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What is "camp"? Drawing from Susan Sontag’s seminal essay, this striking volume explores its meaning and its expression in fashion from its origins to today

Although an elusive concept, “camp” can be found in most forms of artistic expression, revealing itself through an aesthetic of deliberate stylization. Fashion is one of the most overt and enduring conduits of the camp aesthetic. As a site for the playful dynamics between high art and popular culture, fashion both embraces and expresses such camp modes of enactment as irony, humor, parody, pastiche, artifice, theatricality, and exaggeration.

Drawing from Susan Sontag’s seminal essay “Notes on Camp,” the book explores how fashion designers have used their métier as a vehicle to engage with the camp aesthetic in compelling, humorous, and sometimes incongruous ways. As a sartorial manifestation of the camp sensibility, this thought-provoking publication contributes new theoretical and conceptual insights into the camp canon through texts and images. Stunning new photography by Johnny Dufort highlights works by such fashion designers as Virgil Abloh, Thom Browne, Jean-Charles de Castelbajac, John Galliano, Jean Paul Gaultier, Marc Jacobs, Karl Lagerfeld, Alessandro Michele, Franco Moschino, Miuccia Prada, Richard Quinn, Yves Saint Laurent, Elsa Schiaparelli, Jeremy Scott, Anna Sui, Gianni Versace, and Vivienne Westwood.

About the Author:

Andrew Bolton is the Curator in Charge of the Costume Institute at The Metropolitan Museum of Art, New York.

Five quality mountable prints in a full colour illustrated envelope.

"Carine, and her vision of French Vogue, embodies all that the world likes to think of as Parisian style: a sense of chic that's impeccable and sometimes idiosyncratic and which forever lives on a moonlit street as seen through the lens of Helmut Newton." - Anna Wintour Karl Lagerfeld once said that if you close your eyes and imagine the ideal French woman, it would be Carine Roitfeld. She is a fashion visionary and a muse. Since the start of her career in the early 1990s, through her collaborations with the legendary photographer Mario Testino, Roitfeld has been credited with launching Tom Ford's career at Gucci, as well as turning French Vogue into one of the industry's most worshipped magazines.

This elegant volume is a visual history of Roitfeld's fearless career. A daring instigator, she is known for pushing the limits with her subversive styling ideas. Featuring a selection of 250 magazine tear sheets and covers from pivotal editorial shoots and advertising campaigns, as well as intimate visual ephemera, this book gives an inside view into Roitfeld's creative thought process and sensibility. A must-have for those interested in cutting-edge fashion and femininity, this book will empower women to follow Roitfeld's lead and take risks with their personal style.

About the Author:

Carine Roitfeld is a legendary stylist and former editor in chief of French Vogue. Olivier Zahm is an art critic, renowned curator, and art director. He is the editor in chief of Purple Fashion. Alex Wiederin at Buero New York is creative director of Vogue Hommes International. His work in fashion, photography, and graphic design is highly acclaimed.

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Пролистать книгу  Carine Roitfeld: Irreverent

A leading figure in the Italian and international design universe, Carlo Colombo is one of Italy's best-known and prolific designers, with a recognizable touch.

Carlo Colombo was born in Brianza, the land of the greatest Italian furniture companies and home to several key figures of contemporary design. Having graduated with a degree in architecture from the Politecnico di Milano, his career has grown with great intensity and success, including his iconic pieces such as the Minerva chairs or the Bali armchairs, the award-winning Albume washbasins, and the Sveva sofa.

This book recounts the multifaceted universe of a designer poised between passion and rationality. It draws on a selection of his most significant design products, his methodology, creative inputs and collaborations with protagonists from the business and finance worlds, as well as enlightened clients and artists.

About the Author:

Maria Vittoria Capitanucci is an architecture historian and critic who teaches History of Contemporary Architecture at the Politecnico di Milano. She collaborates with specialized magazines and websites and is the author of various essays and monographic works.

Carlo Mollino (1905-1973) was one of the foremost figures in a generation of Italian designers. This biography demonstrates Mollino's unique anti-conformist attitude, a design statement that was at odds with the zeitgeist in his home town, Turin, in the 1950s. This brave move, however, paid off and was the reason for the great international interest in his extraordinary creative skills in the fields of architecture, design and photography.

Also famous for his love for mountains, cars and aviation, Mollino captured the attention (and the amazement) of the critics for the individuality of his works. In architecture, furniture and interior design, his output combined examples of Surrealist sensibility and a pioneering and highly personal organic approach. His famous three-legged chairs, tables with zoomorphic shapes, armchairs 'on tiptoe' and daring skeletal structures have in recent years achieved the very peak of world collecting, thereby contributing to his renown as an unparalleled creator.

