Искусство

The experimental art of Olafur Eliasson

Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings.

This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist.

The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the conversations.

Concepts in space

The experimental art of Olafur Eliasson

Studio Olafur Eliasson is an experimental laboratory located in Berlin. Led by renowned Danish-Icelandic artist Olafur Eliasson, it functions as an interdisciplinary space, generating fresh dialogues between art and its surroundings. This rich sourcebook enables the reader to delve into the corners and crevices of the Studio’s diverse projects. The key concepts behind the works are presented alphabetically, and unfold in the course of short conversations with the artist. The majority of Eliasson’s thought-provoking installations, photographs, sculptures, and architectural projects to date is included, with additional material focusing on the research processes at Studio Olafur Eliasson. The introduction is provided by the noted art historian Philip Ursprung, who also participates in the enlightening conversations.

The artist:
Olafur Eliasson, born 1967 in Copenhagen, of Icelandic parentage, studied at The Royal Danish Academy of Fine Arts, Copenhagen, from 1989 to 1995. Early in his career he moved to Germany, establishing Studio Olafur Eliasson in Berlin. Internationally acclaimed, Eliasson lives and works in Copenhagen and Berlin

Pieter Stockmans is a ceramist, industrial designer, artist and is completely fascinated by porcelain. He designs industrially produced dinner services, as well as creating artisanal objects and artistic installations, and in 1995 became 'Cultural Ambassador for Flanders'. He teaches worldwide and is considered to be one of the leading experts in his field. This book presents his collection including jewellery, gifts, installations and much more.

A groundbreaking, in-depth exploration of the movement and flexibility of the human body, featuring 1,000 stunning black-and-white photographs that showcase the unique collaboration between international supermodel Coco Rocha, “The Queen of Pose,” and world-renowned photographer Steven Sebring.

Supermodel Coco Rocha’s uncanny ability to strike distinctive, camera-ready poses at an astounding speed has earned her international fame throughout the fashion industry — and made her the muse of celebrated photographer Steven Sebring. In Study of Pose, Sebring and Rocha have documented 1,000 unique poses — theatrical, vibrant, elegant, dramatic, and unlike anything the fashion or art worlds have seen before.

Study of Pose features Rocha in a simple white leotard — bending, jumping, sitting, standing, and everything in between. The result is a gorgeous and arresting look at the potential of the human form.

Packaged in a beautiful black case with two black satin bookmarks and a four-color bellyband with French folds, Study of Pose is sure to become an essential reference for Rocha’s millions of fans around the world, as well as all models, artists, photographers, and lovers of art and fashion.

A collector’s book featuring extremely rare and historically important skateboards from all corners of the globe, Surf to Skate captures the art and craftsmanship of the early movement. Authors Stanton Hartsfield and Jason Cohn, known collectively as Scavenger, have curated the pages in a timeline, tracing the very roots of skateboarding from steel roller skate wheels nailed to planks in the 1950s to their clay-wheeled cousins of the 1960s.

For many, this book will be a trip down memory lane. For others, it will give a good sense of the genesis and early roots of the history of the skateboard. Chapters include “Shop Boards,” with distinctive, early iterations of decks by Hobie, Makaha, and Val Surf, “Paradise,” reflecting the ongoing infatuation with all things Hawaiian from Tiki motifs to Hawaii 5-0, and the midcentury fascination with the space race is embodied in the rocket-emblazoned boards within “Final Frontier.” With styles and influences ranging from artsy to advertising, Surf to Skate reflects not only the evolution of skateboarding, but American popular culture, in general.

Covering the 1920s to the 1960s, this book brings together vintage ads, postcards, brochures, and photographs as well as period "Top 10" lists covering surf superstars, songs, and surfing spots. If you`ve ever found yourself waxing nostalgic for bygone beach culture, this is the book for you.

TASCHEN 25—Special edition!

Dreamlike, fantastic imagery

With Salvador Dalí as its figurehead, the great ship of Surrealism traversed the wild and turbulent sea of the Roaring Twenties, its sails full of winds blown by Sigmund Freud and André Breton. With their mysterious, dreamlike, fantastic imagery, the Surrealists made sensational waves in the art world. The influence of artists such as Dalí, Buñuel, Ernst, and Magritte on 20th century film, theatre, literature, art theory - even advertising - is inestimable. This book traces their legacy back to its origins.

