Искусство

Erwin Blumenfeld (1897–1969) was born into a Jewish family in Berlin. In 1941, he left Europe for the United States, where five years later he became a citizen. During the forties and fifties, he was one of the most sought-after fashion photographers in the world. However, most people are not familiar with the artist’s early work: the often bitingly humorous Dada montages he produced between 1916 and 1933.

This book by Helen Adkins, a renowned expert on the Berlin Dada movement, is the first to provide an extensive study of these early works. Blumenfeld did not intend for them to be shown publicly - they were personal gifts to his friends and acquaintances or enclosed in love letters to his fiancée. The approximately one hundred works - including many that have not previously been published and which the author discovered in the artist’s family archives and in other public and private collections - will be examined within the context of Blumenfeld’s life, photographs, drawings, and literary works.

M.C. Escher was born in 1898 in Leeuwarden (Netherlands). He received his first drawing lessons during secondary school from F.W. van der Haagen, who also taught him the block printing, thus fostering Escher's innate graphic talents.

From 1912 to 1922 he studied at the School of Architecture and Ornamental Design in Haarlem, where he was instructed in graphic techniques by S. Jessurun de Mesquita, who greatly influenced Escher's further artistic development. Between 1922 and 1934 the artist lived and worked in Italy. Afterwards, Escher spent two years in Switzerland and five in Brussels before finally moving back to Barn in Holland, where he died in 1972.

M.C. Escher is not a surrealist drawing us into his dream world, but an architect of perfectly impossible worlds who presents the structurally unthinkable as though it were a law of nature. The resulting dimensional and perspectival illusions bring us into confrontation with the limitations of our sensory perception.

The second collection from Ilya Kuvshinov, the illustrator with magical colors.

Following the worldwide success of Momentary, PIE International is proud to present this second collection from Ilya Kuvshinov, Eternal. This book collects popular artworks the artist has posted on social media that were created after Momentary was published. After the success of that book, Ilya has gained popularity and has had major exhibitions and commercial works. One of the most prestigious jobs Ilya took on was as the character and visual designer for the anime "Birthday Wonderland" (directed by Keiichi Hara; Crayon Shin-chan series). This talented illustrator, who was influenced by many Japanese artists, now has 1.5 million followers worldwide on Instagram, and is established as an influencer of other illustrators around the world.

Eternal features special printing technology to reproduce the beautiful colors of Ilya's CG illustrations, enhancing the quality of the of 4-color printing. As social media is the main platform where Ilya presents his works, Momentary was published in a square format. But this time, to have more variety and include illustrations with different sizes, we have produced this book in a larger format.

About the Author:

Kuvshinov Ilya is an illustrator and storyboard artist born and raised in Russia, who now resides in Japan. With experience in concept art, comic art and animation, his goal is to create a unique story-based media to inspire people to believe in their own strength and ability to move forward in life.

The Van der Star collection of ethnic jewellery is unique, both in size and quality, bringing together masterpieces from Africa, the Arab World, India, Central and Southeast Asia, and the Pacific Islands. Each of these areas has its own specific designs, and its own specific uses and symbolism attached to jewellery. Materials used include gold, silver and many types of gemstones, but also archaic materials such as leather, coral, beads, bone, teeth, and shells. In this lavishly illustrated book, more than 500 magnificent pieces are presented in colour, together with detailed descriptions. Authoritative texts are included about jewellery making, and the history, uses and designs from the various areas. These chapters are further illustrated with historical and contemporary photographs of jewellery being worn.

Ivorypress in collaboration with PaceWildenstein Gallery of New York, presents a Claes Oldenburg exhibition. Despite having been born in Stockholm, Oldenburg is considered one of the most outstanding representatives of American Pop. The main pieces of this exhibition are objects which are in a state of transition and that are not part of contemporary life; the artist plays with the notion of history as a continuity of disharmony.

