Разные книги об искусстве

Renowned portrait photographer Mark Mann documents an impressive host of dancers — their eloquent bodies in posed tranquility and vibrant motion — representing years of excellence and varied disciplines of the art form.

A celebration of the strength and emotive ability of dancers, this book is a collection of images that captures the dynamism and energy of the mediums of both dance and photography. In homage to Mann’s hero Irving Penn, he installed a backdrop of old monochromatic muslin. Dancers from many genres — ballet, jazz, African, tap, Broadway theater, hip-hop, ballroom — perform and discuss their passions about the art form in this stark environment.

Mann captures the humanity and spontaneity of principal and lead dancers from the Alvin Ailey American Dance Theater, American Ballet Theatre, Martha Graham Dance Company, New York City Ballet, and many other troupes. Subjects include dance personalities Misty Copeland, Carmen de Lavallade, Tiler Peck, Chita Rivera, James Whiteside, Omari Wiles, Xin Ying, and many others.

As a photographer, Mann is used to working hard at making something happen in his images; here, he has taken a slightly more passive role, witnessing and capturing the expressive and talented subjects that take control of each frame. This book is a testament to the emotional and physical power of each dancer, in stillness and in motion.

About the Author:

Mark Mann is a renowned celebrity portrait photographer who originally hails from Scotland. Chita Rivera is an American dancer, singer, and actress.

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Пролистать книгу Movement at the Still Point: An Ode to Dance

Celebrating the art forms of ballet and fashion, this beautiful book explores the creative collaborations between New York City Ballet and the top fashion designers of our age, including Virgil Abloh, Christopher John Rogers, Anna Sui, and Valentino, among others.

Featuring more than thirty contemporary fashion designers, New York City Ballet Choreography & Couture highlights their distinctive work for ballet. From the shorts suits of Thom Browne accommodating the movement of dancers, and the leather harness detailing of Prabal Gurung to the baroque flounces of Sarah Burton for Alexander McQueen or the jewel-encrusted slip dresses of Carolina Herrera, this enchanting volume highlights how fashion design is adapted for dance to amplify movement and music.

The stunning photography by Pari Dukovic features breathtaking images of the dancers in motion, along with detail shots highlighting the couture elements of the costumes. Author Marc Happel, NYCB’s Director of Costumes, has collected the designers’ original sketches along with quotes discussing their process and inspiration for each ballet. A foreword by Sarah Jessica Parker, and essays by Tonne Goodman of Vogue and Patricia Mears of FIT further illuminate the creative collaborations between design and dance.

New York City Ballet, which celebrates its 75th anniversary this year, has been collaborating with prominent fashion designers since its inception. From the first Fall Fashion Gala in 2012 when renowned choreographers Peter Martins and Christopher Wheeldon collaborated with Valentino, through the present, these ballets are celebrated as collaborations between choreographers and some of the biggest names in fashion. Now New York City Ballet Choreography & Couture brings ten years of artistic vision to life.

About the Author:

Marc Happel has served as Director of Costumes at New York City Ballet since 2006. Pari Dukovic is an award-winning portrait and fashion photographer whose work has been exhibited worldwide and published in The New Yorker, Time, GQ, and Harper’s Bazaar. Sarah Jessica Parker is an actor, style icon, and vice chair of the NYCB Board of Directors, who conceived the Fall Fashion Gala in 2012.

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Пролистать книгу New York City Ballet: Choreography & Couture на сайте издательства.

Innovating to overcome obstacles is the leading theme of post-pandemic development. When innovation is combined with the ability to be a visionary, excellence is achieved.

The world is full of people who can inspire us, but their legacies are really defined by whether they are true visionaries. Beyond their ideas or words, this is determined by their projects and the tangible consequences of their actions on our way of living and thinking in the contemporary world.

After the previous project on Silicon Valley, this book presents a selection of new talents who have distinguished themselves in different fields (design, research, eco-sustainability, architecture, thinkers, food, NFTs, and more) and who promise to carry on the legacies of past visionaries, entering our imagination as visionaries of the future.

