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This landmark book celebrates the best of British design, documenting the transformation and impact of designers' work over the years between the post-war 'Austerity Games' of 1948 and the 2012 Olympics.

As well as essays by leading curators and commentators, British Design from 1948 incorporates pieces by key practitioners (including Peter Saville, Barbara Hulanicki, Paul Smith and Tom Dixon) to build a comprehensive survey of over 350 of the finest examples of fashion and textiles, furniture, ceramics and glass, theatre design, graphics, photography, architecture, fine art and sculpture from this period.

In addition to discussing works commissioned for official purposes, including the coronation of Queen Elizabeth II and the Festival of Britain, the book highlights the globally influential, and very British, counter-culture, from the sixties boutiques of Mary Quant and Ossie Clark through to the club cultures of Punk, the New Romantics and Rave.

350 illustrations

The first book to embrace the whole of the UK and its creative influence on international fashion, this book is aimed at industry professionals, students and anyone with an interest in fashion. Both inspirational and informative, it will also appeal as a coffee-table book, being visually inspiring and modern.
The UK is a creative and cultural melting pot for international designers to develop their creative identity. London Fashion Week is renowned for showing an edgier breed of fashion designer and for celebrating cutting-edge couture that pushes the boundaries of convention.
This book focuses on the British designers since 2000 who have made their influence resonate globally: designers such as Stella McCartney, Alexander McQueen, Hussein Chalayan, Vivienne Westwood, John Galliano, Julien Macdonald, Giles Deacon, Matthew Williamson and Paul Smith. Each chapter is devoted to one designer and defines visually how Britishness informs their work, showing final collections, process work and studio space. Text in the form of questions and answers or running text illustrates each designer's British influence and distinct style.

Hywel Davies is a Senior Lecturer in Fashion Communication and Promotion at Central St Martins College of Art and Design in London. Previously Fashion Editor of 'Sleazenation', he has also written for 'Arena', 'Vogue', 'ELLE', 'Wallpaper', 'Nylon', 'Dazed & Confused', 'Fashion Inc', 'Grafik', 'Time Out', The Guardian, The Sunday Telegraph, The Financial Times, The Observer, The Independent and 'SHOWstudio'.

Inspirational and informative, this book focuses on the British designers who, since 2000, have made their influence resonate globally: designers such as Stella McCartney, Alexander McQueen, Hussein Chalayan, Vivienne Westwood, John Galliano, Julien Macdonald, Giles Deacon, Matthew Williamson and Paul Smith. The chapter on each designer defines visually how Britishness informs their work, showing final collections, process work and studio space. Text in the form of questions and answers or running text illustrates each designer’s British influence and distinct style.

Focuses on the top 50 designers of British furniture. This manual is written for those who wish to know more but don`t know where to begin. It also provides maps and timelines to help plan a journey through four centuries of the world`s finest furniture and contains more than 500 images.

Drawing on the V&A’s wide-ranging poster collection, this book maps how the poster has evolved in Britain since 1945 in the hands of graphic designers and fine artists, advertising agencies and counter-cultural groups. The range spans ‘Keep Britain Tidy’ campaigns, lavishly produced Benson & Hedges billboards, punk rock posters, hand-printed indictments of politicians and public art projects on the Underground.

Defying regular predictions of its demise, the poster in Britain has adapted itself within achanging technological environment. It has absorbed new directions in art and design and has met unfolding social and commercial challenges. British Posters considers these developments and looks at the varying platforms that posters occupy. As part of the living skin of our cities, posters have entered into conflicts over the content and control of public space. Behind closed doors we have welcomed posters into our homes, Blu-Tacked them to our bedroom walls and made collections of them. Today, in an age of digital media and viral communication, the poster remains an irresistible proposition.

Broadcast design and television branding bear an important prominence in our world today. Audiovisual design, in terms of content and technology, is fast-paced: the TV landscape faces great changes in distribution channels and different content models. Those changes demand a strict strategic brand development, which should be suitable for the on-air designs as well as for a range of other media channels and merchandising.

