Збірники робіт з мистецтва

Brilliant choice of 52 watercolours. Most of them are full-page.

Extracts from books of Maurice Barrès, André Suarès, Thomas Mann, Henri de Régnier, John Ruskin, Henry James, Goethe, George Sand, Alfred de Musset, Lord Byron, Marcel Proust, Madame de Staël, Stendhal.

Surfaces and secrets. A spellbinding realism and intrigue

Though numbering just 35 known works, the œuvre of Johannes Vermeer (1632–1675) is hailed as one of the most important and inspiring portfolios in art history. His paintings have prompted a New York Times bestseller, a film starring Scarlett Johansson, and record visitor numbers at art institutions from Amsterdam to Washington.

Vermeer’s subjects focus on daily domestic activities, from letter writing to music playing to preparations in the kitchen. The scenes astound with their meticulous detail, majestic planes of light, and with Vermeer’s extraordinary ability to draw out narrative intrigues. In such beloved paintings as Lady Standing at a Virginal, A Lady Writing a Letter with Her Maid and, most famously, the enigmatic, wide-eyed, and enchanting Girl with a Pearl Earring, Vermeer evokes not only the effects of substance and texture but also the many stories and secrets that reside beneath the surface.

Featuring all Vermeer’s known works and succinct, accessible texts, this essential introduction explores Vermeer’s leading place in art history and his unique ability to transform oil paint into a living, breathing scene of human life.

About the Series:

Every book in TASCHEN's Basic Art Serie

- a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
- approximately 100 colour illustrations with explanatory captions
- a concise biography

Vermeer's women, their duties and unspoken dreams

The 35 paintings that have come down to us from the hand of Jan Vermeer (1632-1675) place him beside Rembrandt and Frans Hals as one of the great masters of the golden age of Dutch art.

Little is known of Vermeer's early life and training, though we can be certain that he never knew great success or acclaim during his lifetime, and after his death - reputedly in part because of the stress of his debts - his work was almost completely forgotten for the best part of two centuries. And yet today he is acknowledged as an exquisitely talented and highly original artist. Most of his pictures (all of which are reproduced in this book) show middle-class women about their daily business. Vermeer records the tasks and duties of these women, the imperatives of virtue under which their lives were lived, while also evoking their dreams and their contrasting inner worlds.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

In his first book, iconoclastic designer James Victore gives fans a survey of his work and his no-holds-barred take on the practice, business, and teaching of graphic design today. Known for making vivid, memorable, and often controversial work, Victore has sought comrades, not clients - brave, smart collaborators who have encouraged him to reinterpret old design solutions and to pressure viewers to think about issues in a new way. Leading readers through this collection of “greatest hits,” Victore tells the stories behind his inspirations, his process, and the lessons learned. The result is an inspiring, funny, and honest book, which showcases a body of work that has been plastered on the streets of New York, hung at MoMA, and featured in magazines all over the world.

In a single, elegant, opulently illustrated volume: the bewitching landscapes of Vincent van Gogh, painted with overwhelming creative energy.

The landscapes in which Vincent van Gogh (1853–1890) lived had a profound influence on him and his art. In his encounters with nature, the restless artist attained a harmony and balance that was otherwise denied him. At the same time, he discovered his own completely unique artistic vocabulary and hence a radically new type of freedom in art.

This elegant, full-color volume is the first to provide a comprehensive survey of van Gogh’s work as a landscape painter. Essays by renowned art historians and van Gogh specialists explore this important aspect of his oeuvre. The reader becomes directly aware of how the earthy tones of his early Dutch phase were gradually replaced by a lighter style of painting in Paris . In the south of France , the artist then discovered the intense, brilliant colors and vital expression that have made his paintings so fascinating to this day. He was under the spell of creation throughout all the periods of his brief life and career; employing motifs such as the sower, fruit trees in blossom, the wheat harvest, or the reaper, he described the ever-renewing cycle of nature’s forces.

An indispensable survey of the most dynamic contemporary drawing, chosen by leading art world professionals - now in paperback

More than 250,000 copies of books in the acclaimed 'Vitamin' series have been bought by art lovers across the world. In 2005, Vitamin D inaugurated a vibrant period for drawing, followed by Vitamin D2, which showcased 115 outstanding artists pushing the medium's boundaries.

With nominations from over 70 international critics and curators and an introduction by drawing expert Christian Rattemeyer, Vitamin D2 provides a broad overview of drawing while also looking towards its future.

