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A beautifully presented survey of design and the applied arts explored not by use, material, form or date – but by colour

Throughout history and in all cultures, designers and makers have been concerned not only with the fluctuating relationship between the form and function of objects but also with their colour. This unique book explores and celebrates colour in all aspects of design, whether used for decorative effect or symbolic intent. It will transform the way we think about the objects around us that unwittingly define where we come from and who we are.

Table of Contents:

Introduction • White • Grey • Yellow • Orange • Pink • Red • Purple • Blue • Turquoise • Green • Brown • Black

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The V&A Book of Colour in Design is attractively simple: a celebration and exploration of colour, as revealed through objects in the world-class collections of the Victoria and Albert Museum in London. Structured by colour, it offers fascinating insights into the choices made by designers and makers from across the world and throughout history.

Each chapter begins with a brief introduction that considers the history, symbolism, and use of an individual colour. Objects – from items of jewellery, textiles, glassware and ceramics to furniture and more – are reproduced in a visual selection that explores the varied hues of every colour. However different objects within each section may be in their detail and meaning, they are united by their common colour, revealing surprising connections between them. Throughout, narrative captions bring together disparate items from across the V&A’s collection to explore the universal significance of colour in art and design.

Beautifully designed, this highly visual, colour-led survey of design and the applied arts is a compelling sourcebook with broad appeal for anyone interested or involved in all aspects of visual culture.

The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid-fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a brief history and description of key characteristics of the typeface. This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students. It will also be a significant resource for professional type designers and students of type.

About the Author:

Paul McNeil is a graphic designer with experience in corporate and brand communications. He is a co-founder of MuirMcNeil, specialising in typography, systems and information design, and works as a Senior Lecturer in Typography at the London College of Communication where he was Course Leader, MA Contemporary Typographic Media from 2010–15.

A stylish collection of the legendary designer's maxims on fashion, craft, beauty and nature

Having grown up in London's East End, Alexander McQueen left school at 15 to become a tailor's apprentice on Mayfair's Savile Row. At 22, he joined the prestigious MA course at Central Saint Martins and, after presenting his 1992 graduate collection (bought on the spot by influential fashion stylist Isabella Blow), went on to change the course of fashion.

McQueen was defiant in his opinions on creativity ('Give me time and I'll give you a revolution'), women ('I design clothes because I don't want women to look all innocent and naïve ... I want people to be afraid of the women I dress') and craft ('You've got to know the rules to break them. That's what I'm here for, to demolish the rules but to keep the tradition'). He drew much of his inspiration from the natural world ('I have always loved the mechanics of nature and to a greater or lesser extent my work is always informed by that') and consistently challenged perceptions of beauty ('People find my things sometimes aggressive. But I don't see it as aggressive. I see it as romantic, dealing with a dark side of personality').

This attractive book in an accessible format is the perfect gift for fans of fashion and Alexander McQueen, capturing the wit and spirit of a true visionary.

About the Author:

Louise Rytter is a freelance fashion curator, writer and online editor. Formerly an assistant curator at the Victoria and Albert Museum, where she worked on the blockbuster 'Alexander McQueen: Savage Beauty' exhibition, she is now Content Editor for the Google Arts & Culture 'We Wear Culture' project. She is the author of Louis Vuitton Catwalk: The Complete Fashion Collections, also published by Thames & Hudson.

The Bata Shoe Museum has an extraordinary collection of more than 14,000 artifacts, dating from as far back as 4,500 years to the present day. Founded by Sonja Bata, the museum is one of the largest shoe collections in the world and is a wonderful source of inspiration for designers across the globe, including Manolo Blahnik, Christian Louboutin, Nicholas Kirkwood, and Sophia Webtser, among others.

The one hundred shoes featured in this volume are among the most important in the collection and display a fantastic array of styles. Creative director and senior curator Elizabeth Semmelhack uses these treasured examples to discuss society, culture, gender, fashion, and other facets of history that are revealed through the study of footwear.

