Мистецтво

263 illustrations.

Anton Pössenbacher (1842–1920), cabinet-maker to the Bavarian court in Munich, was head of one of the largest late 19th-century German makers of luxury furnishings. His furniture, especially those for King Ludwig II of Bavaria (1871–1886), represent German Historicism at its zenith. Pössenbacher created almost all the furniture for the royal apartments at Linderhof, Herrenchiemsee and Neuschwanstein. Intricately carved and lavishly upholstered in gold brocade and dazzling embroidered pictures, these furnishings are highlights in the sumptuous interiors of Bavarian castles. Made to the specifications of an exacting monarch, these masterpieces of the cabinet-maker’s craft have lost nothing of their original fascination.

One of Pössenbacher's clients was King Charles I of Romania, for whom he designed an elegant palace library in Bucharest (1887). Pössenbacher’s clients also included industrialists, merchants and landed gentry, whose town houses and manors he provided with entire rooms.

The present book introduces the full range of furniture by Anton Pössenbacher viewed in their historical context. Numerous new photographs of the interior decoration of the Bavarian royal castles and hitherto unpublished designs for private commissions as well as a scholarly catalogue which also incorporates all relevant invoices from the ledgers kept by the cabinet of Ludwig II make this a standard work on the luxury furniture of Historicism.

Impassioned, polemical, and rebellious, the Futurist movement exalted the modern world by placing machines, speed, and technology at the heart of its artistic experimentations. Futurism embodied the same reality that it tried to capture: a dynamism that reflected the changing structure of the visible world.

This landmark survey, published to commemorate the 100th anniversary of Filippo Tommaso Marinetti's Manifesto of Futurism, traces the movement from its origins in Italy to the international creative forum.

Richly illustrated with 130 works by luminaries such as Boccioni, Balla, Picasso, Braque, Leger, Sonia and Robert Delaunay, Duchamp, and Malevich, the book explores different modes of expression within shared themes: the lighting of modern cities, dance, crowd movement, and the speed of new mechanical means of transport.

Featuring essays by the world's leading authorities on Futurism and the avant-garde, Futurism is a radical reassessment of the movement and essential for understanding the genesis of many of modernism's greatest works

Fast and furious. The action men of modernism

With motion and machines as its most treasured tropes, Futurism was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini. With affiliate painters, sculptors, designers, architects, and writers, the group sought to subsume the dusty establishment into a new age of sleek, strong, purified modernity.

Futurism's place in art history is as ambivalent as it is important. The movement pioneered revolutionary methods to convey movement, light, and speed, but sparks controversy in its glorification of war and fascist politics. Their frenzied, almost furious, canvases, are as remarkable for their macho aggression as they are for their radical experimentation with brushstrokes, texture, and colour in the quest to record an object moving through space.

With key examples from the Futurists prolific output and leading practitioners, this book introduces the movement that spat vitriol at all -isms of the past and, in so doing, created an -ism of their own.

About the series:

Each book in TASCHEN's Basic Genre series features:

- a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
- a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist
- approximately 100 colour illustrations with explanatory captions

Inspired by the development of Cubism, the Futurist movement was founded in 1909 by Filippo Tommaso Marinetti, along with painters Giacomo Balla, Umberto Boccioni, Carlo Carrà, and Gino Severini. The school, which celebrated technology and the mechanical era, was comprised of painters, sculptors, designers, architects, and writers. Motion and machines were two main themes of this movement, which attacked the bastions of establishment and sparked controversy by its glorification of war and support of Fascism. Experimenting with movement, and speed, and abstract light and colour, the Futurists developed approaches and techniques that were revolutionary at the time, and in retrospect, one can see that the Futurists influenced other avant-garde art movements, most notably Russian Constructivism.

Artists featured: Giacomo Balla, Umberto Boccioni, Anton Giulio Bragaglia, Carlo Carrà, Tullio Crali, Fortunato Depero, Gerardo Dottori, Leonardo Dudreville, Virgilio Marchi, F.T. Marinetti, Enrico Prampolini, Luigi Russolo, Antonio Sant'Elia, Gino Severini, Mario Sironi, Ardengo Soffici

About the Series:

Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

Discover the secrets behind creating the costumes for HBO's Game of Thrones in this definitive guide.