With Broadcast Design Björn Bartholdy introduces the corporate design of ten selected international TV channels like BBC, FOX or arte. It gives examples of on-air design positions, introduces the collaboration between channels and design agencies and features interviews of the channel's representatives. Enclosed is a DVD to show the audiovisual media in their natural environment: on-screen.

Contents:

This latest edition of From North to South America reviews the best in contemporary brochures by designers from across the American continent. Packed with creative design and visual impact, it is not only inspiring to look at but also an essential reference tool for anyone working in media, communications and graphic design, featuring up to 700 brochures, by 62 agencies, from 16 different countries.

Whenever one watches the Us Secretary of State Madeleine Albright on TV, one cannot but notice her extravagant jewellery. Few people realise, however, that the restrained beauty of this jewellery is often invested with an unmistakable message: After the Iraqi press portrayed her as a she met with Iraqi officials. During the difficult Middle East peace talks, a dove of peace adorned her shoulder and watched over the proceedings. Mrs Albright employs her diplomacy, a weapon barred to men. 61 artists from 16 countries responded to the challenge suggested by Helen Drutt from Philadelphia, to create highly individual brooches themed with Albright's strategic use of adornment. The results are a glittering show of jewellery covering a wide spectrum of shapes, materials and meaning. Each artist interpreted the challenge in a different way. While some boldly emphasized thier political meassage, others choose a more oblique presentation.

Перша монографія арт-директора провідної компанії відеоігор Blizzard Entertainment

Brütal: The Art of Samwise – це мистецька книга про кар’єру, яка об’єднує численні художні твори всесвітньо відомого художника Семвайза Дідьє в одному томі. Протягом майже тридцяти років унікальний художній стиль Семвайза, який поєднує використання яскравих кольорів, візуальну оповідь і нотку гумору, був представлений у численних книгах про мистецтво, ілюстрованих романах, обкладинках альбомів, коміксах і відеоіграх, і його миттєво впізнають легіони його шанувальників.

Brütal: The Art of Samwise відзначає всі мистецькі творіння уяви Семвайза, включаючи багато ніколи раніше не бачених зображень із його особистих архівів.

Ця книга також містить добірку улюблених і найвідоміших зображень Семвайза, які він створив для компанії відеоігор Blizzard Entertainment, де він працював з 1991 року. Як старший арт-директор Blizzard, Семвайз відповідав за художній стиль для Warcraft, StarCraft та Heroes of the Storm, а також за створення ілюстрації для World of Warcraft, Hearthstone, і франшизи Diablo.

Про автора:

Семвайз, він же Сем Дідьє, є старшим арт-директором Blizzard Entertainment. Попередні книги Семвайза включають Grimbeard: Tales of the Last Dwarf та The Last Winter.

A fascinating survey into Buccellati style: a blend of past with present, of form, function and design lie at the heart of the work of a family firm which has become synonymous with gold and silversmithing over the past century. The exhibition (October 2000 - February 2001), held at the prestigious Smithsonian Institution, National Museum of Natural History, in Washington D.C., showcases over fifty masterpieces (objets d’art, jewels and silver objects) characterized by their elegant design, extraordinary craftmanship and luxury materials (gems and precious metals). A blend of past with present, of form, function and design lie at the heart of the work of a family firm which has become synonymous with gold and silversmithing over the past century.

This collection of nearly two dozen detachable, frameable, propaganda posters offer an outstanding selection of examples from East Germany, Russia, Southeast Asia, and China.

Reproduced in startling color and printed on high-quality paper, they offer fascinating historical insight, as well as sublime examples of how graphic art can be both highly effective as well as visually stunning

The Russian October Revolution of 1917 marked the beginning of decades of communist rule that spanned large parts of the world. For many years and in many countries, the most reliable means of spreading state propaganda was through posters like the ones included in this beautiful collection. Distinguished by their bold, bright colors, and generally featuring one or two main figures or a single forceful image, they were ubiquitously plastered on the walls of factories, farms, office buildings, transportation centers, and public squares. They exhorted citizens to proclaim their patriotism through hard work, exercise, and loyalty, and celebrated technological advances in science, space travel, and architecture. Representing an impressive array of styles, cultures, and historical eras this collection is suitable for walls and coffee tables alike.

