Мистецтво

160 illustrations

The first book to focus on new gothic art, Hell Bound highlights a new generation of contemporary artists who are increasingly obsessed with the darker things in life. Illustrators, street artists, sculptors, photographers, film-makers, installation artists and painters are all reflecting this renewed interest in gothic imagery. This black vein of art is a perfect post-modern fusion of pop references and the feeling of discontent and disturbance underlying modern life. Here death metal, war, violence and throwaway culture meet. This work is often more carnival macabre than devil worship. Artists are merely reflecting the horror that permeates everyday life. With more than 150 works by 35 artists, this book is a must for anyone inspired and devoted to all things gothic. Among the art featured is the iconoclastic work of Ken Kagami, Terence Koh, Ricky Swallow, the photographic collages of Marnie Weber, the drawings of Chloe Piene and Wes Lang, the paintings of Matt Greene and Iris Van Dongen, the outsider punk art of Pure Evil, and the illustrations of French.

Francesca Gavin is a writer, critic and editor. She is currently Visual Arts Editor at Dazed & Confused. She has written features and reviews for many publications, including Another, Blueprint, i-D, Art Review, Contemporary, Intersection, Marmalade, RH Magazine, The Sunday Times and Wonderland. She also contributes to a large number of websites, including The Guardian online, the BBC collective and has guest edited Into the Storm. Her first book Street Renegades was published by Laurence King in 2007.

The jewellery firm Süddeutsche Gold- und Haar-Bijouterie, founded in 1907 by Heinrich Henkel and Florentin Grosse, experienced its first successes with costume jewellery made of bronze, aluminium, wood, bakelite and galalite. Renamed Henkel & Grosse, the firm soon established its first business contacts to the US. In the early 1930s it began working with the fashion labels Lanvin and Schiaparelli in Paris as well as with Harrods in London and Saks in New York. The company was awarded the diplome d’honneur for their designs in 1937 at the “Exposition Internationale des Arts et Techniques dans la vie Moderne” in Paris. Since 1955 Henkel & Grosse worked together with Christian Dior and for fifty years held a license to produce and distribute Dior jewellery worldwide.

With regard to Henkel & Grosse’s own jewellery lines, the firm always maintained its independence, thereby setting their own creations apart from Dior jewellery. For example, the line Grosse Bijoux, which was expanded in the 1960s to include the collections Grosse Sterling und Grosse Gold – with fashion always dictating their design. The enterprise, led by four generations of the Grosse family, had at its zenith over 600 employees and a worldwide distribution. Dior and Grosse costume jewellery was designed in Pforzheim. Produced in Pforzheim and in the US, later also in Asia, it stood for modern design and technical innovation. In 2005 the family withdrew from the business and the firm became part of the Dior group.

The first comprehensive monograph on Henkel & Grosse with numerous illustrations of jewellery from Grosse and Dior. Its exciting history is portrayed against the backdrop of the fashion created by the great couture designers of the twentieth century.

No one knows for sure when henna was first used for skin decorating, but traces of henna have been found on mummies in Egypt and on cave painting in India dating back thousands of years.

While this tradition is still widely used in India, Africa, the Middle East, and Asia, it is now gaining popularity throughout the Western world as well. Rooted in the belief that those whose skin is adorned with henna are blessed with good fortune, henna is often associated with rights of passage - coming of age, marriage, and childbirth.

Holidays and festivals are times when women and girls decorate their hands and feet, and henna patterns are sometimes unique to these occasions. In some cultures, a bridegroom may be decorated the night before a wedding as well. It is increasingly common for henna parties to be held in the United States, sometimes at weddings, birthday parties, and baby showers - and sometimes just for fun.

Henna patterns are seen adorning pop icons like Madonna, Demi Moore, and Prince, and henna artists are becoming an increasingly common sight at street fairs and shops as a temporary and painless alternative to tattoos.

Design motifs are included from many different cultures, with background information provided about the symbolism of the designs and motifs.

