Книги з історії мистецтва

Emile Prisse d'Avennes (1807–1879), a French Orientalist, author and artist, was one of the greatest pre-20th century Egyptologists. An ardent admirer of the superb skills of Egyptian and Oriental artisans, he was enamoured of Arabic art. As a youth, he dreamed of exploring the Orient, and at 19 began travelling to Greece and Palestine. Over the next 40 years, he explored Syria, Arabia, Persia, and resided in Egypt and Algeria. Converting to Islam, he travelled Egypt disguised as an Arab, using the name Edris Effendi. A student of ancient Egyptian and Islamic cultures, he later wrote: "We shall discuss all the arts, all the industries cultivated by Orientals with so much taste, brilliance, and fantasy. We will present splendid reproductions of the monuments, objects of art and luxury, which provide evidence of an advanced civilization, the influence of which has been felt even in Europe."

In 1848/1851 Prisse d'Avennes published his Oriental Album in London (Oriental Album. Characters, Costumes, and Modes of Life, the Valley of the Nile). This brilliant collection of 32 chromolithographs illustrating the people and costumes of the Nile Valley was accompanied by a commentary by renowned Orientalist and Egyptologist James Augustus St. John. After again travelling to North Africa, Prisse d'Avennes returned to France in 1860, bearing the fruits of his journeys - hundreds of folio drawings, photographs, sketches, plans and 400 meters of bas-reliefs. Fascinated by the symmetry, complexity, and opulence of Egyptian and Arabic art, he drew from this vast collection to create compilations of the finest examples of art and architecture, which also took into account historical, social, and religious contexts. In 1877, he published his outstanding survey on Islamic art and architecture, Arab Art (L'Art arabe d'après les monuments du Kaire, 1869–1877), in Paris. This publication reproduces the three atlas volumes containing 200 plates - 137 of them magnificent chromolithographs - mainly by Prisse d'Avennes. L’Art arabe is an indispensable compendium on the development of Arabic art, portraying its splendour and diversity, and a work of supreme draftsmanship.

The authors:

Sheila S. Blair and Jonathan M. Bloom are a husband-and-wife team of teachers and writers on virtually all aspects of Islamic art and architecture. They share both the Norma Jean Calderwood University Professorship of Islamic and Asian Art at Boston College and the Hamad bin Khalifa Endowed Chair of Islamic Art at Virginia Commonwealth University. Together and singly they have written or edited a score of books and hundreds of articles on subjects ranging from the Dome of the Rock to modern calligraphy. Most recently they edited Rivers of Paradise: Water in Islamic Art and Culture.

Treasures of the Nile. The Egyptian explorations of Émile Prisse d’Avennes

The complete, revelatory illustrations of Egyptologist Émile Prisse d’Avennes, one of the first European explorers to fall obsessively in love with the realm of the pharaohs. This unsurpassed collection covers Egyptian architecture, drawing, sculpture, and painting in a visual and archaeological feast of symmetry and complexity, mystery and opulence.

A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-Théodore-Émile Prisse d’Avennes (1807–1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established.

Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisse’s first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments égyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection L’Histoire de l’art égyptien — together with his first volume, these two tomes make up a truly complete survey of Egyptian art.

His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisse’s compendium remains the largest, single-handed illustrated record of Egyptian art in existence.

Discover the complete collection of Prisse’s unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisse’s groundbreaking collection in an affordable, compact format.

The author:

Salima Ikram is a professor of Egyptology at the American University in Cairo and has participated in many Egyptian archaeological projects. After double majoring in history as well as Classical and Near Eastern Archaeology at Bryn Mawr College in the United States, she received her MPhil and PhD in Egyptian Archaeology from Cambridge University (UK). She has directed the Animal Mummy Project, co-directed the Predynastic Gallery Project and is co-director of the North Kharga Oasis Survey. As an acknowledged expert she has lectured on her work all over the world. Salima Ikram is also the author of several books on Egyptian Archaeology, publishes in both scholarly and popular journals, and is a contributor to various magazines.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Art as we know it today would not exist without the Renaissance. Widely considered the most influential phenomenon in European art, architecture, literature, and science, the movement revolutionized the Western conception of reality and heralded the emergence of modernity out of the Middle Ages.

The Renaissance first gained momentum in Italy, at the end of the 14th century, spreading across Europe over the course of the next centuries, with dynamic epicenters in Florence, the Low Countries, and Germany. The movement found its intellectual basis in humanism, derived from classical Greek philosophy. Across art, science, literature, and politics, proponents of the Renaissance avowed that man was the “measure of all things” and determined to replace scholastic medieval confines with a revival of antiquity.

Under the influence of humanism, artists advanced anatomy and geometry to reach new feats of figurative accuracy and revolutionize renderings of perspective to reflect the human experience of place in space. In Flemish painting, artists such as Bruegel brought new techniques and an everyday sensibility to landscapes and still lifes while in Germany, Dürer and Cranach pioneered an unprecedented drama and psychology in woodcut and engraving.

