Архитектура

Country living evokes bucolic landscapes and picturesque villages - rolling Connecticut countryside, verdant farmland, the sun-drenched hills of Malibu - and the architecture that echoes these idyllic settings. These houses, ranging from family estates to weekend retreats, are the personal homes of decorators and tastemakers, including Jonathan Adler, Martyn Lawrence-Bullard, and Steven Gambrel. The properties exemplify varied design perspectives and provide fresh ideas about how country living is ideal for creative expression. This inspiring medley ranges from Tony Duquette’s exotic pavilion-style California home to a charming New York Victorian, a modernist Palm Springs desert getaway by Neutra, a nineteenth-century Gothic cottage on Shelter Island, and an eighteenth-century Connecticut house. Along with design ideas for interiors, the book also covers the garden and pool areas. Since outdoor entertaining is an integral part of country living, a section devoted to tabletop display is included. These beautifully photographed inspirations encourage the reader to explore the design opportunities in the country guided by the best interior designers.

In the work of interior designer Suzanne Tucker, art and artifact collections are displayed to best advantage for daily enjoyment by their owners, custom-mixed wall colors are set off by richly sensual textiles and forms, and inherited pieces are blended with newly found treasures to bestow a subtle aura of age and permanence. She uses her extensive knowledge of antiques and the decorative arts to create finely detailed, inviting rooms that perfectly complement both their architectural setting and their owners’ personality.

Always looking to the “bones” of a structure first, Tucker works from the outside in to ensure that a house remains true to the conventions of its style while its functions suit a contemporary lifestyle and sensibility. Superb interior architecture, delicate finishes, and fine furnishings are introduced and layered to form spaces that are balanced, fluid, and comfortable, whether in historically significant properties or modern wine country estates. She brings her perceptive ability to create truly unique, tailored spaces - amassed over years as the protégé of the legendary Michael Taylor as well as from her own extensive travels and twenty-three years as a principal of her firm - to each project. She maintains that even the most exquisite pieces of furniture and art can, and should, be arranged throughout a space in an accessible way to serve the needs of the people who inhabit it.

This lavishly illustrated presentation showcases Tucker’s diverse and site-specific styles in twenty projects, ranging from formal Mediterranean-style villas to sophisticated city apartments and airy Napa Valley retreats to rustic mountainside houses. Personal, engaging commentary reveals her spirited nature, many sources of inspiration, creative process, and valuable tips that can be applied to interiors of any age, style, or mood.

Since founding RoTo Architecture in 1991, Michael Rotondi and Clark Stevens have demonstrated that the applications of vibrant avant-garde style can be both wide-ranging and successful.

The presumptive post-Frank Gehry flag bearer of L.A. modernism, Roto has earned international recognition for its expertise in community planning in rural areas, city parks, and on campuses. Featuring essays by architecture critic Mildred Friedman and design theorist Michael Benedikt, RoTo Architecture illustrates the breadth and depth of the firm's commissions, including a memorial for the L.A. Fire Department, an experimental theater complex in La Jolla, California, a large Buddhist stupa in Santa Cruz, California, and a city planning project in Louisville, Kentucky, where a seventy-acre industrial site was transformed into an extension of the city's center.

RoTo Architecture is a testament to the grace and imagination with which Rotondi consistently meets his disparate clients' demand for cutting-edge designs that are sound and skillful.

​Raw ceilings, unplastered walls, and visible concrete girders meet innovative conversion ideas, creative shapes, and modern materials – Rough Interiors presents 55 projects whose designers used the existing historic substance as the basis for their creative processes. The magic of patina and traces of the past are maintained and deliberately integrated into the design concept.

Clashes, contrasts, and frictions become the underlying principle. A host of different ideas, interventions, and measures fill forgotten and abandoned buildings with new life. Whether low budget or high-end, music academy or doctor’s clinic, trendy restaurant or loft apartment, the interiors of each individual project are distinguished by an exciting interplay of history and the present age.

From the content:

_The Waterhouse at Southbund in Shanghai, China
_Astley Castle in Warwhickshire, UK (Witherford Watson Mann Architects)
_SOHO House in Berlin, Germany (Susie Atkinson and Michaelis Boyd Associates)
_RDM Innovation Deck in Rotterdam, The Netherlands (Groosman Partners Architects)
_Fresh Restaurant in Moscow, Russia (Sundokovy Sisters Studio)

This book includes over 60 places around the world that use the Rough Luxe aesthetic in their design and features an introduction by Robin Standefer and Stephen Alesch of Roman & Williams who are pioneers in the Rough Luxe Movement.

The worn, vintage and unfinished look of 'rough luxe' is more than just the masculine side of shabby chic. It creates the kind of authenticity that is unscripted history in physical form. It reinvents the past by redefining luxury today. Here design rejects minimalism and extravagance and celebrates imperfection. It is the embodiment of real at a time when the unexpected and the surprising is valued higher than pristine and probable. Design elements are washed and worn with history, reminding us of bygone times with an industrial look into the future. Fabrics are distressed over immaculate furnishings, painted walls are faded like expressionist fine art, and perfectly torn wallpaper shows the multiple years of its story.