The Bata Shoe Museum is located in Toronto, Canada, in a gem of a building designed by Canadian architect Raymond Moriyama. Since its opening in 1995, the museum has welcomed more than two million visitors to more than forty exhibitions. It is also renowned for its ground-breaking research and is consistently celebrated as one of the top fashion museums in the world.

About the Author:

Elizabeth Semmelhack is the creative director and senior curator of the Bata Shoe Museum, and her work focuses on the intersections of fashion, economics, and gender with a particular interest in the history of footwear. She has curated over twenty exhibitions for the Bata Shoe Museum, including the blockbuster traveling exhibition The Rise of Sneaker Culture and the ground-breaking exhibitions Standing Tall: The Curious History of Men in Heels, On a Pedestal: Renaissance Chopines to Baroque Heels and Heights of Fashion: A History of the Elevated Shoe, each with an accompanying publication.

For her second Rizzoli book, well-known interior designer, consummate hostess, and world traveler Stephanie Stokes presents inspiring tables set with irresistible items accumulated on her far-flung journeys that will help you create imaginative tabletops.

The World at Your Table features transporting tablescapes set with evocative, eye-catching, and exotic items this adventurous spirit has gathered over the years. To enliven her tabletops, Stokes creates experiences in miniature using china, glassware, linens, candlesticks, and cutlery from such widely different destinations as Japan, Cartagena, Budapest, and London.

Each conjures the spirit of a particular place: Palm Beach’s tropical lushness, Provence’s remarkable charm, Portugal’s artisanal refinement, and so much more. By pairing her travel photography with the featured tables, she illustrates how incorporating the treasures collected on one’s travels can capture, express, and spark fresh memories at home.

Throughout, Stokes discusses the design principles that inform her choices — from color palettes to indigenous materials. There is also a section on storage. This enchanting tabletop survey is for those who love design, entertaining, and travel—and the idea of incorporating beloved things purchased from far and wide into impressionistic tabletops.

About the Authors:

Stephanie Stokes, a former photojournalist, created Architectural Digest’s column “Designer Travels.” In the 1980s Stokes started her interior design company; many projects have been published in published in AD, Traditional Home, and House Beautiful. She also authored Elegant Rooms That Work. Judith Nasatir is a lifestyle writer. Foreword writer Melissa Biggs Bradley is the founder of Indagare, a members-only, boutique travel company, and the author of Safari Style. Mark Roskams specializes in photographing architecture and design.

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Пролистать книгу The World at Your Table: Inspiring Tabletop Designs

Discover the inspirational world of global street styles and the fascinating stories behind them, accompanied by hundreds of stunning photographs.

Filled with eye-catching images of 100 styles from around the globe, The World Atlas of Street Fashion is a celebration of those who dare to think differently. Written by acclaimed fashion historian Caroline Cox, The World Atlas of Street Fashion celebrates the invention and creativity to be found in fashion all around the globe.

From the Chinese skinheads of Beijing to the feminist funkeiras of São Paolo, the raggare of Stockholm to the Junglists of Whistler, this is world street style as you’ve never seen it before. Organized geographically by continent, this book examines street style in all its international diversity, by tracing the many and varied ways in which it has developed in different regions of the world, from the streets to the catwalk.

From the famous to the niche, the rebellious to the downright revolutionary, The World Atlas of Street Fashion offers a ground-breaking portrait of world street style.

A sweeping survey of the work of celebrated bon vivant Federico Forquet, whose decades-long design career has embraced couture fashion, elegant interiors, and imaginative gardens, reflecting both the best of Italian style and the dolce vita era of Rome.

Through his long and crowded life, polyglot designer Federico Forquet has been by turns a couturier who learned his craft at Balenciaga's side and whose creations for his eponymous house clothed the best-dressed women of the day; a decorator of interiors of singular style and charm; a discriminating collector of rare and beautiful objects, furnishings, and pictures; and a creator of magical gardens.