The transformation of reality

A specifically German artistic revolution

Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E. L. Kirchner, Paul Klee, Franz Marc as well as the Austrians Oskar Kokoschka and Egon Schiele were among the generation of highly individual artists who contributed to the vivid and often controversial new movement in early twentieth-century Germany and Austria: Expressionism. This publication introduces their work and places it within the cultural contexts and wider movements of the period.
The author, independent art historian Ashley Bassie, explains how Expressionist art led the way to a new, intense, evocative treatment of psychological, emotional and social themes in the early twentieth century. The book examines the developments of Expressionism and its key works, highlighting the often intensely subjective imagery and the aspirations and conflicts from which it emerged while focusing precisely on the artists of the movement.

The Author
Born in England in 1969, Ashley Bassie is an independent art historian, specialised in German Art. After graduating from the University of Manchester, the author conducted her research across Europe. She published several works creating a link between art and politics and centres her research on the first quarter of the twentieth century.

Anxious Angles. The pioneers and masterworks of “degenerate” Expressionism

Amid a frenzy of lurid colour and distortion, discover a calm, authoritative overview of German Expressionism. From the leading collectives of Die Brücke and Der Blaue Reiter to regional schools and lesser-known artists, Dietmar Elger leads us through the protagonists and principles of this vivid 20th-century movement — its stylistic cacophony, its rage against bourgeois values, and its tussle with modern industrial reality.

German Expressionists were uneasy and angry. Emerging at the dawn of the 20th century, they railed against Christian and bourgeois values as much as rampant urban industrialization. Anti-imperialist, they were dispersed, shattered, and depleted by the horrors of the First World War, and rallied their efforts only to be officially erased by the Nazi “Degenerate Art” exhibition of 1937.

In this comprehensive TASCHEN collection, Head of the Gerhard Richter Archive Dietmar Elger gathers the many artists and elements of this urgent, scattered, complex movement into one authoritative overview of its protagonists, principles, and essential role in 20th-century modernism. Finding a critical calm amid the frenzy of colour and distortion, the book distils Expressionism’s leading collectives, Die Brücke and Der Blaue Reiter, as well as its regional characteristics across its Berlin and Munich hubs, and it's North German, Rheinland, and Viennese variants.

Along the way, we compare and contrast themes and stylistic choices as this dispersed group of artists wrestled with their modern industrial reality. We find luminous streaks from Wassily Kandinsky, and the sickly hues of Ernst Ludwig Kirchner, the futurist facets of Franz Marc, and a partial Impressionist throwback in the gaudy dabs of Emil Nolde. We walk into seedy bars with bloated old men and then enter a claustrophobic yellow room occupied by an awkwardly posed nude. We are crushed in a cacophony of city sound and smoke and then left alone with woods, a lake, and silence.

Spanning this richness and range in Expressionist output, Elger features such well-known figures as Beckmann, Kandinsky, Kirchner, Kokoschka, Nolde, Schiele, while taking care to present inadequately studied artists such as Conrad Felixmüller, Ludwig Meidner, and Marianne von Werefkin. The result is an expansive, inclusive, dependable digest of a vivid, often violent mode of expression, and the yearning and unease behind its frenzied paintwork.

The author:

Dietmar Elger studied art history, history, and literature at the University of Hamburg. In 1984/85, he was secretary of Gerhard Richter’s studio and between 1989 and 2006 curator for painting and sculpture at the Sprengel Museum, Hanover. He has organized numerous exhibitions on modern and contemporary art and has directed the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden since 2006. For TASCHEN he has authored the volumes Expressionism, Dadaism, and Abstract Art.

This original collection features the most remarkable vinyl artifacts ever produced: a connoisseur's selection of records in a plethora of colors, shapes, and forms, imprinted with extraordinary effects and images. Produced in collaboration with Colors magazine, this book showcases over 500 of the most exceptional records owned by leading collectors Alessandro Benedetti and Peter Bastine. Featuring the recordings of Pink Floyd, Queen, the Beatles, Prince, Michael Jackson, Elvis Presley, Bon Jovi and many others, these are rare and valuable records in countless designs and colors - gold, transparent, photo-printed - in a dazzling variety of shapes: butterfly, heart, star, and even a tree-shaped disc.