About the Author:

No_Code is an intersectional project conceived by the Italian luxury group Tod’s. Born in November 2018, No_Code interprets social changes in contemporary society, thoughts, and ideas on topics, which are translated into timely and suitable products of the moment. Jeffrey Schnapp is a professor at Harvard and a pioneer in various fields of transdisciplinary research, including digital humanities. He edited the books FuturPiaggio and Moto Guzzi: 100 Years for Rizzoli.

A celebration of artworks featuring books and readers from throughout history, for the delight of art lovers and bibliophiles

As every book tells a story, every book in art is part of an intriguing, engaging, and relatable image. Books are depicted as indicators of intellect in portraits, as symbols of piety in religious paintings, as subjects in still lifes, and as the raw material for contemporary installations. Reading Art spotlights artworks from museums and collections around the globe, creating a gorgeous, inspiring homage to both the written word and to its pivotal role in the visual world.

About the Author:

David Trigg is a critic and art writer based in Bristol. He is a regular contributor to Phaidon books and has written articles and reviews for publications including Art Monthly, ArtReview, Frieze, and Art Papers. He has a PhD in Art History from the University of Bristol and is a member of the International Association of Art Critics.

Talented emerging fiction writers find inspiration in one of the most famous paintings in New York’s Frick Collection: Jean-August-Dominique Ingres’s Comtesse d’Haussonville from 1845.

Following the successful literary musings on art at the Frick, The Sleeve Should Be Illegal and Cocktails with a Curator, this anthology of newly commissioned texts from graduate students in New York University’s Creative Writing Program pays homage to one of the institution’s most celebrated paintings.

Gathered here are fourteen fictional stories inspired by one of Ingres’s most captivating portrait paintings. A detail of the work — the fine silk dress, a red ribbon, a shawl casually draped over the arm of a chair, the contents of a tabletop, the contemplative pose—is the starting point for each story. The pieces range from gothic tales that take place at the time of the painting in the mid-nineteenth century and stories that use the countess as a key character to a present-day ghost story and inventive sagas that take representations of the countess to faraway lands: Poland, Trinidad and Tobago, Brazil, India, and a heaven that is populated solely by Black people.

The faculty adviser for the project is best-selling novelist Darin Strauss, who writes the book’s introduction. Illustrated with Ingres’s famous portrait as well as with many lush details, this one-of-a-kind volume is an ode, both traditional and postmodern, to a glorious work of art.

About the Author:

Darin Strauss is the author of the novels Chang and Eng, The Real McCoy, More Than It Hurts You, the memoir Half a Life, and, most recently, The Queen of Tuesday, a finalist for the Joyce Carol Oates Prize in Fiction.

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Пролистать книгу Regarding Ingres: Fourteen Short Stories

Deftly crafted dissectable female wax models take centre-stage in this disquieting volume for fans of the macabre, the ghoulish and medical history

Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini’s Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It – or, better, she – was conceived as a means to teach human anatomy without the need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a tranquil foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students but also delighted the general public.

The Anatomical Venus is a celebration of these female wax models and reveals their evolution from wax effigy to fetish figure and the embodiment of the uncanny. Today, these images trouble the edges of our neat categorical divides between life and death, science and religion, body and soul, effigy and ecstasy, spectacle and education, kitsch and fine art. Skilfully written by a curator of the macabre, the beautiful and the spiritual, this is a meticulously illustrated survey of these anatomical odalisques and the cultural and artistic intersection they inhabit.

The American video and installation artist Bill Viola is one of the most popular artists in the world today. 

Significantly, at a time when an artist's importance is often conferred by small groups of experts and cognoscenti, Viola's rich imagery touches a nerve with large international audiences. His is an art of everyman; work that is profoundly spiritual and never afraid to make the big statement. 