For the first time, the many worlds of this creative visionary are brought together in a richly illustrated celebration of style: from imagery of his lavish haute-couture gowns featured in 1960s and '70s Vogue, Harper's Bazaar, and other fashionable publications and worn by trendsetters such as Marella Agnelli, Sophia Loren, and Diana Vreeland to picturesque scenes of verdant Tuscan gardens and opulent, old-world Roman villas and palazzos decorated by Forquet. Accompanied by insightful texts from the design world's authoritative voices, this inspiring and utterly enchanting tome will appeal to readers fascinated by fashion, social history, gardens, interior design, and Italian style.

About the Authors:

Hamish Bowles is an author, fashion collector and historian, and the international editor at large at Vogue. Guido Taroni is a Milan-based photographer of still life, fashion, and interiors.

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The original NASA insignia is one of the most powerful symbols in the world. A bold, patriotic red chevron wing piercing a blue sphere, representing a planet, with white stars, and an orbiting spacecraft. Today, we know it as “the meatball.” However, with 1970’s technology, it was a difficult icon to reproduce, print, and many people considered it a complicated metaphor in what was considered, then, a modern aerospace era.

Enter a cleaner, sleeker design born of the Federal Design Improvement Program and officially introduced in 1975. It featured a simple, red unique type style of the word NASA. The world knew it as “the worm.” Created by the firm of Danne & Blackburn, the logo was honoured in 1984 by President Reagan for its simplistic, yet innovative design. NASA was able to thrive with multiple graphic designs. There was a place for both "the meatball" and "the worm". However, in 1992, the 1970s brand was retired - except on clothing and other souvenir items - in favour of the original late 1950s graphic.

Until today. "The worm" is back and just in time to mark the return of human spaceflight on American rockets from American soil. The retro, modern design of the agency’s logo will help capture the excitement of a new, modern era of human spaceflight on the side of the Falcon 9 launch vehicle that will ferry astronauts to the International Space Station as part of the Demo-2 flight, now scheduled for May 2020.

This lavishly illustrated book celebrates one of the most influential and successful retail centers in the world, from its opening in 1965-when it changed the retail landscape by inviting European designers such as Gucci and Valentino to open stores within a shopping mall-until the present day.

Theater of Shopping tells the story of retail visionary Stanley Whitman and the creation of Bal Harbour Shops, the most successful luxury fashion shopping center in the world*, and one of the last family-owned malls in America. Written by critically acclaimed author Alastair Gordon, Theater of Shopping is a cultural history of both a place and a personal legacy. The open-air mall opened in 1965 as a pedestrian-friendly environment that turned shopping into a kind of theatrical event, while featuring the work of young design talents like Valentino, Versace, Mugler, de La Renta, and other foreign designers who were unknown in America before first showcasing their collections at Bal Harbour Shops. The text weaves together fashion, luxury commerce, architecture, landscape design, urban development, and family history, to create a highly readable narrative illustrated with more than 300 images including never-before-published drawings, plans and photographs by renowned photographers including Richard Avedon and Ezra Stoller.

About the Author:

Alastair Gordon is an award-winning critic and author who has written regularly about architecture and design for many publications including the New York Times, New York Observer, Vanity Fair, Architectural Digest, House & Garden, Metropolis, and Dwell. He served as Contributing Editor for architecture and design at WSJ, the Wall Street Journal Magazine for many years. He has published several critically acclaimed books including Naked Airport, Weekend Utopia, Spaced Out, Unfolded, Romantic Modernist, Qualities of Duration and Wandering Forms. Matt Tyrnauer is a writer, director, producer, and award-winning journalist whose recent films include Valentino: The Last Emperor, which premiered at the Venice Film Festival and was short-listed for an Academy Award for best documentary feature. Matthew Whitman Lazenby is the CEO and President of Bal Harbour Shops.

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Пролистать книгу Theater of Shopping: The Story of Stanley Whitman's Bal Harbour Shops

How connected are fashion designers to the body they design for today? Is there truly a way for the body to be trained in order to serve fashion? How can you manoeuvre emotion through your work? Each era has its dominant themes and fashion readily reflects them.

Fashion as a reflection of society is also a privileged lens to see things more consciously. The necessity to sharpen the focus on the interlinked trilogy of the body, the mind, and politics is what has seamlessly been questioned in this provocative series of interviews.