The official guide to the complete costumes of HBO’s landmark television series Game of Thrones. Discover how BAFTA and Emmy Award-winning costume designer Michele Clapton dressed the heroes and villains of Westeros and beyond, including Daenerys Targaryen, Cersei Lannister, Jon Snow, and Arya Stark.

One of 4 comprehensive and officially licensed Game of Thrones retrospective books from HarperVoyager.

• CRITICALLY ACCLAIMED – ‘…peruse the best of the robes, gowns, coats, and suits of armour that made up the rich fabric of Westeros in Game of Thrones: The Costumes’ Vanity Fair
• LEARN HOW COSTUMES DEFINED CHARACTERS – 440 pages of in-depth interviews and commentary on how costume design helped convey the evolution of George R.R. Martin’s beloved characters such as Tyrion Lannister, Sansa Stark, and Brienne of Tarth.
• SEE EXCLUSIVE IMAGES AND DESIGNS – Over 1,000 exclusive and rarely seen images including Michele Clapton’s designs and original concept sketches.
• HEAR FROM THE SHOW’S CREATORS – Features an exclusive foreword from Game of Thrones showrunners David Benioff and D. B. Weiss.
• AN EYECATCHING COFFEE TABLE BOOK – Deluxe 9.75 × 13 inch format.
• A PERFECT GIFT FOR GAME OF THRONES FANS – Perfectly timed for the holiday season, this gift will be cherished for a lifetime.

В лице Гауди родился выдающийся художественный гений, который с самых первых шагов своей профессиональной деятельности обладал неповторимым стилем. Многие считали его сначала интересным, а позднее - просто невероятным. Недостаточно сказать, что Гауди внес свой вклад в развитие архитектуры. Он пошел намного дальше и коренным образом изменил ее стиль и структуру. Он работал, не думая об оригинальности или о ниспровержении существующих эстетических норм, а лишь подчиняясь безудержному порыву своей творческой одаренности. Воинствующие мастера-авангардисты XX века, например Аполлинер, Бретон, Дали, Мэн Рей, Элюар, преклонялись перед творчеством Гауди и после его смерти провозгласили архитектора сюрреалистом.
Антонио Гауди, всю жизнь проповедовавший свободу в своей профессии и никогда не принадлежавший ни к одному из художественных сообществ, так и не удостоился почестей и наград от какой-либо академии и в отличие от многих своих коллег никогда не примыкал к какой-либо политической организации. Он был выдающимся самобытным художником, который работал с невероятной четкостью, даже если она, казалось бы, порождалась безудержным воображением. Плоды этого воображения и через 80 лет после смерти архитектора продолжают оставаться главными достопримечательностями Барселоны, где сосредоточены наиболее значительные и самые прекрасные творения удивительного и всеобъемлющего таланта Гауди.
Появление такого феномена, как Антонио Гауди, положило начало беспрецедентному этапу в развитии не только искусства Каталонии, но и всего мира. Подлинное значение творчества архитектора было осознано лишь несколько десятилетий спустя.

Посмотреть русскоязычное издание книги Gaudi: Complete Works 1852-1900 (2 vol) - Гауди: Полное собрание работ в 2-х томах

A Frenchman in Tahiti. Gauguin’s search for pristine originality and unadulterated nature

After starting a career as a bank broker, Paul Gauguin (1848–1903) turned to painting only at age twenty-five. After initial successes within the Impressionist circle, he broke with Vincent van Gogh and subsequently - when private difficulties caused him to become restless - embarked on a peripatetic life, wandering first through Europe and finally, in the search for pristine originality and unadulterated nature, to Tahiti.