Published in the same style as the successful Minimum Architects series, the Minimum Design series includes books about the major figures in the field of design, creators of objects that have become a part of our daily lives. The lamp on our desk, the chair we are sitting on or the glasses we are wearing have a genius behind them to be discovered. These volumes introduce in a practical manner the personalities and the works of the world's major designers by way of an historical-critical introduction to the work and life of each individual designer. An accurate selection of the designer's most famous objects arranged in chronological order and a critique of his or her work summarising the most significant reviews published in magazines and newspapers completes the subject.

Contents: Carlo Mollino by Andrea Branzi; The Janus-faced genius; Catalogue of Objects; The Objects; Carlo Mollino; Critique; Selected References

This volume reconstructs the fifteen years of the remarkable artistic collaboration between Carlo Scarpa and the Venini glass-making company, from 1932 to 1947.

The pieces featured represent a significant part of his early activity. They are often prototypes or one-offs that document Scarpa’s extraordinarily inventive designs and the variety of techniques and decoration he used.

This was made possible by the intense research carried out especially at the glass-making company’s historical archive, which had at last been rediscovered. The whole production designed by the Venetian architect is illustrated in about six hundred works divided into the different types of glass — around thirty — either used and/or invented by Scarpa in order to breathe life into his refined creations. The types of glass are classified as a mezza filigrana, sommersi, lattimi, corrosi, tessuti, granulari, murrine, incisi, battuti, pennellate, a fili, and are the product of the untiring experiments the artist performed on material and colour.

Precious and unprecedented documentary materials, which includes original drawings and period photographs, complete this catalogue raisonné, providing an accurate account of one of the most important phases in the golden age of 20th-century Venetian glass-making.

The prestigious scientific committee appointed for the volume counts among its members Giuseppe Pavanello, Director of the Fondazione Giorgio Cini Institute of Art History and Nico Stringa, Professor of History of Contemporary Art at the Ca’ Foscari University of Venice, as well as leading experts on the art of glassmaking, such as Rosa Barovier Mentasti, Laura de Santillana, Marino Barovier and David Landau.

Carlos Cruz-Diez (Caracas, 1923) promotes experimentation with color and is one of the most relevant examples of the Kinetic Art Movement. The catalogue covers Cruz-Diez´s career including his beginnings as a graphic designer. The 1950s and 1960s are presented through a carefully selected group of unedited documents including magazines and catalogues that he illustrated and designed during that time period. This chapter in Cruz Diez´s career directly correlates with his unique artistic language, which he continues to apply in his works today. The catalogue illustrates almost thirty works by Carlos Cruz-Diez. Their presentation takes into account the original series in which they were first exhibited. These series allow insight into the artist´s personal concept and organization of his body of work. At the same time, the series reflect his incredible ambition and eagerness to experiment. His invented jargon stands out in all of the series with titles so typically Cruz-Diez such as Chromatic induction , Physichromie Chromosaturation .

'Carlos Cruz-Diez: Colour Happens' is the title of the first individual Spanish exhibition, an official institution, dedicated to the work of Carlos Cruz-Diez (Caracas, 1923). His work has been present in the greatest European exhibitions dedicated to Kinetic Art since the 60's, as well as in the most important collective exhibitions devoted to Latin American art. Carlos Cruz-Diez has worked in many of the most dignified museums worldwide, including, Musee National d'Art Modern Centre Georges Pompidou in Paris, of which loaned works of Cruz-Diez for this exhibition, as with the private Foundation Allegro, the Altelier Cruz-Diez and MUGAB (Diputation of Alicante).

PEPIN gift wrap paper books all contain 4 pages of introduction and 12 large sheets of very high-quality wrapping paper. They can easily be removed from the books by tearing them along a perforated line. The wrapping papers are folded to fit into the book; when removed and opened they measure 50 cm x 70 cm (19,5 inch x 27,5 inch; a standard size for gift wrapping papers). Depending on the theme, we have selected a suitable light-weight paper quality. For example, papers with designs in gold, silver or bronze are printed on silky art paper on which the inks show to their best advantage. Designs with an antique or hand-made feel are printed on high-quality creamy offset paper. PEPIN papers make your gift package look very special. In addition, our papers are suitable for scrap booking and all sorts of craft projects. Each volume contains 12 different, exceptional designs.

TASCHEN 25 - Special edition
"Hot Rods and Hula Hoops"

For much of the world, the 1950s were a drab decade of rebuilding after the devastation of World War II. In stark contrast, the United States economy was booming, and colorful tract housing developments were flourishing across the country. And as cars became a key part of this new lifestyle, they were saturated with color too. The war sparked a technology boom in the U.S., giving automakers as well as a growing band of auto enthusiasts mechanical advancements and an unprecedented range of colors to apply to their cars. U.S. automakers were experiencing an industry-wide rejuvenation, and fins and jet engine intakes would become the styling cues that would define the decade.

This compendium of colorful advertisements brings automobiles from the 50s back to life. Featured makes include: Cadillac, Chevrolet, Ford, General Motors, Lincoln, Oldsmobile, Pontiac, Studebaker, and many more.

Sources are eclectic, results mixed, but one thing is certain: car design is being forced up an ever tightening spiral of creativity. These machines are memorials of our tastes, yearnings and capabilities. They have layers of meaning and can, as Henry Ford knew, be read like a book...if only you know how. The story of the car is the story of how the objects of industry became a medium of artistic expression. This book tells that story in a series of case studies which reveal national characteristics: American flair, German technical suprematism, French vernacular chic, gorgeous Italian sculpture, English antiquarianism, Japanese ingenuity, Swedish responsibility. Cars featured appear in chronological date order from the 1908 Ford Model T to 2003 BMW 5 Series. The chosen cars will be specially photographed in a uniform style and reproduced in very textured, 4 colour b/w so as to distance this book from the cliches and conventions of specialist automotive publishing and to highlight form and shape. Each picture will be accompanied by a short critical essay including essential historical material together with colorful anecdotage and quotations as well as a persuasive aesthetic appraisal of each vehicle. This lavish and beautifully designed book is the gift book for all car enthusiasts and design aficionados.

This is the authenticated story of Cartier as it has never been told before

In the 1980s Hans Nadelhoffer was granted exclusive access to the Cartier archives, including previously unpublished photographs and designs, to write the history of the Cartier empire.

For over a century, Cartier has been synonymous with the finest and most exclusive jewelry in the world. The enduring hallmarks have always been top-quality gems, imaginative and distinctive designs, and the most exquisite workmanship. For tsars and maharajas, European royalty and American super-millionaires, Cartier has been the recognized purveyor of luxury, the epitome of glittering opulence.

In this new edition, the book, now printed throughout in colour, has been completely redesigned, and many new colour illustrations have been added. Further discoveries made since the original volume was published have been incorporated in the text.

The career of the house of Cartier is traced from its modest beginnings in Paris to its eventual predominance over the world of fashion. With stories as well as technical and documentary material, this sumptuous book shows how Cartier has set stylistic modes and standards throughout its years of overwhelming success and gives full credit to the little-known individuals who helped to bring this about.

The glory of classic Cartier jewelry is exhibited through fifty years worth of designs shown in this exhibition catalog. It shows how surprising the First Cartiers were, in two clear ways: first, art nouveau elements are almost totally absent. Instead there is a singular reinterpretation of the neoclassical vocabulary: floral motifs, acanthus scrolls, and garlands or drops. Care for detail in these architectural motifs–often in three dimensions–is paramount. At the same time, Cartier introduced the use of platinum for the mounts. This metal was more solid and more luminous but also harder to work. It required a revolution in setting techniques as well as new tools and underlying techniques. Layer by layer, these foundation designs raised Cartier to the position of visionary and pioneer.Specialists, collectors, fans of Cartier objects, and those who love decorative arts will discover a surprising new view of Cartier in this major catalog.

The dazzling Collection Art de Cartier will once again amaze the public with their impressive pieces this time seen through the revolutionary eyes of the master of Italian design, Ettore Sottsass. Richly illustrated, this catalogue accompanies an international jewelry exhibition. Ettore Sottsass presents the Collection Art de Cartier in a brilliant new manner, viewing the collection as a reflection of form and design, while understanding its function and relation with the surrounding space and the bodies it adorns. For this impressive project Ettore Sottsass has selected over 350 jewels, watches and accessories following his personal and intuitive taste forgoing epochs and fashion trends, and creates and highlights the ties amongst the materials, style and colour. To emphasize his vision, for each piece Sottsass creates a decorative element meant to contain the object as a shrine located in a cosmic space.

This is a journey through Cartier’s history and its iconic jewelry.

This catalog is not a nostalgic journey through the past; rather, it seeks to highlight the way in which Cartier’s heritage serves as an inspiration to new generations of designers across the world, and how those repertoires take on a new spirit upon being reinvented by a new generation responsible for continuing, developing, renewing, and keeping alive the fashion house’s great legacy.

Five thematic units — The Early Days and the Birth of a Style, Universal Curiosity, Jeanne Toussaint’s Taste, Wearing Beauty and Measuring Time, and María Félix and Icons of Elegance — present close to 180 pieces from the Cartier Collection as well as institutional and private collections. In this way, the exhibition catalog allows us to understand the house’s history, and the development of its unique language and style, its savoir faire, and the evolution thereof.

About the Author:

Ana Elena Mallet is a Mexican curator and author. She has also served as consultant, adviser, deputy director, and head of preservation in some of the most important cultural spaces in the country. Michel Aliaga is Director of Transmission of Cartier History and Heritage. Eugenio López Alonso is President of Fundación Jumex Arte Contemporáneo. Pierre Rainero is Director of Image, Style and Heritage, Cartier. Cyrille Vigneron is President and CEO, Cartier SA.