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A lavishly illustrated banquet of style, elegance, and taste, this is a who's who of the most glamorous men and women around the world, the ultimate treasury of fashion inspiration.

This sumptuous volume -- the ultimate sourcebook for fashion mavens, Instagram followers, and celebrity worshippers--presents the complete history of the much-lauded and highly visible International Best-Dressed List (IBDL) launched by Eleanor Lambert, "Godmother of Fashion," in 1940. The List has become a barometer of style and the highest honor a sartorial savant can receive, and today it's an ongoing record of the world's most glamorous women and men from society, royalty, Hollywood, celebrity, fashion, art, culture, sports, and media. These gorgeous "swans" of elegance, influence, and grace are gathered here in the most comprehensive survey ever published.

This rich story is told by insider and IBDL Hall-of-Famer Amy Fine Collins through her encyclopedic knowledge, exclusive insights, and countless entertaining anecdotes about the behind-the-scenes goings-on -- Lambert was offered kickbacks and bribes of up to $50,000 by list aspirants -- that shed light on the selection process, the vibrant personalities (not to mention egos) of the chosen, and the zeitgeist of the times.

For sixty years, Lambert was queen of the International Best-Dressed List. In 2002, she formally ceded the reins to Graydon Carter, Amy Fine Collins, Reinaldo Herrera, and Aimée Bell.

About the Authors:

Amy Fine Collins is a writer and editor at large at Air Mail. She has been a special correspondent at Vanity Fair for more than 20 years. Graydon Carter was Vanity Fair's editor-in-chief from 1992 to 2017 and is now editor of Air Mail, the digital news platform. Fashion designer Carolina Herrera was inducted into the IBDL's Hall of Fame in 1980.

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Пролистать книгу The International Best Dressed List: The Official Story на сайте издательства.

The International Interior Design Exhibition (iide) came to Brussels with heritage.  First launched in London by Fleur Rossdale as The British Interior Design Exhibition (BIDE) during the 1980's and 1990's, the event was highly acclaimed as a ground breaking showcase for the design industry.  With 30,000 international visitors to each, the exhibition helped propel interior design into the limelight, receiving worldwide press coverage and an insatiable demographic of private clients, hoteliers, designers and developers.  Fleur says ‘Good design has a vital role to play in our everyday lives.  It can improve how we live and function, be it at home, in the workplace, in education or on holiday.  Interiors set a mood, portraying an identity that should feel enhancing and harmonious.’  Fleur, an active interior designer herself, chose Brussels for the re-launch due to the cultural heritage, not least as founders of the Art Nouveau movement. 'Decoration is all about bringing together skilled workmanship, colour, texture and fine art to create a melodious interior to enhance our everyday lives', she says.  

Fleur received much fan mail from visitors in the early days, in particular praising how they found a particular design style they related to, previously unknown to them.  

IIDE follows the ethos of past experience.  Showcasing Belgian and international designers, presenting their interior design vision which inspired private and trade visitors in November 2018 and in September 2019 at Tour & Taxis Brussels:

Michel Penneman, Christophe Remy, J. Phine with Kaye McGarva, Erik Dhont, Christophe Gollut, Gert Voorjans, Carter Tyberghein, Jessie Lecomte, Henrietta Spencer-Churchill, Olivier Lapidus, Luxus, Vanessa Bruffaerts with Pol Quadens, Diego Fortunato with Dedar, Fleur Rossdale, A.Dem Interiors, Dominique Rigo, Designers Guild, Gerald Watelet, Guimar Urbina Interiors with Kinetura and Technogym, Johan Van Mullem, Benedetti Interieur with Evolution21, LDécoration Internationale with Catherine Nyssen, Houlès, Jean Duruisseau and Coup-de-Foudre, Maria Westerberg with Johan Patricny, Isabelle Thiltgès, Casamance, Masureel and Aristide.

But the book also pays homage to the previous exhibitions held in London, with a selection of press coverage of these exhibitions :

BIDE 1982: Fox Linton Associates; John Siddeley International, Simon Playle

Limited, George Cooper as Samuel & Cooper, Charles Hammond, George Spencer Decorations, Bill Bennette Design, Herbert Nevile, Dargie Lewis Designs, Siddeley Landscapes, Galleria Monte Carlo with catering by The Admirable Crichton.