That statement is often about human life and its relation to the universe, to the soul and human spirit, to nature and to death. Viola is one of those rare artists whose work makes us aware of our nature as human beings. He returns art to what were once its fundamental concerns and gives it relevance to the emotional and spiritual lives of ordinary people. But despite his interest in `old-fashioned' values, his art is also an art of our time. 

The work is produced with the most innovative, most modern of media: high-speed film, high-definition video, sophisticated recording and relation of sound and image, are put to use in ways that challenge the intellectual and artistic traditions of the last one hundred and fifty years. In this volume, eminent critics examine the scope of the artist's creations in an extensive appraisal of his work since the 1970s. Their themes include the relationship of Viola's art to the religious traditions of both Asia and Europe, the use of space as a metaphor within his installations, the use of sound in his work, and the impact of his exhibitions upon other artists. 

These essays demonstrate Viola's uniqueness and importance as an artist of enduring, international reputation, and for the first time allow us to properly assess his place within art history.

In 2017, Mark Ryden, the “Godfather of Pop Surrealism,” tackled a new medium: ballet. In partnership with American Ballet Theatre (ABT), he created “Whipped Cream,” a new masterpiece that has since become a part of the theatre’s classic repertoire.

Featuring interviews with and commentaries from principal dancers — including Misty Copleland, David Hallberg, Stella Abrera, Gillian Murphy, and Daniil Simkin—and members of the creative team, The Art of Whipped Cream showcases Ryden’s amazing concept art as well as paintings made specifically for this publication. Follow Mark Ryden’s process from initial drawings to set design and be a part of this groundbreaking new ballet. From costumes to backdrops and accessories, you’ll be able to observe and experience the show through exclusive images as if you were sitting in the first row!

About the Authors:

Blending pop culture themes with techniques reminiscent of the old masters, Mark Ryden has created a singular style that blurs the traditional boundaries between high and low art. His work first garnered attention in the 1990s when he ushered in a new genre of painting, "Pop Surrealism,” dragging a host of followers in his wake. Ryden has trumped the initial surrealist strategies by choosing topics loaded with cultural connotation.

Mark Ryden received a BFA in 1987 from Art Center College of Design in Pasadena. His paintings have been exhibited in museums and galleries worldwide, including a career-spanning retrospective “Cámara de las maravillas” at The Centro de Arte Contemporáneo of Málaga, as well as an earlier retrospective “Wondertoonel” at the Frye Museum of Art in Seattle and Pasadena Museum of California Art. He lives in Portland, Oregon, with his wife, the artist Marion Peck.

Alexei Ratmansky was born in St. Petersburg and trained at the Bolshoi Ballet School in Moscow. His performing career included positions as principal dancer with Ukrainian National Ballet, the Royal Winnipeg Ballet and the Royal Danish Ballet. He has choreographed ballets for the Mariinsky Ballet, the Royal Danish Ballet, the Royal Swedish Ballet, Dutch National Ballet, New York City Ballet, San Francisco Ballet, The Australian Ballet, Kiev Ballet and the State Ballet of Georgia.

The Art of Taxidermy is a contemporary look at an historical and controversial subject – a sumptuous photographic-led exploration of the genre’s history, uses and modern applications.

Taxidermy courses are enjoying a renewed surge of popularity and this book is poised to offer the new wave of enthusiasts a beautiful volume on the subject. Well-researched text covering aspects of the artform’s history, including hunting trophies, museums displays, its use in media and film, interior decoration and the work of contemporary artists reinventing an age-old technique is complemented by stunning photography.

This fascinating book will make an ideal gift for both those with a passing interest in taxidermy and art enthusiasts alike.

