Книги про музику

Vinyl mania. Jazz LP covers from the 1940s to 1990s

This volume features a broad selection of jazz record covers, from the 1940s through the decline of LP production in the early 1990s. Each cover is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.

Special features for jazz lovers include a top-10 favorite records list by leading jazz DJs such as King Britt, Michael McFadden, Gilles Peterson, Andre Torres, and Rainer Trüby, as well as interviews with legendary jazz personalities Rudy Van Gelder (sound engineer who recorded for many labels such as Blue Note, Impulse!, and Prestige), Creed Taylor (founder of many labels and one of the best jazz producers ever, credited also for bringing bossa nova to the US and fusing it with jazz), Michael Cuscuna (Blue Note jazz producer and catalog researcher, responsible for its most successful re-editions), Bob Ciano (designer at the CTI Label, founded in the 70s by Creed Taylor, and one of the greatest cover designers ever), Fred Cohen, (the owner of New York’s Jazz Record Center store with an encyclopedic knowledge of jazz music), and Ashley Kahn (writer, critic, and journalist for jazz whose books include A Love Supreme, Kind of Blue, and The House That Trane Built).

This new edition features 2 volumes in a slipcase.

The author:
Joaquim Paulo is a consultant for major labels and directs a number of radio stations in Portugal. He started collecting vinyl at 15, and flies to London, Paris, New York and São Paulo to enrich his collection of over 25,000 LPs. He lives and works in Lisbon and dedicates his free time to recovering old and rare recordings.

Vinyl mania. The greatest in Jazz LP art

Part design history, part trip down musical memory lane, this anthology of Jazz album artwork is above all a treasure trove of creative and cultural inspiration. Spanning half a century, it assembles the most daring and dynamic Jazz cover designs that helped make and shape not only a musical genre but also a particular way of experiencing life.

From the 1940s through to the decline of LP production in the early 1990s, each chosen cover design is distinct in the way it compliments the energy of the album's music with its own visual rhythms of frame, line, text, and form. To satisfy even the most demanding of music geeks, each record is accompanied by a fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

"Jazz Icons" presents eight of the most successful jazz artists who have characterised the musical genre so decisively: Louis Armstrong, Coleman Hawkins, Billie Holiday, Dizzy Gillespie, Sonny Rollins, Miles Davis, Dave Brubeck and John Coltrane. The author guides us through the musicians’ lives with eight enjoyable portraits and illuminates the complex interactions within the jazz scene.

An impressive array of photographs and eight CDs featuring a representative cross section of the artists portrayed complete the musical experience of Jazz Icons.

Swinging Gotham. Big City, big bands: New York’s jazz scene of the 1920s

It’s the Roaring Twenties, and New York is exploding with jazz fever. Crowds flock to the nightclubs and dance halls in Harlem to see the likes of Louis Armstrong with the Fletcher Henderson Orchestra playing at the Kentucky Club, or Duke Ellington at the Roseland Ballroom or the world-famous Cotton Club. Designed, illustrated, and edited by Robert Nippoldt, this award-winning book pays homage to this exceptional era, via an entertaining blend of illustrations, facts, and amusing anecdotes presenting 24 leading lights of New York’s jazz scene in the 1920s, complete with a CD containing some of their best tunes. The texts, contributed by Hans-Jürgen Schaal, give a vivid account of the club scene and the “band battles,” as well as the legendary recording sessions. A splendid read, a groovy CD — and not strictly for jazz fans only!

The illustrator:

Robert Nippoldt is a German graphic designer, illustrator, and book artist. He is best known for his award-winning books Gangster, Jazz and Hollywood about America in the 1920s and 1930s. His studio is located at the very hip old depot of Muenster.

The author:

Hans-Jürgen Schaal, born in 1958, studied German philology, sociology, and dramatics. He works as a freelance music journalist for various magazines and has published numerous books about jazz.

