Книги про скульптуру та кераміку

The acclaimed survey of the life and works of the celebrated Italian modernist master, Carlo Scarpa, from the highly regarded architectural author, Robert McCarter

The work of Carlo Scarpa challenged, and continues to challenge, accepted notions of modern architecture. While several books have been published on his work, none has approached the breadth and depth of this classic monograph by Robert McCarter, who is celebrated for his meticulously researched, experientially based, and jargon-free accounts of key figures in modern architecture. This book is the definitive study of Scarpa’s many accomplishments, including such works at the Canova Museum, the Castelvecchio Museum, and the Brion Cemetery, among others. It features in-depth ‘walk-throughs’ of a selection of Scarpa’s key projects, embracing Scarpa’s approach to experientially based design and presents sketches and architectural plans, together with a complete list of works, realized and unrealized, including his much-loved interiors and glassware, as well as the buildings themselves.

About the Author:

Robert McCarter is a practicing architect and has been Ruth and Norman Moore Professor of Architecture at Washington University in St. Louis since 2007. He taught previously at the University of Florida, where he was Director of the School of Architecture from 1991–2001, and Columbia University, among other schools. He has written for numerous international publications, and his books include: Grafton Architects (2018); Marcel Breuer (2016); Steven Holl (2015); Alvar Aalto (2014); Carlo Scarpa (2013); Understanding Architecture, co-authored with Juhani Pallasmaa (2012); and Louis I Kahn (2005), all by Phaidon Press. He has also published The Work of MacKay-Lyons Sweetapple Architects: Economy as Ethic (2017); The Space Within: Interior Experience as the Origin of Architecture (2016); and Aldo van Eyck (2015), among other books.

Clay Pop documents the reinvention of ceramic sculpture by a new generation of artists.

A medium that has often been characterized as more craft than art, clay is now an exciting platform for formal and conceptual innovation. Traditionally diverged from engagement with popular culture, clay is now adding a new dimension to Pop Art.

Paralleling current concerns in painting, many of the thirty-eight artists featured in Clay Pop are also exploring issues of gender, race, and identity, using clay in novel ways to engage with social issues. Artists are employing the medium to create a personal narrative, pushing clay beyond the confines of craft and design.

Much of the new work is exuberant and figurative, expanding on how the medium of clay has been traditionally used. Glazes are especially colorful, reflecting a range of influences that encompass vernacular commercial imagery and artistic sources from African American assemblage to Walt Disney. Funk art from 1970s Northern California is a source, as is the work of Pop artists like Claes Oldenburg. Some of the artists also draw on artistic influences from the Middle East, Africa, and Asia.

Sections on each of the forty featured artists include a profile on their ceramic practice, images of their work, and a biography. The introduction describes the artists’ interconnected community while two longer essays place the work, mostly created in the past five years, in the context of the histories of Pop Art and ceramics.

About the Author:

Alia Dahl is managing director of artists and exhibitions at Jeffrey Deitch Gallery, New York.

Всебічний всесвітній огляд із понад 600 приголомшливими ілюстраціями найвиразніших, інтенсивно творчих та інноваційних останніх робіт, починаючи від функціональних об’єктів і закінчуючи межами та можливостями глини як середовища.

Останнім часом усі сфери керамічної практики були відновлені, а прірва, яка традиційно існувала між сферами «образотворчого мистецтва» та «ремесла», звузилася, що призвело до зміни уявлення про те, чим кераміка може бути та що може означати.

Contemporary Ceramics охоплює всі аспекти практики та включає роботи будь-якого масштабу – від кількох сантиметрів до величезних інсталяцій розміром із кімнату. Він складається з п’яти основних розділів:

• Beyond Utility – смілива та оригінальна, але функціональна кераміка, включаючи чайні сервізи, чашки, чайники та столові сервізи.
• Визначення простору – судно та його зв’язок із простором і порожнечею, із зображенням кинутих коліс, литих форм і споруд, побудованих вручну
• Mind the Gap – пластичність глини та її земних асоціацій, включаючи скульптурну роботу від точних і механічних до вільно змодельованих форм
• Відчуття простору – інсталяції, конкретні місця та навколишнє середовище
• Лінія краси – нові творчі можливості та співпраця між мистецтвом і промисловістю, багато з яких стали результатом останніх досягнень технологій.

