Книги по истории искусства

Visitors to the Paris catacombs were once greeted with a sign telling them that they were entering The Empire of Death

Beginning in the early modern period and continuing to the 19th century, elaborately decorated charnels, tombs and chapels were constructed with the focus on human bone.

This riveting book takes the reader on a tour of these macabre masterpieces with specially taken, arresting photographs and a commentary researched from a multitude of sources. It's a momento mori for our age.

About the Author:

Paul Koudounaris has a doctorate in Art History from the University of California, Los Angeles, and has written widely on European ossuaries and charnel houses for both academic and popular journals. He visited and photographed over seventy sites containing human bones in nearly twenty countries in the course of writing this book.

A thoroughly engrossing thematic study of the representation of the face on objects and in works of art from all cultures and throughout history

From sacred totems to playful caricatures, the face is the most revealing subject in the history of art: it defines our human identity. But how have different cultures depicted the face, and why has it been so central to artistic expression all over the world?

Debra N. Mancoff explores the depiction of the human face through the full range of objects and works of art in the collection of the British Museum, and discovers how the face subtly conveys the full spectrum of human emotion. The book is arranged thematically, and each chapter begins with a brief introduction before depicting faces in various visually led pairings and groupings. Some of the juxtapositions speak for themselves; others are explored through brief narrative captions. Many pairings raise a smile; others are surprisingly affecting. This book will both fascinate and delight the reader, offering insights into experiences that we all share as human beings and that our faces inevitably reveal.

Contents List

Introduction • 1. Birth & Childhood • 2. Love & Beauty • 3. Everyday Life • 4. Faith & Ritual • 5. Rulers & Warfare • 6. Identity & Disguise • 7. Death & the Afterlife

About the Author

Debra N. Mancoff is an art historian and a Scholar-in-Residence at the Newberry Library in Chicago. Her publications include Van Gogh’s Flowers, Monet’s Garden in Art, John Everett Millais: Beyond the Pre- Raphaelite Brotherhood, Flora Symbolica: Flowers in Pre-Raphaelite Art, Danger! Women Artists at Work, Fashion in Impressionist Paris and many other titles on the history of art. She lectures regularly at many of the major museums in the US and Great Britain.

A highly illustrated history of the diverse visual art produced across East Asia, South Asia and Southeast Asia, written by two specialist art historians

Asia is home to more than half the world’s population, and learning about the art of its many cultures helps readers understand the visual world that surrounds us. This book tells the story of the simultaneous development of artistic techniques, styles and ideas across East Asia, South Asia and Southeast Asia, exploring the ways these regions were often dynamically interconnected with each other, and with places beyond Asia.

It covers the full breadth of Asian art history, with almost 500 artworks from China, Japan, Korea, South Asia and Southeast Asia; including areas often under-represented in other books on the subject, such as Vietnam, Cambodia, Thailand, Laos, Indonesia, Malaysia, Singapore, Philippines, Tibet, Nepal and Mongolia.

Authors Lee and Hutton are active teachers, writers and speakers who engage with art history as a progressive field that promotes cross-cultural understanding. In this book, they situate Asian art in the context of art history globally, with 12 ‘Seeing Connections’ features drawing themes and comparisons with art from many other parts of the world. The authors’ approach encourages students to analyse and think about Asian artworks as a way of exploring ideas about gender and sexuality, personal and national identity, migration and diaspora, and anthropogenic climate change.

About the Authors:

De-nin D. Lee is Associate Professor of Art History in the department of Visual & Media Arts at Emerson College in Boston, US, and Deborah Hutton is Professor of Art History in the Department of Art and Art History at The College of New Jersey, US. Lee and Hutton both contributed to Thames & Hudson’s The History of Art: A Global View, and both have authored and edited numerous other books and articles.

A fascinating survey of Jewish art and history from one of the most comprehensive Jewish collections. 