BIDE 1988: Parish-Hadley Associates, Parke Interiors, Machin Designs, David Hicks International, Borland Interiors, Blasé Design, Bennison, Rory Ramsden, Woodstock Designs, Spencer-Churchill Designs, Gordon Lindsay, Mercier - London, Anna Tatham, Thorp & May, Anthony Paine, Wiltshire Interiors, Alidad Limited, Beckett & Graham with David Linley, Jonathan Hudson Interior Decorations, Indiaworks by Robin Guild, Sudeley Design, Joanna Trading, Christopher Nevile Design Partnership, Simon Playle Limited, Rossie Designs, Ian G. Shaw and The Chelsea Gardener.

BIDE 1989: Bonetti & Garouste, Designers Guild, Blasé Designs, Rory Ramsden, George Spencer Designs, Scarisbrick & Bate, Nicholas Glover Associates, Fox Lindon Associates, Beaudesert, David Hicks International, Mercier - London, Jameson Designs, Meltons, Pawson Silvestrin, Rosemary O de C Hamilton, Morrow Reis Designs, Robina Cayzer, Alidad Limited, MC Squared, Parke Interiors, Broosk Interior Design, The Royal College of Art, Ian G. Shaw, Christopher Nevile Design Partnership and Helen Cooper Associates and Pimlico Print Rooms.

BIDE 1990: David Hicks International, Harrods with David Linley for Harrods, Joanna Trading, Christopher Nevile Design Partnership, Nicolas Glover Associates, MM Design, Anthony Paine Limited, Christophe Gollut, Nick Allen Consultancy, Kensington Designs, Charles Rutherfoord & Nobby Clarke, Broosk Interior Designs, Miriam Cobrin Designs, Derek Frost Associates, Jenny Armit Interiors, Pavillion Designs, Melissa Wyndham Limited, Smallbone & CO of Devizes, Suddeley Castle Furniture and Paula Durante Interiors.

BIDE 1997: Sybyl Colefax & John Fowler, Woodstock Designs with Ian Walton Associates, Victoria Waymouth Interiors, Clifton Interiors, Lecchini Way Architects, Joanna Trading, Peter Wadley Architects, Atrium Limited, KLC School of Interior Design, Clarke & Thomas Interior Design, Ashton Products with Peter Wadley Architects, Charles Chesshire Landscape & Garden Design, Charles Rutherfoord with Brian Everest, G.A. Design International, Dargie Lewis Designs, Christophe Gollut, Baker Nevile Design Partnership, Jenny Armit Interiors, Omega Interiors, Stephen Ryan Design & Decoration, Alidad, Graça Viterbo, Tessa Kennedy Design, Charles Bateson at IDC, Jane Wolley Dod Garden Design with Lloyd Christie. 

This luxury coffee table book is a tribute to both new Brussels exhibitions, with a short history of all previous exhibitions in London.

An exclusive look inside the world of Moreschi, one of the world’s most prestigious shoemakers. Moreschi is renowned for its exacting standards and unique style, and for producing each and every pair on-site, from the arrival of the leather to boxing and dispatching to stores. The art of shoemaking is detailed throughout this richly illustrated book. Through conversations with the founder, the artisans’ memories, and pictures of dozens of the factory’s creations, a story unfolds that confirms the vast heritage of artisan culture that lies behind Italian production. Moreschi shoes have been worn by the likes of Richard Burton, Liam Neeson, Adrien Brody, Michael Jackson, James Brown, Johnny Cash, and also sports stars such as Michael Jordan, Novak Djokovic, and Alberto Tomba.

About The Authors:

Cristina Morozzi is a design and fashion editor, curator of exhibitions, consultant for numerous design labels, and former director of Modo magazine. She has taught at Milan’s Domus Academy and at the École Cantonale d’Art in Lausanne. Her recent books include Altagamma and Damiani: Alchemy of Desire.
Giò Martorana is a photographer who has worked for Louis Vuitton, Porsche, and TAG Heuer and whose work has appeared in publications such as Vogue, Elle, Harper’s Bazaar, GQ, and Marie Claire. He was awarded the UNESCO Prize in 1999 for his portrait work.

