Історія мистецтва

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Risa Levitt
ID: 13108
Видавництво: Hirmer

Bringing together two communities with a shared history of statelessness, Ukrainian Jewish Journey focuses on the cultural similarities of the two groups while delving into the complex and difficult histories of both populations over the last two hundred years. Despite their points of interconnectedness, the interactions between the two groups have been historically complex.

The book examines the history of Ukrainian-Jewish interactions by highlighting encounters in daily life, in cultural contexts, and in episodes of violence. It explores the ways in which the Jewish and non-Jewish peoples of present-day Ukraine have sought to define their identities while also remaining rooted in their own unique traditions. Featuring one hundred colour images and with new research, the book is a focused exploration of universal issues of cultural memory, national and individual identity, and the cultural implications of encounter.

Gilles Néret
ID: 12403
Видавництво: Taschen

Renaissance man in extremis. Michelangelo, in pursuit of the beautiful and sublime

Nicknamed “il divino,” Renaissance genius Michelangelo combined body, spirit, and God into visionary masterpieces across sculpture, painting, and architecture. From The Pietà to the extraordinary ceiling of the Sistine Chapel, this book provides the essential introduction to the artist’s revolutionary ideas and awe-inspiring artworks.

Italian-born Michelangelo di Lodovico Buonarroti Simoni (1475–1564) was a tormented, prodigiously talented, and God-fearing Renaissance man. His manifold achievements in painting, sculpture, architecture, poetry, and engineering combined body, spirit, and God into visionary masterpieces that changed art history forever. Famed biographer Giorgio Vasari considered him the pinnacle of Renaissance achievement. His peers called him simply “Il Divino” (“the divine one”).

This book provides the essential introduction to Michelangelo with all the awe-inspiring masterpieces and none of the queues and crowds. With vivid illustration and accessible texts, we explore the artist’s extraordinary figuration and celebrated style of terribilità (momentous grandeur), which allowed human and biblical drama to exist in compelling scale and fervor. Through the power hubs of Renaissance Italy, we take in his major commissions and phenomenal capacity for compositional schemes, whether the famous Medici library in Florence, or the extraordinary 500-square-meter ceiling (1508–1512) in the Vatican’s Sistine Chapel.

From the towering David to the aching grief and faith of The Pietà and the vivid drama of the Sistine Chapel’s Last Judgment, this is a succinct, dependable reference to a true giant of art history and to some of the most famous artworks in the world.

The author:

Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Judith Miller
ID: 11330
Видавництво: Mitchell Beazley

With its streamlined shapes and forward-looking approach, the Art Deco style still looks modern today. In the 1920s and 1930s, designers and craftsmen made innovative use of both natural and man-made materials to produce elegant pieces that broke with tradition and celebrated the future. In this beautifully illustrated guide, antiques expert Judith Miller explores the key makers and pieces of the movement, explaining what to look for as a collector.

The book explores all the key collecting areas, with chapters on furniture, glass, ceramics, sculpture, metalwork, silver and plastics, prints and posters, rugs and textiles. With clear price codes and biographies of key makers and designers, the book also contains "A Closer Look" and "Good, Better, Best, Masterpiece" features comparing ranges of items from makers and factories.

About the Author:

Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books, which are held in high regard by collectors and dealers. Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and co-hosts the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including Financial Times, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.

Daniel Marzona
ID: 5150
Видавництво: Taschen

TASCHEN 25—Special edition!

The bare minimum

Often regarded as a backlash against abstract expressionism, Minimalism was characterized by simplified, stripped-down forms and materials used to express ideas in a direct and impersonal manner. By presenting artworks as simple objects, minimalist artists sought to communicate esthetic ideals without reference to expressive or historical themes. This critical movement, which began in the 1960s and branched out into land art, performance art, and conceptual art, is still a major influence today. This book explains the how, why, where and when of Minimal Art, and the artists who helped define it.

Featured artists: Carl Andre, Stephen Antonakos, Jo Baer, Larry Bell, Ronald Bladen, Walter De Maria, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Gary Kuehn, Sol LeWitt, Robert Mangold, John McCracken, Robert Morris, Robert Ryman, Fred Sandback, Richard Serra, Tony Smith, Frank Stella, Robert Smithson, Anne Truitt

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Julian Bell
ID: 3210
Видавництво: Thames & Hudson

• Charts the whole history of art from the earliest carved stone to the latest media
• Takes a truly global picture, connecting different cultures across time and space
• Hundreds of works are discussed and illustrated, showing how art uniquely reflects the world in which it was produced

Julian Bell has excitingly chosen a global perspective, setting up juxtapositions that will challenge and enlighten readers: dancing bronze figures from southern India, Romanesque sculptures, Baroque ceilings and Persian manuscripts are discussed side by side as extraordinary testaments to our universal creative instinct.

