Книги по истории искусства

This is the first comprehensive book on Venetian mosaics of the nineteenth century. It illustrates work by both the Salviati Company and the Venice and Murano Glass and Mosaic Company. A carefully researched work, Venetian Glass addresses the revival of the art of Venetian mosaic making in the mid-nineteenth century and discusses the complicity of both Antonio Salviati and Sir Austen Henry Layard in that revival. It is a comprehensive work, illustrating Salviati's earliest surviving mosaics, the 1860 mosaic decoration of the Royal Mausoleum at Frogmore and continuing through his company's last commission, the Stanford Memorial Church in Palo Alto, California.

The recovered art of Venetian mosaic in the late-nineteenth- and early twentieth-century is now seen as one of the most important aesthetic achievements of the Victorian-Edwardian era. Neglected and unappreciated for decades, surviving mosaics are being cleaned and restored worldwide. Whether highly visible monuments in major cities or small achievements of Venetian manufacturers are now treasured for the splendid masterpieces they are.

While Venice is better known for soft light and atmospheric painters, this elegant new volume transforms our understanding of Venetian sculpture and its place in the city’s artistic tradition.

A feast for the eyes and an entertaining, erudite read, this book opens with an illustrated survey of the 120 doges who led the Venetian Republic before continuing with a detailed survey of the incredible array of sculptures and monuments that memorialize them.

Although celebrated for painting and music, Venice has a sculptural tradition that was overshadowed by Florence and Rome. Based on new scholarship, this volume reveals the true magnificence of six centuries of Venetian sculpture. With the oldest works dating to the thirteenth century, these masterpieces fill the city’s churches and include pieces by great masters from the Lombardo family to Antonio Rizzo, Jacopo Sansovino, Alessandro Vittoria, and Baldassare Longhena.

The sculptural marvels of Venice tell the story of a procession of doges—politicians, scholars, conquerors, merchants, and even a saint, Pietro Orseolo — over a thousand-year history. Engaging text highlights the adventurous, eventful, and sometimes glorious lives of these legendary figures, while the newly commissioned photography showcases the grandeur and beauty of a neglected aspect of Venice’s cultural history. 

About the Author:

Francesco “Toto” Bergamo Rossi has been the head of the Venetian Heritage Foundation since 2010. Count Marino Zorzi, former director of the Biblioteca Marciana, comes from one of the oldest Venetian families with a doge in their lineage. Matteo de Fina specializes in photographing art, interiors, and architecture. Diane von Furstenberg is a noted philanthropist and celebrated fashion designer, best known for the wrap dress, as well as founder of her eponymous global luxury lifestyle brand now sold in over 55 countries. She received the Lifetime Achievement Award from the Council of Fashion Designers of America in 2005 and was named the most powerful woman in fashion by Forbes magazine in 2012 She is International Ambassador for Venetian Heritage Foundation. Peter Marino, FAIA, is the principal of Peter Marino Architect PLLC, the New York–based architecture firm he founded in 1978. Known for his residential and retail work for the most iconic names in fashion and art, his award-winning work includes large-scale commercial, cultural, and hospitality projects. He is Chairman of Venetian Heritage Foundation and on the board of directors for International Committee of L’Union Centrale des Arts Décoratifs.

A journey through its emotional itineraries is unveiled for the very first time by the photographic masterpieces of Massimo Listri.

Villa Albani Torlonia, with its collections, the Italian garden, and the hemicycle of the Kaffeehaus, is a sublime testimony of that particular antiquarian taste which came to the fore in the mid-eighteenth century, that for which Rome became a favorite destination on the Grand Tour. The classicist dream of Cardinal Alessandro Albani (1692–1779), was preserved thanks to the Torlonia family, who purchased the villa in 1866, enlarging the collection and the gardens and restoring the most important cardinal residence of the eighteenth century.

More than 300 images by the great Italian master Massimo Listri recount the history of this extraordinary cultural heritage for the very first time. An immersive journey leads the reader between its collections of ancient masterpieces. Statues, bas-reliefs, and fountains are ensconced between the various buildings and gardens of the villa in a composition of environments, landscapes, and works of art forever waiting to be discovered.

About the Authors:

Massimo Listri is a photographer who has published more than 70 books and has exhibited his work at numerous solo exhibitions throughout the world. Carlo Gasparri is emeritus professor at the University of Naples Federico II and has authored several books about archaeology and Greek and Roman art. Raniero Gnoli is an Orientalist and historian of religions. Alvar González-Palacios is an author and art historian and former collaborator of FMR magazine.