This highly sought-after volume detailing one of the most influential magazines of the twentieth century is now back in print at a newly affordable price. In 1950, Fleur Cowles established what would become one of the most important and talked about magazines ever created. Critically lauded for its sharp mix of clothes, literature, art, travel, decor, theater, and humor, Flair made publishing history with its combination of eclectic editorial content and lavish production quality. Recalled as "the first magazine that became an art form," The Best of Flair is a compilation of the magazine’s best content as chosen by the woman who created it. Along with its distinctive production values, Flair also features interviews and contributions from some of the most noted artists and celebrities of the past fifty years, including Lucian Freud, Jean Cocteau, Tallulah Bankhead, Saul Steinberg, Salvador Dalí, Simone de Beauvoir, Walker Evans, James Michener, Ogden Nash, Gypsy Rose Lee, Clare Boothe Luce, George Bernard Shaw, John O’Hara, Margaret Mead, and Tennessee Williams. Now, more than ten years after this book was first published by Rizzoli, and more than fifty years after the magazine ceased publication, this facsimile edition offers the same ingenious bookmaking of its predecessor, including multiple gatefolds with die-cuts, booklets, and accordion folder leaflets.

About the Author:

Fleur Cowles (1908–2009) was an American artist, editor, and writer best known for her pioneering and influential work at Flair. Dominick Dunne (1925–2009) was an American writer and investigative journalist best known for his contributions to Vanity Fair magazine as well as his true crime novels.

Featuring a foreword from Her Majesty Queen Camilla, this book is about the exquisite miniature library in Queen Mary’s Dolls’ House, one of the most beautiful and famous dolls’ houses in the world.

Running the full length of its ground floor is a spellbinding library filled with 300 miniature books and dozens of original paintings. Lining the bookshelves of this miniature Edwardian library are specially produced works by some of the finest authors of the 1920s. From poetry by Thomas Hardy to stories by Sir Arthur Conan Doyle, gardening books to atlases, miniature stamp albums to accurate train timetables, these works represent British aristocratic life and the best examples of art and literature of the time. This book presents the fascinating history of the Dolls’ House Library, including correspondence between its architect, Sir Edwin Lutyens, and the authors he commissioned together with Princess Marie Louise; a collection of selected works published for the first time since 1924 and lavish illustrations that capture the charming detail of this delightful little room.

About the Author:

Elizabeth Clark Ashby is Curator of Books and Manuscripts, Royal Collection Trust

This macabre tale — part dark fantasy, part Gray’s Anatomy — tells the chilling story of a man driven mad by his search for the truth, with hypnotic and horrifying images.

Philadelphia, the late 1870s. A city of gas lamps, cobblestone streets, and horse-drawn carriages — and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: that the mythological beasts of legend and lore — including mermaids, minotaurs, and satyrs — were in fact humanity’s evolutionary ancestors. And beyond that, he wonders: what if there was a way for humanity to reach the fuller potential these ancestors implied?

The Resurrectionist offers two extraordinary books in one. The first part is a fictional biography of Dr. Spencer Black, from his childhood spent exhuming corpses through his medical training, his travels with carnivals, his cruel and crazed experiments, and, finally, his mysterious disappearance. The second part is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts, all rendered in meticulously detailed anatomical illustrations.

About the Author:

Eric was raised in Colorado but lived in several states throughout the U.S. while growing up. He worked as a snow and ice sculptor for nearly ten years, always writing and painting. His love for the arts led him all over the country and eventually to Pietrasanta, Italy where he worked as a marble sculptor. While in Italy, working on anatomy designs of impossible beings, he created the beginnings of what has become The Resurrectionist. Now living in New Jersey with his wife and two children, Eric continues to work as a professional artist.

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Посмотреть ролик о книге The Resurrectionist: The Lost Work and Writings of Dr. Spencer Black: The Lost Work of Dr. Spencer Black

An important book on Shaker art and life, offering a fresh look at a style that has endured through centuries and continues to inspire designers and homeowners. This book presents the elegantly austere and simply styled objects of the Shakers in the context of their faith and community at Mount Lebanon, N.Y., the spiritual and administrative center of the Shaker world. Outstanding examples of furniture, textiles, tools, and other objects-drawn primarily from the collection of  Shaker Museum | Mount Lebanon-bring the fascinating world of the Shakers to life. The book also explores the equally compelling material culture of Sabbathday Lake in New Gloucester, Maine, the last active Shaker community, and how this group of Shakers continued to thrive while other Shaker communities elsewhere gradually disappeared.

