Сборники работ по искусству

Since the early 1980s Thomas Ruff has explored the photographic medium, the way it is used and the world of contemporary digital visual culture.

This volume contains and comments a seminal selection of 200 photographic works by this important german artist: including images of domestic interiors, portraits, houses and architecture, starry skies, nocturnal urban scenes and nudes, it focuses on the blurring of the distinction between photography and painting today and predominantly on ruff’s more abstract recent works, particularly his relationship with digital imagery and its production, which he began to investigate in the 1990s.

This book, realized on the occasion of a major retrospective that takes place at Castello di Rivoli Museum of Contemporary Art, features new essays by the curator Carolyn Christov-Bakargiev, as well as by Daniel Birnbaum and Giorgio Verzotti.
the volume also includes a detailed chronology of the artist’s exhibitions, a bio-bibliographical appendix, a rich anthology including texts on the artist by Wim Beeren, Per Bj. Boym, Boris Von Brauchitsch, Ian Brunskill, Régis Durand, Marc Freidus, Reinhold Happel, Jacques Herzog, Julian Heynen, Michel Houellebecq, Jörg Johnen, Eva Karcher, Valeria Liebermann, Annelie Pohlen, David Rimanelli, Michael Stoeber, and Matthias Winzen, as well as conversations and interviews by Daniel Birnbaum, Max Dax, Stephan Dillemuth, Isabelle Graw and Friederike Wappler.

“Art nègre? I don’t know it.” With this provocative tone, Picasso tried to deny his relationship with art from outside of Europe. However, through hundreds of archival documents and photographs, this volume illustrates how non-European art from Africa, Oceania, the Americas, and Asia was a recurring source of inspiration for the artist.

Side-by-side comparisons illustrate the links between Picasso’s oeuvre and diverse “primitive” arts. In both, we find the same themes ― nudity, sexuality, impulses, death, and more ― along with parallel artistic expressions of those themes ― such as disfiguration or destruction of the body.

The volume is completed with a chronology of the relevant works and photographs of the artist in his studio.

180 Illustrations

Not only does this book offer a studied and insightful look into the works of one of the most technically gifted of the world's painters, but it also invites the reader to discover the bustling world of the Venetian art scene in which Titian lived and worked. Its compelling narrative will please the general public while its unique cross-analysis of the 16th century Venetian painters will interest art specialists and students.
This study of Titian’s life and works relates the contemporary and historical influences of the style and colours that Titian came to master. The author reveals how Titian’s personal life, his relationships with important Venetian painters and influential European political leaders, is inextricably tied to his artistic career, as he defines style through artistic encounters and his powerful friends become his subjects. The calibre of the story and the quality of the images are rarely accompanied by such a competitively moderate price.

The Author
Writer, critic and art historian, Sir Claude Phillips was a Keeper of the Wallace Collection. He started in life as a solicitor and this occupation took him all over the world. During his numerous travels, he visited museums and art collections building up his knowledge of art. He was appointed Keeper of the Wallace Collection and while working there, he wrote on Reynolds and Titian.

Titian is acknowledged as the greatest of the sixteenth-century Venetian painters, best known for his portraits, mythological pictures and religious subjects. Yet his first great achievement as a painter, schooled in the workshop of Giovanni Bellini, was to refashion the portrayal of nature in his own distinctive style by studying the work of Albrecht Durer, whose naturalistic paintings of plants, animals and landscape - for which northern European artists were renowned - had caused a sensation in Venice in the first decade of the sixteenth century.

In this short, beautifully illustrated book, Antonio Mazzotta presents this experience, together with Titian's native landscape of Pievedi Cadore, as crucial influences in the artist's early representation of nature. The recently restored Flight into Egypt (now in the Hermitage Museum, St Petersburg) - probably painted when Titian was still a teenager - is vivid proof of his interest in the depiction of animals, plants and figures in the landscape. The author's carefully chosen comparisons of paintings, prints, drawings and details of works by the young Titian, Durer and their contemporaries (including Sebastiano del Piombo and Giorgione) suggest that Titian was as innovative and as influential in his unique view of nature as he was in portraiture.

In 1998, TASCHEN introduced the world to the masterful art of Touko Laaksonen with The Art of Pleasure. Prior to that, Laaksonen, better known as Tom of Finland, enjoyed an intense cult following in the international gay community but was largely unknown to the broader audience. The Art of Pleasure gave Tom well-deserved recognition and increased his following exponentially; Tom of Finland XXL will fix him forever in the realm of fine art.

