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Carlos Cruz-Diez (Caracas, 1923) promotes experimentation with color and is one of the most relevant examples of the Kinetic Art Movement. The catalogue covers Cruz-Diez´s career including his beginnings as a graphic designer. The 1950s and 1960s are presented through a carefully selected group of unedited documents including magazines and catalogues that he illustrated and designed during that time period. This chapter in Cruz Diez´s career directly correlates with his unique artistic language, which he continues to apply in his works today. The catalogue illustrates almost thirty works by Carlos Cruz-Diez. Their presentation takes into account the original series in which they were first exhibited. These series allow insight into the artist´s personal concept and organization of his body of work. At the same time, the series reflect his incredible ambition and eagerness to experiment. His invented jargon stands out in all of the series with titles so typically Cruz-Diez such as Chromatic induction , Physichromie Chromosaturation .
'Carlos Cruz-Diez: Colour Happens' is the title of the first individual Spanish exhibition, an official institution, dedicated to the work of Carlos Cruz-Diez (Caracas, 1923). His work has been present in the greatest European exhibitions dedicated to Kinetic Art since the 60's, as well as in the most important collective exhibitions devoted to Latin American art. Carlos Cruz-Diez has worked in many of the most dignified museums worldwide, including, Musee National d'Art Modern Centre Georges Pompidou in Paris, of which loaned works of Cruz-Diez for this exhibition, as with the private Foundation Allegro, the Altelier Cruz-Diez and MUGAB (Diputation of Alicante).
This is the authenticated story of Cartier as it has never been told before
In the 1980s Hans Nadelhoffer was granted exclusive access to the Cartier archives, including previously unpublished photographs and designs, to write the history of the Cartier empire.
For over a century, Cartier has been synonymous with the finest and most exclusive jewelry in the world. The enduring hallmarks have always been top-quality gems, imaginative and distinctive designs, and the most exquisite workmanship. For tsars and maharajas, European royalty and American super-millionaires, Cartier has been the recognized purveyor of luxury, the epitome of glittering opulence.
In this new edition, the book, now printed throughout in colour, has been completely redesigned, and many new colour illustrations have been added. Further discoveries made since the original volume was published have been incorporated in the text.
The career of the house of Cartier is traced from its modest beginnings in Paris to its eventual predominance over the world of fashion. With stories as well as technical and documentary material, this sumptuous book shows how Cartier has set stylistic modes and standards throughout its years of overwhelming success and gives full credit to the little-known individuals who helped to bring this about.
The glory of classic Cartier jewelry is exhibited through fifty years worth of designs shown in this exhibition catalog. It shows how surprising the First Cartiers were, in two clear ways: first, art nouveau elements are almost totally absent. Instead there is a singular reinterpretation of the neoclassical vocabulary: floral motifs, acanthus scrolls, and garlands or drops. Care for detail in these architectural motifs–often in three dimensions–is paramount. At the same time, Cartier introduced the use of platinum for the mounts. This metal was more solid and more luminous but also harder to work. It required a revolution in setting techniques as well as new tools and underlying techniques. Layer by layer, these foundation designs raised Cartier to the position of visionary and pioneer.Specialists, collectors, fans of Cartier objects, and those who love decorative arts will discover a surprising new view of Cartier in this major catalog.
The dazzling Collection Art de Cartier will once again amaze the public with their impressive pieces this time seen through the revolutionary eyes of the master of Italian design, Ettore Sottsass. Richly illustrated, this catalogue accompanies an international jewelry exhibition. Ettore Sottsass presents the Collection Art de Cartier in a brilliant new manner, viewing the collection as a reflection of form and design, while understanding its function and relation with the surrounding space and the bodies it adorns. For this impressive project Ettore Sottsass has selected over 350 jewels, watches and accessories following his personal and intuitive taste forgoing epochs and fashion trends, and creates and highlights the ties amongst the materials, style and colour. To emphasize his vision, for each piece Sottsass creates a decorative element meant to contain the object as a shrine located in a cosmic space.
This is a journey through Cartier’s history and its iconic jewelry.
This catalog is not a nostalgic journey through the past; rather, it seeks to highlight the way in which Cartier’s heritage serves as an inspiration to new generations of designers across the world, and how those repertoires take on a new spirit upon being reinvented by a new generation responsible for continuing, developing, renewing, and keeping alive the fashion house’s great legacy.
