Книги по дизайну иллюстраций и постеров

700 Illustrations

The poster is an essential medium when it comes to communicate an issue, promote a product, or announce special events like concerts, exhibitions, parties or theatre productions. Posters also play an important part during elections and political campaigns.
Besides, posters can also be used (and are frequently used) solely for decorative purposes. Whatever function they serve, they are meant to be displayed and seen.
Today, posters are an integral element of the modern cityscape and this particular medium is now widely accepted as an art form. 
Typically, a poster combines textual and graphic elements. Its design should be functional and clear. The focus lies on communicating a message and the entire design revolves around this purpose. Naturally, with hundreds of thousands of posters being produced every year, there is always a need for new ways and fresh approaches. This is what makes a compilation like this so valuable. It showcases the many different ways to solve this task.

For this compilation we have chosen some of the most remarkable and original designs from all over the world. The result is an inspiring collection of graphic design at its best.

The book features outstanding illustration design works from all over the world. The introduction of the application of the illustrations on the latest business design works is an important part of this publication. The special edition session of this book contains several detailed analyses and interviews on the art of illustration as well as its applications in cross-disciplinary cooperation with fields such as advertising, publishing, catering, fashion, ACG, and social culture, etc.

Bibliographic: 100 Classic Graphic Design Books is a unique, absorbing compilation of the best design books of the last 100 years. Covering a huge range of material – from historic titles by pioneering type foundries to the best of recent monographs from today’s leading studios – it provides a striking insight into the evolution of graphic design in the twentieth century.

Classic graphic design manuals by László Moholy-Nagy and Josef Müller-Brockmann are included, alongside groundbreaking instructional titles on advertising and corporate identity. Monographs designed by and covering the major individuals and studios of the era – from A.M. Cassandre and Alexey Brodovitch to Stefan Sagmeister and Peter Saville – are explored, along with seminal anthologies on trademark design, Polish film posters, the impact of the avant-garde and more.

All titles, whether classic histories of Bauhaus design or rarely seen sourcebooks of symbols and type, are illustrated with a wide selection of spreads and their covers, all in colour.

In addition, top international designers have provided lists of favourite books from their own libraries. Bibliographic will be a rich source of ideas for graphic designers and a fascinating series of histories of great design books, and should find a place in any studio’s library.

Jason Godfrey, director of Godfrey Design, London, studied at the Royal College of Art before pursuing a career in print and digital media in London, New York and Austin, Texas. His work has been shown in the annuals of D&AD and the New York Type Directors Club.

Following on from the hugely successful Big Book of Fashion Illustration, the Big Book of Contemporary Illustration covers the broadest range of illustration today from digital drawing, pixelated pictures, Photoshop fantasies to the traditional techniques of sketching and painting from over 160 international artists. With close to 1000 illustrations, the categories covered range from technical, architectural through nature, people to fantasy, fashion and pop culture. This is an essential sourcebook for any creative professional or student and all those who appreciate the world's best illustration.

About the Author:

Martin Dawber is the Principal Lecturer in Fashion at the Liverpool John Moores University where he has taught for the last 30 years. He is the author of New Fashion Illustration, New Fashion Prints and the bestselling Big Book of Fashion Illustration. He lives in Southport, Merseyside.

Five quality mountable prints in a full colour illustrated envelope.

Curate your home: Print Set Bosch

This inspiring print set offers sixteen designs to transform a blank wall into a personalized display. Each set of sixteen images has been specially selected from the TASCHEN collection as the most loved, and most interesting, examples of Bosch's work. 

The prints are packaged in a sturdy cardboard box and are suitable either for framing or as a poster.

Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

About the Author:

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications — released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press — include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth also produces comics which appear in Vice and Merry Jane.

Brian Blomerth first fused his singularly irreverent underground comix style with heavily-researched history in 2019’s Brian Blomerth’s Bicycle Day, a Technicolor retelling of the discovery of LSD. Now, the illustrator and graphic novelist continues his wild and woolly excursions into the history of mind expansion with Mycelium Wassonii, an account of the lives and trips of R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms in the United States. The Wassons’ journeys took them from Russian folk wisdom to midcentury Manhattan, from the indigenous traditions of the Mazatec people of Mexico to the mysteries of ancient Rome. A globetrotting vision of science and mysticism with appearances by J.P. Morgan, Robert Graves, Life Magazine, and the CIA, Mycelium Wassonii is a visual biography and a tragic love story as only Blomerth’s Isograph pen can render it.

About the Authors:

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications — released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press — include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth released his first full-length book, the acclaimed visual history Brian Blomerth's Bicycle Day, in 2019.

