Книги по коллекционированию

Miller's Antiques Handbook & Price Guide remains the essential and trusted guide to the antiques market. It has earned the reputation of being the book no dealer, collector or auctioneer should be without. Compiled by Judith Miller, world-renowned antiques expert and co-founder of the book, the guide features more than 8,000 antiques.

Comprehensive sections cover Ceramics, Asian Antiques, Furniture, Glass, Silver and Metalwares, Jewellery and objets de vertu, Clocks and Watches, Books, Textiles, Toys, Decorative Arts and Modern Classics. Special features explain why one piece is worth more than another, show how to value an item and teach you to be your own valuer. Biographies of designers and factories give the background information you need to help date and value objects, while special 'Judith Picks' sections give fascinating background and valuation details for particularly interesting or unusual objects.+

About the Author:

Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books which are held in high regard by collectors and dealers.

Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and has co-hosted the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including the Financial Times, the Daily Telegraph, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.

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A personal celebration of the hunt for — and joy of living with — favorite collections and things

What is it in our homes that we truly value and why? What would you take when you leave in fear of fire?  

Our home is an expression of ourselves in many ways, largely through the objects we accumulate. For Maria Hummer-Tuttle, the objects she has collected over the years, from the priceless to the flea-market finds, are precious not only for their beauty, uniqueness, and craftsmanship but also for their connection to the past and the future, for their resonance with one another.

In this exquisitely illustrated book, she serves as our guide through three dwellings, focusing our attention on objects ranging from an ancient Chinese horse sculpture to a Louis XV clock painted with characters from an Aesop fable, from a small snail sculpture found in a venerable hardware store to a monumental safety-pin sculpture by Claes Oldenburg and Coosje van Bruggen, and from 18th-century to 20th-century furniture.  

With a foreword by master ceramicist and acclaimed author Edmund de Waal and featuring two lavish gatefolds, Objects of Desire is a feast for the eyes and an object to be cherished in its own right. 

About the Authors:

Maria Hummer Tuttle practiced law for more than 25 years. She served as chairman of the Getty Board of Trustees and is on the board of numerous museums, arts foundations, and foreign policy, government, and education organizations. She is the co-author of Winfield House, written while her husband was American ambassador to the UK. She lives in Los Angeles and New York.
Edmund de Waal is a British ceramist renowned for his large scale installations of porcelain vessels and the author of award winning books, including The Hare with Amber Eyes: A Hidden Inheritance and The White Road: Journey into an Obsession. He lives in London.
Miguel Flores Vianna is a photographer and writer whose work appears regularly in a variety of leading international publications. His books include Haute Bohemians and A Wandering Eye: Travels with My Phone. He lives in London.

Japanese swords, particularly those wielded by famous samurai warriors, hold a continuing fascination for collectors of fine arts and historical military weapons. This book is designed to enhance one's appreciation for the wide variety of Japanese swords (as well as their related polearms), their manufacture and their preservation.

A fascinating opening chapter explains how the elite Samurai class dominated Japan for more than a thousand years, how technological and ideological advances overtook the Samurai in the 1860s, heralding a more up-to-date political and military system of governance, and how such changes affected Samurai sword design and manufacture.

Subsequent chapters present topics of greatest relevance to today's sword collector: namely, the modern Japanese sword; different types of swords and their construction and testing; collecting and studying Japanese swords (and the tremendously important etiquette involved); and techniques of preserving and polishing swords.

This book is beautifully illustrated with paintings, photographs, drawings, and maps. In addition, there is an in-depth glossary and useful tables explaining Japanese calligraphic symbols relating to swords, both of great value to the collector.

About the Author:

Clive Sinclaire is an instructor in the kendo form of martial arts and has been collecting Japanese swords for more than forty years. He is Chairman of the To-ken Society of Great Britain and frequently writes articles on Japanese sword culture and collecting that are featured on the society's website (www.To-ken.com) as well as in magazines. He has become a frequent visitor to Japan in the course of his research and studies, and in particular to the NBTHK (Nihon Bijitsu To-ken Hozon Kyodai) sword shows.

In The Art of the Japanese Sword, master swordsmith Yoshindo Yoshihara offers a comprehensive view on the making, finishing and appreciation of Japanese blades.

The Japanese sword, a unique work of art in steel, can be appreciated from a number of viewpoints. Its functionality as a weapon, the sophisticated metallurgy and scientific thinking utilized by the swordsmith, the shape of the blade itself, and the different crystalline forms in the steel all contribute to the beauty of these remarkable weapons. The Art of the Japanese Sword conveys to the reader a basic background regarding the Japanese sword, as well as an explanation of how to view and appreciate a blade. It also illustrates the details of how a sword is made and finished today.