Five thematic units — The Early Days and the Birth of a Style, Universal Curiosity, Jeanne Toussaint’s Taste, Wearing Beauty and Measuring Time, and María Félix and Icons of Elegance — present close to 180 pieces from the Cartier Collection as well as institutional and private collections. In this way, the exhibition catalog allows us to understand the house’s history, and the development of its unique language and style, its savoir faire, and the evolution thereof.
About the Author:
Ana Elena Mallet is a Mexican curator and author. She has also served as consultant, adviser, deputy director, and head of preservation in some of the most important cultural spaces in the country. Michel Aliaga is Director of Transmission of Cartier History and Heritage. Eugenio López Alonso is President of Fundación Jumex Arte Contemporáneo. Pierre Rainero is Director of Image, Style and Heritage, Cartier. Cyrille Vigneron is President and CEO, Cartier SA.
Cartier epitomizes creativity and individuality in jewelry design. The 175 objects featured in this book exemplify Cartier’s inimitable talent and represent milestones in twentieth-century design.
These archetypes of excellence are important benchmarks in the history of world jewelry, and their relevance continues into the twenty-first century. The jeweled objects in this book are reproduced at actual size, and are accompanied by illustrations and detailed descriptions from Cartier’s vast archives in London, New York, and Paris. Six essays cover a broad range of topics from Cartier’s colorful history, including the influence of the Ballets Russes on Cartier’s forward-looking designs of 1910, the jeweler’s extraordinary technical and design prowess, and the important clients and collectors who wore Cartier’s most exquisite creations. This book features ingenious pieces that reveal how Cartier — by setting new aesthetic, ornamental, technical, and stylistic trends — is a pioneer in the field of jewelry design.
This catalog is an important reference for collectors, and includes previously unpublished photographs.
About the Authors:
Francois Chaille is passionate about art history, fashion, jewelry, and watchmaking. He has collaborated with Flammarion to publish over fifteen books on these subjects.
A fascinating journey through 160 years of Cartier creations including over 350 jewels, timepieces, and luxury objects. Regularly displayed in major exhibitions at the most prestigious and internationally renowned museums, the Cartier Collection reflects the evolution of Cartiers artistic and stylistic creation. This handsome catalog accompanies the exhibition Cartier at Prague Castle: The Power of Style in the Riding Hall from July 9 to October 17, 2010. The exhibition features over 350 exceptional and historical jewels, timepieces, and luxury objects and offers insight into the royal jewelers treasures and the sources of inspiration that lead to the creation of the works of art. The exhibition traces 160 years in the glorious history of the Maison Cartier. 362 pieces from the Cartier Collectionaccessories, masterpieces of jewelry and watchmaking from the end of the nineteenth century to the present dayand four exceptional loans from the Princes Palace of Monaco, as well as several archival documents are featured. These rare pieces, in addition to exclusive archival images and biographical stories about their prestigious owners, are presented in the exhibition catalog, created in close collaboration with curator Eva Eisler.
Success, wealth and privilege have many ways of manifesting themselves, not least through the purchase and display of beautiful jewels. Some of the greatest and most iconic pieces from the nineteenth and twentieth centuries are included in Celebrating Jewellery, by David Bennett and Daniela Mascetti. Every example is synonymous with style and luxury, from the formal tiaras, suites and ornaments of the Victorians through to the innovations of Belle Époque and Revivalism, to the geometric and linear designs of the Art Deco movement, and the bold, colourful jewels of the late twentieth century.
Celebrating Jewellery also includes a number of the most famous jewels in history, such as the Cartier 'great cat' and flamingo jewels for the Duchess of Windsor, and other lavish and illustrious examples created for European royalty. This is a truly magnificent volume, which will provide lasting inspiration and pleasure to anyone with a love of the great jewels of the last two hundred years.
The jewellers featured, in order of appearance, are: Gabriel Lemonnier, Mellerio dits Meller, Garrard of London, Chaumet, Vever, Lalique, Vever and Lalique (short collaboration), Boucheron, Castellani, Giuliano, Cartier (Cartier Paris and Cartier London), Marcus & Co, Van Cleef & Arpels, Lacloche Freres, Rene Boivin, J.E. Caldwell, Charlton and Co., Black, Starr and Frost, Herz-Belperron, Raymond Templier, Sterle, Vaillant and Duverne, Jean Schlumberger, Repossi, Bulgari, JAR and David Bennett.
Contents: Foreword; Nineteenth Century and Earlier Jewellery; Revivalism Jewellery; Belle Époque Jewllery; Art Deco Era Jewellery; Twentieth Century Jewellery - The Nineteen Thirties and Later.