This two-volume edition includes a perfect facsimile of Matisse's seminal cut-out work: Jazz. At last, readers can experience Jazz as if holding the 1947 original.

The reputation of Henri Matisse (1869–1954) as the most important artist of the modern era is rivaled only by Picasso — who himself said, "All things considered, there is only Matisse."

Towards the end of his monumental career as a painter, sculptor, and lithographer, an elderly, sickly Matisse was unable to stand and use a paintbrush. So at almost 80 years of age, he developed a new technique: he drew shapes on colored paper, cut them out and pasted them together. These gouaches decoupées (gouache cut-outs) represented a revolution in modern art, yet their simplicity was dismissed by many critics as the folly of a senile old man. Later critics realized that Matisse had found a brilliant solution to the age-old conflict between line and color — one that would profoundly influence generations of artists to come.

Printed in exactly the same colors, using the same paper and inks as the 1947 edition, the facsimile volume allows readers to experience Jazz in its original, unbound form.

The second volume provides a thorough historical context to Matisse's cut-outs, tracing their genesis in his 1930 trip to Tahiti, through to his final years in Nice. Also included are other pivotal works from his later career, including his contributions to Verve magazine and his exquisite decoration of the Vence Chapel. Includes rare and historic photographs by Matisse taken in Tahiti, as well as photos of Matisse by Henri Cartier-Bresson, Brassaï, and the filmmaker Murnau. The text is supplemented by quotations from Matisse, Picasso, E. Tériade (the publisher of Jazz and Verve), the poets Louis Aragon, Henri Michaux, and Pierre Reverdy, and Matisse's son-in-law, Georges Duthuit.

- Printed with 18 different colors on a small offset press, only 4 pages at a time, to get the highest fidelity to the original
- The name of the paper is Old Mill from the Italian paper mill Fedrigoni in 190 gsm. The paper has archival quality and is, with its felt-like softness, much like hand-made paper
- Just like the original, this reprint is unbound and folded in signatures of 4 pages. It is protected by a French folded jacket and a hard-backed cover

A splendid book on the motif of the female figure in the oeuvre of the great resuscitator of European painting, Henri Matisse.

Throughout his career few other subjects inspired Henri Matisse (1869-1954) with such passion as the female figure in indoor settings. Many of his interiors focus on women—reading, daydreaming, or sleeping, as passive figures, reclining on chaise-longues, often clothed in exotic fabrics.

This book offers an in-depth view of this important motif in which Matisse developed and continually explored his rich and imaginative repertoire of forms and colors. It features outstanding paintings from all periods of his career, supplemented by ensembles of his bronze sculptures, his intricate drawings, and his cut-outs and prints. Historical photographs by Cartier-Bresson, Brassaï, Hélène Adant, and others show how leading art photographers saw Matisse's models and artfully designed studio interiors. An illustrated biography completes this exquisite presentation.

It is not only due to his spectacular jungle paintings that Henri Rousseau (1844–1910), known as “Le Douanier” (the customs officer), ranks among the most popular artists of early modernity. This book commemorates the one-hundredth anniversary of the artist’s death. With over eighty colour illustrations of forty major works, the publication presents the essence of Rousseau’s art of depiction. At its core is his fascination with the contradictory qualities of the tamed Western world and untamed, increasingly imaginary nature. Encounters with his works that have never before been presented make it possible to see Rousseau in an entirely new light. Going beyond the cliché of the “great naïve painter,” we discover a unique artist who opened up entirely new possibilities for modernity.

In this fascinating look at over 180 “hidden” images Helga Prignitz-Poda, one of the world’s leading authorities on the Mexican artist, pulls back the curtain on masterpieces that rarely, if ever, see the inside of an exhibition or gallery.