The Jewish World represents an overview of Jewish art that spans the multiple dimensions of Jewish life across the globe. Through beautiful photographs and insightful texts, this richly illustrated book brings to light masterpieces of Judaica and craftsmanship-from classical paintings to lush illuminations, from intricate silverwork to modernist sculpture-from The Magnes Collection, one of the world's largest and most preeminent collections of Jewish ceremonial, modern, and contemporary art, music, rare books, and manuscripts. 

With art hailing from India, Spain, Yemen, Germany, Tunisia, Turkey, Morocco, China, Russia, the United States, and other regions where Jews once lived or continue to live, the book gives insights into the richness and variety of Jewish cultures. 

The Magnes's sparkling new quarters, in a 25,000-square-foot building near the University of California, Berkeley, campus, make this important resource accessible as never before.

A completely redesigned and updated edition of The Queen’s Dolls’ House, to include new photography and discoveries made during the recent conservation of the Dolls’ House.

The Queen’s Dolls’ House is the largest, most beautiful and most famous dolls’ house in the world. Created for Queen Mary in the early 1920s by the renowned architect Sir Edwin Lutyens, it is a perfect replica of an aristocratic Edwardian residence, complete in every way – from the wine cellar, with its store of tiny bottles, each containing a thimbleful of vintage wine, to the library, with its exquisite volumes of original works by authors such as Sir Arthur Conan Doyle, Thomas Hardy and Edith Wharton. This astonishing little house also has a garden designed by Gertrude Jekyll, a garage full of miniature limousines, and electricity, running water and working lifts. Each room, from the servants’ bedrooms to the grand saloon, is fully furnished in every way, and waiting to be explored.

Lucinda Lambton guides the reader on an imaginative tour of this most magical of residences, from life below stairs to the high society setting of saloon and dining room, from the children's toys in the nursery to the miniature accoutrements of dressing-table and bathroom. Her narrative is complemented by documents from the Royal Archives, including previously unpublished letters between Queen Mary and Lutyens and the many contributing artists and manufacturers.

About the Author:

Lucinda Lambton is a writer, photographer and broadcaster, particularly renowned for her interest in art and architectural oddities. Her publications include Vanishing Victoriana, Temples of Convenience, Beastly Buildings, An Album of Curious Houses and Lucinda Lambton’s A–Z of Britain

A luxurious and definitive exploration of how and why the Renaissance flourished in Italy for two centuries

The idea of “renaissance,” or rebirth, arose in Italy as a way of reviving the art, science, and scholarship of the Classical era. It was also powered by a quest to document artistic “reality” according to newly discovered scientific and mathematical principles. By the late 15th century, Italy had become the recognized European leader in the fields of painting, architecture, and sculpture. But why was Florence the center of this burgeoning creativity, and how did it spread to other Italian cities? Brimming with vivid reproductions of works by Leonardo, Michelangelo, Botticelli, Raphael, Titian, and others, this book showcases the creative achievements that traveled from Florence to Rome to Venice.

Art historian Norbert Wolf explores the influence of secular and religious patronage on artistic development; how the urban structure and way of life allowed for such a rich exchange of ideas; and how ideas of humanism informed artists reaching toward the future while clinging to the ideals of the past. Insightful, ccessible, and fascinating, this thoroughly researched book highlights the connections and mutual influences of Florence, Rome, and Venice as well as their intriguing rivalries and interdependencies.

About the Author:

Norbert Wolf is an art historian and author based in Munich. He has published several books with Prestel, including "Art Nouveau", "Art Deco", "Impressionism", "Spanish Painting", and "The Golden Age of Dutch and Flemish Painting", as well as monographs on Albrecht Dürer and Titian.

A cornerstone of art history – in a compact yet readable format and with a new preface by the author's granddaughter 

The Story of Art has been a global bestseller for over half a century – the finest and most popular introduction ever written, published globally in more than 30 languages. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

Updated with a stunning new cover and a preface written specially by Professor Gombrich's granddaughter Leonie, this pocket format allows Gombrich's classic work to continue its triumphant progress for another generation, and to remain the title of first choice for all newcomers to art and its history.