Artists include: Charles Avery, Pablo Bronstein, Paul Chan, Ewan Gibbs, Cameron Jamie, Aleksandra Mir, Amalia Pica, Imran Qureshi, Adrián Villar Rojas

Nominators include: Lynne Cooke, Thelma Golden, Christine Macel, Jessica Morgan, Bob Nickas, Hans Ulrich Obrist, Scott Rothkopf, Beatrix Ruf, Barry Schwabsky, Nancy Spector

Introduction by: Christian Rattemeyer, Associate Curator of Drawings at the Museum of Modern Art in New York

The next installment in the popular Vitamin series - the world's hottest painters, selected by international expert

Since the publication of the first Vitamin P in 2002, painting has continued to evolve and excite, with new generations responding to its historic importance and taking it in unexpected directions. A central pillar of artistic practice, painting also has enduring appeal, dominating the art market. Vitamin P3 takes the conversation forward, spotlighting more than 100 outstanding artists who are engaging with - and pushing the boundaries of - the medium of paint.

International experts include: Iwona Blazwick, Benjamin Buchloh, Marlene Dumas, Laura Hoptman, Geeta Kapur, Alex Katz, Tim Marlow, Sarah McCrory, Hans Ulrich Obrist, Beatrix Ruf, Nancy Spector.

About the authors:

Conceived and edited by Phaidon editors.
Introductory essay by Barry Schwabsky, art critic for The Nation and regular contributor to Artforum.

 210 илл.

Владимир Наседкин менее известен, чем другие современные русские художники, но, учитывая его творческую концепцию, это скорее не недостаток рекламы, а следствие его творческой позиции. Художник не стремится быть модным, не гонится за тенденцией и, несмотря на то, что живет в самом центре московской суеты, остается вне нее. Сохраняя традиции русского авангарда, ему удается быть актуальным, пробуя новые материалы, техники и жанры. Философия искусства Наседкина – в геометрической прогрессии живописного полотна, материальности фактур и графике фигур. Чем-то похожие на чертежи и схемы, его работы стали частью истории русского современного искусства.

At first glance, Walton Ford’s large-scale, highly-detailed watercolors of animals may recall the prints of 19th century illustrators John James Audubon and Edward Lear, and others of the colonial era. But a closer look reveals a complex and disturbingly anthropomorphic universe, full of symbols, sly jokes, and allusions to the 'operatic' nature of traditional natural history themes. The beasts and birds populating this contemporary artist's life-size paintings are never mere objects, but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreak havoc on a formal dinner table, an American buffalo is surrounded by bloodied white wolves. The book's title derives from The Pancha Tantra, an ancient Indian book of animal tales considered the precursor to Aesop’s Fables.

This large-format edition includes an in-depth exploration of Walton Ford’s oeuvre, a complete biography, and excerpts from his textual inspirations: Vietnamese folktales and the letters of Benjamin Franklin, the Autobiography of Benvenuto Cellini and Audubon’s Ornithological Biography.

A comprehensive survey of the work of the influential Kenyan-American artist Wangechi Mutu

Wangechi Mutu’s multidisciplinary practice grapples with contemporary realities while proffering new models for a radically changed future informed by feminism, Afrofuturism, and interspecies symbiosis. Her work addresses some of today's most critical questions concerning historical violence and its impact on women, together with our inextricable ties toward one another, our ecosystems, and other life forms.

Accompanying a major solo exhibition at the New Museum opening in February 2023, this expansive survey will trace the entirety of Mutu’s influential career chronologically, from early sculptural works of the late 1990s to her collage works of the early 2000s and more recent video works, large-scale sculptures, and site-specific interventions.

This monograph provides the opportunity to see thematic through-lines and progressions across the entire arc of Mutu's career to date. Her sculptures inaugurated the Metropolitan Museum of Art's Façade Project, and her work is in the collection of the Museum of Modern Art, New York, and Tate Modern, London, among other major institutions. 

About the Authors:

Margot Norton is Allen and Lola Goldring Senior Curator at the New Museum.

Vivian Crockett is Curator at the New Museum.

The result of painstaking research by Lea Vergine, this volume explores the meaning of the trash phenomenon in contemporary art from the early 20th century (Boccioni, Carrà, Depero, Picabia, Schwitters), through the Sixties and Seventies (Burri, Kounellis, Fontana, Vautier, Rotella, César, Arman, Manzoni, Pistoletto, Beuys, Spoerri), and up to the present (Cragg, Parmiggiani, Boltanski, Sherman, Bourgeois, Serrano, Cattelan). It examines the challenge launched by these artists, who use waste as a material for creating art. In an era marked by great concern about the environment, the artistic use of the discarded object expresses the alienation and distress that appear to be eroding the wantonly consumeristic social model represented by the West. Recovering and preserving refuse is a means of trying to hold on to it, of making it survive by saving it from a void, from being nothing, from the dissolution to which it is destined; it is about the desire to leave a mark, a trace, a clue for those who remain, hence touching a dimension that is psychological as well as political.