Western Illuminated Manuscripts: Manuscripts in the National Art Library, from the Eleventh to the Early Twentieth Century

This catalogue of illuminated manuscripts in the V&A's National Art Library provides a history of an art form over eight centuries as an integral part of the decorative arts. It documents not only the practice of medieval and Renaissance illumination, but also the survival of medieval book-making crafts alongside printing in the post-Renaissance period and their revival in the nineteenth century. Its three volumes bring together for the first time works such as the St Denis Missal of 1350 and the Chambord Missal of 1844, the Sanvito Petrarch and William Morriss Book of Verse of 1870. Catalogue descriptions discuss in detail each work and pay particular attention to the changing ways in which they have been evaluated and used through the centuries.

Rowan Watson is a Senior Curator in the National Art Library, part of the Word & Image Department at the V&A. He is the author of Illuminated Manuscripts and their Makers (V&A 2003) and co-author of Blood on Paper (V&A 2008).

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This lush, three-volume slipcased set catalogues the V&A’s superb collection of Western illuminated manuscripts. Providing a history of an art form spanning eight centuries as an integral part of the decorative arts, it documents not only the practice of medieval and Renaissance illumination, but also the survival of medieval bookmaking crafts alongside printing in the post-Renaissance period ― and their revival in the 19th century. The three volumes bring together for the first time works such as the St. Denis Missal of 1350 and the Chambord Missal of 1844, the Sanvito Petrarch of 1463–64 and William Morris’s Book of Verse of 1870. Catalogue descriptions discuss each work in detail and pay particular attention to the changing ways in which they have been evaluated and used through the centuries.

From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a unique and compelling take on the history of art.

The book shows how developments in materials (oil paint, plastics, paint in tubes) and technology (paper, photography, welding) have radically changed the way that art is produced. But these changes run parallel with influences from wider culture such as the study of optics and anatomy and more conceptual concerns such as chance and ephemerality. Each entry explores when an idea first evolved and how it has resurfaced in the work of different artists up to the present day.

Lavishly illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art.

Другие книги серии

100 Ideas that Changed Fashion

100 Ideas that Changed Photography

Never show everything

"Girls, Gags & Giggles" - this was publisher Robert Harrison's recipe for dishing up the American pin-up to the U.S. male. In the 1950s his girlie magazines sold by the millions, before becoming icons of pulp and trash culture.

These skilfully illustrated girls with their curvaceous forms and inviting lingerie soon overtook America's national dessert, in terms of popularity, and even developed considerable potential as a cultural export during the 1940s. "Never show everything," was always the motto. Smiling prettily at the camera, the models exuded just the right amount of sex appeal without seeming too sophisticated or artful. They were the 'girls next door' whose wholesome attraction soon made one forget the magazines' deliberately trashy presentation. Their rosy complexions and innocent allures still titillate even in an age when far more graphic material is the norm. For everyone who enjoys pin-ups, push-ups and pulp style!

“To look at these pictures is to remember that there was a time when taking off your clothes was a potent gesture, when the mere fact of a naked woman could be thrilling.” National Post, Toronto

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Посмотреть книгу  The Great American Pin-Up

Посмотреть книгу  Gil Elvgren. The Complete Pin-ups

This book will be a companion volume to the successful 1000 Patterns book which we previously bought-in from the Ivy Press.

Like the previous book, it will be an historical/geographical survey of the subject, jam-packed with beautiful, full colour illustrations, covering 1000 different styles of tiles, providing collectors, designers (and interior designers), students and general readers with and invaluable reference/sourcebook.

This excellent introduction to the major developments in art and architecture that emerged from seventeenth century Western Europe bridges the gap between the specialized study and a more general survey. Seventeenth-Century Art & Architecture encompasses the socio-political and cultural background of the period. In the process it examines the careers of the most significant painters, sculptors and architects, and those of less well-known artists. Major artists covered include Bernini, Borromini, Caravaggio, Carracci, Claude, Girardon, Guercino, Hals, Jones, Le Brun, Le Vau, Murillo, Poussin, Rembrandt, Reni, Ribera, Rubens, Ruisdael, Steen, van Dyck, Velzquez, Vermeer, Wren and Zurbarn. The seventeenth century also witnessed the emergence of successful women painters such as Artemisia Gentileschi and Clara Peeters, who receive due attention here.

The Visual Encyclopaedia series provide up to 300 beautiful photographic and artwork images, illustrating subjects of perennial cultural interest. Images are accompanied by narrative providing background, brief criticism, and details on relevant museums, brief biographies and time lines.

The 19th century was a pivotal period in Western history, market by revolutionary phase involving not only politics but art and, more broadly speaking, taste. The roots of things change date back to the 1740s, when there was a call for a new kind of art, one that would be useful and educational, both aesthetically and morally, in contrast to the frivolous and "uncommited" tendency of the Rococo. The new model identified with ancient Greece and Rome; it was believed that through the imitation of antiquity, art could aspire to the ideal beauty of true nature.

In the 19th century, the craft of embroidery became a pastime for ladies of leisure. This beautiful new book explores the shift from industry to hobby and how embroidery was crafted and displayed in the home.