Bulgari is a lavishly illustrated exploration of Italy's greatest jeweler. Since its beginnings in Rome in 1881 - and throughout its years of expansion throughout the world - the Bulgari firm has been at the forefront of jewelry design, launching many trends and revivals. Here, copious photographs and archival pictures trace the development of the Bulgari style, a distinctive look that has captivated royalty, movie stars and others for more than a century.

The book showcases a range of Bulgari's stunning innovations, such as its easy-to-wear everyday jewels made with precious gems, the powerful modular units combined in repeating patterns, its trademark watches and unique Vintage Collection, a private cache of Bulgari period jewels, watches and objets d'art. It also describes the creative inspiration that led the firm to its famous juxtaposition of unusual materials, from mixing colourful semiprecious stones with priceless diamonds and mounting ancient coins in gold jewelry to incorporating substances - such as steel and white porcelain - that had never before been used in couture jewelry. These and other fashions have sparked countless imitations by other jewelers, copies that can never rival the glamour and flair of the Bulgari originals.

This elegant volume will delight anyone in the field of fashion and jewelry design, as well as the many enthusiastic collectors of Bulgari jewels.

A dazzlingly illustrated history of Bulgari jewelry, this engaging book tells the story of the world’s most famous family of jewelers, goldsmiths, and silversmiths, and the pieces that made their name.

New photography and archival pictures trace the progression of the Bulgari style, a distinctive look that has captivated royalty and movie stars, among other celebrities, for more than a century. Since its start in Rome in 1884 - and throughout the years of expansion when shops opened from Los Angeles to New York and Madrid to Hong Kong - the Bulgari firm has launched influential trends and revivals in jewelry design. Bulgari is famous for the mixing of colorful semiprecious stones with diamonds, the mounting of ancient coins in gold jewelry, and the creation of easy-to-wear everyday pieces made with precious gems. These and other Bulgari fashions have sparked countless imitations by other jewelers, imitations that can never rival the polish and flair of the original pieces.

Initially published in 1996 as the first-ever book on Bulgari, this elegant volume delighted Bulgari enthusiasts and those interested in fashion and jewelry design. The need for an updated history of Italy’s most renowned jeweler was prompted by newly discovered historical material, recently launched Bulgari collections, and a great demand for the book.

This revised edition, featuring several new chapters, presents the achievements and developments of Bulgari in the past decade, including design trends in jewelry and watches. Here also are new lines of luxury fashion accessories as well as the distinctive architecture and interior design of Bulgari stores and hotels. It is these latest accomplishments, exquisitely portrayed in this new edition, which have made Bulgari one of the most important luxury brands of the new millennium.

With an encyclopedic spirit and characteristic flair for color, Bvlgari reconstructs the myth of Eden in a dream of fine jewelry that becomes a manifesto.

Every year, Bvlgari launches a high jewelry collection. The most recent theme is the Garden of Eden, a subject that celebrates nature as a limitless source of inspiration, vitality, and energy — reflected in the wonderful craftsmanship of a Roman brand famous for its colored gems and refined and skillful design.

This extraordinary illustrated book contains exclusive sketches and photographs of the jewelry from the new collection, and artistic references to the iconographic themes of nature and the garden with creative images by contemporary photographers. Poetry on the same topic from various eras and originating from all over the world — from Verlaine to Vita Sackville-West and Emily Dickinson, Federico García Lorca to Khwāju Kermani — also accompanies the images.

In photography by the Korean master Cho Gi-Seok, the unique pieces of the Eden The Garden of Wonders collection, featuring emeralds, rubies, sapphires, and spinals in every color, flourishes in a magical and luxuriant world, a triumph of plants, flowers, and thriving nature.

About the Author:

Simone Marchetti is director of Vanity Fair Italia, where he oversees the European editions of Vanity Fair in France, Spain, and Italy. As a fashion journalist he stands out for his prose, insight, and street style. Lucia Silvestri is the jewelry creative director at Bvlgari. She began her career in the Bvlgari gemological department at the age of eighteen, and the Bvlgari brothers quickly intuited her great potential. Cho Gi-Seok is a fashion and art photographer who was born in Seoul, South Korea, and has his own fashion brand, KUSIKOHC.