У комплекті з біографіями представлених керамістів і списком вибраних художніх галерей і музеїв із колекціями сучасної кераміки, це вичерпне дослідження стане незамінним посібником для керамістів, студентів і колекціонерів.

Про автора:

Еммануель Купер – практикуючий кераміст, письменник і критик. Він є редактором Ceramic Review і запрошеним професором кераміки та скла в Королівському коледжі мистецтв у Лондоні.

Цей детальний двотомний комплект пропонує неперевершений науковий погляд на історію данської порцеляни. Відома своєю керамічною промисловістю, Данія заслужила статус провідного експортера порцеляни завдяки жорсткому суперництву з іншими фірмами по всій Європі. Завдяки своїм фабрикам, які неодноразово перемагали на найбільших міжнародних виставках 19-го та початку 20-го століття, данський порцеляновий виробник зайняв своє місце на світовій арені.

Заснована в 1775 році, компанія Royal Copenhagen залишається одним із найстаріших виробників порцеляни, що працює й донині. Протягом своєї історії фабрика пережила численні злети та падіння, а також витримала понад 130 років конкуренції з боку порцелянової фабрики Bing & Grøndahl. Після 1882 року дві фабрики розташовувалися менш ніж за милю одна від одної, а їхні флагманські магазини зрештою конкурували пліч-о-пліч за продажі в самому серці Копенгагена.

Видання «Датський фарфор» було натхненне колекцією порцеляни, кераміки та фаянсу Royal Copenhagen та Bing & Grøndahl, яку складав батько автора у 1947 році протягом двох поколінь. Розроблена протягом останніх 20 років, ця публікація є першим комплексним виданням, яке критично розглядає історію обох фабрик, від їхнього заснування до остаточного об'єднання. Ці два томи, що містять детальні додатки та понад 2400 зображень, є важливим джерелом інформації про історію данського фарфору, включаючи численні технічні та художні успіхи кінця 1880-х років, які революціонізували виробництво в усьому світі.

Про автора:

Доктор Елліот Тодд — колекціонер данського фарфору, кераміки та фаянсу у другому поколінні з фабрик Royal Copenhagen та Bing & Grøndahl. Отримавши ступені бакалавра, магістра та доктора філософії в Університеті Вісконсина, він зараз є професором у провідному американському університеті. Міжнародно визнаний дослідник та викладач у своїй галузі.

An intimate look at this highly acclaimed and popular L.A.-based contemporary designer and artist, who marries old-world techniques with a modern twist, and is best known for his exquisite craftsmanship and detailed creations in bronze, porcelain, and crystal.

David Wiseman is one of the leading American designers of his generation. Produced in collaboration with the artist, this monograph offers an in-depth look at his work, through Wiseman's extensive archives, documents, and illustrations. The book features sketches and photographs of his unique sculptural objects and environmental installations that reveal a true portrait of the artist at work.

The book also shows readers many of his immersive creations that are in private homes and are rarely photographed. Wiseman's goal is creating work that brings nature indoors, ranging from small objects and sculptures to expansive installations. His signature Radial Branch chandelier, made of bronze and sculptured porcelain, is cast from fallen tree limbs he acquired on hiking trails in Los Angeles. His distinct patterns and motifs reveal his deeply rooted love of the natural world--which is evident in designs ranging from faceted-blown-Bohemian-glass crystal tumblers and porcelain vases to rugs, dining room tables, stools, and benches.

About the Authors:

Mayer Rus is the West Coast editor of Architectural Digest. 

Susan Weber is the founder and director of the Bard Graduate Center for Studies in the Decorative Arts. 

David Wiseman is an American artist and designer. From Pasadena, California, Wiseman studied furniture design at the Rhode Island School of Design. 

Bobbye Tigerman is the Marilyn B. and Calvin B. Gross Curator of Decorative Arts and Design at the Los Angeles County Museum of Art. 

Ari Wiseman is a partner with David Wiseman in Wiseman Studio and a former museum executive and curator.

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Пролистать книгу David Wiseman

Від глини до печі та всіх технік між ними, ця книга є дослідженням технік і процесів понад сорока п’яти працюючих керамістів.

Земля і вогонь представляють два елементи, які створюють керамічний предмет. Без іншого вони просто компоненти; разом вони створюють як практичні предмети, так і твори мистецтва. Працюючи як початковий матеріал і джерело натхнення, Earth & Fire досліджує техніки, практики та інструменти понад сорока п’яти працюючих керамістів.