'Anyone looking for the most readable survey of the history of art from the [sic] cave paintings to the 20th century should buy the new, beautifully produced pocket edition of The Story of Art, still one of the great classics of art criticism.' – Independent

About the Author:

Sir Ernst Gombrich’s standing in the world of art and his popularity with experts and a vast general readership remain unrivalled. Born in Vienna, he came to London in 1936 to work at the Warburg Institute, where he became director from 1959 until his retirement in 1976. He won numerous honors, including a knighthood, the Order of Merit, and the Goethe, Hegel, and Erasmus prizes.

A complement to the landmark The Art Book, The 21st-Century Art Book is an accessible guide to the best of contemporary art made since 2000

A complement to the landmark The Art Book, The 21st-Century Art Book is an accessible guide to best contemporary art made since 2000. Showcasing over 280 artists in alphabetical order, it place established figures like Jeff Wall, Marlene Dumas and Maurizio Cattelan alongside the rising stars of the next generation such as Camille Henrot and Haroon Mirza. International in outlook, it draws together artists from every continent and documents the unprecedented variety of approaches and mediums used by today's artists – from oil paintings and bronze sculptures to video installations and performance.

Each artist is represented by a full-page colour plate and an illuminating text that both explains the work and introduces its creator. Easy to use, with an international directory of biennials and art fairs where the reader can encounter the art face to face.

The undisputed master of glass, Louis Comfort Tiffany created decorative works of art utilizing colour, light, and texture, forging a unique and spectacular style.

Tiffany began his career as an interior designer, but unable to find the types of glass that he desired, his interest turned toward the creation of stained glass. In 1878, he opened his own studio and glass foundry. His creativity and originality both as a designer of windows, lamps, and vases and as a producer of the material with which to create them quickly became renowned. He is considered one of the most versatile and talented artists of the late nineteenth and early twentieth centuries. While exploring Tiffany’s domestic interiors,

A Passion for Colour focuses on Tiffany’s dazzling and dramatic work on religious and secular stained glass, vases, and lamps. Included in the book are 250 lavish colour plates that examine in rich detail the fine workmanship and inventive techniques of Tiffany and his studio. In addition, the book includes vintage photographs, drawings, and sketches that provide further insight into his creative process.

This book accompanies an exhibition of the same title organized by the Museum of Fine Arts of Montreal and presented at the Musée du Luxembourg, Paris, and the Virginia Museum of Fine Arts, Richmond.

About the Authors:

Louis C. Tiffany (1848–1933), son of the famous American jeweller Charles Lewis Tiffany, was an artist and designer best known for his work in stained glass. He designed windows, lamps, glass mosaics, ceramics, jewellery, enamels, and metalwork.

Rosalind Pepall is Curator of Decorative Arts at the Musée des Beaux-Arts de Montreal.

While Venice is better known for soft light and atmospheric painters, this elegant new volume transforms our understanding of Venetian sculpture and its place in the city’s artistic tradition.

A feast for the eyes and an entertaining, erudite read, this book opens with an illustrated survey of the 120 doges who led the Venetian Republic before continuing with a detailed survey of the incredible array of sculptures and monuments that memorialize them.

Although celebrated for painting and music, Venice has a sculptural tradition that was overshadowed by Florence and Rome. Based on new scholarship, this volume reveals the true magnificence of six centuries of Venetian sculpture. With the oldest works dating to the thirteenth century, these masterpieces fill the city’s churches and include pieces by great masters from the Lombardo family to Antonio Rizzo, Jacopo Sansovino, Alessandro Vittoria, and Baldassare Longhena.

The sculptural marvels of Venice tell the story of a procession of doges—politicians, scholars, conquerors, merchants, and even a saint, Pietro Orseolo — over a thousand-year history. Engaging text highlights the adventurous, eventful, and sometimes glorious lives of these legendary figures, while the newly commissioned photography showcases the grandeur and beauty of a neglected aspect of Venice’s cultural history. 

