Книги о музыке

From gigs in tiny church halls in the mid-sixties to multi-million selling albums and spectacular stadium shows all around the world, the Pink Floyd story in a rock legend.

This remarkable book is a celebration of Pink Floyd's entire career - 2007 marks the official 40th anniversary since they started recording. It contains a biographical account of the band's collective and individual careers from their pre-Floyd origins in 1962 right through to the present day.

Echoes also combines, for the very first time, a meticulously researched chronological listing of every single Pink Floyd and solo concert, set list, TV and radio appearance plus a UK and US discography.

Illustrated throughout with a wealth of rare and previously unpublished photographs as well as rare graphic memorabilia, including posters, advertisements, handbills and tickets from every era of the band's remarkable history, it is, quite simply, the most comprehensive account of Pink Floyd in print.

About the Author
Glenn Povey was the founder of the highly regarded Pink Floyd fan-magazine Brain Damage which he edited between 1985 and 1993. He was responsible for launching the career of the Australian Pink Floyd Show, a band he subsequently managed for two years following their debut UK show at the first International Pink Floyd Fan-Convention, an event he  organised at Wembley Stadium Conference Centre in 1993.

Since then Glenn has worked in the music industry as a booking agent and promoter for a variety of artists including The Electric Prunes, Caravan, Hawkwind, Hugh Cornwell, Gong, Magma, Ozric Tentacles, Porcupine Tree, The Pretty Things and The Seeds. He also promoted the Canterbury Fayre rock festival, headlined in its fourth and final year by Roy Harper and Robert Plant.

In 2002 he successfully re-launched the career of the legendary rock icon Arthur Lee and, acting in a management capacity, toured with his band Love across the world for three years.

An incurable Pink Floyd fan this is now his second book on the subject, having written, compiled and co-researched Pink Floyd: In The Flesh in 1997. He has also written extensively on the band for a variety of music magazines including Mojo and Record Collector.

At more than 120 bpm, electronic music sets the tempo on dancefloors around the globe. Accompanying the exhibition Electronic: From Kraftwerk to The Chemical Brothers, this book offers an insight into the visual culture of electronic music, and how technology, design, art and fashion have contributed to its power. With its roots in Detroit and Chicago in the early 1980s, electronic dance music was popularised across Europe through underground rave parties. Its impact on contemporary culture is still unfolding today. Containing interviews with early pioneers such as techno legend Jeff Mills, The Designers Republic’s Ian Anderson, and those pushing the political dimension of electronic music, such as ballroom dancer and DJ Kiddy Smile, Electronic bears witness to the shifting nature of the genre.

Illustrated with over 300 images, some published here for the first time, Electronic features Jean-Michel Jarre’s virtual studio; work by pioneer Daphne Oram of the BBC Radiophonic Workshop; audiovisual performances by musicians like Bicep and the Chemical Brothers; fashion collections by Raf Simons and Charles Jeffrey of Loverboy; iconic photography by Jacob Khrist and Tina Paul; artwork by Christian Marclay; club graphics from Peter Saville and Mark Farrow; and iconic venues such as the Haçienda, Gatecrasher, Fabric, Berghain and the Warehouse Project. Reflecting the shifts in society over the past thirty years, electronic music has generated distinct visual languages as well as its own political and cultural ideals.

Probably the greatest cultural icon of the 20th century, Elvis Presley is referred to by his first name only, and also as the `King of Rock `n` Roll`. Throughout his career, he set records for concert attendance, television ratings and recording sales and is one of the bestselling and most influential artists in the history of popular music. This book charts the extraordinary life of this legend, from his early life through his illustrious career, with fabulous rare and classic photographs.

This original collection features the most remarkable vinyl artifacts ever produced: a connoisseur's selection of records in a plethora of colors, shapes, and forms, imprinted with extraordinary effects and images. Produced in collaboration with Colors magazine, this book showcases over 500 of the most exceptional records owned by leading collectors Alessandro Benedetti and Peter Bastine. Featuring the recordings of Pink Floyd, Queen, the Beatles, Prince, Michael Jackson, Elvis Presley, Bon Jovi and many others, these are rare and valuable records in countless designs and colors - gold, transparent, photo-printed - in a dazzling variety of shapes: butterfly, heart, star, and even a tree-shaped disc.