Modern craftsmen use completely traditional methods from the past to prepare their steel, forge the sword and create the unique hardened edge. By gaining a good understanding of how a sword is actually made, the reader will be able to appreciate the Japanese sword more fully.

Japanese sword art stands out in many ways: functionality as a weapon, sophisticated metallurgy and metalsmithing, the shape of the blade itself--all contribute to the beauty of these remarkable weapons. The Art of the Japanese Sword conveys to the reader Japanese samurai sword history and Japanese sword care, as well as explaining how to view and appreciate a blade.

With 256 full-color pages, this sword book illustrates in meticulous detail how modern craftsmen use traditional methods to prepare their steel, forge the sword and create the unique hardened edge. By gaining a good understanding of how a sword is made, the reader will be able to appreciate the samurai sword more fully. Topics include:

- Appreciating the Japanese sword
- History of the Japanese sword
- Traditional Japanese steelmaking
- Making the sword
- Finishing the sword

About the Authors:

Yoshindo Yoshihara is a third-generation swordsmith. His grandfather Kuniie began making swords in 1933 in Tokyo and was ranked among the top swordsmiths in Japan during his career. Yoshindo lives and works in Tokyo with his son, who represents the fourth generation of swordsmiths in the family. Yoshindo, who is always training young swordsmiths and currently has five apprentices working with him, has been named an Important Cultural Property of the city and prefecture of Tokyo and is a mukansa (top-ranked swordsmith) in Japan.

Leon Kapp, a molecular biologist, lives with his wife Hiroko in San Rafael, California. He has been seriously interested in Japanese swords for over twenty-five years and has spent a great deal of time learning about them from Yoshindo.

Hiroko Kapp is a writer for Senken Shimbun News of Tokyo and writes about fashion and the fashion industry in the US. She graduated from Musashi-no Art University in Tokyo. For twenty-five years, she was active in the apparel business and designed scarves for her own line in the US.

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The third volume in this luxurious series, this work is a celebration of the most precious objects of the Cartier Collection.

The Cartier Collection, housed in Geneva, Switzerland, gathers together over 1,360 pieces that reveal the stylistic and technical developments in the creations of this world-renowned house. Following the previous works in this series devoted to Cartier’s jewelry and timepieces, this third volume explores the precious objects and accessories that complete the collection: from opulent gold and black enamel vanity cases set with platinum and rose-cut diamond fleurons to exquisite and stylish cigarette holders, belt buckles, hat pins, and evening bags. The jeweler has always placed great emphasis on male elegance and an array of men’s accessories is also showcased, including polished gold razors, sophisticated leather travel bags, and diamond-encrusted platinum and onyx cuff links.

From the extravagant yet sublime Tutti Frutti evening bag, made of a weave of seed pearls and dripping with gold, diamond, ruby, emerald, and sapphire details, to exotic and intricate Chinese powder compacts, these creations are works of fine art. This handsome volume recounts the history of the House of Cartier and its sublimation of often everyday items, which became veritable precious objects. The text is illustrated with more than 550 pieces taken from the collection ― beautifully reproduced in full size and in color ― which can usually only be admired in retrospective exhibitions held in internationally-renowned museums. Other archival material includes photographs of high society clients, detailed sketches and studies for various pieces, and vintage advertising posters.

Presented in a luxurious silk slipcase with ribbon closure, this tome is a tribute to some of the most exquisite objects in the Cartier Collection.

About the Authors:

François Chaille is an art historian and fashion expert. He has written several titles, including The Cartier Collection: Jewelry, The Cartier Collection: Timepieces, Cartier: Creative Writing, Cartier: Innovation through the 20th Century, and Girard-Perregaux. Franco Cologni is Chairman of the Cultural Council of the Fondation de la Haute Horlogerie.

Timepieces are the perfect distillation of Cartier's craft: At once bona fide jewels, the ultimate expression of style, and miracles of detail and precision, they are at the heart of all that the legendary house represents. Equal in beauty, value, and design to Cartier's jewels, each timepiece is an object of unparalleled luxury and elegance, emblematic of the "Cartier style." More than 450 pieces, including the complete collection of "mystery clocks" whose hands seem to float in midair, are presented here, representing more than 150 years of the finest horology. Each object is accompanied by its individual history and detailed technical specifications. Full-scale reproductions, including 12 gatefolds, are followed by an illustrated and comparative chronology, glossary of terms, and complete index.

About the Authors:

François Chaille is an art historian and fashion expert. He has written several titles, including The Cartier Collection: Jewelry, The Cartier Collection: Precious Objects, Cartier: Creative Writing, Cartier: Innovation through the 20th Century, and Girard-Perregaux. Franco Cologni is Chairman of the Cultural Council of the Fondation de la Haute Horlogerie.