Each chapter is packed with a close look at the techniques that were used, detailed illustrations and unique photographs of original 19th century embroidered pieces. Interweaved into the book are snippets of social history, historical facts and quotes from ladies and gentlemen of the period.

This delightful book is a must for any student studying embroidery, fashion and textiles, craft persons interested in historical embroidery techniques, collectors of textiles, plus any needlework enthusiast wanting to extend their knowledge.

The Museum Ludwig in Cologne possesses one of the most interesting collections of 20th-century art in the world. With particular strengths in its Modernist, Pop Art and contemporary holdings, it attracts gallery-goers from all over the world. This volume features 720 paintings by over 350 artists, affording a unique overview of a supreme collection. Arranged alphabetically, with biographical details and commentaries on the works, it is also an important reference work on 20th-century art. It is published under the auspices of the Museum Ludwig, Cologne, under the editorial supervision of Marc Scheps and Evelyn Weiss.

XX век в искусстве начался в 1907 году картиной Пикассо Авиньонские девицы. Эта работа ознаменовала разрыв с прошлым и обозначила одно из важнейших направлений творческого поиска в будущем. Примерно в то же самое время представители первых авангардных движений начали экспериментировать с формой, языком, техникой и материалом, что будет характерно для всего столетия, в котором кубизм, экспрессионизм, абстракционизм, футуризм и дадаизм открыли новые выразительные возможности. Появились новые взаимоотношения между искусством и реальностью: художники экспериментировали с формой, предметами и материалами, считая при этом изобразительное искусство формой языка. К началу 1940-х годов центр художественного мира переместился из Парижа в Нью-Йорк. Здесь язык искусства полностью обновился: главным героем в искусстве Поллока становится действие. За несколько лет художники, с одной стороны, глубоко проникли в реалии общества потребления, с другой - достигали изощренных результатов, зачастую непонятных для широкой публики. Это привело к рождению поп-арта, концептуального и минималистского искусства.

Другие книги серии Visual Encyclopedia of Art:

Art Nouveau. Арт Нуво

Baroque. Барокко

Renaissance. Ренессанс

Islam: Visual Encyclopedia of Art

For the first time ever the highlights of a world renowned private collection are bundled in a book: over 300 tapestries and textile related objects such as hairpins and jewellery are showcased in this beautifully illustrated book. Much of the focus is on Coptic textiles. Coptic art is a term used either for the art of Egypt produced in the early Christian era or for the art produced by the Coptic Christians themselves.

5000 Years of Chinese Art is a full-size, splendidly illustrated volume offering a vista of five thousand years of Chinese art.

Nearly eight hundred colour plates have been arranged chronologically, just one to a page in order to ensure sufficient space for each work of art. Brief text below explains its features and the story behind it. Paintings, works of calligraphy, sculptures and fine handicrafts alternate throughout, lending an almost musical rhythm to the read.

The choice of compositions, both systematic and comprehensive, spotlights art treasures from every era of Chinese history. The evolution and achievements of each domain of the fine arts are also displayed, guaranteeing that the selected works are true classics and artistically representative. This approach will help the reader gain an overall picture of Chinese art while experiencing the unique appeal of art from the East in a leisurely manner.

For bibliophiles, connoisseurs of contemporary printmaking, and everyone whose imagination is fired by the macabre

With breathtaking virtuosity and a unique, dreamlike vision, Érik Desmazières – a master of contemporary printmaking – re-creates interiors, cityscapes and fantastical compositions.

For this book - the first to include the artist's rare work in colour - Desmazières has delved deep into the arcane theme of cabinets of curiosities. Taking as his starting point the melancholy musings of the seventeenth-century antiquary Sir Thomas Browne, he has reinterpreted these shadowy collections of the recondite, rare and bizarre – precious corals, shrunken heads and magical artefacts – as a series of meditations on the vanity of earthly life. Death and decay are never far below the surface, as a depiction of Sir Thomas Browne’s own skull, disinterred and displayed in a museum until the 1920s, reminds us.

The erudite text by Patrick Mauriès traces the preoccupations of Browne and his fellow collectors through history, showing how abstruse objects and spectres of death - subject matter once considered the preserve of specialists - have now entered the cultural mainstream.

Rich in atmosphere, refreshingly strange and exquisitely produced, A Cabinet of Rarities is a bibliophilic treasure for anyone whose imagination is fired by the esoteric and macabre.

Contents List:

The Artist-Engraver • The Virtuoso • Reawakenings

About the Authors:

Erik Desmazières is a French engraver and printmaker, who is represented in numerous important public and private collections all over the world.
Patrick Mauriès is a writer and publisher of many notable titles on fashion and design, including Jewelry by Chanel, A Cabinet of Rarities, The World According to Karl and Fashion Quotes to name a few, all published by Thames & Hudson.