Featured artists: Hans Arp, André Breton,Brassaï, Giorgio de Chirico, Salvador Dalí, Max Ernst, Alberto Giacometti, Paul Klee, René Magritte, André Masson, Matta, Joan Miró, Pablo Picasso, Meret Oppenheim, Yves Tanguy

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Surrealists appeared in the aftermath of World War I with a bang: revolution of thought, creativity, and the wish to break away from the past and all that was left in ruins. This refusal to integrate into the bourgeois society was also a leitmotiv of Dada artists, and André Breton asserted that Dada does not produce perspective. Surrealism emerged amidst such feeling. Surrealists and Dada artists often changed from one movement to another. They were united by their superior intellectualism and the common goal to break free from the norm. Describing the Surrealists with their aversive resistance to the system, the author brings a new approach which strives to be relative and truthful. Provocation and cultural revolution: aren’t Surrealists after all just a direct product of creative individualism in this unsettled period?

About the author
Nathalia Brodskaïa is a curator at the State Hermitage Museum in St. Petersburg. As an author, she has published monographs on Rousseau, Renoir, Derain, Vlaminck, Vallotton and Van Dongen and books on the Fauves and Naive Art. Nathalia Brodskaïa is currently working on a study of French painters at the end of the nineteenth and the beginning of the twentieth century.

The Visual Encyclopaedia series provide up to 300 beautiful photographic and artwork images, illustrating subjects of perennial cultural interest. Images are accompanied by narrative providing background, brief criticism, and details on relevant museums, brief biographies and time lines

Devoted to the work of one of the 20th century's greatest jewellery designers.

Suzanne Belperron was one of the most talented and influential jewellery designers of the 20th century. Inspired by the discovery of her personal archives in 2007, the authors of this book have created the first volume dedicated to the life and works of this renowned Parisian jeweller. In 1919 Belperron was employed as a model maker and designer by Germaine Boivin. She contributed enormously to the success of the Maison Rene Boivin, but in 1932 she decided to leave the company. It was with her associate Bernard Herz, a well known precious stone and pearl dealer, that Belperron first found the freedom to reject traditional jewellery design and manufacture. Fascinated by coloured stones, regardless of their value, she created highly innovative pieces, in contrast to the standard creations of the time which were mostly angular and set in platinum. Her jewellery was so original that she never signed her pieces, instead insisting 'my style is my signature. Indeed, Belperron's avant-garde style was adored by the 'fashionistas' of her time.

Her work frequently appeared in Harper's Bazaar and Vogue, and her clientele included most of Europe's royalty and aristocrats as well as bankers, fashion designers, intellectuals and American movie stars. The Duke of Windsor, the Rothschilds, Elsa Schiaparelli, Nina Ricci, Colette, Malet Stevens, Ganna Walska, and Gary Cooper are all known to have frequented Belperron's Parisian workshop. Belperron is often imitated today, and the lack of signature on her pieces can make identifying and dating them very difficult. The discovery of her personal archives was therefore of enormous significance and makes this publication an essential reference book for enthusiasts of Suzanne Belperron and jewellery in general.

Sylvie Raulet, a history graduate, graphic designer and journalist, has collaborated with magazines such as 'Beaux-Arts', 'L'Objet d' art', 'Harper s Bazaar' and 'Vogue'. She is the author of several books: 'Bijoux Art deco' (1984), 'Van Cleef & Arpels' (1986, 1997), 'Bijoux des annees 1940-1950' (1987), 'Salon indien' (1996) and 'Cristal de roche' (1999). Driven by a rare enthusiasm for jewellery, Olivier Baroin studied at the Louvre and entered the professional art world in 1987, aged just 17. In 2001 he also became a specialist in antique jewellery. Fascinated by the art and personality of Suzanne Belperron, he acquired her entire personal archives in 2007. His knowledge of Suzanne Belperron and almost daily inspection of her order books allows him to trace without ambiguity her original works, some of which have been mistakenly attributed to other jewellers, and also to rule out pieces that were until now wrongly considered to have been designed by her.

This first monograph on the street artist Swoon is a crash course on the incredible range of her diverse artistic practices.

Filled with brilliant color photographs, the book brings reader to streets around the world to see her life-size prints and paper cutouts that transform as natural elements slowly erode and destroy them. It travels across the waters to include striking images from her most recent projects, Swimming Cities, which show a team of craftsmen and collaborators scavenging junk to create makeshift steamships that are part floating artwork, part performance, and part experiments in communal living. And it brings readers inside her art collective, Toyshop, which orchestrates organic public theater that includes everything from street parties to public demonstrations.

Woven together seamlessly, and accompanied by essays from fellow artists and famed gallery owner Jeffrey Deitch, this book showcases the work of one of the art world’s brightest stars.