The visual of vinyls. The most daring of record designs

This kaleidoscopic catalogue brings new meaning to the idea of “album art.” Celebrate vinyl not only for the integrity of its sound but also for its artistic potential as a material form. Spanning over 500 show-stopping records — from The Beatles to Bon Jovi, glow-in-the-dark effects to butterfly-shaped discs — discover how daring shapes, colours, and designs fashioned the identities of era-defining records and artists.

Now available as part of TASCHEN’s Bibliotheca Universalis series, this dazzling catalogue of vinyl brings new meaning to the “album art.” Produced in collaboration with Colors magazine, it brings together over 500 remarkable records from the collection of Alessandro Benedetti and Peter Bastine.

The book forms a junction between photography, music, and design, celebrating vinyl not only for the integrity of sound recording but also for its artistic potential as a material form. With featured artists including Pink Floyd, The Beatles, Prince, Michael Jackson, Bon Jovi and beyond, it offers compelling insight into the most intricate details of a performer’s visual identity, from a flamboyant colour to a futuristic mirror effect.

The discs are arranged thematically to span monochrome vinyl; unusual vinyl (including silver, gold or mirror vinyl as well as extremely rare glow-in-the-dark vinyl); multicoloured vinyl; etched vinyl (where music is pressed onto only one side); shaped vinyl (cut into forms that are different from the classic round disc); and picture discs (where a photograph or design is stamped onto the surface of the record). Page after page, this kaleidoscopic encyclopedia of game-changing vinyls is a colourful journey through era-defining records and artists.

The authors:

Italian producer and songwriter Giorgio Moroder helped create electronic dance music, and has worked with Donna Summer, David Bowie, Janet Jackson, Barbra Streisand, and many others. He also founded Musicland Studios in Munich, once used by legendary acts like Led Zeppelin, Queen, and Elton John.

Alessandro Benedetti began collecting coloured and unusual records in 1981, and now has 8,000 discs, including 1,200 coloured vinyl discs. In 1998 his collection won recognition in The Guinness Book of Records. His dream is to open a record museum so he can share his collection with the public.

The contributor:

Peter Bastine has been a DJ, record seller, and concert organizer. From 1977 until 1998 he collected every kind of picture disc; since then, mostly historical 78rpm records. Today his collection comprises around 8,000 picture discs, and has been the subject of several European exhibitions.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Following the success of Jazz Covers, this volume features over 500 legendary covers from the golden era in black music that have conquered the world. From Marvin Gaye to Michael Jackson, the Temptations to Earth, Wind & Fire, and James Brown to Prince, Funk & Soul Covers portrays the often breathtaking album art that helped make these essentially African-American musical forms both world famous and massively influential, and an essential part of 20th century music history. Featuring interviews with key industry figures - including performers, producers, and writers - Funk & Soul Covers also provides cultural context and design analysis for many of the record covers.

The author:
Joaquim Paulo is as a consultant for major labels and directs a number of radio stations in Portugal. He started collecting vinyl at 15, and flies to London, Paris, New York and São Paulo to enrich his collection of over 25,000 LPs. He lives and works in Lisbon and dedicates his free time to recovering old and rare recordings.

The editor:
Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Illustration Now!, Advertising Now, Logo Design, and Brand Identity Now!

Original covers. The golden age of African-American music

Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in African-American music. Psychedelia meets Black Power, sexual liberation meets social conscience and street portraiture meets fantastical cartoon in this dazzling anthology of visualized funk and soul.

Gathering both classic and rare covers, the collection celebrates each artwork's ability to capture not only a buyer's interest but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson and Prince changed the world with their unique and unforgettable sounds.

Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Drawing on George Harrison’s personal archive of photographs, letters, diaries, and memorabilia, Olivia Harrison reveals the arc of his life, from his guitar-obsessed boyhood in Liverpool, to the astonishment of the Beatles years, to his days as an independent musician and bohemian squire. Here too is the record of Harrison’s lifelong commitment to Indian music, and his adventures as a movie producer, Traveling Wilbury, and Formula One racing fan. The book is filled with stories and reminiscences from Harrison’s friends, including Eric Clapton, Terry Gilliam, Eric Idle, Paul McCartney, Ringo Starr, and many, many others. Among its previously unpublished riches are photographs taken by Harrison himself beginning in the mid-1960s. It is a rich tribute to a man who died far too young, but who touched the lives of millions.

More than a decade after his death, alienated, awkward, heavily eye-lined Kurt Cobain continues to sit front and center in the arena of popular culture, as the subject of books, music, fashion, gossip, and inspiration for major motion pictures and documentaries. Together with flannelsporting, music-obsessed communities emerging (in the late 1980s and early 1990s) from the chilly Pacific Northwest, Nirvana, Sound Garden, and Pearl Jam changed the scene with wild aggressive sounds and truly alternative records.
Author Thurston Moore (of Sonic Youth) - who introduced Kurt Cobain t David Geffen (Geffen Records), a meeting that resulted in Nirvana’s first major debut, Nevermind, in September 1991, which by December was selling 400,000 copies a week - writes about the discovery of Seattle punk youth, the seminal bands that defined the movement, the exploitation of the subculture, and the backlash of grunge, as well as the death of his longtime collaborator and intimate Cobain.

Maybe I’m Amazed. A personal portrait of Paul McCartney by Harry Benson

Harry Benson began photographing the young Paul McCartney in 1964, a pivotal year for the Beatles when they took America by storm, toured the world, and made their movie debut with A Hard Day’s Night—all documented by the affable Scotsman. And when the Fab Four called it quits, it was Benson who was afforded intimate access to Paul and wife Linda, as Paul forged a new path creatively and personally.

Through Benson’s lens, Paul traces the evolution of its namesake as an icon, performer, and a devoted family man. We follow the musician at the height of his fame with the Beatles; in the recording studio with Linda and their band, Wings; with the family; behind the scenes and on stage during the 1975–76 “Wings Over America” tour; dancing the night away at a star-studded party on the Queen Mary to celebrate the band’s newest album; and with Linda on the couple’s farm in the U.K. in the early 1990s—a fittingly soft landing after so many years of flying high.

Featuring more than 100 color and black-and-white images by the legendary photojournalist, many never seen before, this collection is a window onto a one-of-a-kind artist, one who has remained somewhat enigmatic despite nearly a lifetime of being in the limelight.

Collector’s Edition of 600 copies (No. 101–700), each numbered and signed by Harry Benson

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. Polaroids, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.

Maybe I’m Amazed. A personal portrait of Paul McCartney by Harry Benson

Harry Benson began photographing Paul McCartney in 1964, when the Beatles took America by storm, toured the world, and made their movie debut with A Hard Day’s Night. The legendary photojournalist was on hand to document it all. When the Fab Four came to an end, it was Benson who had intimate access to Paul and his wife Linda, as Paul forged a new path, creatively and personally.

Featuring more than 100 color and black-and-white images, this collection is a window into the life of one of the world’s best-known recording artists, one who has remained enigmatic despite a lifetime in the limelight.

Through Benson’s lens, Paul traces the evolution of its namesake from performer to icon, father and husband. We see the young musician at the height of his fame with the Beatles, in the recording studio with Linda and their band Wings, with the family, behind the scenes and on stage during the 1975–76 “Wings Over America” tour, partying with the stars, and at the couple’s quiet farm in the UK in the early 1990s.

On the occasion of Sir Paul's 80th birthday, Paul gives an all-access look at a life spent making the world’s most popular music. A must for any music fan.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, the David Bailey SUMO and Andy Warhol. Polaroids.

The Fab Five. Behind Beatlemania

“These photos convey a really happy period for them and for me. It all comes down to music, they were without a doubt the greatest band of the 20th century, and that’s why these photographs are so important.” – Harry Benson, 2012

In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa, when he got a call from the photo editor of London newspaper The Daily Express. He was now going with The Beatles to Paris to document French Beatlemania and what followed was the biggest (ticket to) ride of his life.