About the Author:

Francesco “Toto” Bergamo Rossi has been the head of the Venetian Heritage Foundation since 2010. Count Marino Zorzi, former director of the Biblioteca Marciana, comes from one of the oldest Venetian families with a doge in their lineage. Matteo de Fina specializes in photographing art, interiors, and architecture. Diane von Furstenberg is a noted philanthropist and celebrated fashion designer, best known for the wrap dress, as well as founder of her eponymous global luxury lifestyle brand now sold in over 55 countries. She received the Lifetime Achievement Award from the Council of Fashion Designers of America in 2005 and was named the most powerful woman in fashion by Forbes magazine in 2012 She is International Ambassador for Venetian Heritage Foundation. Peter Marino, FAIA, is the principal of Peter Marino Architect PLLC, the New York–based architecture firm he founded in 1978. Known for his residential and retail work for the most iconic names in fashion and art, his award-winning work includes large-scale commercial, cultural, and hospitality projects. He is Chairman of Venetian Heritage Foundation and on the board of directors for International Committee of L’Union Centrale des Arts Décoratifs.

An exceptional volume bringing together 1,000 images representing the diversity and richness of the visual arts in Vienna at the turn of the 20th century

At the turn of the 20th century, Vienna became an epicentre for new thought. A multi-disciplinary environment emerged where musicians, writers and intellectuals all flourished, often coming together in the capital’s famous coffee houses. This was the time of Freud and Wittgenstein, of Mahler and Schönberg, and of the Secession (1897–1905), the modern movement led by Gustav Klimt, Josef Hoffmann and Koloman Moser that aimed to bring different arts together in a ‘Gesamtkunstwerk’; of Jugendstil and of the Wiener Werkstätte.

There have been many exhibitions and publications devoted to this effervescence of artistic creation, and even more monographs devoted to its key players. None, however, brings together a selection of visual material from across the different artistic disciplines as significant as this volume, curated and authored by three leading scholars of the period. The illustrations take the lead throughout, creating an invaluable visual reference point for all those eager to identify a given category of the arts within this period, particularly in the field of the decorative arts, from ceramics to glass, silverwork, furniture and jewellery; and graphic arts, from book design to posters and postcards. There are also many less familiar works in the field of fashion and photography, and a particular focus is given to the role of women practitioners of the time.

This is an essential publication for anyone interested in fin-de-siècle Vienna, Viennese art and modern decorative arts more generally.

About the Authors:

Christian Brandstätter is a Viennese author, curator and publisher. Among his previous books is Wonderful Wiener Werkstätte, also published by Thames & Hudson.

Rainer Metzger is an art historian and author who has been a professor at the Kunstakademie Karlsruhe since 2004. His books include Gustav Klimt: Drawings and Watercolours (2005), Berlin in the 20s (2007) and Munich: Its Golden Age of Art and Culture 1890–1920 (2009), all published by Thames & Hudson. 

Daniela Gregori studied Art History in Vienna and Hamburg. As an author and journalist, she works especially in the field of applied arts.

Contents List:

Introduction • 1. The Fine Arts • 2. Painters • 3. The Wiener Werkstätte • 4. Commercial Art and Publications • 5. Glass • 6. Ceramics • 7. Metalwork • 8. Fashion, Textiles and Jewelry • 9. Furniture • 10. Graphic Art and Bookbinding • 11. Photography • 12. Architecture • A–Z of Artists and Manufacturers

A journey through its emotional itineraries is unveiled for the very first time by the photographic masterpieces of Massimo Listri.

Villa Albani Torlonia, with its collections, the Italian garden, and the hemicycle of the Kaffeehaus, is a sublime testimony of that particular antiquarian taste which came to the fore in the mid-eighteenth century, that for which Rome became a favorite destination on the Grand Tour. The classicist dream of Cardinal Alessandro Albani (1692–1779), was preserved thanks to the Torlonia family, who purchased the villa in 1866, enlarging the collection and the gardens and restoring the most important cardinal residence of the eighteenth century.

More than 300 images by the great Italian master Massimo Listri recount the history of this extraordinary cultural heritage for the very first time. An immersive journey leads the reader between its collections of ancient masterpieces. Statues, bas-reliefs, and fountains are ensconced between the various buildings and gardens of the villa in a composition of environments, landscapes, and works of art forever waiting to be discovered.