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Пролистать книгу The Italian Art of Shoemaking: Works of Art in Leather

This is the first book of its kind devoted to the history of Estel, celebrating eighty years of the furniture manufacturer's activity.

This book takes the reader through Estel's history from the future to the past, working backward in five major phases of the company's progress. These phases are related through various illustrations, best called "dioramas," covering double spreads that fold out, making four full-size pages.

Especially created for the book by Pierluigi Longo, these "dioramas" emerge like modern-day frescoes in which the leading figures of the business world can be observed, along with the production panorama and market environment around them. They represent a sort of visualized concept that not only illustrates and tracks a path through the book, but also lends it concept and structure.

The texts that follow each theme-diorama pivot successively on the company philosophy, the protagonists, the products, and a brief text classifying the furniture-manufacturing sector itself. Hence, the tale unfolds on two fronts simultaneously, interweaving the company's history with the ongoing developments in the sector and in methods of production.

About the Authors:

Mario Piazza is one of Italy's leading graphic designers. Maria Giulia Zunino is a journalist who writes on questions of production and design. Pierluigi Longo is an illustrator whose work is featured in leading Italian publications.

The Ultimate Knitwear Bible

The Knitwear Manual is a comprehensive guide covering every aspect of knitwear, from fiber and yarn to knitting, garment style, finishing, and production. With hundreds of examples and high-quality images, this manual provides not only aesthetic inspiration but also technical know-how essential for creating successful knitwear products. From fiber fundamentals to production control, this book has it all.

• Comprehensive coverage of knitwear design and production
• Practical technical knowledge for design and development
• Hundreds of inspiring design examples - a wealth of inspiration for designers at all levels
• High-quality visuals and easy-to-understand content
• Guidance from foundational to expert levels - suitable for beginners and industry professionals

Fundamentals to Expertise
Whether you're a student or an industry professional, this manual covers the spectrum from fundamental knowledge to advanced techniques. It covers fundamental knowledge and theories for those just starting, while also providing advanced knitting techniques and industrial production know-how for experienced designers. This manual helps beginners understand the basics of fibers, yarns, and knitting, while offering in-depth technical knowledge for effective communication with suppliers in day-to-day work.

Same Structure, Different Possibilities
The Knitwear Manual showcases various knitting structures using a range of yarn thicknesses, from thick to thin. This approach helps you better understand how different stitches interact with various yarn types. We cover all common yarns and stitches, inspiring you with diverse possibilities for your knitwear designs.

Visual Oriented - So Easy to Read
Understanding knitwear can be challenging, even for designers who work with yarns and knitted fabrics daily. That's why The Knitwear Manual takes a highly-visual approach to presenting information. With its highly-visual, and easy-to-understand images, illustrations, diagrams, and icons, the manual makes complex concepts easy to read, understand, and remember.

100 Timeless Patterns for Your Inspiration
Discover a curated pattern library with 100 timeless and unique designs, each accompanied by a notation diagram for easy reference. Carefully curated by industry experts, this extensive collection showcase diverse knitting techniques and styles, serving as a great source of inspiration for new design development.

Chapter 1 - Fiber

The building block of knitting, fibers, dictate the texture, appearance, and functionality of the final piece. From animal to plant, synthetic to natural, understanding fibers’ properties is critical to mastering the art and science of knitting.

Chapter 2 - Yarn

Yarn is the essential medium in knitting, transforming raw fibers into creative ​possibilities. Its weight, twist, and ply not only influence a knit’s structure but also its drape and feel, making yarn selection pivotal to successful knitting outcomes.

Chapter 3 - Principle of Knitting

Knitting is a method of constructing fabric by intermeshing a series of loops of one or more yarns. Different techniques and stitch patterns, as well as yarn tension and needle size, determine the final fabric structure and properties.

Chapter 4 - Knit Structure and Patterns

The world of knitting structures and patterns offers endless possibilities for creative expression. By experimenting with different stitches and combinations, unique textures and designs emerge, each contributing to the distinct appearance and function of the knitted piece.

Chapter 5 - Knitwear Style

Explore the diverse world of knitwear, where unique styles, intricate details, and ​distinctive finishes abound. Beyond fashion, discover the rich history and heritage behind various designs, making each piece not just stylish, but also storied and significant.