Створення всього, починаючи від дров’яних виробів і вишуканих порцелянових виробів; скульптурні вази; повсякденні чашки, миски, тарілки; до ювелірних виробів і настінних виробів, ці художники працюють у широкому діапазоні стилів і середовищ для створення своєї кераміки. Хоча методи різняться, загальна думка полягає в тому, що земля та вогонь, які художники використовують для створення своїх об’єктів, є найкращими майстрами. Коли вони думають, що знають одне, глина, глазур і тепло навчать їх іншого. Завжди буде чому навчитися. Працювати з глиною – це просто смирно.

Написаний і зібраний Кайлі Джонсон і Тіффані Джонсон, Earth & Fire відображає різноманітну красу та корисність кераміки, демонструючи, що глина потрапляє не просто під нігті: вона потрапляє під шкіру.

Про авторів:

Кайлі Джонсон — художниця кераміки, власниця галереї та письменниця з Брісбена. За останні десять років вона курувала понад п’ятнадцять виставок як австралійських, так і японських художників у своїй студії. Кайлі опублікувала дві поетичні книги та збірку цитат зі своїх керамічних робіт. Тіффані Джонсон присвятила своє професійне життя книжковій та видавничій діяльності понад двадцять років. У той же період вона була поруч зі своєю сестрою Кайлі Джонсон, працюючи над виставками та проектами прес-кераміки паперових корабликів.

A fascinating look at an extraordinary collection of ceramic masterpieces by celebrated French ceramicist Ernest Chaplet.

Over the last forty years, architect and collector Peter Marino has acquired a remarkable collection of pieces by French ceramicist, Ernest Chaplet. This collection is a precious testimony of a rare production - a new line of ceramics created by Chaplet in 1883 for the Limoges-based factory Haviland & Co. Ernest Chaplet sheds deserved light on this great artist, whose career exemplifies the evolution of artistic ceramics at the turn of the 20th century, and whose work entered the collections of many museums during his lifetime.

About the Authors:

Etienne Tornier is the curator of the nineteenth to twenty-first-century collection at the Musée des Arts Décoratifs et du Design in Bordeaux, France, and teaches at Parsons Paris in the MA program, History of Design and Curatorial Studies.

Peter Marino is the principal of Peter Marino Architect PLLC, the New York-based architecture firm he founded in 1978. His work includes award-winning residential, retail, cultural, and hospitality projects worldwide

Fiona Banner, Phyllida Barlow, Anthony Caro, Richard Deacon, Laura Ford, Antony Gormley, Mona Hatoum, Susan Hiller, Anish Kapoor, Tania Kovats, Richard Long, David Nash, Cornelia Parker, Marc Quinn, Peter Randall-Page, Eva Rothschild, Richard Wentworth, Rachel Whiteread, Richard Wilson and Bill Woodrow - these are the sculptors who have helped define sculpture, and here they are in their own words. From the Sculptor's Studio is a unique collection of personal conversations with 20 seminal artists, each of whom have created iconic work, exhibited worldwide, and pushed past the boundaries of sculpting in their own way.

From the Sculptor's Studio contains 165 colour images of the artists' work, as well as portraits of each of the sculptors.

About the Author:

Ina Cole has written widely on twentieth-century and contemporary art, publishing articles, artist interviews, essays and exhibition catalogues. She is UK contributing editor for Sculpture; a publication affiliated to the International Sculpture Center in the US. Following 10 years at Tate St Ives and the Barbara Hepworth Museum, she held several positions within culture and higher education, and has facilitated many live debates with artists. Ina has an MA in the History of Modern Art and Design from Falmouth University, Cornwall.

A major reassessment of Germaine Richier's work and impact on 20th-century sculpture

Germaine Richier (1902–59) occupies a central position in the history of modern sculpture. Predominantly working in bronze, her art revitalized the form of the figure, forging radical new images of men and women in the post-war period which blended the human body and natural forms in a hybrid of abstraction and figuration.

As the first woman artist to have a solo exhibition in her own lifetime at the Musée National d’Art Moderne, Paris, she held a unique position in the 1940s and 50s as a successful female career artist, exhibiting internationally and developing a style that has been largely overshadowed by the predominant male canon.

