywalker Ranch for more than three years before joining the narrative design team on LucasArts’s Star Wars: 1313. He is also the author of The Art of Star Wars: The Force Awakens (Abrams, 2015); The Art of Star Wars: The Last Jedi (Abrams, 2017) and The Art of Solo: A Star Wars Story (Abrams, 2018)

Carefully curated and beautifully packaged erotic art through the ages – 170 works from the world's most important artists

This carefully curated and beautifully packaged book spotlights nearly 170 works from the world's most important artists, including Titian, Paul Cézanne, Pablo Picasso, Andy Warhol, Michelangelo, Rembrandt, Edgar Degas, Edvard Munch, Georgia O'Keeffe, Jackson Pollock, Lucian Freud, Louise Bourgeois, Francis Bacon, David Hockney, Gerhard Richter, Cecily Brown, Anselm Kiefer, George Condo, and Anish Kapoor.

With its chronological organization, The Art of the Erotic provides insights into human sexuality throughout the ages.

About the Author:

Rowan Pelling is a journalist, broadcaster and commentator on the arts. She has just launched a new middle-shelf magazine, The Amorist, intended for devotees of love and passion. She first rose to prominence as the editor of the monthly literary/erotic magazine, Erotic Review, and has written for a range of magazines and newspapers, including the Independent on Sunday, Daily Mail, GQ and The Spectator. Pelling lives in Cambridge, England.

The Italian Renaissance is among the most glamorous epochs of European art. Art historians as well as a wide public are fascinated by three centuries of exceptionally prolific artistic creation that produced works of international fame such as Michelangelo's "Frescos" in the Sistine Chapel. The cityscapes of the great centres of that time would be vastly different without their Renaissance architecture - cities like Florence, Rome, and Venice are veritable museums of an epoch whose art remains vital and influential even today. Impressive illustrations of works from every branch of the fine arts feature prominently in this book, which not only competently explains various aspects of Renaissance art, but also invites readers to observe them closely with its fabulous pictures.

This deluxe reconsideration of mid-19th-century painting casts a newly appreciative eye on Salon painting — whose masterpieces have been largely dismissed from the canon of modern art, in favor of those that were famously rejected by the artistic establishment of the time.

The Paris Salons of the mid-19th century are more famous today for the paintings that were rejected than for those that were actually shown. The rejected works form today’s canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the 19th century. Salon painting has often been dismissed as overly academic or staid. Art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of Salon painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions of masterpieces by Cabanel, Manet, Biertstadt, the Pre-Raphaelites, and Sargent, naming a few, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris’s position as Europe’s cultural capital. He explores styles and themes that were especially prevalent in Salon painting: history painting; portraits from home and in society; the rise of »Orientalism«; and the nationalism of landscape. Readers will come away from this well-researched and absorbing book with a steadfast appreciation of the Salon’s disciplined and academic approach to painting, and an understanding of why these works were once so revered by the general public

What is more common than a pair of shoes? In a world where shoes have become an object of mass consumption, these accessories are now rid of any significance. Industry has accomplished its duty: producing large quantities at low prices. But there was a time when the shoe symbolised the strength of the Roman legion, the power of the medieval lords or the oppression of the Chinese woman. Its history is both vast and enthralling, as revealed by the author Marie-Josephe Bossan. Supporting her analysis with an outstanding iconography, the author gives these commonplace objects a universal quality that sheds light on the whole of civilisation and elevates them to the rank of a work of art.

The official behind-the-scenes art book for four-time Academy Award-nominated animation studio Cartoon Saloon’s and their co-producer Melusine’s stunning new animated fantasy adventure, WolfWalkers

Cartoon Saloon, the Irish animation studio behind the Academy Award-nominated films The Secret of Kells (2009), Song of the Sea (2014), and The Breadwinner (2017), and their co-producer Melusine Productions, returns in 2020 with their latest feature, WolfWalkers, directed by Tomm Moore and Ross Stewart. To be released later this year theatrically, followed by streaming on Apple TV+, this mythic tale tells the story of a young hunter named Robyn, and her unlikely friendship with a wild girl living among wolves. Filled with exclusive hand-drawn sketches, paintings, interviews, and digital renderings that showcase Cartoon Saloon’s unique artistic style, The Art of WolfWalkers takes fans behind the scenes of one of animation’s most celebrated studios.

Through exclusive commentary and interviews with cast and crew, renowned animation critic and historian Charles Solomon showcases the craft and skill behind some of the most lovingly detailed and imaginative 2-D animation currently being produced. Featuring a foreword by award-winning animator James Baxter and an afterword by Cartoon Saloon cofounder and codirector of WolfWalkers Tomm Moore and codirector Ross Stewart, The Art of WolfWalkers is a must-have for animation fans everywhere.

About the Author: 

Charles Solomon is the author of more than a dozen books on the art and making of animated films and television specials, as well as a lecturer in animation at the UCLA School of Theater, Film and Television. He lives in Los Angeles.

In Wreck-It Ralph, Disney’s team of artists explores the hidden world of video games, from classic 8-bit arcade games to the most modern of the digital age. 

Wreck-It Ralph is a bad guy who breaks all the rules of the arcade when he sets off on a mission to prove he can be a good guy. This behind-the-scenes look at Disney’s 3-D animated comedy adventure features character sketches, storyboards, colour-scripts, and more. Capturing the artistic journey of the film through interviews with the film’s many artists — plus a foreword by director Rich Moore and a preface by John Lasseter — The Art of Wreck-It Ralph is a treat for video game and animation lovers alike.

About the Authors:

Maggie Malone is director of development at Walt Disney Animation Studios, where she has worked on films including Tangled, Tinker Bell, and The Princess and the Frog.

Jennifer Lee Monn worked in book publishing for eight years before becoming a filmmaker. She co-wrote the screenplay for Disney’s Wreck-It Ralph with Phil Johnston.