At 29 cm x 40.5 cm and 666 pages, Tom of Finland XXL contains over 1,000 images, covering six decades of the artist's career. The work was gathered from collections across the US and Europe with the help of the Tom of Finland Foundation, and features many drawings, paintings and sketches never previously reproduced. Other images have only been seen out of context and are presented here in the sequential order Tom intended for full artistic appreciation and erotic impact. This elegant oversized volume showcases the full range of Tom's talent, from sensitive portraits to frank sexual pleasure to tender expressions of love and haunting tributes to young men struck down by AIDS.

Completing this collector's edition are eight specially commissioned essays on Tom's social and personal impact by Camille Paglia, John Waters, Armistead Maupin, Todd Oldham, and others, plus a scholarly analysis of individual drawings by art historian Edward Lucie-Smith. For the man - or woman - who thinks bigger is better, Tom of Finland XXL is certain to satisfy.

The Prince of Pigalle

In pursuit of pleasure in the Belle Époque

Today, the painter and graphic artist Henri Toulouse-Lautrec (1864-1901) is considered as one of the most inspired portrayers of human figures. This physically handicapped scion of the old French nobility was fascinated by life around Montmartre, whose cafes, cabarets, dance halls, and bordellos presented him with the "theater of life."

More than any other artist, Toulouse-Lautrec captured the Belle Époque’s pursuit of fleeting pleasure: directly and without flattery, his paintings, lithographs, and posters offer a masterly and timeless image of the age.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography 

Henri de Toulouse-Lautrec (1864-1901), scion of an ancient aristocratic family, was a crippled dwarf. His family's wealth gave him financial security, and he chose to become an artist. In Paris he was drawn to the world of the red-light district around Montmartre. In the cafés, cabarets, dance halls and brothels he observed "the theatre of life", viewing this world not from the moralising standpoint of the 19th-century bourgeoisie, but with the eyes of one for whom all inhibitions had long since vanished.

Lautrec recorded what he saw without the arrogance of a social superior, but also without "spurious pity - like a reporter with a "photographic paintbrush". He transferred his observations to paper and canvas with sensitive understanding and a sharp eye, creating the real atmosphere and live character studies of a world where middle-class morals do not count, in which elegance and baseness mix, as do the ingenuous and the sinful. Lautrec had the gift of painting life as it is. No one else has captured the entertainment world of the belle époque in so unadulterated, so masterful and so timelessly true a manner as did Lautrec in his paintings, lithographs and posters.

This monograph sets out to examine the close relations between Lautrec's work and life. It thereby offers the reader a lively impression of Lautrec's art, and at the same time provides an understanding of his private life and of the magnificent Paris of the belle époque.

The Belle Époque (Beautiful Era), which dates from the late nineteenth century to the start of World War I, was an incredible period of creative and scientific activity. Until his death in 1901 at the age of 36, Henri de Toulouse-Lautrec was one of its leading names along with poets and writers such as Guy de Maupassant and Emile Zola. He exhibited with Vincent Van Gogh and was a friend of Oscar Wilde whom he met during his time in London. Creating literally thousands of artworks during his short life, the images that Toulouse-Lautrec created were evocative of the mood of that time. His drawings and lithographs were often playful or satirical, but captured the essence of his subject

This book brings together over 170 images. In addition, there are documentary images from the period depicting life in fin de siècle Paris and selected cities around the world. Clothing, architecture and images of street life are featured and where possible photographs of the people Toulouse-Lautrec featured in his works such as Aristide Bruant.

Contents:
Introduction
Toulouse-Lautrec and the Belle Époque in Paris
The Works on Paper
The Belle Époque outside Paris

Maria-Christina Boerner, who studied literature, art history and media, received her PhD in Berlin. A lecturer at the University of Fribourg (Switzerland), she is also the author of numerous essays on cultural topics.

As a blind person might see the world if the gift of sight were suddenly returned - this is how we might describe the effect of William Turner's paintings on the observer. John Ruskin, Turner's uncompromising 19th-century defender, alluded to this idea when he spoke of an "innocence of the eye" which perceived the world's colours and forms before it could recognize their significance.

But to develop such a style, William Turner (1775-1851) first had to overcome the legacy of late rococo academic teachings. He was simultaneously a romantic and a realist - and yet he transcended both styles. His landscapes, far in advance of their time, have been called forerunners of Impressionism, yet they also possess traits that influenced Expressionism, and many of his late compositions are undeniably surrealistic.

Turner's art cannot be bound by such classifications, and remains an oddity to art history even today. His work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elements - especially atmospheric light - Turner confronted nature at the point where nature itself is an image. This book opens up Turner's paintings for the eye, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself - through a world of light and colour.

About the Series:

Every book in TASCHEN's Basic Art Series features:
* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

135 illustrations

If sensuality had a name, it would be without doubt Utamaro. Delicately underlining the Garden of Pleasures that once constituted Edo, Utamaro, by the richness of his fabrics, the swan-like necks of the women, the mysterious looks, evokes in a few lines the sensual pleasure of the Orient.
If some scenes discreetly betray lovers’ games, a great number of his shungas recall that love in Japan is first and foremost erotic.

