Искусство

Tiffany's magical lamps and stained glass

This lavish volume provides an overview of the fifty-year career and the highly innovative and creative work of Louis Comfort Tiffany (1848-1933). The inventor of Favril Glass, an opalescent glass with deep, glowing colour that far surpassed, in quality and beauty, all existing techniques, Tiffany was one of the most original and influential designers and America's leading exponent of Art Nouveau. Tiffany Studios, founded in 1889, were well known for their use of sensuous, organic, natural and floral forms. Tiffany's iridescent coloured vases and his lampshades with their haunting colours became extremely popular and sought after the world over. Although known primarily as a glass artist, Tiffany was also involved in interior design, furniture, rugs, ceramics, mosaics, jewellery, bronzes, desk sets, mirrors and more. He decorated the White House, as well as the homes of Mark Twain, Cornelius Vanderbilt, Andrew Carnegie and others.

With some 400 colour plates, text by Jacob Baal-Teshuva, a documentary index, and an illustrated biography/bibliography, Louis Comfort Tiffany pays homage to the brilliant life's work of the man who revolutionized both the art and technique of stained glass.

Tiffany Colored Gems, the latest in Abrams’ series with Tiffany & Co., traces the dazzling history of the company’s use of coloured stones in its jewellery design from the mid-nineteenth century to the present day. Organized by colour, stones of every brilliant shade, variety, and cut make an appearance, from emeralds, sapphires, rubies, and amethysts to tourmalines, opals, turquoise, and jade.

Lavishly illustrated with archival and contemporary photographs, Tiffany Colored Gems also includes paintings of famous stones and those who wore them in centuries past, as well as design sketches and drawings from Tiffany’s extensive archive. Prominently featuring the designs of Paloma Picasso and Jean Schlumberger, as well as many others, including Frank Gehry, Tiffany Colored Gems is sure to tantalize and captivate jewellery lovers around the world.

About the Author:

John Loring, design director of Tiffany & Co. since 1979, is the author of Abrams’ Tiffany Pearls, Tiffany Diamonds, Tiffany’s Palm Beach, Greetings from Andy: Christmas at Tiffany’s, Tiffany in Fashion, and Tiffany Flora & Fauna, among others. Prior to joining Tiffany, Loring served as the New York bureau chief of Architectural Digest. He lives in New York City.

This beautiful and comprehensive work illustrates a seemingly inexhaustible selection of the oil and electric light fixtures issued by the Tiffany studios: table and floor lamps, chandeliers and sconces. Also included are the other metalware items produced by the firm, including fancy goods, desk sets, miscellaneous household goods such as toiletry and smoking accessories, inkstands, candlesticks, photograph frames, book ends, tea screens, clocks, tobacco jars, humidors - the list is almost endless.

Tiffany Lamps and Metalware is the ultimate pictorial reference work for both enthusiasts and collectors of Tiffany. There is a comprehensive index that cross-references the firm's original model numbers to the illustrations.

Tim Burton is one of the most popular and remarkable filmmakers of the last 30 years, being responsible for such films as Edward Scissorhands, The Nightmare Before Christmas, Corpse Bride and Alice in Wonderland. He is famed for the visually arresting style of his films that combine with highly original storylines. A truly international filmmaker, Tim Burton has carved a reputation as one of the world's greatest creative directors. This stunning treasury explores the influences on his development as a filmmaker and assesses how he has captured the fruits of his imagination on screen. Illustrated with many behind-the-scenes photographs and stunning film stills, chapters analyze the success and style of films such as Beetlejuice, Ed Wood and Mars Attacks!, and examine how Burton breathed new life into well-known stories that include Batman, Planet of the Apes and Charlie and the Chocolate Factory. Finally, the book looks towards the future and his latest film, the live-action version of Disney's Dumbo, as well as the possibility of Beetlejuice 2.

Tim Burton's entire filmography is presented in this handsome package. Tim Burton, The Iconic Filmmaker and His Work, is a must for anyone who enjoys the creativity of films and is a fitting appreciation of one of Hollywood’s most dynamic movie directors. 