Symbols of a deeper reality

"A book like the rooms of an imaginary museum." - La Libre Belgique, Brussels

"To clothe the idea in perceptible form," proposed the poet Jean Moréas in his 1886 Manifesto of Symbolism.

It was in France and Belgium, the cradles of literary Symbolism, that Symbolist painting was born. It plunged headlong into the cultural space opened up by the poetry of Baudelaire and Mallarmé and by the operas of Wagner. Symbolist painters sought not to represent appearances but to express "the Idea," and the imaginary therefore plays an important part in their work. "Dream" was their credo; they execrated, with a fanatical hatred, impressionism, realism, naturalism, and the scientistic. The main principle of Symbolism, that of "correspondences," was to attain harmony between all the different arts, or even to realise the total work of art (Gesamtkunstwerk) that Wagner had dreamt of creating.

What we rediscover today, after a period of neglect, is this: Symbolist painting is essential to our understanding of modern art, not only because it spread across the world like wildfire, creating disciples from Russia to the United States, from Northern Europe to the Mediterranean, but because it was the source of a series of mutations without which modern art would not be what it is.

The author:

Michael Gibson is an art critic, art historian, anthropologist, writer, independent scholar and philosopher (currently editor in chief of UNESCO's World Heritage Review) who has been writing on art over the past forty years for numerous publications, including the International Herald Tribune. He has published numerous books, including studies of Bruegel, Gauguin, Duchamp and Calder.

The editor:

Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

Emotional intelligence. A synthesis of form and feeling

First applied to the poems of Stéphane Mallarmé and Paul Verlaine in 1886, the term symbolist was soon applied to the visual arts where a realistic depiction of the natural world gave way to imaginary dream scenes of psychological, sexual, and mystical content.

Symbolism was a broad international phenomenon but particularly present in France, where painters such as Gustave Moreau and Odilon Redon turned their backs on realism, naturalism, and impressionism to populate their canvases with esoteric, often erotic, visions. In place of Monet s light-suffused landscapes or the frank working-class subjects of Courbet, the Symbolists turned to figures from literature, the Bible, and Greek mythology to express experiences of love, fear, anguish, death, sexual awakening, and unrequited desire.

With featured work from Edward Burne-Jones, Puvis de Chavannes, Gustav Klimt, James Abbott McNeill Whistler, Gustave Moreau, Odilon Redon and many more, this book introduces Symbolism s great reach, intensity, and influence.

About the series

Each book in TASCHEN's Basic Genre series features:

- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
- a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of
the respective work, plus a portrait and brief biography of the artist

Takashi Murakami’s irreverent, pop culture-infused art has made him one of the most recognized Japanese artists today. His bright, contemporary boisterousness, however, belies his deep scholarship and engagement with traditional Japanese art.

Takashi Murakami: Lineage of Eccentrics presents key examples of Murakami’s work alongside a rich selection of Japanese masterpieces spanning several centuries and arranged here according to concepts laid out by his mentor and foil, leading Japanese art historian Nobuo Tsuji. Beautifully illustrated with Tsuji’s selections from the pre-eminent Japanese art collection at the Museum of Fine Arts, Boston, as well as some of Murakami’s best-known works of painting and sculpture, the combination of old and new in this groundbreaking volume enriches our understanding of each, and ultimately shows us how contemporary art can be seen as part of a continuum or lineage.

About the Author:

Takashi Murakami has become recognized as one of the most prominent contemporary artists of his time. His work has been featured in numerous solo exhibitions at museums and art institutions throughout the world. Recent shows include the travelling retrospective ©MURAKAMI and the Château de Versailles’s solo exhibition of his works on the palace grounds. Massimiliano Gioni is the associate director and director of exhibitions for the New Museum in New York and the curator of the exhibition Murakami – Ego for the Qatar Museums Authority.

Today, the most clever brand communication is self-promulgating.

Anyone currently working in brand communication is facing fundamental yet compelling challenges. In an age in which we are flooded with information, consumers are becoming more critical and discerning. They are deploying ever finer filters so that only the most relevant pieces of information ever reach them. Because of this development, traditional brand and advertising messages are far less likely to be seen.

Taken by Surprise is a collection of communication measures that are sophisticated and relevant enough to overcome these hurdles. They include limited special edition products and signature collaborations between brands, artists, and designers such as those between Julian Schnabel and Maybach, Issey Miyake and Dyson, Sagmeister and Levi’s, Olafur Eliasson and BMW, Jonathan Meese and Staehlemuehle, Terry Richardson and Colette as well as other innovative work by the likes of Damien Hirst, Red Hot Chili Peppers bassist Flea, David Lynch, Geoff McFetridge, and Pharrell Williams.