Curator, author, journalist, photographer and costume designer Filep Motwary releases his latest book ideated by Polimoda, THEOREM[A]: The Body, Emotion + Politics in Fashion. Formatted as a series of interviews with select contemporary fashion key figures, the book investigates the dressed body as a political statement, focusing on the linked trilogy of the mind, body and politics. In his provocative series of interviews, Motwary spoke with participants chosen for their professional integrity, their body of work and vast knowledge of historical and contemporary fashion, among other factors. Interviews were conducted with Hussein Chalayan, Jean Paul Gaultier, Pamela Golbin, Iris van Herpen, Harold Koda, Michèle Lamy, Thierry-Maxime Loriot, Antonio Mancinelli, Suzy Menkes, Violeta Sanchez, Valerie Steele, Jun Takahashi, Olivier Theyskens, Viktor & Rolf and Nick Knight. The interviews each explore the essence and perception of the body, poetic emotion and politics, touching specifically on the issues and controversies surrounding the current state of fashion.

Our all-time best-selling book is now available in a revised and expanded second edition.

Thinking with Type is the definitive guide to using typography in visual communication, from the printed page to the computer screen. This revised edition includes forty-eight pages of new content, including the latest information on style sheets for print and the web, the use of ornaments and captions, lining and non-lining numerals, the use of small caps and enlarged capitals, as well as information on captions, font licensing, mixing typefaces, and hand lettering.

Throughout the book, visual examples show how to be inventive within systems of typographic form--what the rules are and how to break them. Thinking with Type is a type book for everyone: designers, writers, editors, students, and anyone else who works with words.

The popular online companion to Thinking with Type has been revised to reflect the new material in the second edition.

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A journey through the original and unique culture of streetwear

This is the story of streetwear. Authors King ADZ and Wilma Stone recount how a long line of subcultural movements have taken over both the high street and high-end fashion, and explore just how a revolutionary sartorial trend has evolved to encompass a vast range of disparate tribes, offering a powerful sense of belonging and identity to all.

The story begins in 1972, in Jersey City, USA, with the birth of the first-ever streetwear shop, Trash and Vaudeville. The journey then encompasses punk, Ivy League preppies, the hip-hop kings and queens of Harlem, the dresser/casual movement born out of British football culture, the skater scene of California, the Paninari scooter-brats of Milan, and much more. We are shown how streetwear, worn with integrity and swagger, has transcended culture, race, gender and age to become a lasting worldwide phenomenon.

Whether focusing on major brands such as Stüssy, Carhartt, Tommy Hilfiger and SHUT or today’s up-and-comers from South African townships or downtown Seoul, this dynamic study surveys the scene. It also takes a look at how the Internet era has changed the ways streetwear is sold and consumed, and how the field may evolve in the future. Packed with profiles of industry pioneers, Q&As with key figures and over 300 illustrations, this is the complete history of fashion’s fastest-growing and most influential movement.

Contents List:

Foreword • Introduction • A Definition of Streetwear • Wardrobe Essentials • Year Dot • Punk • Preppy • Dresser/Casual • Hip-Hop • Club/Rave • Paniani • The Places • Stussy • Skate/Surfwear • Internet Era • The Future

About the Authors:

King ADZ is the author of nine books, published by Thames & Hudson, HarperCollins, and Vintage. All his books to date have been concerned with youth-culture, sub-culture and street art. He has been creative consultant for numerous global brands including Adidas, Vice, Levis, Diesel, Smirnoff and Guinness. His feature documentary, The Iconoclast, profiling the notorious international art smuggler, Michel Van Rijn, premiered at the DOC NYC festival in 2017.

Wilma Stone is a transdisciplinary artist whose work is primarily about crossing boundaries and resisting the status quo. She has worked in the art, film and fashion worlds for the past twenty years.

Marking the 20th anniversary of the company’s founding, this comprehensive monograph is the first book on Thom Browne.  