Illustrated with stunning reproductions of works that Prignitz-Poda has discovered over the course of her career, this book helps expand our knowledge and understanding of this hugely popular artist. Arranged chronologically, the works include those Kahlo completed in her youth, works from her travels to America, paintings she made as an instructor in Mexico City, and a number of still-lifes from the last phase of her career. From largely unknown images, such as embroidery-stitched at the age of five and doodles on love letters to her boyfriend Alejandro, to well-known works such as My Birth (1932), now owned by Madonna, and Remembrance of the Open Wound, which was destroyed in a fire, these “hidden” artworks create an invaluable resource for Frida Kahlo scholars and will be treasured by the painter’s many fans.

About the author:

Helga Prignitz-Poda is an art historian and specialist in Latin American studies and lives in Istanbul and Berlin. She is a co-editor of the catalogue raisonné of Frida Kahlo's work and curator of the exhibition.

Devil in the details. The symbols, monsters, and morals of a Netherlandish radical

A bird-monster devouring sinners, naked bodies in tantric contortions, a pair of ears brandishing a sharpened blade: with nightmarish details and fantastical painterly schemes, Netherlandish visionary Hieronymus Bosch (c. 1450–1516) secured his place as an art historical magnet. 500 years on from his death, his extraordinary works continue to enthrall scholars, artists, designers, and musicians.

This large-scale TASCHEN monograph presents the complete Bosch oeuvre, celebrating the artist’s staggering compositional scope and most bizarre and intricate details through full-page reproductions, abundant details, and a fold-out spread drawn from The Last Judgement. With guidance from art historian and Bosch expert Stefan Fischer, we explore the many compelling elements that populate each scene, from hybrid creatures of man and beast, to painterly assaults on the body, and a pictorial use of proverbs and idioms. Particular attention is given to Bosch’s most famous work, the mesmerizing, terrifying triptych The Garden of Earthly Delights.

Renaissance radical. The haunting visions of Hieronymus Bosch

Take home one of the most cult artists in history with this handy Bibliotheca Universalis edition, presenting all known works of Hieronymus Bosch. Through full spreads and carefully curated details, the book surveys the artist’s compositional scope as well as his most compelling, if disturbing, inventions, from horse-skulled harp players to devils on ice skates.

Only 20 paintings and eight drawings are confidently assigned to Netherlandish painter Hieronymus Bosch (c. 1450–1516) but in their fantastical visions, they have secured his place as one of the most cult artists in history. 500 years on from his death, his works continue to inspire scholars, artists, designers, and musicians, death metal band names and designer dresses.

This Bibliotheca Universalis edition offers the complete and haunting Bosch world in one compact format. Through full spreads and carefully curated details, we explore the full reach and compelling inventions of the artist’s genius as well as disturbing imagination. We encounter his hybrid creatures, his nightmarish scenarios, his religious and moral framework, and his pictorial versions of contemporary proverbs and idioms. Along the way, art historian and Bosch expert Stefan Fischer reveals the most important themes and influences in these cryptic, mesmerizing masterpieces.

About the Author:

Stefan Fischer studied art history, history, and classical archaeology in Münster, Amsterdam, and Bonn. In 2009 he completed his doctoral thesis “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk.” His specialist fields are Netherlandish painting of the 15th to the 17th centuries and museology.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Renaissance radical. An earthly delight not to be missed

In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450–1516) was more than an anomaly. Bosch’s paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch’s day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was “skating on ice” — meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator.

Bosch — whose real name was Jheronimus van Aken — was widely copied and imitated: the number of surviving works by Bosch’s followers exceeds the master’s own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch’s oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.

Featuring brand new photography of recently restored paintings, this exhaustive book, published in view of the upcoming 500th anniversary of Bosch’s death, covers the artist’s complete works. Discover Bosch’s pictorial inventions in splendid reproductions with copious details and a huge fold-out spread, over 110 cm long, of The Garden of Earthly Delights. Art historian and acknowledged Bosch expert Stefan Fischer examines just what it was about Bosch and his painting that proved so immensely influential.