Benson was warmly welcomed into The Beatles’ inner sanctum, resulting in some of the most intimate photographs ever taken of the band, then on the cusp of world domination. In Paris, he took the famous photograph of the Fab Four having a pillow fight at the George V Hotel; he shot their groundbreaking first visit to the United States, the full impact of New York hysteria, their famous appearance on The Ed Sullivan show, the band in Florida, including their surprising encounter with Cassius Clay; as well as on the set of A Hard Day’s Night. The relationship continued in 1966, including George’s honeymoon in Barbados and their notorious US tour, under the shadow cast by Lennon’s comment that the Beatles were “bigger than Jesus Christ.”

Benson’s luminous black and white photographs show at close quarters The Beatles composing, performing, encountering their fans, relaxing, and engaging with each other, while trying to cope with their increasingly isolating fame. In addition to hundreds of photographs, many previously unseen, there is an introductory essay by Benson as well as quotes and newspaper clippings from the period.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

Behind Beatlemania. Privileged access to the Fab Four

The best of Harry Benson’s era-defining Beatles portfolio, capturing the Liverpudlian quartet on the road, performing, and coming to terms with skyrocketing fame. From a pillow fight in Paris to their first U.S. tour, shot in luminous black and white, Benson’s pictures show intimate glimpses of George, John, Paul, and Ringo composing, relaxing, and engaging with euphoric fans.

In early 1964, photographer Harry Benson received a call from the photo editor of London’s Daily Express, who asked him to cover the Beatles’ trip to Paris. It was the beginning of a career-defining relationship, which would both make Benson’s name and produce some of the most intimate photographs ever taken of the Beatles.

In Paris, Benson captured the Fab Four in the midst of a pillow fight at the George V Hotel, a spontaneous moment which came to epitomize the spirit of the band — Benson himself has called it the best shot of his career. Later that year, he followed the group on the road for their debut U.S. tour, documenting their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also photographed George Harrison’s honeymoon in Barbados, documented the Beatles on the set of their debut movie A Hard Day’s Night, and was present on the now infamous 1966 tour when John Lennon said that the Beatles were “more popular than Jesus.”

Previously out-of-print, this re-edition brings back the best of Benson’s luminous black-and-white Beatles portfolio. Complemented by quotes and newspaper clippings from the period, an introduction by the photographer himself adds exciting personal testimony to these iconic images of the greatest band in musical history.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

Книга является данью культуре и образу жизни, утвержденным фанатами хард-рока и хэви-металл. Потому что, если бы не эти люди, то группы, перечисленные на этих страницах, не только не сделали бы свои легендарные музыкальные карьеры, но и не смогли бы избежать ответственности за свои выходки вне сцены. Она является данью соблазнительной силе электрогитары, которая, будучи объединенной с мощным вокалом бесподобного певца, нацелена на создание самого громкого, самого исключительного звука. Это – чествование индивидуальности и жизни в настоящем.

In just fifteen years, Hipgnosis (Storm Thorgerson, Aubrey Po Powell and Peter Christopherson) established themselves as the most important design collective in music history.

Their innovative cover art defines the albums of the biggest names of the late 1960s, 70s and early 80s: AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, T. Rex, Wings, Yes and XTC, to name just a few.

Their iconic designs including Pink Floyd's The Dark Side of the Moon and Led Zeppelin's Houses of the Holy grace a staggering number of major releases.

Their boundary-breaking conceptual approach earned them five Grammy nominations for package design, and their influence today can be seen in all creative fields from advertising to fashion.

This book is divided into two main sections:

Part I, 'Imagination', tells the story behind the cover artwork from germination through to the final sleeve design, supported by a wide array of archival materials and text from Aubrey Powell.
Part II, 'Realization', showcases the band portraits themselves, whether album covers or otherwise, in beautiful, large-scale reproductions. Both sections are arranged alphabetically and cross-referenced throughout.