With an insider’s knowledge and an unerring touch, Bell draws these diverse strands into a beautifully written, lucid and compelling account.

Both a perfect introduction to wider art history and a glimpse inside the artistic mind, this groundbreaking narrative will become a touchstone for a new generation of readers.

Hans Werner Holzwarth
ID: 11141
Видавництво: Taschen

Modern matters. A blow-by-blow account of groundbreaking modernism

Most art historians agree that the modern art adventure first developed in the 1860s in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, loose brushwork. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the Salon by organizing their own independent exhibitions.

After this first assault on the artistic establishment, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, abstract art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and conceptual practice.

This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards and broke down barriers. Introductory essays outline the most significant and influential movements alongside explanatory texts for each major work and its artist.

The editor:

Hans Werner Holzwarth is a book designer and editor based in Berlin, with numerous publications mainly on contemporary art and photography. For TASCHEN he has edited, among other titles, Jeff Koons, Christopher Wool, Albert Oehlen, Neo Rauch and Ai Weiwei

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

 

Hans Werner Holzwarth
ID: 13094
Видавництво: Taschen

Modern Matters. A blow-by-blow account of Modernism

This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards and broke down barriers. Featuring hundreds of paintings, sculptures, photographs, and conceptual pieces that trace the story of modern art’s innovation and adventure.

Most art historians agree that the modern art adventure first developed in the 1860s in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, loose brushwork. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the Salon by organizing their own independent exhibitions.

After this first assault on the artistic establishment, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, abstract art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and conceptual practice.

This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards and broke down barriers. Introductory essays outline the most significant and influential movements alongside explanatory texts for each major work and its artist.

The editor:

Hans Werner Holzwarth is a book designer and editor specializing in contemporary art and photography. His TASCHEN publications include Collector’s Editions like Jeff Koons, Christopher Wool, Albert Oehlen, Ai Weiwei, and the David Hockney SUMO A Bigger Book, as well as monographs like the XXL-sized Jean-Michel Basquiat and survey books such as Modern Art and Art Now! Vols 3 and 4.

Brad Finger
ID: 9106
Видавництво: Prestel

This story of modern art unfolds like a timeline of watershed events that decisively influenced popular opinion and paved the way for further artistic achievement.

Chronologically arranged, each chapter focuses on a particular work or idea that changed modern art as we know it. Through beautiful spreads and with informative text, readers will discover how a painting such as Édouard Manet’s »Le Déjeuner sur l’Herbe« shocked the art establishment with its depiction of nude women alongside fully clothed men. The author explains how the work’s striking visual quality and easy brushstrokes helped give birth to the Impressionist movement. This book features a number of similarly pioneering works such as Monet’s »Impression, Sunrise«, Cézanne’s »Mon Sainte-Victoire«, Van Gogh’s »Wheatfield with Crows«, Rodin’s »Monument to Balzac«, Matisse’s »Woman with a Hat«, Picasso’s »Les Demoiselles d’Avignon«, Duchamp’s »Bicycle Wheel«, Ernst’s »Aquis Submersus«, Rivera’s »La Creación«, Calder’s »Lobster Trap and Fish Tail«, Pollock’s »Full Fathom Five«, Nam June Paik’s »TV Cello«, Smithson’s »Spiral Jetty«, and Chuck Close’s »Bob«. Perfect for perusing or reading from cover to cover, this book illustrates how the world’s greatest artists are geniuses at synthesizing the accomplishments of those before them in order to create groundbreaking works for others to follow.

Christopher Wilk
ID: 8131
Видавництво: V&A Victoria Albert Museum

Modernism: Designing a New World is the first book to explore Modernism in the designed world from a truly international perspective, and across all the arts. It offers a reassessment of the idea of Modernism and reveals the fundamental ways in which it has shaped our own world and its visual culture.

Modernism flourished during the years 1914 to 1939. As a movement it was the key point of reference for 20th century architecture, design and art. Modernists had a Utopian desire to create a better world, frequently combined with social and political beliefs that design and art could transform society. The range of objects illustrated – including painting, sculpture, film, photography, prints and collage as well as architecture, interiors, furniture, manufactured products, graphic and fashion design – reflect the period’s emphasis on the unity of the arts and the key role of the fine arts in shaping contemporary visual culture. Europe and America take centre stage but the reach of Modernism is demonstrated by selected works from around the world, including Russia, Palestine and Japan.

