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The work of one of the most influential and innovative hat designers of this century. Philip Treacy’s career over the last two decades has been prolific and high-profile. A visual delight, this book shares Treacy’s favorite designs in 250 striking photographs, curated by Treacy himself, and showcases his collaborations and personal relationships. Treacy has said, “Every hat I have ever made has begun in my mind as a photograph. I can see it on the model, at the right angle, before I even begin.” Indeed, his hats have been photographed by the most iconic image makers of our time, including Patrick Demarchelier, Richard Avedon, Steven Meisel, Mario Testino, Bruce Weber, and Irving Penn. And his hats have been modeled on equally famous heads, ranging from Grace Jones and Lady Gaga to the Duchesses of Cornwall and Devonshire.  

Since his early friendships with Isabella Blow and Alexander McQueen, Treacy’s imaginative designs have been a synthesis of art and fashion, with materials ranging from silk and lace to Plexiglas and leather, trimmed with feathers or Swarovski crystals. Combining luxury and sophistication, his work has helped shape modern fashion. This first, highly personal book is a glamorous tour through Treacy’s world, and documents how a hat can evoke the magic of life and speak to the transformative power of fashion.

About the Authors:

Philip Treacy is the recipient of numerous international fashion awards (he is a five-time winner of the title British Accessory Designer of the Year at the British Fashion Awards). Marion Hume has been the international fashion editor for The Australian Financial Review since 2006. She contributes to the Financial Times, the Saturday Telegraph Magazine, W, and the New York Times.

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Пролистать книгу Philip Treacy: Hat Designer

Taking the houseplant trend to the next level, this book offers -- in addition to growing tips for over twenty varietals -- rich inspiration for home decoration, crafting, and DIY natural health and beauty projects using nature.

Leafy green houseplants, hardy succulents and cacti, and flowering perennials add as much to your daily sense of well-being as to the beauty of your home once you convert it into a plant paradise. Opening her book with all the essentials you need to cultivate twenty home varietals -- from calathea to monstera to pilea peperomioides -- with practical tips for repotting, watering, and sunlight recommendations, Elle Décor Idée co-editor Camille Soulayrol takes the houseplant trend to the next level by offering a broad program of gorgeous DIY projects. She shares step-by-step inspiration for creating terrariums and aquatic plant habitats, decorative tips for showcasing plants at home with wreathes or geometric frames that allow vines to thrive, and nature-inspired table setting ideas incorporating leaves and dried herbs. Tips on how to frame blossoms and leaves and how to create herbal dyes for textiles, round out a rich palette of home decorating projects. Learn to leverage the benefits of specific plants through recipes for natural cosmetics, essential oils, and herbal infusions sourced from your houseplant haven.

Urban dwellers have finally caught on to the beauty, joy, and mindful benefits of bringing nature into the home, and this innovative book is essential reading to succeed in reinvigorating your interior using the diverse bounties of nature.

About the Author:

Camille Soulayrol, co-editor-in-chief of Marie Claire Idées, is an author, stylist, and visual designer.

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Пролистать книгу Plantopia (Art de vivre & Voyages) ​ на сайте издательства.

Published in association with the V&A, a comprehensive history of plywood, from its use in 18th-century furniture to its popularity in the digital age

Plywood is an astonishingly versatile material, made by gluing together layers of cross-grained veneers, creating a pliable board that can be stronger than solid wood. Stylish and practical, plywood offers huge possibilities for experimental design, and it has been used to make a wide range of products, from aeroplanes, boats and automobiles to architecture and furniture. This book traces the history of plywood from its use in 18th-century furniture, through its emergence as an industrial product in the 19th century, to a material celebrated by 20th-century modernists such as Alvar Aalto and Charles and Ray Eames. An ideal material for the digital age, plywood has become popular again in recent years and is widely used in contemporary design and manufacture.

Produced to accompany an exhibition at the V&A, this book is the first comprehensive study of the history of plywood and its myriad applications throughout the ages, unveiling the stories behind objects that surround us and that we often take for granted.

Celebrating the Milanese house of Pomellato’s fiftieth anniversary, this book explores its signature vibrant jewels through the lens of 1967, the year of its founding.

The Italian house of Pomellato’s jewelry merges Italian craftsmanship with audacious design. Celebrating the house’s fiftieth anniversary, this book delves into the links between Pomellato’s jewels and the highlights of 1967 — the year of the firm’s founding — and beyond. Through iconic images captured by Horst P. Horst, Helmut Newton, Peter Lindbergh, and more, Pomellato: Since 1967 relates the cultural, technological, and artistic revolutions of the 1960s and onward.

From the Vespa to the Summer of Love, from Andy Warhol to Twiggy, this book confronts the great cultural moments of the 1960s with stunning shots of Pomellato’s fine jewelry. Emblematic pop art creations, comic designs, and kaleidoscopic prints echo Pomellato’s hallmark rounded, colorful jewels in playful compositions throughout this breathtaking title.

About the Author:

Sheila Weller is an author and contributor to Vanity Fair, the New York Times Book Review, and Glamour. She has written for many magazines, winning numerous awards for her articles.

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Пролистать книгу Pomellato: Since 1967

Otomo Katsuhiro is one of the most respected and influential Japanese artists/storytellers in the history of modern comics.

He has also worked extensively in animations; from his own, a hugely successful adaptation of his epic manga, Akira, which is widely considered to be a pinnacle of the form - a work of astonishing power and visionary scope, with unsurpassed artistry.

This book, as the second title published by PIE International, exclusively features more than 150 Posters all of which use Otomo's great illustration works. In addition, all posters are finely finished by professional graphic designers, so this title presents a variety of great hybrid works of Otomo's illustrations and professional graphic design works.

Roughly half of the inclusive works are the posters of his movies such as Akira, STEAM BOY, SHORT PEACE and so on, while the rest of the works are consist of various advertisements: are Kichijoji (Department Store), Geopolice (an indoor amusement park in Tokyo) or BRUTUS (Japanese Magazine).

A special bilingual (Japanese/ English) interview with Otomo and a graphic designer will also be included in the last 6 pages

The definitive publication on the most exuberant design period of the 20th century

Emerging in the late 1970s, the multistranded cultural phenomenon that came to be known as Postmodernism proclaimed the death of modernism. Postmodern architects and designers eschewed the rigid ‘international’ style that many felt dehumanized its inhabitants and cities, promoting a belief that design need not follow rules. Instead, they revelled in borrowing from the past, celebrated colour, pattern and ad-hocism, and produced a dazzling spectrum of objects, spaces and buildings in the process. It became a style of its own, the defining look of the 1980s, and placed the names and objects of Denise Scott Brown, Ettore Sottsass, Charles Jencks, Alessandro Mendini and Michael Graves in our homes. Today, aided by a return to an interest in the hand-made, the aesthetics and the preoccupations of the style are enjoying a revival in a new generation of producers and an older generation of collectors.

<Postmodern Design Complete tells the story of how the movement came into being, introducing the ‘masters’ under whom it flourished, and the principal figures, from around the world, in the fields of architecture, furniture, graphic design, textiles, product and industrial design. It also includes an overview of notable postmodern homes and interiors and contemporary designs influenced by the movement, most of which have rarely been published. Highly informed and accessible texts, including a foreword by Charles Jencks and an afterword by Denise Scott Brown, are illustrated with images that bring together classics and little-seen rarities, unusual objets d’art, and mass-produced items.

Incorporating the most knowledgeable sources and material in a single volume, Postmodern Design Complete is the definitive overview of the movement’s seminal years and one that the design-conscious of any persuasion will want.

Contents List:

Introduction • 1. Masters of Postmodernism • 2. Forms of Postmodernism • 3. Living with Postmodernism • 4. Postmodernism Continues

About the Author:

Judith Gura is a design historian and author whose books include Guide to Period Styles for Interiors, A History of Interior Design (co-author), Design After Modernism: Furniture and Interiors, 1970–2010, and Sourcebook of Scandinavian Furniture: Designs for the 21st Century. She is on the faculty of The New York School of Interior Design, has taught at Pratt Institute and FIT, and lectures frequently about contemporary design and furnishings. She is a contributing editor to Art + Auction, has curated exhibitions at the New York School of Interior Design and worked on exhibitions at the Brooklyn Museum and the Whitney Museum.

Showcasing impactful and effective poster designs from Japan, POSŪTA POSTER shines a spotlight on the new generation of graphic design work inspired by unique Japanese culture, elements, and aesthetics.

From the iconic 1964 Olympics poster by Yusaku Kamekura to the psychedelic posters of Tadanori Yokoo, Japan has made its way to the forefront of impactful and effective graphic and poster design since its post-war days. Fast-forwarding to the Reiwa era, Japan’s graphic design scene has continued to evolve in terms of design values and aesthetics.

Known for their dedication to craft and ingenuity, Japanese design aesthetics are not only timeless, but also incorporates unique elements found only in their culture. POSŪTA POSTER serves to showcase poster designs from Japan’s new generation of talent, spanning categories from political/social, advertising, experimental and more.

Posters from the late 19th century to Robert Indiana's poster designs for Barack Obama tell the story of protest. Contemporary events seen through the eyes of 20th-century artists show a passion for freedom and human rights and demand equality and tolerance.

L'imagination au pouvoir was a slogan devised by artist Pierre Aléchinsky during the May 1968 student riots in Paris. The particular appeal of political posters for avant-garde artists comes from their dual inspiration of utopian ideals and Jive history. The postwar period, when Picasso's unassuming dove image was commandeered by the Communist peace movement, was succeeded by the general willful resistance of the younger generation in the 1960s. In 1968, many supported the students' demands and produced political posters. In the 1970s, the focus turned to freedom for minorities, and this was followed not much later by environmental pollution a great concern of artists such as Joseph Beuys. In the mid-80s, the AIDS scare turned eyes on to discrimination and social marginalisation; and the concept of equality resurfaced, especially in the work of American artists such as Keith Haring and Jenny Holtzer. The fall of the Berlin Wall in 1989, followed by globalization, was reflected in posters by Robert Rauschenberg and others.

This story of international protest movements, narrated through vivid designs by the great artists of our day, is also a story of the art of the period a selective view, perhaps, but nonetheless an expression of astonishing continuity and authenticity.

In addition the publication includes among others works by Andy Warhol, Jasper Jons, Antoni Tàpies, Joan Miró and Roy Lichtenstein.

The first monograph on fashion designer Prabal Gurung, packed with stories, design inspiration, and never-before-seen photographs

In February 2017, Prabal Gurung ended his show with a parade of feminist tees featuring phrases like This Is What a Feminist Looks Like, Voices for Choices, and We Will Not Be Silenced. A year later, his collection took inspiration from two female-dominated Asian cultures.

Activism is built into designer Gurung's ethos and the celebration of female empowerment serves as a constant focal point of his designs. He presents femininity with a bite, beauty with substance, and a diverse, inclusive world that is Stronger in Color.

Prabal Gurung offers a window into Gurung s design process, and it is filled with inspiration, mood boards, sketches, runway shots, and photographs of the clothing from the last 10 years. The Prabal Gurung woman is modern, intelligent, elegant, assured, and socially responsible, and this book is a celebration of people of all ages, races, shapes, sizes, sexualities, and identities.

A successful layout will captivate the target audience immediately in commercial design. How to make a successful design that attracts consumers? You will find answers in this book. This book equips readers with a good grounding of layout design principles, including proximity, alignment, repetition, and contrast, etc. It also features a range of outstanding layout design cases with visual guide map, giving a wide perspective on the methods in layout design.

Designing a captivating creature simply for it to exist against a white background and going no further is a purely academic exercise. Designing a creature that can survive in a world, interact with its own and other species, and go on to make an impact, is designing with intent. This is the end goal of creature design and what you will witness in this latest book from industry expert Terryl Whitlatch.

With decades of experience in the entertainment industry, developing creatures for Star Wars: Episode I — The Phantom Menace and Beowulf, among other films, Whitlatch offers an abundance of valuable advice throughout the Principles of Creature Design. For Whitlatch, there’s no limit to what can be imagined with an open mind, though the journey may not always be an easy one. It’s what she calls “chasing the unicorn.” We will surely enjoy joining her on her journey, filled with creatures so vivid, whimsical, and elaborate that we will wish — or wonder if — they are real.

About the Author:

Terryl Whitlatch is an accomplished, scientifically and academically trained illustrator who extensively studied vertebrate zoology and animal anatomy. She has worked for various zoos and museums in the United States and as senior consultant on Wildlife Art and Animal Anatomy for the World Wildlife Fund. She is considered to be one of the top creature designers and animal anatomists working in the field today. In a career spanning more than 25 years, Whitlatch has many projects to her credit, including Star Wars: The Phantom Menace, Star Wars: The Special Edition, Jumanji, Men in Black, Brother Bear, Dragonheart, Alvin and the Chipmunks, Curious George, The Polar Express, and Beowulf. For over seven years, she worked for Lucasfilm, Industrial Light & Magic, and George Lucas's JAK Films. Her illustration skills and comprehensive knowledge of animal anatomy and movement are essential in the development of believable creature creation.

Learn to design simple, powerful, and timeless logos.

*Winner of the 2022 American Graphic Design Award for Book Design from Graphic Design USA*

When you think of a brand, often the first thing that comes to mind is the logo, the visual representation of that product, place, thing, or business. The power of simplicity for these marks can never be underestimated—a logo that comprises simple shapes can communicate a stronger message than a complex one, leaving a lasting impression in a viewer’s mind.

In Principles of Logo Design, noted logo designer George Bokhua shares his process for creating logotypes that will stand the test of time. Applying the enduring principles of classic texts on grid systems by Josef Muller-Brockmann and on form and design by Wucius Wong, Bokhua elaborates on his popular online classes, demonstrating in detail how to maximize communication with minimal information to create logos using, simple, monochromatic shapes.

This comprehensive volume includes:

- How to apply a strong, simple, and minimal design aesthetic to logo design
- Why gridding is important, and understanding the golden ratio and when to use it
- How to sketch and refine logos through tracing, then grid and execute a mark in Adobe Illustrator
- Fine-tuning techniques to ensure visual integrity

Knowing how to design a great logo is a core skill for any graphic designer. Principles of Logo Design helps designers at all levels of skill and experience conceive, develop, and create logos that are not only pleasing to the eye but evoke a sense of perfection.

About the Author:

Logo designer George Bokhua has more than 15 years of experience in identity design and development. He has worked with a variety of clients all over the world, from small startups to established brands like Disney, New Balance, NFL, Sonic, and Wired magazine. Bokhua, who is well-known for his simple, clean, sophisticated style and the use of grid systems and geometric shapes in his process, teaches three popular classes on Skillshare that serve as an introduction to his approach. To see more of his work, visit his website bokhua.com or his Instagram account @george_bokhua. He lives in Tblisi, Georgia.

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Пролистать книгу Principles of Logo Design: A Practical Guide to Creating Effective Signs, Symbols, and Icons на Google Books.

Printable is a stunning showcase of familiar and innovative methods that elevate printed matter for branding and beyond.

In an increasingly digital world, the art of printing has become more precious than ever. Although screens continue to take over society and sustainable practices have improved the preservation of natural resources, many designers still thrive on delivering tactile experiences, experimenting with new techniques or being inventive with conventional materials to bring their ideas to life in meaningful and visually impactful ways.

PRINTABLE is a stunning showcase of familiar and innovative methods that elevate printed matter for branding and beyond. Featuring printing experts, printmakers, and creative projects from around the world, it celebrates craftsmanship and serves to inspire those looking to add more character and dimension to their work.

About the Author:

Headquartered in the heart of Asia, victionary connects creative talents and enthusiasts from all over the world through original concepts, intriguing graphic approaches, and innovative printing techniques. Founded by Victor Cheung in 2001, viction workshop ltd. provides fresh perspectives, timeless inspiration, and pure visual delight through its publishing brand, viction:ary. Aside from art, illustration, and graphic design-related titles, viction:ary also publishes travel guides and children’s books. To that end, we welcome you to join us in spreading the joy of print to every corner of the world.

Colors are so universally used that every designer should consider when designing. They are so important that they to some degree decide the overall design.

This book introduces two systems of printing colors — CMYK and PMS — in a plain way, explaining how they are produced and the principles behind them with texts and illustrations. Meanwhile, it showcases a substantial selection of projects for reader’s well-rounded understanding of printing colors and their functions.

1. A detailed introduction to the two systems of printing colors — CMYK and PMS
2. Carefully-selected cases covering various types of graphic design
3. A good combination of theory and practice for easy learning

Printmaking is a practical and comprehensive guide to printmaking techniques with clear step-by-step illustrations. This fully updated second edition contains new images throughout, including improved process shots and examples of the latest work from contemporary printmakers.

There are expanded chapters on digital and mixed media processes, as well as a brand new ‘Print & Make’ chapter, which explores the opportunities for creative expression within the many processes available to print makers. For example, this edition includes a new, detailed section on Japanese moku hanga woodblock printing while the more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed.

The addition of new images showing a broader range of subject matter, include more contemporary prints and international artists. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike.

Special attention is given to safe practices, addressing the important concern for health and safety.  Step-by-step illustrations provide an enhanced visual reference – either photographic or diagrams for clarity – and the authors have supplied more information on safer and more sustainable practices. Since nontoxic alternatives are a rapidly growing and ever-evolving landscape, Printmaking 2^nd Edition presents products and practices that are accessible worldwide.

About the Authors:

Bill Fick is Visiting Assistant Professor in the Art Department at Duke University and the director of Supergraphic, a printmaking studio in Durham, North Carolina. He is also an internationally known printmaker.

Beth Grabowski is a print artist and the Zachary Taylor Smith Distinguished Term Professor of Art at the University of North Carolina at Chapel Hill in the USA. She is past president of SGC International (2012–2014), the professional organization for print artists, educators and printmaking enthusiasts. Her work has been exhibited internationally.