Paul Stamets is a mycologist, author, speaker, entrepreneur, and leading voice in mushroom advocacy. His lectures and presentations have helped deepen the worldwide conversation around medicinal fungi, and his original research has led to discoveries in sustainability and immune enhancement. The author of six books (most recently Fantastic Fungi: How Mushrooms Can Heal, Shift Consciousness & Save the Planet), Stamets has discovered and named numerous new species of psilocybin mushrooms and is the founder and owner of

Drawing on the V&A’s wide-ranging poster collection, this book maps how the poster has evolved in Britain since 1945 in the hands of graphic designers and fine artists, advertising agencies and counter-cultural groups. The range spans ‘Keep Britain Tidy’ campaigns, lavishly produced Benson & Hedges billboards, punk rock posters, hand-printed indictments of politicians and public art projects on the Underground.

Defying regular predictions of its demise, the poster in Britain has adapted itself within achanging technological environment. It has absorbed new directions in art and design and has met unfolding social and commercial challenges. British Posters considers these developments and looks at the varying platforms that posters occupy. As part of the living skin of our cities, posters have entered into conflicts over the content and control of public space. Behind closed doors we have welcomed posters into our homes, Blu-Tacked them to our bedroom walls and made collections of them. Today, in an age of digital media and viral communication, the poster remains an irresistible proposition.

The first monograph by the art director for leading video game company Blizzard Entertainment

Brütal: The Art of Samwise is a career-spanning art book that assembles the many artistic creations of world-renowned artist Samwise Didier into one volume. For nearly thirty years, Samwise’s unique art style, which combines the use of bold colors, visual storytelling, and a touch of humor, has been featured in numerous art books, illustrated novels, album covers, comic books, and video games, and is instantly recognizable to his legions of fans. 

Brütal: The Art of Samwise celebrates all the artistic creations of Samwise’s imagination, including many images never seen before from his personal archives.

This book also contains selections of Samwise’s favorite and most iconic images he created for the video game company, Blizzard Entertainment, where he has worked since 1991. As a senior art director for Blizzard, Samwise was responsible for directing the art style for Warcraft, StarCraft, and Heroes of the Storm, as well as for creating artwork for the World of Warcraft, Hearthstone, and Diablo franchises.

About the Author:

Samwise, a.k.a. Sam Didier, is senior art director at Blizzard Entertainment. Samwise’s previous books include Grimbeard: Tales of the Last Dwarf and The Last Winter.

This collection of nearly two dozen detachable, frameable, propaganda posters offer an outstanding selection of examples from East Germany, Russia, Southeast Asia, and China.

Reproduced in startling color and printed on high-quality paper, they offer fascinating historical insight, as well as sublime examples of how graphic art can be both highly effective as well as visually stunning

The Russian October Revolution of 1917 marked the beginning of decades of communist rule that spanned large parts of the world. For many years and in many countries, the most reliable means of spreading state propaganda was through posters like the ones included in this beautiful collection. Distinguished by their bold, bright colors, and generally featuring one or two main figures or a single forceful image, they were ubiquitously plastered on the walls of factories, farms, office buildings, transportation centers, and public squares. They exhorted citizens to proclaim their patriotism through hard work, exercise, and loyalty, and celebrated technological advances in science, space travel, and architecture. Representing an impressive array of styles, cultures, and historical eras this collection is suitable for walls and coffee tables alike.

Five quality mountable prints in a full colour illustrated envelope.

Книга "Упаковка CD+DVD. Печать и постпечатная обработка" интересна, не только дизайнерам, специализирующимся на разработке упаковки, но и бизнесменам, для которых она – своеобразный учебник по вопросам торговли, дизайна и рекламы. В издании подробно прослеживается все стадии создания упаковки – от выбора материала и способа печати до технологичности и постпечатной обработки. Помимо традиционных вариантов дизайна упаковки в книге представлены новые решения и интересные подходы к таким понятиям, как: формат, структура, материал, текстура, фурнитура.

Для формирования уникального образа продукта, важными элементами является, в том числе упаковка самого CD и DVD-диска. Технологичность упаковки – существенный фактор при разработке. Ведь дизайнер, помимо решения креативных задач, изыскивает способы сократить издержки на изготовление упаковки и привнести нетривиальные решения в производственные вопросы и в выбор высокотехнологичных материалов.

Необычная цветовая гамма, оригинальный материал или нестандартная форма обложки CD или DVD сразу привлечет внимание и не позволит покупателю пройти мимо. Диск в яркой, необычной упаковке может стать прекрасным подарком для ценителя музыки, кино или дополнить коллекцию неординарных вещей.