With a celebrity clientele including Cardi B, Michelle Obama, LeBron James, and Julia Roberts, among others, Thom Browne is widely recognized for modernizing today’s professional uniform: the suit. As the company’s 20th anniversary nears, Thom Browne. celebrates the legacy of the house. Specially commissioned photography by Johnny Dufort features more than 200 looks from past seasons. An introduction by Andrew Bolton, Wendy Yu curator in charge of The Metropolitan Museum of Art’s Costume Institute and creative director of this title, sets the work in context. The book concludes with a tableau of show installations that further illustrate the house’s design philosophy and evolution. Published as a hardback enclosed in a clamshell box, the book includes 4-, 6-, and 8-pages gatefolds and more than 40 translucent vellum pages featuring the brand’s signature four stripes. It also includes a Thom Browne grosgrain ribbon. 

About the Authors:

Thom Browne is an American fashion designer and the founder/creative director of Thom Browne, a luxury fashion house based in New York. Initially celebrated for his distinctive approach to men’s tailoring in 2003, Browne has since expanded the collections to include womenswear, childrenswear and accessories. He has also become known for his highly conceptual runway presentations which have gained global attention for their thought-provoking themes and dramatic settings. in 2023 he became chairman of the CFDA.

Andrew Bolton is the Wendy Yu curator in charge at The Metropolitan Museum of Art’s Costume Institute in New York and has curated some of the Museum’s most visited exhibitions, including Alexander McQueen: Savage Beauty (2011) and Heavenly Bodies: Fashion and the Catholic Imagination (2018). He has written more than twenty books, lectures widely, and contributes to many publications. Prior to joining The Met in 2002, he worked at the Victoria and Albert Museum in London for nine years.

Step inside designer and sculptor Thomas Bastide’s studio to discover the techniques, concepts, and inspirations that lie behind his glass creations.

This book retraces forty years in the creative career of Thomas Bastide. The designer and sculptor has collaborated with prestigious French and international companies, including Baccarat, Hennessy, and Christofle, and this volume pays tribute to the unique techniques that he has contributed to the fields of crystal glassmaking, goldsmithery, and porcelain-making.

Featuring the themes that are fundamental to the artist’s work, such as equilibrium, deconstruction, mechanics, and fluidity, this volume invites readers to discover an exceptional savoir faire combining creativity, technical prowess, resilience, and dexterity. The text paints an authentic, vivacious, yet humble portrait of Bastide, and his anecdotes accompany photographs by Jo Pesendorfer of a selection of his works. 

This is a bilingual edition, in English and French.

About the Author:

Born in 1954, Thomas Bastide grew up watching Scandinavian master glassmakers at work, and glass—with the multiple creative possibilities it offers—has become a true passion for him. A graduate from the Penninghen School of Graphic Arts and ENSAAMA in Paris, and the Pilchuck School in Seattle, he began his professional career with Raymond Loewy, a star of the design world. Laure Verchère was a long-time journalist for Elle Décoration. She is the author of numerous books, including Signed Sybille de Margerie and Le Grand Hôtel & Café de la Paix, published by Flammarion.

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How do you:
Design a building using an electron microscope?
Produce a stunning new bus for London that uses less fuel too?
Make someone eat your business card?
Develop a new kind of mosque?
Turn the back door
of a hospital into its front door?
Grow a meadow in the centre of a city?
Generate the form of 
a building in less than a minute?
Use saliva as an ingredient of a Christmas card?
Create a piece 
of architecture that represents a nation?

Still just two decades into his career, British designer Thomas Heatherwick has been heralded as on of the most creative talents for many years. He has produced everything from sculptural chairs, forged by the world's largest aluminium extruder, to a bridge that rolls open and closed, and an exuberant seed bank, 'hairy' with fibre-optic lights.

This is the first book to present an exhaustive survey of his studio's output to date – over 140 projects. Long in development, it has been prepared in close collaboration with Heatherwick himself, offering a highly personal, in-depth and behind-the-scenes look at all aspects of Heatherwick's creative, design and manufacturing processes.

Projects are organise chronologically and bookended by an introduction setting out the studio's philosophy and a reference section. Each project is fully illustrated and accompanied by a text explaining, in Heatherwick's words, the design question it posed and the creative and practical processes used to address it.