A celebration of philanthropist Marjorie Merriweather Post’s passions for her residences and personal collections, reflecting centuries of some of the finest treasures in the world.

Marjorie Merriweather Post (1887–1973) was an extraordinary person, not only for being the head of a major corporation but also for overseeing elegant and well-run residences and amassing collections of astounding beauty. Including portraiture, imperial Russian tableware, Fabergé creations, stunning garments and jewelry, books, and rare objects in gold, silver, and porcelain, Post’s works of art were acquired with intelligence and acuity. She was inspired by past royal and aristocratic patrons as well as countries that she admired: France, Russia, England, and Austria.

This publication illustrates the evolution of Post’s collections and her interactions with dealers, artists, artisans, and architects. The backdrops for her treasures — residences in New York, the Adirondacks, Palm Beach, and Washington, D.C. — are depicted with period and newly commissioned photography. Recent scholarship focusing on the highlights of her trove of exquisite objects sheds new light on Post’s legacy as a twentieth-century collector.

About the Author:

Kate Markert is the executive director of Hillwood Estate, Museum & Gardens. Wilfried Zeisler is the chief curator at Hillwood. Megan J. Martinelli is the associate curator of textiles, apparel, jewelry, and accessories at Hillwood. Jason G. Speck is Hillwood’s head of archives and special collections.

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A completely redesigned and updated edition of The Queen’s Dolls’ House, to include new photography and discoveries made during the recent conservation of the Dolls’ House.

The Queen’s Dolls’ House is the largest, most beautiful and most famous dolls’ house in the world. Created for Queen Mary in the early 1920s by the renowned architect Sir Edwin Lutyens, it is a perfect replica of an aristocratic Edwardian residence, complete in every way – from the wine cellar, with its store of tiny bottles, each containing a thimbleful of vintage wine, to the library, with its exquisite volumes of original works by authors such as Sir Arthur Conan Doyle, Thomas Hardy and Edith Wharton. This astonishing little house also has a garden designed by Gertrude Jekyll, a garage full of miniature limousines, and electricity, running water and working lifts. Each room, from the servants’ bedrooms to the grand saloon, is fully furnished in every way, and waiting to be explored.

Lucinda Lambton guides the reader on an imaginative tour of this most magical of residences, from life below stairs to the high society setting of saloon and dining room, from the children's toys in the nursery to the miniature accoutrements of dressing-table and bathroom. Her narrative is complemented by documents from the Royal Archives, including previously unpublished letters between Queen Mary and Lutyens and the many contributing artists and manufacturers.

About the Author:

Lucinda Lambton is a writer, photographer and broadcaster, particularly renowned for her interest in art and architectural oddities. Her publications include Vanishing Victoriana, Temples of Convenience, Beastly Buildings, An Album of Curious Houses and Lucinda Lambton’s A–Z of Britain

This tour-de-force of Britain’s Royal Collection provides a very rare opportunity to see an art trove not readily accessible to the world at large-most of the paintings are not normally available for public viewing, including several that have never been publicly exhibited since entering the collection.

While it is known that the Crown has one of the world’s great collections of Leonardo’s, visitors to the Royal Academy’s recent Charles I exhibition were amazed by the richness of the Royal Collection and its many unseen works. This extraordinary volume reveals more of the unparalleled collection that is housed in thirteen historic royal residences, from Buckingham Palace and Windsor Castle, where the Royal Family regularly reside, to spaces specifically devoted to the public display of art, the Queen’s Gallery and Hampton Court Palace.

It comprises more than a million objects, including 7,000 painting and 180,000 watercolors, drawings, and prints. This stunning volume, prepared in collaboration with curators at the Royal Collection, showcases 240 masterpieces in exacting detail, including paintings by Titian, Michelangelo, Leonardo, Caravaggio, Canaletto, Dürer, Cranach, Holbein, Rubens, Rembrandt, van Dyck, Vermeer, Gainsborough, and many others. Also included are treasures from its vast collection of drawings, watercolors, and miniatures.

About the Author:

Anna Poznanskaya is curator and deputy head of the Department of 19th and 20th Century European and American Arts at the Pushkin State Museum of Fine Arts, Moscow. Tim Knox is the Director of The Royal Collection. 

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The Watch Book I and II in one volume: Expansive knowledge from renowned watch expert and historian Gisbert L. Brunner alongside almost 1,000 high-quality color photographs brings together the latest innovations and most important names in top-end timekeeping under one roof. Few objects combine function, elegance, and status as well as a wristwatch.

A blend of precise mechanics, craftsmanship, fine materials, and innovation distinguishes the truly superlative examples. With so-called smart watches playing a larger role, the world of watches is in transition. However, classic timepieces with mechanical movement will not disappear from people's wrists, because the ticking of a mechanical watch has been and will continue to be the heartbeat of human culture. After their individual success, the bestsellers The Watch Book I and The Watch Book II are finally available together in one comprehensive volume. Readers can feast their eyes and minds on a magnificently-illustrated and well-documented chronicle of the world's best timepieces.