From Florence to Nuremberg, Venice to Bruges, this essential introduction in TASCHEN’s Basic Art series provide a dependable foundation to the transformative reach and sweep of the Renaissance era. Through the movement’s famed luminaries and lesser-known proponents, its social and political circumstances, and its diversions and developments over time and geography, we take in an extraordinary phenomenon, transformative centuries of change that proffered individual genius, regional variety, and a wholesale reconfiguration of seeing and representing the world.

Featured artists include: Fra Angelico, Giovanni Bellini, Hieronymus Bosch, Sandro Botticelli, Pieter Brueghel, Lucas Cranach the Elder, Albrecht Dürer, El Greco, Matthias Grünewald, Hans Holbein the Younger, Fra Filippo Lippi, Masaccio, Michelangelo, Pontormo, Raphael, Tintoretto, Titian, Paolo Uccello, Veronese, and Leonardo da Vinci.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

On the 500th anniversary of Martin Luther's 95 Theses, this opulent book presents a colorful introduction to Renaissance art and history.

Featuring more than a hundred outstanding paintings, drawings, prints, sculptures, and treasures of the Age of the Reformation, this publication comprises masterpieces by Albrecht Durer, Lucas Cranach the Elder and Lucas Cranach the Younger, Hans Holbein the Elder and Hans Holbein the Younger, Matthias Grunewald, and Tilman Riemenschneider, among others. By placing these works in their historical context, this beautifully illustrated book uses art as a prism through which to consider the religious, social and political upheavals of the time.

The volume includes insightful texts that discuss pivotal subjects such as traditional imagery and devotion, Reformation and polemics, court life and culture, humanism and reality, as well as portraiture and representation. Biographies of the artists, an extensive bibliography and a glossary of central terms concerning the German Reformation make this a comprehensive study of a fascinating period in European art history.

Широкое культурное и идеологическое движение, Возрождение, или Ренессанс, было периодом интенсивного литературного, художественного и научного творчества, охватившего Европу в период между XIV и XVI веками и знаменовавшим собой переход от средневековой к современной концепции интеллектуальной жизни.

В период раннего Возрождения сосредоточившиеся и вскормленные во Флоренции и Италии искусство и культура претерпели радикальное обновление, которое постепенно распространилось по всей Европе различными средствами и стилистическими проявлениями. Возрождение основывалось на обновленном интересе к Древнему миру – от философии до литературы, от мифологии до изобразительного искусства, – неоплатонической философии и гуманизму. Научные интересы включали познание природы и человека, в том числе, его анатомии, и поиск новых технологий. Гармоничное сочетание основных искусств вырастало над уровнем механического воспроизведения, чтобы превратиться в свободное выражение теперь уже консолидированных интеллектуальных прерогатив мастера.

Фундаментальный вклад королевских дворов, правителей, покровителей и деятелей церкви, которые использовали новые стилистические языки для украшения своих дворцов и поместий, был естественным следствием великолепия искусств.

In this richly illustrated book, Xavier Canonne, director of the Museum of Photography in Charleroi, dives into René Magritte’s photo and film archive, revealing a lesser-known side of the surrealist master.

Discovered in the 1970s, more than 10 years after the artist’s death, this collection gives us access to a family album, an informal Magritte, from his childhood to the last years of his life. We see Magritte with his parents and brothers, as a newly married man with his wife Georgette, and with his contemporaries in the Brussels Surrealist group. Spontaneous snapshots are complemented by posed scenes, including improvised tableaus with his fellow artists, parodies of famous movies consciously arranged with Georgette, portraits of Magritte at his easel at home, and staged photographs as models for his paintings.

Images where the artist and his friends hide their faces or turn away from the camera particularly resonate with his paintings and his investigation of the ‘hidden visible’. While other Surrealists such as Man Ray and Raoul Ubac made photography an essential part of their work, Magritte remained a true painter. Yet this book demonstrates that his photographs and films are so pervaded with his spirit that they are inseparable from his oeuvre of paintings. Far from being merely entertaining occasional images, they shed a familiar light on the painter’s thought and evidence the same investigation of the mysteries of the world.

Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term Rococo. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the offhandedness of the aristocracy of the time. In many aspects, this art was linked to its Baroque predecessor, and is thus also referred to as late Baroque style. While artists such as Tiepolo, Boucher and Reynolds carried the style to its apogee, the movement was often condemned for its superficiality. In the second half of the 18th century, Rococo began its decline. At the end of the century, facing the advent of Neoclassicism, it was plunged into obscurity. It had to wait nearly a century before art historians could restore it to the radiance of its olden age, which is rediscovered in this work by Klaus H. Carl and Victoria Charles.

About the Authors:

Victoria Charles is a professor of art history. She has published many works and has regularly contributed to Art Information, an international guide to contemporary art. Writing frequently for specialised journals and magazines, Victoria Charles recently contributed to a collective work, 1000 Paintings of Genius.
Klaus H. Carl is the author of numerous works on the history of large cities, and is also a well-known photographer of nature. A teacher by profession, he also took part, alongside Victoria Charles, in the writing of 1000 Paintings of Genius.

The movement known as Rococo began in eighteenth-century France, and has infused design objects with a sinuous, organic, and sensuous impulse for three centuries. Rococo dominated French design from 1730 to 1765, during the reign of Louis XV. Rococo ideas, transmitted by prints, objects and the traveling designers themselves, quickly spread to England, the Netherlands, the German states, Italy and America.