Rough Luxe Design features the most exclusive list of interior designers, furniture purveyors, industrial designers, and trend-setting entrepreneurs responsible for bringing "rough luxury" into the cultural consciousness. This beautifully illustrated book showcases the best examples of how the masterful staging of raw imperfection can fulfill the desire for a luxury design.

- Summerhouse Lagnö in Stockholm, Sweden (Tham & Videgård)
- House in Yagi in Hiroshima, Japan (SUPPOSE DESIGN OFFICE)
- Fashion House Garhammer in Waldkirchen, Germany (Blocher Blocher Partners)
- Hotel Lobby and Nishi Grand Stair Interior in Canberra, Australia (March Studio)
- Marilla Project in São Paulo, Brazil (SuperLimão Studio)

Imperfection is no mistake! What used to be called unfinished or in need of modernization, is chic and in today. The fascinating relationship between new and old, but also revisiting the past is opening completely new aesthetic horizons.

The ubiquitous, raw atmosphere of the projects presented in Rough Style gives them that special charm and authenticity. Forgoing conventional ideals of beauty and perfection combined with rigorous, expressive design concepts open up possibilities for perfect imperfection in rooms and buildings. The result is a unique spatial experience in each room.

Filled with advice, tips, strategies, and problem-solving techniques from some of the leading figures in golf architecture, Routing the Golf Course provides unique insight into the most essential phase of designing a golf course. Coverage includes material on all aspects of planning a golf course such as site evaluation; environmental conditions; programming; and financial, psychological, and strategic game considerations. This nuts-and-bolts information is balanced with anecdotal, real-life experiences from guest essayists such as land planner Gil Martinez, environmental psychologist Dr. Edward Sadalla, and golf course architect Arthur Jack Snyder. Also featured is an interview with longtime professional golfer and broadcaster Peter Oosterhuis, who also provides the foreword.

This book is divided into four key parts. "The Opening" begins with a brief history of routing, including the influence of St. Andrews, and continues with insightful examinations of the components that make up different courses. "Making the Turn" contains chapters on essential routing information such as the "rules" of routing, safety considerations, and methods for fitting holes together. "The Heart of the Course" explores the hands-on process of creating routing plans and is enhanced with words of wisdom from renowned golf course architects Pete Dye, Jay Morrish, Dr. Michael Hurdzon, and many others. In the final section, "The Finish," coverage includes the use of GIS in routing, presenting routing plans, and design changes that may lie ahead for golf courses. A unique look at the Cypress Point Club rounds out the reading.

Пролистать книгу Routing the Golf Course: The Art & Science That Forms the Golf Journey на сайте Google books.

To continue developing existing building types in an intelligent way is a crucial task in the field of residential building. A deeper understanding of the underlying types is indispensable for the success of the individual design, as well as for ensuring that tried and tested structures can be utilized, repeated, and varied in a wide variety of situations.

For this typology of residential buildings, the authors have developed systematic new presentations of the most innovative types. Each individual volume lays out the possibilities for using and transforming a particular form of residential structure.

The first volume deals with the various types of the courtyard house, which utilizes the courtyard as an intimate outdoor living space. A presentation of the courtyard as a building block of the city is followed by coverage of the complete spectrum of types - cluster, network, carpet, terraces, etc.

The second volume is devoted to the various types of row house, a particularly widespread form of residential structure. A general discussion of the row as organizing principle - the row as urban building block, linear space, ways of handling corners - is followed by the systematic presentation of the different types.

Within each type, variants are distinguished according to how they organize space, their number of floors, etc. The range of possible solutions is presented in uniform ground plans newly drawn to scale.

Roy Lichtenstein in His Studio is a portfolio of vivid and engaging photographs by Laurie Lambrecht, who was an administrative assistant to Lichtenstein for three years. She and the artist worked together daily, and the bond between them is evident in the photographs. Lichtenstein is shown working on two major series, Reflections and The Interiors. He is completely absorbed, oblivious to the camera, as he mounts ladders, assembles colors, composes, and steps back to consider the effect.

During this period Lambrecht assisted in gathering material for a major retrospective at the Guggenheim Museum in New York. As a result, the photographs include scrapbooks and sketchbooks and other archival material that document Lichtenstein’s entire career. There are stencils of Ben-Day dots, clippings from newspapers and comic books, Polaroid snapshots, rolls of tape, and boxes of colored pencils.

Lichtenstein encouraged Lambrecht to make photographs and was often pleased and amused by the results. These images offer fascinating insight into Lichtenstein’s working processes and source materials, as well as being vibrant works of art in their own right.