- Some of the finest pieces of jewellery in the world, all illustrated in detail
- Authoritative and accessible text explains the background to each jewel
- Several pieces reproduced for the first time outside of auction catalogues, this is a collector's item in itself
- Each jewel is shown in superb detail, with captions explaining the history and background to its design
- All the great jewellery designers and manufacturers are represented, including Castellani, Giuliano, Lalique, Vever, Lemonnier, Chaumet, Cartier, Boucheron, Herz-Belperron, Van Cleef & Arpels, Boivin, Schlumberger, Bulgari and JAR
Art tile is a truly exciting option for both interior and exterior decoration. There is a vast array of tile available on the market today, ranging in design from traditional to modern, and conservative to outrageous--the possibilities are overwhelming! This book is a wonderful introduction to art tile, loaded with ideas and resources that will charm and inspire. Hundreds of breathtaking photographs of installations in and out of the home show the work of today's leading contemporary tile artists. Insightful text guides readers to an informed appreciation of this timeless art and its marvelous suitability for all areas of the home. Chapters include a history of tile making in America, how art tile is made, visiting a tile showroom, designing with art tile, trends in art tile, what to expect during installation, and ceramic art in public spaces. A large resource index and a directory of artists is included.
This is the first comprehensive worldwide survey of traditional ceramics and will be invaluable to anyone interested in art, craft, decoration and interior design.
The book is organized into eight main sections, with over seventy-five topics:
• Raw Material – excavation, preparation and descriptions of the
materials available.
• Forming Techniques – the tools and the many techniques, from
modelling and pinching to throwing and press moulding
• Pre-fired Decoration – from appliqué and incising to impressing
and sgraffito
• Firing – from firing in the open air to the various types of
ceramics created
• Glazes – from how glazes are applied to the many kinds.
• Alternative Finishes – from paint, oil, polish, varnish and resin
to gilding
• Use and Function – tiles, roofs, bricks, lighting and storing food
• The Quality of Life – from fragrances and tobacco pipes to toys
and ceramics in ceremonies.
Included are over 800 illustrations, a glossary, information on where to see collections, and bibliography and full index.
Bryan Sentance is a keen traveller worldwide, lectures mounts exhibitions and teaches art. He has illustrated a number of books on crafts and textiles, as well as educational publications and children’s books.
A revolutionary approach to spatial and visual values
Perhaps best known for his exceptional apples and pears, Paul Cézanne (1839-1906) was one of the founding fathers of modern art. Though he was underappreciated and highly criticized during his life, as time passed Cézanne's work came to be considered of inestimable importance. His method of experimentation with abstraction and perspective was an important precursor to modern painting, particularly cubism.
The author:
Hajo Düchting (b. 1949 in Düsseldorf) studied art history, philosophy and archaeology in Munich, where he gained his doctorate in 1981 with a thesis on Robert Delaunay’s Windows series. After working in museum and adult education, he moved on to teaching posts and guest professorships at the universities of Munich, Kassel, Leipzig, Saarbrücken and Mainz. Düchting has published numerous articles on the art of the modern era, colour theory and the teaching of art and has authored a number of TASCHEN titles, including Paul Cézanne (1988), Wassily Kandinsky (1990); Robert and Sonia Delaunay (1993) and Georges Seurat (1999).
Divine apples and pears
Cézanne's quest for "a harmony parallel to Nature"
He was the founding father of modern art, the grand master who pointed painting forward on its way from Impressionism to the 20th century: Paul Cézanne (1839-1906). In Paris, but above all in Provence, Cézanne quested tirelessly for "a harmony parallel to Nature" - discovering it in still lifes of apples, in bathers, or in the renowned landscapes of his beloved Montagne Sainte-Victoire. This book discusses this extraordinary artist’s major works and his theories of painting and colour.
About the Series:
Every book in TASCHEN's Basic Art Series features:
Divine apples and pears
He was the founding father of modern art, the grand master who pointed painting forward on its way from Impressionism to the 20th century: Paul Cézanne (1839-1906). In Paris, but above all in Provence, Cézanne quested tirelessly for "a harmony parallel to Nature"—discovering it in still lifes of apples, in bathers, or in the renowned landscapes of his beloved Montagne Sainte-Victoire. This book discusses this extraordinary artist’s major works and his theories of painting and color.
About the Series:
Each book in TASCHEN’s Basic Art Series features:
The author:
Ulrike Becks-Malorny studied free painting in Geneva and art history in Bochum, Germany. Since gaining her doctorate in 1990, she has worked as an exhibition organizer and freelance author. She lives in Bonn, Germany.
Посмотреть русскоязычное издание книги Cezanne - Сезанн