This major reassessment of Richier’s complete oeuvre establishes her key position within the artistic context of her time and, more broadly, her influential impact on 20th-century sculpture. Writers including Mika Biermann, Marie Darrieussecq, Maryline Desbiolles and Philippe Lançon, the philosopher Geneviève Fraisse, the anthropologist Charles Stépanoff and the artist ORLAN, evaluate the contemporary resonance of Richier’s creations, where her themes of identity, existence and our relationship with nature are increasingly relevant today. An anthology of the artist’s own writings, plus extracts from previously unpublished letters, complete this definitive volume, marking a long overdue appreciation of Germaine Richier’s distinct artistic originality.

Contents List:

Introduction
Six Essays
Catalogue of Works
The Artist in Her Own Words

About the Author:

Ariane Coulondre is a curator at the Pompidou Centre, Paris. She has contributed to several books, including The Cubist Cosmos.

An intimate monograph of the professional and personal creations of a midcentury design legend. Irving Harper is the most famous designer you have never heard of.

Working as an associate at the office of George Nelson in the 1950s and ’60s, Harper was responsible for such icons of midcentury design as the Marshmallow sofa, the Ball clock, and numerous Herman Miller textile designs. Harper’s unrecognized contribution to this seminal era of design, and his incredible paper sculptures (made in his spare time to "relieve stress"), are presented for the first time in this book. An essay by design critic Julie Lasky introduces Harper’s commercial design work, recognizable designs from graphics to domestic goods to furniture that are still coveted and appreciated today, designed for the offices of Raymond Loewy, George Nelson, and then his own studio Harper + George. The second part of the book documents Harper’s extensive paper sculptures, which have never been exhibited. More than three hundred works fill Harper’s house and barn in Rye, New York, where this array of fantastical people and animal sculptures was created from modest and inexpensive materials as diverse as spaghetti and toothpicks in addition to paper. Images of Harper’s home, filled with furniture and objects of his own design as well as his paper sculptures, offer a rare glimpse into a Modern design enthusiast’s paradise.

Offering insight into an important era of American design as well as the prolific output of a creative mind, this book promises to be the first to recognize Irving Harper’s contribution to the field and will appeal to fans of Modern design.

About the Authors:

Michael Maharam is the CEO of Maharam, a recipient of the Cooper-Hewitt National Design Award for Design Patron, and the author of Maharam Agenda. Julie Lasky is Deputy Editor, Home at the New York Times and was formerly the editor-in-chief of I.D. and Interiors.

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Пролистать книгу Irving Harper: Works in Paper

Spiritual-Surreal Imagery

Jakub Julian Ziółkowski's vibrant works are bizarre and alluring. In his wild, surreal cosmos of mutant humans, organic forms and circulatory systems, the Polish painter mixes cultural symbols, the decorative and the fantastical. Juxtaposing the spiritual and the microscopic, he creates a universe bristling with detail and a kaleidoscope of references—from Hiernoymos Bosch visions of heaven and hell and James Ensor’s grotesque allegories to Philip Guston.Yet, his paintings show a highly personal world that is populated by a recurring cast of characters. This publication is the first comprehensive overview of his work from 2005 to the present, giving insights into his artistic practice in different media: from painting to sculpture, ceramics as well as drawing. The book includes essays by Olga Tokarczuk, winner of the Nobel Prize in Literature and Cecilia Alemani, curator of the 59. Venice Biennale, an in-depth interview with the artist, as well as texts by philosopher Kajetan Młynarski and psychologist Bartłomiej Dobroczyński.

About the Artist:

Jakub Julian Ziółkowski (*1980, Zamość, Poland) is one of the most eminent Polish contemporary painters. He trained at the Jan Matejko Academy of Fine Arts in Kraków, where he lives and works today. Since 2003, his work has been shown in numerous group and solo exhibitions, including Hauser & Wirth, London (2017), Neues Museum Nürnberg (2017), and the 55. Biennale di Venezia (2013).

‘You will have a moment of quiet delight and a mood of introspection to carry you away.’ Edmund de Waal.

Prized by collectors from East to West, Japanese netsuke are tiny objects of wonder that originated as utilitarian accessories for traditional Japanese dress. Over the centuries these small carved toggles, designed to hook over the top of the kimono sash, evolved into high-fashion depictions of all aspects of Japanese life.