The paintings created from this time to his death in 1903 brought him posthumous fame. In pictures devoid of any attempt at romantically disguising the life style of the primitive island peoples, Gauguin was able to convey the magical effect that both the landscapes and life of the natives - their body language, charm and beauty - had on him. Wearying of his reputation as a South Sea painter, Gauguin finally determined to return to France, but died of syphilis on the Marquis Islands before his departure.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

A Frenchman in Tahiti

After starting a career as a bank broker, Paul Gauguin (born 1848) turned to painting only at age twenty-five. After initial successes within the Impressionist circle, he broke with Vincent van Gogh and subsequently, when private difficulties caused him to become restless, embarked on a peripatetic life, wandering first through Europe and finally, in the search for pristine originality and unadulterated nature, to Tahiti. The paintings created from this time to his death in 1903 brought him posthumous fame. In pictures devoid of any attempt at romantically disguising the life style of the primitive island peoples, Gauguin was able to convey the magical effect that both the landscapes and life of the natives — their body language, charm and beauty — had on him. Wearying of his reputation as a South Sea painter, Gauguin finally determined to return to France, but died of syphilis on the Marquis Islands before his departure.

About the Series:
Each book in TASCHEN’s Basic Art Series features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The author:
Ingo F. Walther (1940-2007) was born in Berlin and studied medieval studies, literature, and art history in Frankfurt am Main and Munich. He published numerous books on the art of the Middle Ages and of the 19th and 20th centuries. Walther's many titles for TASCHEN include Vincent Van Gogh, Picasso, Art of the 20th Century, and Codices Illustres.

Ця чудова книга демонструє десятки найвідоміших творів Поля Ґоґена та пропонує новий погляд на стосунки митця.

Цей яскравий огляд життя та творчості Поля Ґоґена включає понад п’ятдесят експонатів із колекції Ny Carlsberg Glyptotek у Копенгагені, включаючи картини, різьблення по дереву та кераміку, а також океанічне мистецтво та роботи Гогена на папері з постійних колекцій Музеїв образотворчого мистецтва Сан-Франциско. Кожен твір відтворено у вишуканих деталях, що дає чудову можливість насолодитися новаторським використанням Гогеном кольору, лінії та форми.

Есе досліджують стосунки Гогена та розкривають боротьбу, поблажливість, пробудження та зради в його особистому та професійному житті. Інші есе дають нове уявлення про подорожі Ґоґена до далеких куточків Французької колоніальної імперії в Тихому океані та досліджують його культурну самобутність, сексуальність і духовність.

Красиво розроблена, щоб доповнити надзвичайну творчість Ґоґена, ця книга пропонує освіжаючий погляд на митця, чиє життя та творчість продовжує захоплювати донині.

This is the only book to provide a complete overview of the long history out of which today’s rich and varied gay culture has emerged. Historians from nine countries consider the evidence for same-sex relationships throughout the centuries, charting shifting attitudes towards homosexuality and the gradual emergence of a concept of self-identity.

For thousands of years, men and women have felt a desire for emotional and physical intimacy with those of their own sex. Their story, for many years forgotten, erased, ignored or rewritten, has in recent years become the focus of an extraordinary outpouring of research. Completely new avenues of inquiry have opened up and old assumptions have been challenged. Gay Life and Culture draws upon these findings to present a lively and thought-provoking account of what, until recently, could have been termed a ‘secret history’.

From ancient Greece and Rome right up to the present day with its issues of gay rights, AIDS and civil partnerships, this book also considers same-sex relationships in non-Western cultures, through history and across the globe. From homoerotic Persian poetry to tales of cross-dressing women in 18th-century Italy, from the wild, hedonistic delights of between-the-wars Berlin to concepts of a third gender in Asia and Native North America – all are discussed and recounted from memoirs, letters, archives, and works of art and literature.

Ця унікальна книга представляє роботи понад 80 відомих тату-майстрів, що спеціалізуються на кіно, телесеріалах, анімації, іграшках та музиці. Це неймовірна міжнародна панорама, яка пояснює, як Пікачу, Бетмен та інші міжнародні персонажі поп-культури стали сучасними іконами.

Поп-культура всюди, навіть у плоті!

Про автора:

Ісса Маоїхібу — емблематичний художник відомої паризької команди тату Tin-Tin. Захоплений світом манги, він вважається одним із найталановитіших тату-майстрів свого покоління.

A comprehensive study of George Clooney's work through the lens of ten of his most iconic roles.

A new title in the fascinating Anatomy of an Actor series from world-renowned cinema magazine Cahiers du cinema.