The author:

Stefan Fischer studied art history, history and classical archaeology in Münster, Amsterdam and Bonn. In 2009 he completed his doctoral thesis on “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk”. His specialist fields are Netherlandish painting of the 15th to the 17th century and museology.

Renaissance radical. The haunting visions of Hieronymus Bosch

Only 20 paintings and eight drawings are confidently assigned to Netherlandish painter Hieronymus Bosch (c. 1450–1516) but in their fantastical visions they have secured his place as one of the most cult artists in history. 500 years on from his death, his works continue to inspire scholars, artists, designers, and musicians, death metal band names and designer dresses.

This edition offers the complete and haunting Bosch world in one compact format. Through full spreads and carefully curated details, we explore the full reach and compelling inventions of the artist’s genius as well as disturbing imagination. We encounter his hybrid creatures, his nightmarish scenarios, his religious and moral framework, and his pictorial versions of contemporary proverbs and idioms. Along the way, art historian and Bosch expert Stefan Fischer reveals the most important themes and influences in these cryptic, mesmerizing masterpieces.

The author:

Stefan Fischer studied art history, history, and classical archaeology in Münster, Amsterdam, and Bonn. In 2009 he completed his doctoral thesis “Hieronymus Bosch: Malerei als Vision, Lehrbild und Kunstwerk.” His specialist fields are Netherlandish painting of the 15th to the 17th centuries and museology.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Bosch lived and worked over 500 hundred years ago in the Netherlands’ town of ’s Hertogenbosch, from which he takes his name. He is best known for his fantastical, wondrous art full of strange creatures both grotesque and heavenly. The work he has left behind still defies the imagination. 

Taking account of the latest research, Hieronymus Bosch: Masterpieces of Art gives an overview of what is known of this elusive painter and draughtsman, and reproduces his (and some of his followers’) impressive work, from traditional Biblical stories with a Boschian twist, such as the Adoration of the Magi, to his apocalyptic Four Visions of the Hereafter. His diptychs and triptychs, such as the famously complex Garden of Earthly Delights are covered as well as his stunning line drawings, such as The Wood Has Ears, The Field Has Eyes.

Hieronymus Cock (1518-1570) was an Antwerp painter and printmaker. Together with his wife, he was one of the first to establish a publishing house for prints.

From 1548 their firm "At the Sign of the Four Winds" issued hundreds of important etchings and engravings. Prints after frescoes and paintings by Italian artists Raphael and Bronzino, the first series of classical ruins, antique sculpture, as well as designs by such Northern artists as Maarten van Heemskerck and Frans Floris were distributed all over Europe and helped to spread Renaissance ideals of beauty.

It was Cock who spotted the talent of Pieter Bruegel, an artist who would eventually supply Cock with more than sixty designs for prints.

The Thyssen - Bornemisza Collection is one of the most important private collections of western art, comprising 780 works from the Middle Ages through to the 1970s. Opened in Madrid in 1992, this extraordinary museum provides an encyclopaedic overview of eight centuries of western painting.

In just fifteen years, Hipgnosis (Storm Thorgerson, Aubrey Po Powell and Peter Christopherson) established themselves as the most important design collective in music history.

Their innovative cover art defines the albums of the biggest names of the late 1960s, 70s and early 80s: AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, T. Rex, Wings, Yes and XTC, to name just a few.

Their iconic designs including Pink Floyd's The Dark Side of the Moon and Led Zeppelin's Houses of the Holy grace a staggering number of major releases.

Their boundary-breaking conceptual approach earned them five Grammy nominations for package design, and their influence today can be seen in all creative fields from advertising to fashion.

This book is divided into two main sections:

Part I, 'Imagination', tells the story behind the cover artwork from germination through to the final sleeve design, supported by a wide array of archival materials and text from Aubrey Powell.
Part II, 'Realization', showcases the band portraits themselves, whether album covers or otherwise, in beautiful, large-scale reproductions. Both sections are arranged alphabetically and cross-referenced throughout.