In this richly illustrated and highly accessible book, Julia Hutt draws on the V&A’s world-famous netsuke collection to explore the origins and techniques of this captivating art form.

About the Author:

Julia Hutt is Curator of Japanese Art in the Asian Department at the V&A. Edmund de Waal is a world-renowned ceramics artist and author of The Hare with the Amber Eyes

The Architecture of Empathy is the title of a marble statue by John Isaacs and at the same time the basic attitude and raw material of all his works. The British artist made a name for himself as a Young British Artist around Damien Hirst in the 1990s with his hyper-realistic wax sculptures. Conscious about not locking himself into one style, he experiments with a wide variety of materials and techniques, from ceramics, neon, bronze, marble and sculpture to photography. This richly illustrated publication is the first comprehensive overview of his work from the 90s to the present, and reveals not just his broad reaching multifaceted technical scope, but also his psycho-anthropological poetic through numerous essays and conversations with companions.

The first comprehensive monograph on the master contemporary Korean American sculptor, from his seminal wire sculptures to his never-before-seen early works formed of steel.

John Pai (b. 1937) is a prolific multimedia artist whose handmade three-dimensional sculptures are, paradoxically, still objects that seem to exist in a state of movement and transformation. This full-career survey of Pai’s inventive work consists of his rarely seen early work up to the present.

Pai’s incredibly intricate, three-dimensional abstract “drawings in space” are made of endless lengths of individual steel or copper rods and textured sheets made from hundreds of rods welded together. Unlike many contemporary sculptors who draw a sketch and let metalworkers do the actual construction, Pai continues to do all his work himself ― from choosing the materials to the labor-intensive process of welding and bending the metals into complex and sometimes massive forms.

Immigrating from Korea to the US at age 11, Pai showed his prodigious talent for art at a young age. He received a scholarship to attend Pratt Institute, and in the 1960s, Pai became the youngest professor appointed to the faculty at Pratt. Leading its fine arts and sculpture programs for nearly four decades, Pai proved a talented and beloved educator, nurturing generations of sculptors and fostering the burgeoning Korean artistic community in New York with those such as his contemporary Nam June Paik, reflecting a sensibility outside the mainstream of American art.

About the Authors:

John Yau is an award-winning poet and art critic who has been publishing art criticism since 1978. He is a professor of critical studies at Mason Gross School of the Arts at Rutgers University. He has written for Art in America, Artforum, The Brooklyn Rail, and Hyperallergic Weekend. Academy Award®–nominated filmmaker Darren Aronofsky was born and raised in Brooklyn. Aronofsky heads Protozoa Pictures based in Chinatown NYC. His credits include π, Requiem for a Dream, The Fountain, The Wrestler, Black Swan, Noah, mother!, and The Whale. He is a friend of the artist.

This stunning volume presents the cult artist’s visually arresting and detailed sculptures, which evoke fantastic realism and the macabre.

Kris Kuksi’s ornate artworks transcend a fine-art gallery context, appealing to a goth, street-culture audience. Using a range of mixed media and unconventional materials, Kuksi builds intricate miniature worlds out of model train kits, army men, jewelry, rocks, tchotchkes, religious souvenirs, figurines, and ornamental fixtures sourced from all over the world. Each of the delicate and unique assemblages host endless intricate baroque and macabre narratives, reminiscent of lost civilizations, classical sculpture, and fantastic realism.

This volume features more than 200 color reproductions and intricate details of his works. Much-anticipated, it is bound to be collected by both loyal fans and those only now discovering Kuksi’s masterful, impossible-to-forget compositions, which draw the viewer in and capture the imagination.

About the Authors:

Kris Kuksi’s works have attracted many public and private collectors in the United States, Europe, The Middle East, and Australia, and have been displayed at more than 100 exhibitions and art fairs worldwide, including Pulse (New York and Miami), Scope (Basel and Miami), Kölner Liste (Germany), and the Smithsonian National Portrait Gallery. His work has been featured in Hi-Fructose, Juxtapoz, and Wild. He is represented by Joshua Liner Gallery in New York. Carlo McCormick is an American culture critic and curator, and the senior editor of Paper magazine. His writing has appeared in Art in America, Artforum, and Vice, among other publications.

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Пролистать книгу Kris Kuksi: Conquest