Rolf Toman (Editor); Achim Bednorz (Photographer)
ID: 6873
Видавництво: Ullmann

How did the monks, nuns and hermits live? What rules did they agree to obey? To what extent were they able to uphold those ideals in reality? What was the relationship between the monasteries and wordly authorities? And what was the source of the power that the religious orders were able to exercise in political affairs at various times? Are the remarkable cultural accomplishments of the cloisters simply the fruits of great self-discipline, or did they also result from a privileged way of life? Who were the men and women who entered monasteries?

Art historian Kristina Krüger is a specialist in the art and architecture of the Middle Ages. Her research and publications focusing in particular on the relationship between architecture and liturgy make her the ideal author for this book. Rainer Warland is a professor at the Institute for Christian Archaeology and Art History at the University of Freiburg, Germany.

Highlights
• The history of monasticism from its origins in late antiquity through its apex in the High Middle Ages and into the present. Presentation of various religious orders and what makes them unique, as well as short biographies of famous abbots, abbesses and monastic scholars.
• Architecture of monastic complexes and the art and crafts within them.
• Special chapters devoted to everyday life in a cloister, medieval book illumination, monastic gardens, and other comprehensive topics.
• Richly illustrated with photographs that bring the architecture, sculpture and paintings to life, as well as color graphics, maps and floor plans.

John E. Bowlt
ID: 7017
Видавництво: Thames & Hudson

The history of Russia has seesawed through the centuries between Europe and Asia. In this dichotomy, St. Petersburg looked west and Moscow looked east. Power moved between the two cities; the Tsars were crowned in Moscow yet ruled from St Petersburg. But at the turn of the 20th century, just before Tsarist Russia came tumbling down, both cities experienced a sudden, brilliant flowering of the visual, literary and performing arts. Known in Russia as the Silver Age, this cultural renaissance is captured in all its dazzling originality from the unprecedented synthesis of the arts in the productions of Diaghilev's "Ballets Russes" to Stanislavsky's groundbreaking stagings of Chekov, to Malevich's revolutionary "Black Square" in this impeccably written, sumptuously illustrated volume.

Octavi Rofes, Javier Arnaldo, Mary Anne Staniszewski, Jose Lebrero Stals
ID: 5451
Видавництво: Actar

The catalogue for the exhibition 'On Translation: Museum Reinterprets Projects by Antoni Muntadas (Barcelona, 1942)' showcases his ongoing series 'On Translation.' This series was begun in 1995 and addresses the concept of translation in contemporary society. This catalog features the collection of works and installations that make up the series

ID: 2155
Видавництво: Pepin Press
Throughout history, people have sought to deal with life’s great mysteries, such as the origin of life and the forces that drive the world, by devising stories and creating matching imageries. Mythology Pictures is an extensive pictorial survey of these imageries: more than 1,500 pictures of mythological scenes, spirits, gods, idols and all sorts of fantastic creatures. They have been taken from cultures from all over the world and are accompanied by short descriptions. Together, these images make for a unique catalogue of one of the most fascinating features of human culture.
Cristina Barreto, Martin Lancaster
ID: 6851
Видавництво: Skira

A sumptuously illustrated and richly detailed catalogue of enormous appeal to anyone interested in fashion, lifestyle, the history of costume and applied arts Thanks to a prestigious private collection, this book explains how from this moment on the clothing of men, women and children acquired a social, cultural and economic importance it had never had before in the history of the Western world and in what terms, from the Napoleonic era onwards, we may rightly talk about Fashion in the sense as we understand it today. From 1800 onwards dress evolved year after year reflecting historical and political events, industrial advances and technical development, influences of the arts and culture, and the taste of the rich and powerful.

Rolf Toman (Editor)
ID: 5489
Видавництво: Ullmann

These substantial volumes on art periods vividly portray the most important achievements from the areas of European architecture, sculpture, and painting. The impressive photographs of works from all visual arts movements are at the center of these richly illustrated volumes. The books successfully provide an overview of the artistic diversity of the individual periods, and they couldn't have been written and illustrated any more clearly. The informative and interesting texts have been written by renowned authors from the fields of history, architecture and art history, providing a multifaceted view of each period. These books are a real pleasure for anyone with an interest in art.

Neoclassicism, as a return to the forms and ideals of ancient art, and Romanticism, as an intellectual attitude, are no longer seen as mutually exclusive alternatives. Looking specifically to Europe, the United States and Russia, the authors of this carefully researched book have selected the notion of subjectivism as the common denominator that links the visual arts and architecture between the periods of rococo and realism. A conscious decision was made to extend the time period under consideration to 1848 in order to be able to present painters as widely varied as Johann Heinrich Fussli, John Constable, William Turner, William Blake, Casper David Friedrich, Philipp Otto Runge and Francisco de Goya within this sumptuously illustrated book.
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