Rococo resurfaced in England under the flamboyant George IV and in France during the Second Empire. Its most significant revival occurred in the design concept known as Art Nouveau. In the twenty-first century, the Rococo spirit has burst forth once again as a creative force.

Rococo: The Continuing Curve, 1730-2008, featuring essays by international scholars and over 380 color illustrations, traces the movement within the historic continuum.

The term Roman art distinguishes, in art history, the period between the eleventh and the thirteenth centuries. This era showed a great diversity of regional schools which were all specific in their own way. In architecture as well as in sculpture, Roman art is marked by its raw forms. Through its rich iconography and captivating text, this work rediscovers this art from the middle ages often despised today in comparison to Gothic art which succeeded thereafter.

Illustrated on nearly every page with color photographs, reproductions of art, drawings, or maps, this overview of Romanesque art and architecture is a visual feast of Western culture during the spread of Christianity, revealed here in hundreds of paintings, religious objects and sculpture, and buildings that have stood for nearly a thousand years. By the end of the first millennium, both Christianity and Roman architecture were established throughout Europe. As the empire collapsed and Rome withdrew, the architectural traditions left behind—most notably the round arch—were the foundation of what became essentially Christian architecture. Later classified as Romanesque, this style of art and building flourished with the expanding influence of Christianity and monastic culture through the mid-13th century. In sections that explore the evolution of the Romanesque in various regions, this book spotlights such buildings as the fanciful gingerbread collegiate cathedral of St. George in Limburg an der Lahn, Germany, and the picturesque pilgrims' bridge across the Somport in Puente de la Reina, France. Here too are apocalyptic visions in manuscript illuminations in Christian Spain, "tainted" as they were by Moorish influences, and a stunning cathedral-shaped reliquary from Cologne that is domed, gilded, and peopled with saints carved from walrus tusk.

The Sistine Chapel is the geographical and spiritual centre of the Vatican City, but it is also one of the most internationally famous artistic sites. The chapel's outstanding beauty lies above all in its vast cycle of paintings covering the entire vault, featuring stories from the Book of Genesis and the Last Judgement, the grandiose, bustling scene located on the back wall. Michelangelo's masterpieces are what make the Sistine Chapel the most visited place in the world, illustrated in this volume in the minutest detail, so the reader can not only appreciate the works as a whole, but also the artist's creative process. This can be observed in the preparatory marks on the plaster, the brush strokes and occasionally traces left by the painter's actual fingers. A graphic diagram of the vault is a guide to the different parts and scenes depicted. Biographies and an index of artists conclude the volume.

The only up-to-date illustrated account of one of the most intriguing and influential buildings in history.

The Temple of Solomon has been the focus of profound spiritual reverence for over three thousand years. From its Bronze Age antecedents in the portable shrines of nomadic tribes, through countless permutations in Judaism, Christianity, and Islam, the idea of the Temple of Solomon--a place of communion between God and man--has proven endlessly alluring.

The sacred building itself was destroyed more than once, on the last occasion by the Romans in AD 70, yet the great church of Hagia Sophia in Istanbul, the Dome of the Rock in Jerusalem, the headquarters of the Templars, and numerous medieval cathedrals were all conceived as symbolic re-creations of Solomon's original. Medieval magicians practiced magic to harness the demons who were believed to have constructed the Temple, and mystics of all faiths had visions of a celestial Temple, mirroring that on earth, where divine secrets would be revealed.

"Solomon's Temple" draws on holy texts and mystic writings, works of art and architecture, modern reconstructions, and photographs to reveal the myriad ways in which the Temple and the sacred ground on which it stood have inspired mankind through the ages

Dating from 1917 to the end of the Cold War, the posters in this book feature the work of such major Russian groundbreaking avant-garde designers as El Lissitzky and Alexander Rodchenko as well as extraordinary works by lesser known artists. Presented in full color, the 250 posters gathered here range in themes from warnings about the dangers of alcohol abuse and the creeping Nazi menace to illustrations of utopian harmony and the Soviet industrial machine. A brief illustrated introduction offers a chronological overview of the period that produced such eloquent art, which has long been a major source of inspiration to artists and designers.

TASCHEN 25—Special edition!

Dreamlike, fantastic imagery

With Salvador Dalí as its figurehead, the great ship of Surrealism traversed the wild and turbulent sea of the Roaring Twenties, its sails full of winds blown by Sigmund Freud and André Breton. With their mysterious, dreamlike, fantastic imagery, the Surrealists made sensational waves in the art world. The influence of artists such as Dalí, Buñuel, Ernst, and Magritte on 20th century film, theatre, literature, art theory - even advertising - is inestimable. This book traces their legacy back to its origins.

Featured artists: Hans Arp, André Breton,Brassaï, Giorgio de Chirico, Salvador Dalí, Max Ernst, Alberto Giacometti, Paul Klee, René Magritte, André Masson, Matta, Joan Miró, Pablo Picasso, Meret Oppenheim, Yves Tanguy

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography