Книги з графічного дизайну

Watercolour painting, the painting with pigments suspended or dissolved in water, is one of the oldest forms of painting. It is also a form of painting that is very suitable for practical applications, as the subtle colours allow for a wide array of uses. Watercolour Patterns contains a collection of some 140 patterns, which were especially made for this edition by Joost van Roojen, who has specialised in watercolours since the 1950s and has gained a fabulous technical mastery of this medium.

Agile Rabbit Editions contain stunning images for use as a graphic resource, or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design. The pictures can also be used to produce postcards or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image-manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge.

Text in Chinese, English, French, German, Italian, Japanese, Portuguese, Spanish

Weaving, the art of threading yarns into cloth, is one of the oldest ways of creating and decorating fabrics. Woven fabrics range from plain cloth in one colour to highly decorated textiles, such as rugs and tapestries, often with an emphasis on imagery from the natural world. Weaving Patterns contains examples of elaborate weaving decorations, giving an overview of the patterns, borders and elements used in this technique.

З рідкісного джерела: понад 250 чудових малюнків із зображенням декоративних літер, складних квіткових рамок, типу тіла та вишуканих ксилографічних ілюстрацій. Разом із меншим вибором повнокольорових малюнків, які колись використовувалися на шпалерах, гобеленах та інших побутових аксесуарах, красиві мотиви пропонують величезну скарбницю ідей. 291 дизайн, 40 повнокольорових.

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Інші книжки про творчу спадщину Уильяма Морриса

Over 1200 dynamic, ethnic, decorative designs, from civilizations over 3000 years, are displayed here and on CD.

Architecture, sculpture, painting, ceramics, mosaics, textiles, bronze, lacquer, leather, manuscripts, glass, metals, and typography were consulted from sources in Egypt, Assyria, Greece, Rome, China, Japan, India, Persia, Arabia, Turkey, Byzantinium, and Europe.

The designs, most shown in beautiful color and exquisite detail, display Ancient, Gothic, Renaissance, and Classic styles.

The accompanying text both describes each civilization and gives the sources for all the images, from their ruins, churches, museums, books, artifacts, and monuments around the world.

This important collection will become a classic reference and source for designers of every type for years to come.

World Graphic Design is the first-ever survey of contemporary graphic design and designers outside the United Kingdom, mainland Europe, North America and Australasia. Organized into four main geographical regions or cultural zones – Africa, the Far East, Latin America and the Middle East – and then alphabetically by country and designer/studio within each zone, it focuses on the work being carried out today within the most popular genres of graphic design: posters, book and album covers, packaging and promotion. As graphic design in the developed world becomes increasingly focused on the same small pantheon of designers and the same canonical approaches, World Graphic Design seeks to expose it to the energy, vitality and diversity of a vast body of work that has long co-existed alongside it, but that has hitherto been all but ignored. It is a deliberate attempt to do for graphic design what has been achieved for world music.

With an informative critical profile and full contact details of each designer and studio, and more than a dozen illustrated examples of their recent output, World Graphic Design is a ground-breaking survey and an essential reference for anyone involved in graphic design worldwide.

Aims to do for world graphic design what has already been achieved for world music
The first publication to showcase the richness and variety of graphic design outside the Western tradition
Includes features on individual designers and studios

This book is an extraordinary pictorial dictionary of musical instruments from around the world, containing over 1500 drawings. Each instrument has been selected to provide a balanced historical overview of musical development: aerophones, idiophones, membranophones, chordophones, mechanical and electrical instruments are all equally represented.

All of the drawings have been created specifically for the details of features such as strings, frets and keys, together with characteristic decorative patterns, have been painstakingly reproduced.

World Musical Instruments will serve both as a source of information and as an object of fascination for: scholars, musicians, artists and designers. The accompanying CD-ROM with high-resolution jpeg illustrations of all the instruments provides the reader with an invaluable resource.

Agile Rabbit Editions contain stunning images for use as a graphic resource, or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design. The pictures can also be used to produce postcards, or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image-manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge.

In this new series we're presenting contemporary graphic design from different parts of the world. Even though during the last decades globalization seems to have resulted in the different cultures and societies moving closer together, and although communication and cultural exchange has increased, many regional designs still retain distinctive characteristics that reflect their origin.
The third volume of the series is dedicated to an entire continent: Asia. The selected designs originate from regions all over the continent, from Israel in the west to Japan in the far east. They represent an enormous diversity of styles, scripts, forms and visual languages. Recurring motivs are floral images and ornaments, while architecture – a dominating element in so many European designs – is almost absent. Nature, faces, script and myth play an important part in many works. It's a fascinating visual journey!

In dieser neuen Buchreihe präsentieren wir zeitgenössisches Grafik-Design aus den verschiedenen Teilen der Welt. Auch wenn sich die verschiedenen Kulturen und Gesellschaften während der letzten Jahrzehnte einander deutlich angenähert haben und der gegenseitige Austausch zugenommen hat, zeugen die grafischen Arbeiten der verschiedenen Länder und Regionen dennoch deutlich von regionalen Eigenheiten, Vorlieben und Interessen. Nicht selten entsteht eine reizvolle Verbindung aus internationalen und regionalen Elementen. Der dritte Band der Reihe widmet sich nun dem Grafikdesign eines ganzen Kontinents: Asien. Und tatsächlich spannen die ausgewählten Entwürfe den weiten Bogen vom Westen des Kontinents (Israel) bis hin zum fernen Osten (Japan). Dazwischen findet sich die ganze Bandbreite der unterschiedlichen Kulturen, Bilderwelten, und nicht zuletzt der unterschiedlichen Schriften. Häufig tauchen Bilder aus der asiatischen Mythologie auf; florale Elemente, Gesichter, Schrift und Ornamentik sind die Dominanten Motive. Dieser Band demonstriert einmal mehr: "Worldwide Graphic Design" ist eine spannende und anregende visuelle Reise um die Welt!

200 Illustrations

In this new series we're presenting contemporary graphic design from different parts of the world. Even though during the last decades globalization seems to have resulted in the different cultures and societies moving closer together, and although communication and cultural exchange has increased, many regional designs still retain distinctive characteristics that reflect their origin.

The fourth and latest volume in the series is dedicated to Australia and New Zealand. Thanks to the region's proximity to eastern Asia, the predominantly western imagery which most of these designs are firmly rooted in, is enriched by Asian and exotic elements. This combination leads to some rather unexpected and unorthodox results. Thus, "Down Under" is a collection of designs which appear both familiar and strange at the same time.
As "Down Under" once again demonstrates, the series "Worldwide graphic Design" is an inspiring visual journey around the world!

In dieser neuen Buchreihe präsentieren wir zeitgenössisches Grafik-Design aus den verschiedensten Teilen der Welt. Auch wenn sich die verschiedenen Kulturen und Gesellschaften während der letzten Jahrzehnte einander deutlich angenähert haben und der gegenseitige Austausch zugenommen hat, zeugen die grafischen Arbeiten der einzelnen Länder und Regionen dennoch klar von regionalen Eigenheiten, Vorlieben und Interessen. Nicht selten entsteht eine reizvolle Verbindung aus internationalen und regionalen Elementen. Der neueste Titel der Serie widmet sich den Arbeiten aus Australien und Neuseeland. Dank der geografischen Nähe dieser Länder zu Ostasien sind die ansonsten stark in westlichen Bilderwelten verankerten Arbeiten häufig angereichert durch exotische Elemente. Diese Kombination führte zu einigen unorthodoxen und unerwarteten Resultaten. So ist "Down Under" eine Sammlung von Arbeiten, die häufig vertraut und fremd zulgeich wirken. Und der Band demonstriert einmal mehr: "Worldwide Graphic Design" ist eine spannende und anregende visuelle Reise um die Welt!

In this new series, zeixs presents contemporary graphic design from different parts of the world. The first two volumes are dedicated to Scandinavia and Latin America.

Even though during the last decade's globalization seems to have resulted in the different cultures and societies moving closer together, and even though communication and cultural exchange has increased, many regional designs still retain distinctive characteristics.

Latin America

Not surprisingly, the works from Latin America turn out to be pretty vivid and colourful. There seem to be no inhibitions or restraint – the dominant tones range from buoyant and humorous to downright aggressive and provocative.

Whatever the tone may be, the visual impression is always striking. Apparently, the so-called Latin American lifestyle and climate have left their mark on these designs. This is just another proof that design and art are always influenced by the environment in which they are created.

These particularities have been captured in this compilation of exceptional works from such diverse categories as poster design, advertising, and illustrations.

In this new series, zeixs presents contemporary graphic design from different parts of the world. The first two volumes are dedicated to Scandinavia and Latin America.
Even though during the last decades globalization seems to have resulted in the different cultures and societies moving closer together, and even though communication and cultural exchange has increased, many regional designs still retain distinctive characteristics.

Scandinavia

Not surprisingly, many of the designs from Scandinavia display mainly cold and muted colours. The works exhibit just the kind of aloofness you would expect from northern temper. Compared to the Latin-American designs for instance, they seem rather restrained, but always with an appealing elegance and simplicity. The works display clear and controlled outlines and shapes. Innovation and imagination appear well organized. Most of the designs showcase the sometimes chilly accuracy of the Scandinavian style. This is just another proof that design and art are always influenced by the environment in which they are created.

These particularities have been captured in this compilation of exceptional works from such diverse categories as poster design, advertising, and illustrations.

Дизайнеры - словно грызуны: они собирают все, что только можно, и тащат в свою нору, а затем начинают творить. Книга Анатомия дизайна раскрывает бесчисленные источники дизайнерских работ: известные, неизвестные, очевидные, не всегда понятные, но всегда существенные.

Если говорить образно, то эту книгу можно сравнить с анатомическим поперечным сечением. На операционном столе оказалось 49 современных дизайнерских работ. Разрезаем кожу, а под ней скелет, поддерживающий разные органы. Все находится в тесном взаимодействии. Лишив этот организм какого-то органа, мы обрекаем его на болезнь. Это анатомическое исследование помогает увидеть в современном дизайне отголоски прошлого, дает возможность проследить распространение (или, наоборот, исчезновение) каких-то идей. Посмотрите на любую афишу, упаковку, обложку книги или рекламный щит. Все это появилось на свет благодаря творческому началу, которое придает смысл нашему существованию.