Portraits of more than 40 watch brands, from premium manufacturers Patek Philippe, Rolex, and Cartier to watches from the "affordable luxury" segment, right up to timepieces from the chronometric creme de la creme. We explore their unique features and quirks and learn about the remarkable breakthroughs and exclusive technical developments that have contributed to the history of the watch. This volume also includes a helpful glossary of important terms, making it an absolute must for both timepiece experts and collectors and those new to the world of watch artistry.

The undisputed master of glass, Louis Comfort Tiffany created decorative works of art utilizing colour, light, and texture, forging a unique and spectacular style.

Tiffany began his career as an interior designer, but unable to find the types of glass that he desired, his interest turned toward the creation of stained glass. In 1878, he opened his own studio and glass foundry. His creativity and originality both as a designer of windows, lamps, and vases and as a producer of the material with which to create them quickly became renowned. He is considered one of the most versatile and talented artists of the late nineteenth and early twentieth centuries. While exploring Tiffany’s domestic interiors,

A Passion for Colour focuses on Tiffany’s dazzling and dramatic work on religious and secular stained glass, vases, and lamps. Included in the book are 250 lavish colour plates that examine in rich detail the fine workmanship and inventive techniques of Tiffany and his studio. In addition, the book includes vintage photographs, drawings, and sketches that provide further insight into his creative process.

This book accompanies an exhibition of the same title organized by the Museum of Fine Arts of Montreal and presented at the Musée du Luxembourg, Paris, and the Virginia Museum of Fine Arts, Richmond.

About the Authors:

Louis C. Tiffany (1848–1933), son of the famous American jeweller Charles Lewis Tiffany, was an artist and designer best known for his work in stained glass. He designed windows, lamps, glass mosaics, ceramics, jewellery, enamels, and metalwork.

Rosalind Pepall is Curator of Decorative Arts at the Musée des Beaux-Arts de Montreal.

The essential guide for the collector of mechanical wristwatches, with complete information on over 1,400 models from 130 international brands.

With Wristwatch Annual, collectors have at hand a wealth of information on the latest offerings from today’s most important watch producers, from Swiss mainstays like Rolex and Patek Philippe to the maverick independent brands springing up across Europe and the U.S. The book is arranged alphabetically by producer, and the movement, functions, case, band, price, and variations of each pictured watch are fully described.

This year’s edition, like its predecessors, features a variety of additional articles on independent watchmaking, key personalities in the watch world, and the technical aspects of horology. An illustrated glossary and a primer on watch care help acclimate the reader to the world of fine timepieces.

About the Author:

Peter Braun is editor-in-chief of the renowned German wristwatch magazine Armbanduhren. Marton Radkai, an independent journalist, has edited the English-language edition of Wristwatch Annual since 2011.

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Electrical lighting fixtures from the 1920s through 1940s reflect the popular taste for Art Deco styling in public, commercial, and home interiors. Beautiful color photographs of dramatic lights from theaters, important houses, great architects, and interior designers fill this stunning book, showing the great flair for which the period has become so famous. Fixtures shown include radio and accent lamps, boudoir lamps, wall sconces, ceiling fixtures, bridge lamps, torchieres, and smoking stands. Glass shades from the period are highly prized today for their diverse and exquisite designs. This book will be a constant reference for architects, designers, lighting collectors, dealers, and theater historians because it shows so many diverse examples, relates their specific details clearly, and includes values in today’s competitive marketplace.

This large format, full-color, inspirational book is about how artists use their collections to make artwork. The gallery-style format allows readers to see what artists collect, and the resulting spectacular artwork they make from it. The book will feature the collections and the artwork of thirty-five major mixed-media artists. The artwork will include journals, assemblages, altered books, as well as jewelry pieces, and detailed descriptions of the materials and techniques used, plus tips and insights into using unusual materials and collections.

Mixed-media artists are naturally collectors. They are fascinated by the stuff of life, and they are always looking for the right elements to add to their collages and journals. This book offers a juicy combination -- sort of a walk through an artist-filled flea market, and a gallery of the pieces created using these collections with tips and insights on collecting and creating, and how they go hand in hand.

Features a lineup of 35 contributing artists including: Lynn WhippleGraceann WarnGail RiekeBeryl TaylorKeith LoBueMichael DeMengNina BagleySusan Lenart-Kazmerand more

Art Making, Collections, and Obsessions features a beautiful collection of inspirational artwork. You'll enjoy artist's tips, creative ideas, and advice on working with unusual materials for collage

A glimpse into the personal collections and work of 35 major artists..