Accompanying a major exhibition organized by the Farnsworth Art Museum, this book presents a new and authentic perspective on the Shaker community. Specially commissioned photography, archival imagery, essays by prominent scholars, and a firsthand interview with a member of the Sabbathday Lake Shaker community deepen our understanding of this influential movement and style.

About the Authors:

Michael K. Komanecky is chief curator at the Farnsworth Art Museum, in Rockland, Maine. Stephen J. Stein is a historian of American religion at the University of Indiana. Jerry V. Grant is the director of research and library services at the Shaker Museum. Michael S. Graham is the director of the Sabbathday Lake Shaker Village. Brother Arnold Hadd is a member of the Sabbathday Lake Shaker community. Leonard L. Brooks is the former director and David Stocks is the president of Shaker Museum | Mount Lebanon.

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Пролистать книгу The Shakers: From Mount Lebanon to the World

Viktor Wynd, master of the contemporary Wunderkabinett, is back with a collection of artifacts and curiosities that are more bizarre and wonderful than ever.

For over a decade, from a tiny storefront in east London, the artist Viktor Wynd has been reinventing the cabinet of curiosities for the 21st century. The Viktor Wynd Museum of Curiosities, Fine Art & UnNatural History is now one of the city’s most tantalizing tourist destinations. Wynd first introduced his worldview in the book Viktor Wynd’s Cabinet of Wonders, which John Waters called »an insanely delightful how-to guide . . . told with lunatic humor and absolute joy.« In this new volume, he takes readers on a tour inside his mildly-twisted mind, delving deeper into his philosophy of collecting, and describing personal connections to the objects he treasures.

Written in his trademark charismatic style, which blends whimsical stories with odd facts and obscure references, this book is filled with lavish and theatrical photographs and drawings. Loosely organized into thematic chapters, it ponders the beauty of skulls and masks; explores beasts, freaks, monsters, fairies, and mermaids; covers magical plants, hallucinogens, erotica, and dandies; and dips into the world of the occult. This might not be a book for everyone. However, it is a book everyone interested in cabinets of curiosities should have on their shelf.

About the Author:

Viktor Wynd is the proprietor of "The Viktor Wynd Museum of Curiosities, Fine Art & UnNatural History" in Hackney, east London and is chancellor of pataphysical organization "The Last Tuesday Society". He is the author of Viktor Wynd’s Cabinet of Wonders (Prestel).

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Пролистать книгу The Unnatural History Museum

Let the inimitable aesthete Viktor Wynd guide you through a subversive celebration of curiosities, art, mess, decay, and self-indulgence, passionately arguing that the world is full of wonder that is in danger of being sanitised and that collectors are the ultimate artists.

The Viktor Wynd Museum in East London is arranged with the sensibility of a 17th-century Wunderkabinett. It displays and sells an eccentric and seemingly random collection of objects — everything from shrunken heads to narwhal tusks — united only by the sense of wonder they inspire in their curator. Now, Wynd takes readers on a tour of homes, private collections and museums that share his fondness for things arcane, desiccated, antique, or just plain odd. The book visits rarified locations lovingly curated by bohemians and artists: from a rambling Devon farmhouse and its historic taxidermy to an Italianate villa in East London to the House of Dreams Museum. It also includes advice on how to start a collection of your own, covering details on auction houses, private dealers, flea markets and fairs, and shows that having distinctive taste does not necessarily require a massive budget.

About the Author:

Viktor Wynd is the proprietor of "The Viktor Wynd Museum of Curiosities, Fine Art & UnNatural History" in Hackney, east London and is chancellor of pataphysical organization "The Last Tuesday Society". He is the author of The Unnatural History Museum (Prestel).

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Пролистать книгу Viktor Wynd's Cabinet of Wonders