Awards for the original German edition:

 - European Design Award, 2008, Stockholm
 - Institute for Book Arts: "The Most Beautiful Book of Germany" 2008, Frankfurt
 - Illustrative: "One of the Most Beautiful Books of Europe" 2007, Berlin

Розмахуючи Готемом. Велике місто, великі гурти: джазова сцена Нью-Йорка 1920-х років

Зараз бурхливі двадцяті, і Нью-Йорк палає джазовою лихоманкою.Натовпи людей збираються до нічних клубів і танцювальних залів у Гарлемі, щоб побачити Луї Армстронга з оркестром Флетчера Хендерсона, який грає в Kentucky Club, або Duke Ellington у Roseland Ballroom або всесвітньо відомому Cotton Club.

Розроблена, проілюстрована та відредагована Робертом Ніппольтом, ця удостоєна нагороди книга віддає данину цієї виняткової епохи за допомогою цікавого поєднання ілюстрацій, фактів і кумедних анекдотів представляючи 24 провідних світила джазової сцени Нью-Йорка 1920-х років. Тексти, надані Хансом-Юргеном Шаалем, яскраво розповідають про клубну сцену та «битви гуртів», а також про легендарні сесії запису. Чудове читання, захоплюючий саундтрек — і не тільки для шанувальників джазу!

- Міжнародна книжкова премія, 2014, Лос-Анджелес
- International Design Award, 2014, Лос-Анджелес
- Премія Джозефа Біндера, 2014, Відень
- D&AD Award, 2014, Лондон
- Good Design Award, 2014, Чикаго
- A’ Design Award, 2014, Комо (Італія)
- Найкраща американська інфографіка, 2014, Нью-Йорк

Raised on the blues, James Marshall Hendrix exploded onto the international stage in 1967 fronting the Jimi Hendrix Experience trio. The world had seen nothing like him before: a wild-haired, blues-rocking, singer-songwriter whose virtuoso psychedelic guitar style and showmanship captivated audiences on both sides of the Atlantic. Wowing fans and critics alike, Hendrix took blues-rock as the basis for a unique sound filled with amplified distortions, wild feedback and liquid solo riffs. His live performances became legendary, hallmarked with teeth-playing antics and guitar-burning rituals, while his personal life followed an equally fascinating and destructive path. Dead at just 27, Hendrix became the poster boy for the psychedelic era's sex, drugs and rock'n'roll lifestyle. Transforming the landscape of rock music forever, the seminal recordings from his four studio albums broke new ground and his unrivaled southpaw fret-work has influenced successive generations of musicians. Hendrix's music and legacy burn as brightly today as they did 40 years ago.

The Music Icons series:
Each title contains a painstaking selection of approximately 150 portraits, colorful posters and record covers, rare concert photos, and previously unpublished candid photos. These images—each matching an important biographical event—are accompanied by text tracing the progression of each subject’s life and career and are complemented by a section containing lists of essential recordings and selected chart rankings.

John Cage. Imaginary Landscapes, Concerts and Musicircus, are the contents of the catalogue that documents the exhibition, of the same title, realized in the Espai d'Art Contemporani de Castello. Apart from having a section of theoretical texts developed by Joan Cerveró, Francisco Ramos, Carmen Pardo, Vicente Carretón Cano and Richard Kostelanetz, the catalogue also reflects on each of the activities that were realized during the exhibition, (concerts, operas, dance, auditions and pedagogic concerts, workshops, lectures, conferences, meetings and round table discussions). Lastly, the publication contains a biography on Cage, a chronology, including a chronologic list of his work, discography, bibliography and filmography about the composer. The idea that founded both the exhibition and the publication was to pay homage to one of the most important artists and musicians of our time, while at the same time disseminating and promoting his core body of work. To this end, the art centre was transformed into a concert hall, a stage and a meeting place for a plethora of events where the connection with John Cage was made not just as a mere spectator but also as an active participant. One of the main ideas of the project is to stage various scenarios, like his Imaginary Landscapes , where Cage s works were performed. These spaces were designed specifically for the EACC as several little installations that transform the exhibition hall into one huge sound installation.