The visual of vinyls. The most daring of record designs

This kaleidoscopic catalogue brings new meaning to the idea of “album art.” Celebrate vinyl not only for the integrity of its sound but also for its artistic potential as a material form. Spanning over 500 show-stopping records — from The Beatles to Bon Jovi, glow-in-the-dark effects to butterfly-shaped discs — discover how daring shapes, colours, and designs fashioned the identities of era-defining records and artists.

Now available as part of TASCHEN’s Bibliotheca Universalis series, this dazzling catalogue of vinyl brings new meaning to the “album art.” Produced in collaboration with Colors magazine, it brings together over 500 remarkable records from the collection of Alessandro Benedetti and Peter Bastine.

The book forms a junction between photography, music, and design, celebrating vinyl not only for the integrity of sound recording but also for its artistic potential as a material form. With featured artists including Pink Floyd, The Beatles, Prince, Michael Jackson, Bon Jovi and beyond, it offers compelling insight into the most intricate details of a performer’s visual identity, from a flamboyant colour to a futuristic mirror effect.

The discs are arranged thematically to span monochrome vinyl; unusual vinyl (including silver, gold or mirror vinyl as well as extremely rare glow-in-the-dark vinyl); multicoloured vinyl; etched vinyl (where music is pressed onto only one side); shaped vinyl (cut into forms that are different from the classic round disc); and picture discs (where a photograph or design is stamped onto the surface of the record). Page after page, this kaleidoscopic encyclopedia of game-changing vinyls is a colourful journey through era-defining records and artists.

The authors:

Italian producer and songwriter Giorgio Moroder helped create electronic dance music, and has worked with Donna Summer, David Bowie, Janet Jackson, Barbra Streisand, and many others. He also founded Musicland Studios in Munich, once used by legendary acts like Led Zeppelin, Queen, and Elton John.

Alessandro Benedetti began collecting coloured and unusual records in 1981, and now has 8,000 discs, including 1,200 coloured vinyl discs. In 1998 his collection won recognition in The Guinness Book of Records. His dream is to open a record museum so he can share his collection with the public.

The contributor:

Peter Bastine has been a DJ, record seller, and concert organizer. From 1977 until 1998 he collected every kind of picture disc; since then, mostly historical 78rpm records. Today his collection comprises around 8,000 picture discs, and has been the subject of several European exhibitions.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Won Park has taken the ancient art of origami to a whole new level.

Using American currency, Park transforms dollar bills into creative works of art. He relies on the fibrous quality of the paper to fold, bend and twist hundreds of times per model without tearing. With no cutting and no pasting, Park is able to incorporate the details on the bills into his model designs. His signature koi fish is folded in such a way that the patterns on the dollar bill become the scales on the fish, and even the facial features fall in exactly the right place. His designs include a wide array of vehicles, animals, and mythical creatures.

In this book, step-by-step instructions are provided for 20 distinct models that are bound to challenge even the most proficient folders.

The challenge includes a Formula 1 race car, a toilet, a butterfly, a koi fish, a scorpion, a sea turtle, a fox, an ox, a marlin, a car, a praying mantis, a dragon, a spider, a stag beetle, a stegosaurus, a bat, Pegasus, a fighter jet, a battle tank, and a pig. All models can be made with either one or two dollar bills.

Why worry about the declining value of the U.S. dollar? Follow the instructions in this book, and you can transform your dollars into works of art!

Peter Carl Fabergé (1846–1920) is deservedly the most famous creator of the stunning gold, silver, and jewel-studded treasures of imperial Russia. Perhaps because of the popularity of his Easter eggs, Fabergé’s skilled competitors have been largely overlooked. Fabergé and the Russian Master Goldsmiths tells their story and features their masterpieces as well as Fabergé’s. Today, the creations of the Russian master goldsmiths are dispersed throughout the world. A broad sampling of masterpieces from the great Russian collections, as well as from private and public collections, are depicted here in nearly 300 full-color illustrations, a number of which are published here for the first time.

About the Author

Gerard Hill is director of Russian Art for Sotheby’s, New York. G. G. Smorodinova and B. L. Ulyanova are curators at the Historical Museum in Moscow.