A leasing figure in the emergence of abstract expressionist painting in New York, Willem de Kooning arrived in the United States in 1926 as a twenty two years old stowaway from Holland. During the Depression years, he was a dedicated visitor to the museums and galleries of Manhattan, and did a brief stint as a WPA painter, which was curtailed because he was not a citizen. With resolute determination, de Kooning ventured beyond the radical departures of cubism toward the visceral physicality of the abstractions that comprised his first one person exhibition, in 1948. Five years later, an exhibition of women painted in agressive, lashing gestures stunned contemporaries not only for the vehemence of the artist s attack but also for the evident reversal of direction . Yet across six decades, the alternation and intertwining of abstraction and figuration remained fundamental to de Kooning's work.

The first comprehensive overview of the most significant paintings by de Kooning, the celebrated master of post-war American modernism.

Willem de Kooning (1904-1997) is regarded as a leading exponent of Abstract Expressionism and celebrated in the U.S. as one of the most significant figures in twentieth-century painting. Yet in Europe, the artist has yet to be fully recognized as the important figure he was. That applies in particular to his work of the sixties and seventies, his years of retreat from urban life to live and work on Long Island. This part of his oeuvre bears the imprint of a fundamental experience of landscape, and it is here that he developed a style of figuration (which de Kooning never really abandoned) characterized by a new sense of color and energetic gesture.
This period of vigorous, pioneering creativity in the art of Willem de Kooning is explicitly illuminated for the first time in this book. Featuring a concentrated selection of painting in large formats, it shows how his works - although recognizable as landscapes - grew abstract under the influence of his intense experience of nature while his brushwork literally liberated itself from all bonds.

Erster prägnanter Überblick über die zentralen Gemälde der 1960er und 1970er Jahre de Koonings, des gefeierten Meisters der amerikanischen Nachkriegsmoderne.

Willem de Kooning gilt als führender Vertreter des Abstrakten Expressionismus und wird in den USA als zentrale Figur der Malerei des 20. Jahrhunderts gefeiert. In Europa hingegen ist der 1904 in Rotterdam geborene, 1997 in New York verstorbene Künstler noch immer in seiner vollen Bedeutung zu entdecken. Dies gilt insbesondere für sein Werk der 1960er und 1970er Jahre, in denen er - zurückgezogen vom Großstadtleben - auf Long Island lebt und arbeitet. Hier wird sein Werk durch die elementare Erfahrung der Landschaft geprägt, hier entwickelt sich die Figuration, die de Kooning nie wirklich verlässt, zu neuer Farbigkeit und durchpulster Gestik.
Erstmals wird diese fulminante und wegweisende Werkperiode Willem de Koonings im vorliegenden Band explizit beleuchtet. Anhand einer konzentrierten Auswahl von großformatigen Gemälden wird veranschaulicht, wie de Koonings Werke sich - obwohl Landschaftsbilder - aufgrund des intensiven Naturerlebnisses abstrahieren und die Pinselhandschrift sich geradezu entfesselt. Dabei werden auch die berühmten »Women«-Bilder des niederländisch-amerikanischen Künstlers einbezogen.

A major figure of the Romantic Movement, the British artist William Blake (1757-1827) was at once a painter, designer, engraver and poet. He devoted himself to the illustration of his literary works, and his texts developed following the lines of his engravings and fantastic drawings, becoming veritable illuminated manuscripts. Inspired by biblical and prophetical themes (Proverbs of Hell, The Everlasting Gospel and The Gates of Paradise), Blake’s art subtly combines the modernity of his time and of the Romantic Revolution with the classicism of the themes that he explored.

Gifted with unequalled imagination and originality, the artist played with the diversity of his media in order to better externalise the demons that haunted him, as well as to plunge the viewer or reader into a profound melancholy.
In this monograph, Osbert Burdett sheds light on the art and life of this extraordinary artist.

About the author:

The art critic Osbert Burdett is a specialist in British art of the end of the nineteenth century, in particular that of William Blake. His writings such as The Beardsley Period: an Essay in Perspective and William Blake offers the reader the chance to rediscover the remarkable creations of these artists and the huge impact of their audacity and modernity on English art.

Rich and delicate, ethereal and muscular, the art of William Blake is as fascinating as the philosophies threading through his poetry and prophetic works. 

Presented here in this magnificent new collection, his vivid paintings and gently weaving illustrations are imprinted in the consciousness of Romantic art, but their impact on Gothic literature remains as strong and quixotic as the artist himself.