About the Authors:

Massimo Listri is a photographer who has published more than 70 books and has exhibited his work at numerous solo exhibitions throughout the world. Carlo Gasparri is emeritus professor at the University of Naples Federico II and has authored several books about archaeology and Greek and Roman art. Raniero Gnoli is an Orientalist and historian of religions. Alvar González-Palacios is an author and art historian and former collaborator of FMR magazine.

Western Illuminated Manuscripts: Manuscripts in the National Art Library, from the Eleventh to the Early Twentieth Century

This catalogue of illuminated manuscripts in the V&A's National Art Library provides a history of an art form over eight centuries as an integral part of the decorative arts. It documents not only the practice of medieval and Renaissance illumination, but also the survival of medieval book-making crafts alongside printing in the post-Renaissance period and their revival in the nineteenth century. Its three volumes bring together for the first time works such as the St Denis Missal of 1350 and the Chambord Missal of 1844, the Sanvito Petrarch and William Morriss Book of Verse of 1870. Catalogue descriptions discuss in detail each work and pay particular attention to the changing ways in which they have been evaluated and used through the centuries.

Rowan Watson is a Senior Curator in the National Art Library, part of the Word & Image Department at the V&A. He is the author of Illuminated Manuscripts and their Makers (V&A 2003) and co-author of Blood on Paper (V&A 2008).

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This lush, three-volume slipcased set catalogues the V&A’s superb collection of Western illuminated manuscripts. Providing a history of an art form spanning eight centuries as an integral part of the decorative arts, it documents not only the practice of medieval and Renaissance illumination, but also the survival of medieval bookmaking crafts alongside printing in the post-Renaissance period ― and their revival in the 19th century. The three volumes bring together for the first time works such as the St. Denis Missal of 1350 and the Chambord Missal of 1844, the Sanvito Petrarch of 1463–64 and William Morris’s Book of Verse of 1870. Catalogue descriptions discuss each work in detail and pay particular attention to the changing ways in which they have been evaluated and used through the centuries.

From the earliest cave paintings through to the internet and street art, this inspiring book chronicles the 100 most influential ideas that have shaped the world of art. Arranged in broadly chronological order, it provides a unique and compelling take on the history of art.

The book shows how developments in materials (oil paint, plastics, paint in tubes) and technology (paper, photography, welding) have radically changed the way that art is produced. But these changes run parallel with influences from wider culture such as the study of optics and anatomy and more conceptual concerns such as chance and ephemerality. Each entry explores when an idea first evolved and how it has resurfaced in the work of different artists up to the present day.

Lavishly illustrated with historical masterpieces and packed with fascinating contemporary examples, this is an inspirational and wholly original guide to understanding the forces that have shaped world art.

Другие книги серии

100 Ideas that Changed Fashion

100 Ideas that Changed Photography

Never show everything

"Girls, Gags & Giggles" - this was publisher Robert Harrison's recipe for dishing up the American pin-up to the U.S. male. In the 1950s his girlie magazines sold by the millions, before becoming icons of pulp and trash culture.

These skilfully illustrated girls with their curvaceous forms and inviting lingerie soon overtook America's national dessert, in terms of popularity, and even developed considerable potential as a cultural export during the 1940s. "Never show everything," was always the motto. Smiling prettily at the camera, the models exuded just the right amount of sex appeal without seeming too sophisticated or artful. They were the 'girls next door' whose wholesome attraction soon made one forget the magazines' deliberately trashy presentation. Their rosy complexions and innocent allures still titillate even in an age when far more graphic material is the norm. For everyone who enjoys pin-ups, push-ups and pulp style!

“To look at these pictures is to remember that there was a time when taking off your clothes was a potent gesture, when the mere fact of a naked woman could be thrilling.” National Post, Toronto

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Посмотреть книгу  The Great American Pin-Up

Посмотреть книгу  Gil Elvgren. The Complete Pin-ups