One quarter of the world's most famous group, one half of the most successful songwriting team of all time and one voice for world peace - all achieved in one tragically shortened career. John Lennon's remarkable talent and uncompromising character gave him a unique and extraordinary life, achieving a level of success and public adoration that few can imagine. Never far in his mind from his working-class roots, his lifestyle was conversely rich and free, his celebrity affording him a musical and political soapbox few have attained. Music Icons: Lennon takes a look at both his personal and professional life before, during and after the Beatles: the progression of his creative genius as a solo artist and songwriter, his battles with the US government, his devotion to his wife and their mutual goal for a peaceful revolution. Having become a controversial and outspoken idealist and a mercurial music legend, Lennon's senseless murder in 1980 shook the world. While his widow has continued to keep his cause and ideals alive, it is Lennon's music - both as a Beatle and as an iconic solo artist - which continues to inspire and move music lovers around the globe.

The Music Icons series:
Each title contains a painstaking selection of approximately 150 portraits, colorful posters and record covers, rare concert photos, and previously unpublished candid photos. These images—each matching an important biographical event—are accompanied by text tracing the progression of each subject’s life and career and are complemented by a section containing lists of essential recordings and selected chart rankings.

The definitive collection of the Joy Division photographs of Kevin Cummins, including interviews with Bernard Sumner, Peter Hook and Stephen Morris.

The iconic images captured by Cummins - from snowy bridges and dark rehearsal rooms to electrifying live performances - helped to define Joy Division and cement their place in music history.

Originally published in an ultra-limited run of just 226 copies, Juvenes is a book with legendary status. Now comprehensively updated with new material and images that have never been published in a book before, this new edition will allow fans to own it for the first time.

Also containing insightful and moving essays from the band's family, contemporaries and fans including David Peace and Pat Nevin, Juvenes is a striking, poignant celebration of a truly special band.

With a foreword by Ian Rankin.

About the Author:

Manchester-born Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Joy Division, David Bowie, Nick Cave, Mick Jagger, Patti Smith and Oasis. These photographs have appeared on magazine covers and in art galleries and museums including the National Portrait Gallery and the Victoria and Albert Museum in London, and in cities including New York, Buenos Aires, Berlin, Bologna and many others.
Chief photographer at the NME for over ten years, Kevin captured some of the best-known images in modern music history - his work has decorated bedroom walls the world over.

"Whenever I picture Joy Division, it's through Kevin Cummins' camera lens. Never before or since has one photographer captured a band's story so well." TIM BURGESS

"I first saw Kevin Cummins' photographs of Joy Division when I was a music-obsessed teenager. The stark black and white shots captured perfectly the austere and serious nature of the music. Look at this book and dream a new future into being. God knows we need one." BOBBY GILLESPIE

In July 1993, Nirvana was the biggest band in the world, and Kurt Cobain was subject to an intense level of celebrity and public scrutiny.

In New York City to play the famed Roseland Ballroom and promote their new album In Utero, Cobain and Nirvana were photographed by Jesse Frohman and Cobain gave a candid interview to Jon Savage for an article in the Observer.

Only nine months later, Cobain killed himself. It was the last formal photo shoot Nirvana ever did, and one of the last major interviews Cobain ever gave. Twenty years after his death, they are published here together for the first time since the Observer article, including previously unpublished material, and accompanied by new commentary from Frohman and Savage about that day, and an essay by pop culture maven Glenn OBrien on what it all might have meant.

Frohman's 100-plus photographs, including contact sheets, get to the heart of one of the most beloved bands of all time, at the height of their success and the moment when everything was starting to unravel. We see Cobain as he was just months before his death, by turns feral and refined, posing on his own, goofing around with his band mates, engrossed in his music and always ambivalent about the spotlight. Savages interview reveals an optimistic side of Cobain seemingly at odds with his public image, and particularly poignant as we look back on his life.

This book offers a powerful, moving portrait of Kurt Cobain and will be an important contribution to the literature of rock and roll.