Chapter 6 - Dyeing, Printing & Embellishments

Mastering dyeing, printing, and embellishments is essential for the visual appeal of knitwear. This in-depth knowledge elevates designs and ensures precise results, making these techniques crucial for achieving the desired impact in knitted creations.

Chapter 7 - Making-up of Knitwear

The final stages of creating knitwear, such as cutting, linking, laundering, and adding finishing touches, greatly influence the end product’s look and feel. Proper navigation through these important stages ensures that the finished item has a professional and refined appearance.

Chapter 8 - 100 Patterns

Explore a rich collection of 100 unique knitting patterns, each accompanied by a clear notation diagram. Curated by industry experts, this diverse assortment showcases various techniques and styles. From timeless classics to innovative designs, it's an ideal resource for inspiration and new design development, suitable for knitters at all levels.

Practicality comes first

We focus on presenting information using the most practical mindset possible, making knowledge easy to digest and apply. Skip the lengthy theory, and get straight to the information you need to know.

Jacquard Inspired Cover

The cover features a bold, large-scale Jacquard pattern debossed on a creamy white background. This design choice creates a striking visual and tactile contrast. The intricate pattern adds depth and texture to the surface, making the cover both visually appealing and pleasant to touch.

Mastering Knitwear, From Design Principles to Production Knowledge

Understanding the principles behind ​knitwear is crucial for achieving your ​desired designs. The Knitwear Manual ​offers practical technical knowledge to ​help you efficiently communicate with ​producers, ensuring the best possible ​results. This manual equips you with the ​necessary information for product ​development and managing production, ​making it an invaluable resource for ​knitwear designers and professionals.

Destined to be a classic, this modern introduction offers a contemporary twist on the age-old craft of leatherworking.

The Leathercraft Handbook guides you through all the skills, tools, and techniques you need to make beautiful and durable pieces, from elegant accessories to stylish homewares - without the need for expensive equipment.

Try your hand at more than 20 step-by-step projects, complete with easy-to-follow tutorials and templates that can be scaled up or down. Ranging from a classic glasses case to a chic tote bag, the pieces are suitable for beginners through to experienced leatherworkers and feature inspiration on how to make the designs your own.

Use this tactile, age-old craft to make your own unique and modern leather items.

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Пролистать книгу The Leathercraft Handbook: 20 Unique Projects for Complete Beginners на Google Books.

Arrows, swashes, swooshes, globes, sunbursts and parallel, vertical and horizontal lines, words, letters, shapes and pictures. Logos are the most ubiquitous and essential of all graphic design devices, representing ideas, beliefs and, of course, things. They primarily identify products, businesses and institutions, but they are also associated, hopefully in a positive way, with the ethos or philosophy of those entities. The 50 logos in this book are examples of good ideas in the service of representation, reputation and identification.

About the Authors

Steven Heller is the co-chair of the MFA Design/Designer as Author + Entrepreneur program at the School of Visual Arts in New York. He is the author of more than 170 books on design and popular culture, and the recipient of the 2011 Smithsonian National Design Award. 

Gail Anderson is the director of design and digital media at SVA’s Visual Arts Press. She is a designer, writer and educator who has lectured about design at organizations and conferences around the world. 

A comprehensive make-up manual that details all aspects of make-up application, solutions to common problems, as well as tips and tricks for perfecting your look every time. 

Starting with Skin Secrets, make-up artist Lisa Potter-Dixon teaches you everything you need to know about skincare and perfecting your base. In Beautiful Brows, Lisa explains how to enhance your brows, before styling a Natural, Full, Ombre and Feathered look. In Go with the Glow, she explains why we add colour and takes a look at Contouring, Strobing, Blushing and Bronzing. In The Eyes Have It, things really get interesting, with looks for Smokey, Colourful, Nude, Smudged and Glittery Eyes. And in Luscious Lips, Lisa helps you understand the difference between types of lipsticks, pencils, glosses and all that's in between before teaching you how to achieve the perfect lip, no matter what your style. Finally, Lisa offers up Looks to Dazzle, from Extreme Glitter to using sequins, feathers and transfers, as well as enhancing your look with accessories. Whether you’re looking for a fun and youthful, elegant and sophisticated or one-off look, Lisa will show you how to make the most of your facial features and complexion in this Make-up Manual.