About the Author:

Ian Nathan, who lives and works in London, is one of the UK’s best-known film writers. He is the author of nine previous books, including Alien Vault, the best-selling history of Ridley Scott’s masterpiece, Terminator Vault, Tarantino, Tim Burton, The Coen Brothers and Anything You Can Imagine: Peter Jackson and the Making of Middle-earth. He is the former editor and executive editor of Empire, the world’s biggest movie magazine, where he remains a contributing editor. He also regularly contributes to The Times, The Independent, The Mail on Sunday, Cahiers Du Cinema and the Discovering Film documentary series on Sky Arts. 

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280 colour and b/w illustrations, hardcover

This richly illustrated book presents the Jeffrey Montgomery collection of Japanese folk art, one of the foremost collections of this art in the world. Superb examples of lacquer and metalwork, basketry, textiles, furniture, masks, sculpture, paintings, toys and ceramics, organised by medium into five sections. These utilitarian objects of everyday life date from the Muromachi period (1392-1568) to the early Meiji period (1868-1912), and were crafted by hardworking artisans for farmers, fishermen, town merchants and the upper-class elite. The pieces these artisans produced reflect an honesty and respect for all things both animate and inanimate, while at the same time they served as vehicles of ritual and symbols of cultural identity. The significant feature of all the objects in the collection is that they possess a unique and inherent quality of timeless beauty. The introduction written by Dr. Edward de Waal, a potter and a writer whose works are held in many museum collections, focuses on the history of the appreciation of Japanese Folk arts in the West. Indeed, the influence of Japanese folk art on modernist design and on the growth of the craft movement within the West has been extremely important. The book continues with extensive texts written by four highly respected Japanese art historians. The entries are divided into five sections: ceramics, textiles, metalworks, masks, and additional objects (furniture, toys, sculptures, etc.) The book includes a chronology, a map of Japan, an index and bibliography.

The Venetian virtuoso

A leading artist in the High Renaissance, Titian (Tiziano Vecelli, 1488-1576) was the Venetian school’s greatest painter and is one of the best-loved Italian artists of all time. Titian was highly regarded during his lifetime, and his renown has not diminished in the intervening centuries; so great was his ability to manipulate color, texture, and tone that he is still considered to be one of art history’s greatest technical masters. The freedom exhibited in his pictorial compositions was unprecedented and greatly influential on later artists, notably Manet, who closely studied Titian’s work at the Louvre. This book examines Titian’s evolution, from his early years training under Giovanni Bellini to his later mature work, giving a wide perspective on the life’s work of this legendary master painter.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 colour illustrations with explanatory captions

The author:

Ian Kennedy studied art history at Cambridge and at the Courtauld Institute, London University. He worked for nearly three decades in New York at Christies and as a dealer and is now Ward Curator of European Paintings and Sculpture until 1900 at the Nelson-Atkins Museum in Kansas City, Missouri.

180 Illustrations

Not only does this book offer a studied and insightful look into the works of one of the most technically gifted of the world's painters, but it also invites the reader to discover the bustling world of the Venetian art scene in which Titian lived and worked. Its compelling narrative will please the general public while its unique cross-analysis of the 16th century Venetian painters will interest art specialists and students.
This study of Titian’s life and works relates the contemporary and historical influences of the style and colours that Titian came to master. The author reveals how Titian’s personal life, his relationships with important Venetian painters and influential European political leaders, is inextricably tied to his artistic career, as he defines style through artistic encounters and his powerful friends become his subjects. The calibre of the story and the quality of the images are rarely accompanied by such a competitively moderate price.

The Author
Writer, critic and art historian, Sir Claude Phillips was a Keeper of the Wallace Collection. He started in life as a solicitor and this occupation took him all over the world. During his numerous travels, he visited museums and art collections building up his knowledge of art. He was appointed Keeper of the Wallace Collection and while working there, he wrote on Reynolds and Titian.