Rome in the 60s: Anita Ekberg posing in the Trevi Fountain, Audrey Hepburn taking her Yorkshire Terrier for a walk through Roman streets and Brigitte Bardot smiling seductively for the camera. Life in Italy in the late 1950s and early 1960s was characterized by the "Dolce Vita", with Rome the favoured hot spot of the international Jet Set. By the time Federico Fellini had released his film of the same name in 1960, the reputation of the "sweet life" was assured.

"La Dolce Vita" in earBOOK format brings the legend back to life with portraits of many famous stars of the era.

Music CDs: Two CDs provide the perfect musical accompaniment to the photographic collection: one featuring the original soundtrack to "La Dolce Vita" and the other a selection of Italian hits from the period.

The first official book by international superstar Lady Gaga

In this book of original, behind-the-scenes photographs, acclaimed photographer Terry Richardson follows superstar Lady Gaga during one year of her life, from Lollapalooza through the final show of her Monster Ball tour.

During the time period he followed Gaga, Richardson took over 100,000 images and attended more than 30 Monster Ball dates around the world. From the 2010 MTV Video Music Awards to the Don't Ask, Don't Tell repeal rally in Portland, Maine, to the Thierry Mugler show at Maxime, Paris, Richardson captures Lady Gaga as you've never seen her before.

A year-long global odyssey - all access, nothing off limits - this is the book Lady Gaga fans have been waiting for.

LADY GAGA came to prominence following the release of her debut studio album The Fame (2008), which included the hits 'Just Dance', 'Poker Face', and 'Bad Romance'. She is well-recognized for her outre sense of style as a recording artist, in fashion, in performance and in her music videos. Her contributions to the music industry have garnered her numerous achievements including five Grammy Awards amongst twelve nominations, two Guinness World Records and the estimated sale of 20 million albums and 64 million singles worldwide. Billboard named her both the '2010 Artist of the Year' and the top selling artist of 2010 ranking her as the 73rd Artist of the 2000s decade. Gaga was named Forbes' Most Powerful Woman in the World 2011 and was included in Time's annual 'The 2010 Time 100' list of the most influential people in the world.

TERRY RICHARDSON is one of the most prolific and compelling photographers of his generation. Known for his uncanny ability to cut to the raw essence of whomever appears before his lens, Mr. Richardson's vision is at once humorous, tragic, beautiful, and provocative. Richardson's editorial work has appeared in magazines such as French Vogue, British Vogue, GQ, and Harper's Bazaar. Richardson's work has been the subject of numerous group and one man shows throughout the world.

For decades, fans have unsuccessfully importuned R. Crumb to expand his card-set, Heroes of the Blues. In his stead, mainstream comics artist and blues fan Stout has leaped into the breach. A book proved more feasible than cards, though, and here are the first results of Stout’s labors. The drawings, stylistically modeled on Crumb’s, are unimpeachable, the faces based on photographs while the backdrops refer, when possible, to the subjects legends. So, for instance, Friday 13 looms behind guitarist-singer Albert King, conjuring his hit, Born under a Bad Sign. A biographical sketch faces each portrait and includes Stout’s choices of Recommended Tracks and Interesting Covers, and more often than not a bit of Trivia is appended. Stout reprises only two of Crumb’s subjects (Skip James, Blind Willie Johnson) and features the electric bluesmen Crumb deliberately excluded, such as Howlin Wolf and T-Bone Walker, and musical-genre-straddlers like Chuck Berry and Dinah Washington. Nice stuff. --Ray Olson

About the Author
William Stout is an award-winning artist and writer who has worked for over 45 years in various media, including comics (Tarzan and Little Annie Fanny, with Harvey Kurtzman); film (with Monty Python, Jim Henson, Steven Spielberg, Guillermo del Toro, and Disney); the record industry; magazine illustration; and public murals at museums across the country, including the San Diego Natural History Museum and the Houston Museum of Natural Science. He lives in Pasadena, California.