About the Author:

Lisa Potter-Dixon is Head Make-up and Trend Artist and Brow Expert for Benefit Cosmetics. A regular on the London Fashion Week scene, she has styled looks for Matthew Williamson. Her work has appeared in print and online for ‘Elle’, ‘Glamour’ and ‘Red’ magazines, as well as the ‘Telegraph’. She regularly appears on TV, promoting Benefit products on QVC and performing makeovers on ‘Lorraine’ (ITV) and her clients include Editor-in-chief of ‘Elle’ UK, Lorraine Candy. Lisa lives in London, UK and this is her first book. Benefit Cosmetics was founded in San Francisco in 1976. The action-packed, beauty brand offering quick fix solutions for every gal's beauty dilemmas. Famous for high quality iconic products with clever names, compelling packaging and innovative formulas, Benefit has grown into a global brand that continues to captivate women of all ages with unique shopping experiences like the Benefit Brow Bar. With over 2,000 locations in over 30 countries, it is one of the world’s biggest make up brands.

A one-stop resource providing comprehensive information about all the 'design' material types and new technology developments

Today’s designers are often presented with a seemingly infinite number of creative choices, with the ability to push their materials to the limits of what they can do. Understanding these materials properly helps designers make inspired decisions in a practical and confident manner. The Materials Sourcebook for Design Professionals is the one-stop resource for all design professionals, providing comprehensive, accurate information about the basic materials with which they work on a daily basis, as well as a complete breakdown on new and exciting developments in high-tech materials.

Written by Rob Thompson, The Materials Sourcebook for Design Professionals comprises six main parts on all the major ‘design’ material groups. These parts are then separated further into chapters that examine the properties of individual types of materials, e.g. ‘Iron’, ‘Steel’ and ‘Aluminium’. In total, there are nearly 100 material types featured, each one supported by examples of how it can be used in a variety of industries, an outline of its most desirable properties and details on its form and texture. With 450 vibrant illustrations and a clear layout, the design professional or student is presented with a long-term reference tool that tells them everything they need to know about the materials they use habitually, with information delivered in a wholly unbiased and accessible manner.

Contents List:

How to use this book * Introduction 1 METAL Ferrous Metal: Cast Iron • Steel Non-Ferrous Metal: Aluminium • Magnesium • Titanium • Copper • Brass • Bronze and Nickel Silver • Zinc Precious Metal: Silver, Gold 2 PLASTIC Thermoplastic: Polypropylene (PP) • Polyethylene (PE) • Ethylene Vinyl Acetate (EVA) • Polyvinyl Chloride (PVC) • Acid Copolymers and Ionomers • Polystyrene (PS) • Styrene Acrylonitrile (SAN) and Acrylic Styrene Acrylonitrile (ASA) • Acrylonitrile Butadiene Styrene (ABS) • Polycarbonate (PC), Polyethylene Terephthalate (PET) Polyester • Polyamide (PA) • Nylon • Polymethyl Methacrylate(PMMA) Acrylic • Polyacrylonitrile (PAN) Acrylic Fibre • Polyoxymethylene (POM) Acetal • Polyetheretherketone (PEEK) • Fluoropolymer • Thermoplastic Elastomer (TPE) Thermoset: Polyurethane (PU) • Polysiloxane • Silicone • Synthetic Rubber Formaldehyde-Based: Melamine (MF) • Phenolic (PF) and Urea (UF) • Unsaturated Polyester (UP) Resin • Polyepoxide • Epoxy Resin Super Fibre: Carbon-Fibre-Reinforced Plastic (CFRP) • Aromatic Polyamide • Aramid • Polyphenylene Benzobisthiazole (PBO) Bio-Derived: Natural Rubber and Latex • Cellulose Acetate (CA) and Viscose • Starch Plastic • Polylactic Acid (PLA) 3 WOOD Wood Products: Wood Pulp • Paper and Board • Bark • Cork • Veneer • Engineered Timber Softwood: Spruce • Fir and Pine • Hemlock • Larch • Douglas-Fir • Cypress Family Hardwood: Poplar • Aspen and Cottonwood • Willow • Maple • Birch • Beech • Oak • Chestnut • Walnut • Hickory and Pecan • Ash • Elm • Cherry • Apple and Pear Tropical Hardwood: Acacia • Iroko • Teak • Mahogany Family • Exotics • Balsa 4 PLANT Stem and Leaf: Rattan • Bamboo • Grass • Rush and Sedge • Leaf Fibres Bast Fibre: Flax • Linen • Jute and Kenaf • Hemp • Ramie Seed Fibre: Cotton • Coconut Coir 5 ANIMAL Animal Fibres: Silk • Wool • Hair Bone and Horn: Horn • Bone • Antler Leather and Fur: Cowhide • Sheepskin and Goatskin • Pigskin • Horsehide • Deerskin and Kangaroo Hide • Exotics • Fur 6 MINERAL Rock: Stone • Diamond and Corundum Ceramic: Clay • Plaster • Cement • Technical Ceramic Glass: Soda-Lime Glass • Lead Glass • High-Performance Glass Directory • Glossary and Abbreviations • Featured Designers, Artists and Manufacturers • Selected Bibliography • Illustration Credits • Sources • Index