In her essay Dorothy Lichtenstein, wife of the artist, recalls the collegial atmosphere of the studios in New York and Southampton in the early 1990s, a time of extraordinary productivity. Edward Robinson, an associate curator at the Los Angeles County Museum of Art, describes Lambrecht’s process and approach.Roy Lichtenstein in His Studio is a portfolio of vivid and engaging photographs by Laurie Lambrecht, who was an administrative assistant to Lichtenstein for three years. She and the artist worked together daily, and the bond between them is evident in the photographs. Lichtenstein is shown working on two major series, Reflections and The Interiors. He is completely absorbed, oblivious to the camera, as he mounts ladders, assembles colors, composes, and steps back to consider the effect.

During this period Lambrecht assisted in gathering material for a major retrospective at the Guggenheim Museum in New York. As a result, the photographs include scrapbooks and sketchbooks and other archival material that document Lichtenstein’s entire career. There are stencils of Ben-Day dots, clippings from newspapers and comic books, Polaroid snapshots, rolls of tape, and boxes of colored pencils.

Lichtenstein encouraged Lambrecht to make photographs and was often pleased and amused by the results. These images offer fascinating insight into Lichtenstein’s working processes and source materials, as well as being vibrant works of art in their own right.

In her essay Dorothy Lichtenstein, wife of the artist, recalls the collegial atmosphere of the studios in New York and Southampton in the early 1990s, a time of extraordinary productivity. Edward Robinson, an associate curator at the Los Angeles County Museum of Art, describes Lambrecht’s process and approach.

Versailles, Nymphenburg, Hampton Court, Schonbrunn, Het Loo -- some of the most famous gardens in history were created by European royalty during the last three hundred years. This rich showcase of Europe's most prestigious estates presents the history, design, and culture of the landscapes created for aristocracy from the seventeenth through twentieth centuries. A lavishly illustrated volume including thirty gardens from England to Russia, Royal Gardens of Europe combines historical anecdotes, personal histories, and a wealth of horticultural information with beautiful color photographs, archival paintings, engravings, and plans.

These large-scale gardens, designed as both intimate retreats and stately representations of power, show how plans, topography, water, sculpture, and architecture can be combined to create elegant and impressive landscapes. Leading garden historian George Plumptre focuses on the evolution of trends in design, on the influences between gardens and gardeners, and on the renewed interest in garden history that has led to the restoration of important gardens in Holland, Belgium, and Russia. Whether created for ostentatious display, private leisure, or for the showcase of horticultural collections, the gardens in this book all share a spirit of creativity, extravagance, and the beauty of the natural world.

Features projects in twelve private houses and apartments in Belgium. Wim Pauwels, founder and managing director of Beta-Plus Publishing, began putting out a series of books in 1997 about architecture and interior design. So far the company has published more than 250 titles dedicated to certain themes (such as living rooms, bathrooms, kitchens, children's rooms, antique building materials, restoration, renovation, gardens and swimming pools), plus monographs of architects and interior designers, manuals and yearbooks about timeless and contemporary architecture and interiors. For each book he enlists the assistance of authoritative specialists for the introductory texts and photograph captions.

This luxurious published book is appearing on the occasion of the tenth anniversary of RR Interior Concepts, the leading interior store with establishments in Knokke and ‘s-Gravenwezel (Belgium). RR Interior Concepts also has an interior design agency that has realised some striking projects in recent years.

This jubilee book presents about a dozen recently completed projects.

The most comprehensive and authoritative monograph to be published about the prolific master of art deco interior design. Jacques-Emile Ruhlmann (1879–1933) was one of the most celebrated art deco interior and furniture designers. A tastemaker and a style setter, he worked and associated with the best artists in the worlds of fashion, architecture, and the decorative arts, and catered to an international clientele of diplomats, wealthy businessmen, and artistocrats. Known as "The Master of Art Deco," Ruhlmann created opulent, exquisitely designed furniture, homes, and showrooms for the Parisian beau monde in the ’20s and ’30s, and was known for his use of rare woods with exquisite ornamentation provided by ivory, tortoiseshell, lacquer, mirrors, silk, and tooled metals. In addition to his interiors, Ruhlmann also designed lamps, rugs, wall coverings, cigar boxes, and unusually shaped beds and divans. Today, his objects are highly sought by collectors and connoisseurs. Encompassing examples from all areas of Ruhlmann’s output, this book expands upon the author’s previous work, originally published in 1984, and contains much new information, sketches, and drawings, and additional archival material never previously seen. This volume is the product of more than twenty years of research, and the author worked closely with the Ruhlmann family, art dealers, collectors, and curators in preparing this truly comprehensive and exhaustive monograph.

About the Author

Florence Camard is the world’s foremost authority on the work of Jacques-Emile Ruhlmann and helped curate the recent 2004 Ruhlmann exhibitions at The Metropolitan Museum of Art in New York and the Montreal Museum of Fine Arts. She teaches at the Centre for the Study of the Art Object in Paris.