The Author
Edmond de Goncourt was a French writer belonging to the naturalist movement. He was friends with Zola, Flaubert and Daudet. From 1850, he wrote on art history with his brother. Together, they were the witnesses of the artistic life of the second half of the nineteenth century. His last will was to create a literary academy to honour the memory of this brother. The Goncourt Prize is today the most prestigious literary distinction in France.

Vincent van Gogh's story is one of the most ironic in art history. He lived an unhappy and difficult life during which his work received almost no appreciation - finally killing himself by a bullet to the chest, so great was his despair - and is now widely considered one of the most important painters of all time, his works fetching record prices of tens of millions of dollars at auction.

This comprehensive study of Vincent van Gogh (1853-1890) represents a rarity in art history: a detailed monograph on his life and art combined with a complete catalogue of his 871 paintings. This volume also reproduces most of van Gogh's paintings in colour for the first time.

Tragic genius. One of the great forerunners of 20th-century painting

This richly illustrated and expert study follows Vincent van Gogh from the early gloom-laden paintings in which he captured the misery of peasants and workers in his homeland, through his bright and colourful Parisian period, to the work of his final years, spent under a southern sun in Arles. Here, at last, he found the light that produced the unmistakable Van Gogh style. At Arles, Saint-Rémy and Auvers-sur-Oise, in the feverish burst of creative energy that marked his last two and a half years, he produced the 465 paintings on which his immortality rests.

Vincent van Gogh (1853–1890) craved recognition during his lifetime but was denied it until after his self-inflicted death. Today he is universally seen as one of the great forerunners of 20th-century painting, and one of the tragic masters of art.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

From the early gloom-laden paintings to the works of his final years under a southern sun in Arles

"This man will either go insane or leave us all far behind," prophesied the great Impressionist Camille Pissarro. The man was Vincent van Gogh (1853-1890), a vicar's son born at Groot-Zundert near Breda in Holland, who at that time was struggling to find buyers for his paintings. Van Gogh did indeed go at least to the brink of insanity. And he has long been recognised as one of the greatest modern artists. Van Gogh, who followed a variety of professions before becoming an artist, was a solitary, despairing and self-destructive man his whole life long. His truest friend was his brother Theo, who supported him unstintingly throughout and followed him to the grave just six months later.

This richly illustrated study by two experts on van Gogh follows the artist from the early gloom-laden paintings in which he captured the misery of peasants and workers in his home parts, through the bright and colourful paintings he did in Paris, to the work of his final years under a southern sun in Arles, where he at last found the light that produced the unmistakable van Gogh style. At Arles, Saint-Rémy and Auvers-sur-Oise, in the feverish burst of creative energy that marked the last two and a half years of his life, he produced the 463 paintings on which his immortality rests. Van Gogh craved recognition during his lifetime but was denied it till after his self-inflicted death. Today he is universally seen as one of the great forerunners of 20th-century painting, and one of the tragic masters of art.

The authors:

Rainer Metzger studied art history, history and German studies in Munich and Augsburg. He received his doctorate in 1994 and has worked as a fine arts journalist for the Viennese newspaper Der Standard. He has written numerous books on art, including volumes on van Gogh and Chagall.

Ingo F. Walther (1940-2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He has published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther's many titles for TASCHEN include Picasso, Art of the 20th Century, and Codices Illustres.

Van Gogh in Provence and Auvers includes more than 300 works by Van Gogh in his most prolific years leading up to his tragic suicide.

Special printed papers and specially die-cut openers enhance the value of this excellent presentation. Van Gogh’s own words, placed together with preparatory sketches for his works and vintage postcards and photographs, enhance an insightful text.

Bold strokes of genius. The amazing work of a tormented soul

Vincent van Gogh’s story is one of the most ironic in art history. He lived an unhappy and difficult life during which his work received almost no appreciation — finally killing himself by a bullet to the chest, so great was his despair — and is now widely considered one of the most important painters of all time, his works fetching record prices of tens of millions of dollars at auction. This comprehensive study of Vincent Van Gogh (1853-1890) represents a rarity in art history: a detailed monograph on his life and art combined with a complete catalogue of his 871 paintings. These volumes also reproduce most of Van Gogh’s paintings in colour.

The author:

Rainer Metzger studied art history, history and German studies in Munich and Augsburg. He received his doctorate in 1994 and has worked as a fine arts journalist for the Viennese newspaper Der Standard. He has written numerous books on art, including volumes on Van Gogh and Chagall.

The editor:

Ingo F. Walther (1940–2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther’s many titles for TASCHEN include Vincent van Gogh, Pablo Picasso, Art of the 20th Century, and Codices illustres.