About the Author:

Rob Thompson is an award-winning designer and the author of Manufacturing Processes for Design Professionals.

In this beautiful new book, Olivier Dupon introduces the finest modern jewelers practising today. Featuring 108 both up-and-coming and established designers, the book is inspired not by traditional jewelry typology, but by style and look. Rough stones appear with exquisitely faceted gems; organic forms vie with geometric structures; feathers and leather take their place next to platinum and diamonds.

The book showcases fine jewelry, fashion jewelry, luxe jewelry, conceptual jewelry, and much much more.

Over 800 mainly colour photographs display the jewelry alongside portraits of the designers at work, shots of sketches and works in progress, studios and boutiques. Complete with short, informative profiles and useful contact details for the designers, as well as a listing of recommended shops, this publication offers a wealth of inspiring material and is a must for any aficionado of jewelry, design or craft.

The catalogues of the Paris Salons at the turn of the 19th to the 20th century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development, the five previous volumes covering Jewellery, Furniture, Ceramics and Glass, and Objets d'Art.

The fabric designers of the Art Nouveau style who exhibited at the Paris Salons produced a remarkable oeuvre in printed and woven fabric, silk, lace, embroidery and tapestry.

Bookbinding was, and still is, a well-established French tradition, and bibliophiles commissioned unique bindings from artist-designers who, at the same time, were also creating and exhibiting non-bound leather goods - handbags, blotters, upholstery.

This volume is probably the most important in the series. Because of wear and tear, practically none of the approximate 1,200 textile and leatherware pieces illustrated have survived outside museum collections or appeared at auction, unlike the items covered by the earlier volumes.

This handy, portable version of the authoritative Universal Methods of Design provides the same thorough and critical presentation, updated and expanded to include 125 research methods, synthesis/analysis techniques, and research deliverables for human-centred design.

Each method of research is distilled down to its most powerful essence, in a format that will help individual practitioners, as well as design teams, select and implement the research methods best suited to their design culture within the constraints of their projects. This valuable guide: 

- Dismantles the myth that user research methods are complicated, expensive, and time-consuming
- Creates a shared meaning for cross-disciplinary design teams
- Illustrates methods with compelling visualizations and case studies
- Characterizes each method at a glance 

With the concise, accessible format of The Pocket Universal Methods of Design, you and your team will be designing in a completely new, more effective way.

The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

About the Authors:

Bruce Hanington is an associate professor, director of graduate studies, and former program chair of industrial design in the School of Design at Carnegie Mellon University in Pittsburgh, Pennsylvania. He has dedicated his teaching and research to methods and practices for human-centred design, with an emphasis on design ethnography, participatory design, and the meaning of form in context. He has consulted on design projects with GE Appliance and Johnson and Johnson, and his work has been published in Design Issues, The Design Journal, and Interactions, with chapters in Designing Inclusive Futures and Design and Emotion: The Experience of Everyday Things. Bella Martin is a design practitioner and independent consultant in Atlanta, Georgia, where she brings her expertise for design research methods to companies who are new to user-centred design but eager to give their users a voice in the design process. She holds a Master of Design in Communication Planning and Information Design from Carnegie Mellon University, where she first began her ongoing work in visualizing user-centred research methods.