This book explores the career of George Clooney (b.1961). A TV heartthrob doctor for five years, he made one of the most successful transitions from television to being a critically acclaimed, Oscar-winning film actor starring in both mainstream and art-house films.

An accessible text combines both a narrative and analytical dimension and is illustrated by 300 film stills, set photographs and film sequences The book will appeal to enthusiastic moviegoers as well as serious cinephiles, fans, and those who want to become actors.

Drawing on George Harrison’s personal archive of photographs, letters, diaries, and memorabilia, Olivia Harrison reveals the arc of his life, from his guitar-obsessed boyhood in Liverpool, to the astonishment of the Beatles years, to his days as an independent musician and bohemian squire. Here too is the record of Harrison’s lifelong commitment to Indian music, and his adventures as a movie producer, Traveling Wilbury, and Formula One racing fan. The book is filled with stories and reminiscences from Harrison’s friends, including Eric Clapton, Terry Gilliam, Eric Idle, Paul McCartney, Ringo Starr, and many, many others. Among its previously unpublished riches are photographs taken by Harrison himself beginning in the mid-1960s. It is a rich tribute to a man who died far too young, but who touched the lives of millions.

Einzige lieferbare Monografie zu Leben und Werk des großen französischen Erneuerers der Kunst des 20. Jahrhunderts auf dem deutschen Buchmarkt.

Das Werk von Georges Braque (1882–1963), dem bedeutenden Wegbereiter der Moderne, ist viel komplexer und aufregender, als dies die bisherige kunstwissenschaftliche Literatur oft vermuten ließ: Die starke Betonung der Verbindung des Künstlers mit Picasso und die Gleichsetzung seines Werkes mit dem Kubismus haben seine Bedeutung nur unzureichend beschrieben, auch wenn seinen bahnbrechenden kubistischen Arbeiten eine außerordentliche Stellung eingeräumt werden muss.
Der retrospektiv angelegte Band bietet eine profunde Neubewertung des gesamten Œuvres von Georges Braque. Mit über 80 Gemälden und zentralen druckgrafischen Arbeiten wird die Einzigartigkeit seines malerischen Abenteuers umfassend veranschaulicht: Braque im Umkreis der Fauves, Braque – der Methodische, Braque als Erfinder des Papier collé , Braques Anleihen bei der Dekorationsmalerei, in der er ausgebildet wurde, Braque als Meister des modernen Stilllebens und nicht zuletzt Braque – der »lyrische Konstrukteur«.

A new, multifaceted examination of Georges Braque’s complete oeuvre, whose complexity has yet to receive its due.

Georges Braque (1882–1963), one of the major pioneers of modernity, produced work that is much more complex and compelling than art historians have often led us to believe: the strong emphasis on his close association with Picasso and the equation of his work with Cubism have not done sufficient justice to his relevance, even though his pioneering Cubist works ought to be accorded extraordinary status.
This retrospective offers a profound re-evaluation of Braque’s complete oeuvre. Featuring about eighty paintings and key prints, this volume takes a comprehensive look at his unique adventures: Braque among the Fauves; Braque, the methodical artist; Braque as the inventor of the papier collé; Braque’s appropriations from decorative painting, in which he was originally trained; Braque as master of the modern still life; and last but not least, Braque, the “lyrical constructor.”

Винахідник пуантилізму, представлений через велику добірку малюнків та картин.

Жорж Сера (1859–1891), людина послідовно доброї вдачі, був названий «нотаріусом» своїми колегами-живописцями, і все ж він був новатором-авангардистом. Жодна інша візуальна тема так добре не ілюструє величезні новаторства в картинах та малюнках Сера, як фокус цієї книги: фігура в просторі. Щільне переплетення мазків олівця художника покриває папір, змушуючи його невизначені, плавні мотиви або виділятися, або зникати, тоді як чіткі світлі та темні контрасти оточують та підкреслюють фігури. У своїх картинах Сера переніс свої сюжети у свою техніку, пуантилізм, а також у свої новаторські композиції. У пізніших роботах він навіть повторював та урізноманітнював людські форми в межах однієї роботи. За свою дедалі геометричнішу візуальну композицію, яка підпорядковує окремі елементи системі, він заслужив захоплення Баугауза.