Titian is acknowledged as the greatest of the sixteenth-century Venetian painters, best known for his portraits, mythological pictures and religious subjects. Yet his first great achievement as a painter, schooled in the workshop of Giovanni Bellini, was to refashion the portrayal of nature in his own distinctive style by studying the work of Albrecht Durer, whose naturalistic paintings of plants, animals and landscape - for which northern European artists were renowned - had caused a sensation in Venice in the first decade of the sixteenth century.

In this short, beautifully illustrated book, Antonio Mazzotta presents this experience, together with Titian's native landscape of Pievedi Cadore, as crucial influences in the artist's early representation of nature. The recently restored Flight into Egypt (now in the Hermitage Museum, St Petersburg) - probably painted when Titian was still a teenager - is vivid proof of his interest in the depiction of animals, plants and figures in the landscape. The author's carefully chosen comparisons of paintings, prints, drawings and details of works by the young Titian, Durer and their contemporaries (including Sebastiano del Piombo and Giorgione) suggest that Titian was as innovative and as influential in his unique view of nature as he was in portraiture.

In 1965, Tom of Finland began flirting with the idea of an ongoing character for his panel stories, the ultimate Tom's Man. He tried out a blond named Vicky — a common male name in Finland — followed by a Tarzan-inspired Jack. Then in 1968, Tom settled on Kake, a dark-haired, moustached leatherman who often wore a tight white t-shirt bearing the motto “Fucker.” Kake lived up to this moniker, a sort of post-Stonewall, hyper-masculine Johnny Appleseed travelling the world on his motorcycle to spread the seeds of liberated, mutually satisfying, ecstatically explicit gay sex. Tom lived out many of his most personal fantasies through Kake, and Kake’s international fans made him the template for what came to be known as the gay clone look of the 1970s.

Between 1968 and 1986, Tom published 26 episodes of Kake adventures, most as 20-page booklets. Now for the first time, all 26 stories have been collected in one volume. Return with Kake to the days when men were men, sex was carefree, and everyone wore a big thick moustache.

About the artist:

Touko Laaksonen, the boy who would become Tom of Finland (1920-1991), began drawing cartoons at age five. His favourite subjects were the rough manly men of his native Finland, as Touko knew from an early age that men interested him more than women. His talents were further honed by art study in Helsinki. He found success in the Finnish advertising industry but secretly continued creating his increasingly erotic drawings of hyper-masculine men. In 1957 he submitted some drawings to the American magazine Physique Pictorial and the "Tom of Finland" legend was born. By the late 60s Tom's "dirty drawings" became the standard for gay art, and Tom's Men a template for a new gay masculinity. Tom's art continues to play an important role in promoting self-confidence, positive self-image and openness in the gay community.

In 1998, TASCHEN introduced the world to the masterful art of Touko Laaksonen with The Art of Pleasure. Prior to that, Laaksonen, better known as Tom of Finland, enjoyed an intense cult following in the international gay community but was largely unknown to the broader audience. The Art of Pleasure gave Tom well-deserved recognition and increased his following exponentially; Tom of Finland XXL will fix him forever in the realm of fine art.

At 29 cm x 40.5 cm and 666 pages, Tom of Finland XXL contains over 1,000 images, covering six decades of the artist's career. The work was gathered from collections across the US and Europe with the help of the Tom of Finland Foundation, and features many drawings, paintings and sketches never previously reproduced. Other images have only been seen out of context and are presented here in the sequential order Tom intended for full artistic appreciation and erotic impact. This elegant oversized volume showcases the full range of Tom's talent, from sensitive portraits to frank sexual pleasure to tender expressions of love and haunting tributes to young men struck down by AIDS.

Completing this collector's edition are eight specially commissioned essays on Tom's social and personal impact by Camille Paglia, John Waters, Armistead Maupin, Todd Oldham, and others, plus a scholarly analysis of individual drawings by art historian Edward Lucie-Smith. For the man - or woman - who thinks bigger is better, Tom of Finland XXL is certain to satisfy.