Bella Martin is a design practitioner and independent consultant in Atlanta, Georgia, where she brings her expertise for design research methods to companies who are new to user-centred design but eager to give their users a voice in the design process. She holds a Master of Design in Communication Planning and Information Design from Carnegie Mellon University, where she first began her ongoing work in visualizing user-centred research methods.

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Пролисать книгу The Pocket Universal Methods of Design: 125 Ways to Research Complex Problems, Develop Innovative Ideas, and Design Effective Solutions, Revised and Expanded на Google Books.

Featuring the star pieces from fashion designer Yves Saint Laurent's art collection – including works by Cézanne, Picasso, Mondrian and Matisse

Yves Saint Laurent was more than a designer of clothing – he was, for many, one of the great style arbiters of the twentieth century. His talent made him the youngest and brightest star in the firmament of fashion, first with Christian Dior, who chose him as his successor, and later in his own right as the shy but daring creator of the modern woman’s wardrobe.

His private life was the subject of constant public fascination, and the homes that he shared with his lifelong friend and business partner Pierre Bergé were extraordinary private cocoons of taste and style. Ivan Terestchenko’s photographs – taken after Yves Saint Laurent’s death in 2008 – capture these exquisite surroundings and cultured luxury for the last time.

Yves Saint Laurent and Pierre Bergé amassed an exceptional collection of furniture and paintings over some forty years. It included important works by Picasso, Matisse and Mondrian, Old Master paintings by Goya, Ingres and Géricault, and masterpieces of furniture, sculpture and silver from the Renaissance to Art Deco.

Not a single piece from the collection was sold until the year following Saint Laurent’s death. A historic sale by auction at the Grand Palais in Paris became the stuff of legend months before it even took place.

This book, revealing a rare union of passion, taste and supreme connoisseurship, stands as a monument to two of the greatest taste-makers of our time.

About the Authors:

Robert Murphy is Paris correspondent for American fashion and lifestyle magazines W and Women’s Wear Daily
Born in England and educated in France, Ivan Terestchenko read History of Art at the Ecole du Louvre and was a painter until the age of 30 when he switched to photography and landed his first assignment with French Vogue. He contributes to many international publications.

This book provides the first authorised account of the history of the finest diamond jewellery in the world. Published on the occasion of the Diamond Jubilee of H. M. Queen Elizabeth II, it tells the story of the magnificent royal inheritance of diamonds from the time of Queen Adelaide in the 1830s to the present day.

Illustrated with a wealth of archive materials as well as extensive new photography of the jewels, this important publication includes stones of international importance as well as items of great historic significance, and will be a standard work of reference on diamond jewellery for many years to come.

Table of Contents:

Acknowledgements
Introduction
Queen Adelaide
Queen Victoria
Queen Alexandra
Queen Mary
Queen Elizabeth I
Queen Elizabeth II
Royal Family Tree
Glossary
Bibliography and Abbreviations
Picture Credits
Index

This macabre tale — part dark fantasy, part Gray’s Anatomy — tells the chilling story of a man driven mad by his search for the truth, with hypnotic and horrifying images.

Philadelphia, the late 1870s. A city of gas lamps, cobblestone streets, and horse-drawn carriages — and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: that the mythological beasts of legend and lore — including mermaids, minotaurs, and satyrs — were in fact humanity’s evolutionary ancestors. And beyond that, he wonders: what if there was a way for humanity to reach the fuller potential these ancestors implied?

The Resurrectionist offers two extraordinary books in one. The first part is a fictional biography of Dr. Spencer Black, from his childhood spent exhuming corpses through his medical training, his travels with carnivals, his cruel and crazed experiments, and, finally, his mysterious disappearance. The second part is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts, all rendered in meticulously detailed anatomical illustrations.

About the Author:

Eric was raised in Colorado but lived in several states throughout the U.S. while growing up. He worked as a snow and ice sculptor for nearly ten years, always writing and painting. His love for the arts led him all over the country and eventually to Pietrasanta, Italy where he worked as a marble sculptor. While in Italy, working on anatomy designs of impossible beings, he created the beginnings of what has become The Resurrectionist. Now living in New Jersey with his wife and two children, Eric continues to work as a professional artist.

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Посмотреть ролик о книге The Resurrectionist: The Lost Work and Writings of Dr. Spencer Black: The Lost Work of Dr. Spencer Black