Tom's private pastime. The secret art of an English gentleman

Thomas Leycester Poulton was an English magazine and medical book illustrator, born in 1897. Upon his death in 1963 it was discovered he was also a prolific and imaginative erotic artist who produced hundreds of sketches and finished drawings of women proudly and exuberantly displaying themselves in ways shocking to conservative post-war Britain.

Once one gets past the shock value it becomes clear that Poulton’s greatest talent was in portraying the human body in the sexual act, and since he did it with such rare insight many have argued he must have actually witnessed the orgies he put on paper. His ties to certain players in the 1963 Profumo scandal, breaking at the time of his death, hint that he may, in fact, have been the in-house artist at the parties that rocked the British Parliament.

Poulton’s archive remained hidden from public view until the late 90s, when it turned up among the artifacts of an aging professional yachtsman who was dispersing his vast collection of erotica.

Though Tom Poulton’s work tells us much about English society between 1948 and 1963, there is a universal quality to these images of joyous, uninhibited sexuality that transcends time and place.

The Prince of Pigalle

In pursuit of pleasure in the Belle Époque

Today, the painter and graphic artist Henri Toulouse-Lautrec (1864-1901) is considered as one of the most inspired portrayers of human figures. This physically handicapped scion of the old French nobility was fascinated by life around Montmartre, whose cafes, cabarets, dance halls, and bordellos presented him with the "theater of life."

More than any other artist, Toulouse-Lautrec captured the Belle Époque’s pursuit of fleeting pleasure: directly and without flattery, his paintings, lithographs, and posters offer a masterly and timeless image of the age.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography 

In our imaginings of Paris, painter and graphic artist Henri de Toulouse-Lautrec (1864–1901) has no small role to play. In his prints, posters, paintings, and drawings, the artist immortalized the city’s Belle Époque nightlife and put the northern neighbourhood of Montmartre on the global map of creative-hedonist hotspots.

The son of old French nobility, Toulouse-Lautrec seems to have been drawn early on to visions of a demimonde, centering his attention on the dance halls, cabarets, and brothels of Montmartre and adopting famed dancers and singers as his subjects, most notably Jane Avril. His works include both lively performance scenes and quiet, tender “after-hours” portraits such as The Sofa and In Bed. Stylistically, he mastered both bold graphics, as celebrated in his promotional posters of Jane Avril, and a loose yet evocative sketchwork.

Though he died aged just 36, due to complications from alcoholism and syphilis, Toulouse-Lautrec’s cultural influence was immense. This introductory book takes a walk through his world of singers, dancers, musicians, and prostitutes to reveal an artist of great humanity, striking figurative skill, and a pronounced sense for the energy and stories of a city.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Henri de Toulouse-Lautrec (1864-1901), scion of an ancient aristocratic family, was a crippled dwarf. His family's wealth gave him financial security, and he chose to become an artist. In Paris he was drawn to the world of the red-light district around Montmartre. In the cafés, cabarets, dance halls and brothels he observed "the theatre of life", viewing this world not from the moralising standpoint of the 19th-century bourgeoisie, but with the eyes of one for whom all inhibitions had long since vanished.

Lautrec recorded what he saw without the arrogance of a social superior, but also without "spurious pity - like a reporter with a "photographic paintbrush". He transferred his observations to paper and canvas with sensitive understanding and a sharp eye, creating the real atmosphere and live character studies of a world where middle-class morals do not count, in which elegance and baseness mix, as do the ingenuous and the sinful. Lautrec had the gift of painting life as it is. No one else has captured the entertainment world of the belle époque in so unadulterated, so masterful and so timelessly true a manner as did Lautrec in his paintings, lithographs and posters.

This monograph sets out to examine the close relations between Lautrec's work and life. It thereby offers the reader a lively impression of Lautrec's art, and at the same time provides an understanding of his private life and of the magnificent Paris of the belle époque.