Искусство

The Complete Velázquez. A catalogue raisonné of “the painter’s painter”

Manet called him “the greatest painter of all.” Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it. Francis Bacon painted a study of his portrait of Pope Innocent X. Monet and Renoir, Corot and Courbet, Degas and Dalí… for so many champions of art history, the ultimate sounding board was — and remains — Diego Rodríguez de Silva y Velázquez (1599–1660).

First available as an XXL-sized volume, this accessible edition brings together Velázquez’s complete works with a selection of enlarged details and photography of recently restored paintings, achieved through the joint initiative of TASCHEN and Wildenstein. The dazzling images are accompanied by insightful commentary from José López-Rey on Velázquez’s interest in human life and his equal attention to all subjects, from an old woman frying eggs to a pope or king, as well as his commitment to color and light, which would influence the Impressionists over two centuries later.

The authors:

José López-Rey (1905–1991) taught Italian Renaissance at the University of Madrid and worked as an art advisor for the Spanish Ministry of Education. Before the end of the Spanish Civil War, he emigrated to the USA, where he resumed his teaching career at the Institute of Fine Arts, New York. In 1973 he was awarded emeritus status. López-Rey was a corresponding member of the Hispanic Society of America and a consultant and contributor to several international art journals, including the Gazette des Beaux Arts and Art News.

Odile Delenda, graduate of the École du Louvre, served as professor there, and then as deputy head of the department of paintings at the Musée du Louvre until 2007. She has collaborated on several exhibitions of old master paintings. A research fellow at the Wildenstein Institute in Paris since 1990, she has continued her study of Spanish art from the Siglo de Oro. She is, among other works, the author of Vélasquez, peintre religieux (1993) and, under the auspices of the Wildenstein Institute, the first critical catalogue raisonné of the painted oeuvre of Francisco de Zurbarán and his studio (2009/10).

This generously illustrated volume on the work of Diego Velázquez makes the world’s greatest art accessible to readers of every level of appreciation. A 17th-century Spanish painter who continues to influence artists today, Velázquez is primarily known for his portraits of Spanish royalty and other notable figures. Overflowing with impeccably reproduced images, this book offers full-page spreads of masterpieces as well as highlights of smaller details - allowing the viewer to appreciate every aspect of the artist’s technique and oeuvre.

This is the first comprehensive book on Venetian mosaics of the nineteenth century. It illustrates work by both the Salviati Company and the Venice and Murano Glass and Mosaic Company. A carefully researched work, Venetian Glass addresses the revival of the art of Venetian mosaic making in the mid-nineteenth century and discusses the complicity of both Antonio Salviati and Sir Austen Henry Layard in that revival. It is a comprehensive work, illustrating Salviati's earliest surviving mosaics, the 1860 mosaic decoration of the Royal Mausoleum at Frogmore and continuing through his company's last commission, the Stanford Memorial Church in Palo Alto, California.
The recovered art of Venetian mosaic in the late-nineteenth- and early twentieth-century is now seen as one of the most important aesthetic achievements of the Victorian-Edwardian era. Neglected and unappreciated for decades, surviving mosaics are being cleaned and restored worldwide. Whether highly visible monuments in major cities or small achievements of Venetian manufacturers are now treasured for the splendid masterpieces they are.

This is a collection of a book and 4 CDs. Venezia is one of the most beautiful cities in the world. Cult photographer David Hamilton takes a characteristically romantic view of the lagoon city and reveals a quite different side to his artistic creativity. Classical music highlights Venezia's various aspects with works by composers from Antonio Vivaldi to Gustav Mahler and the Venetian ensemble Orchestra Di Gran Caffe Quadri, captured here in authentic live atmosphere.

Brilliant choice of 52 watercolours. Most of them are full-page.

Extracts from books of Maurice Barrès, André Suarès, Thomas Mann, Henri de Régnier, John Ruskin, Henry James, Goethe, George Sand, Alfred de Musset, Lord Byron, Marcel Proust, Madame de Staël, Stendhal.

Discover Venice in a splendid volume of masterpieces by artists such as Canaletto, William Turner, Paul Signac, and Claude Monet.

Thanks to its unique qualities — the beguiling interplay of light, water, and atmosphere — Venice was elevated to a magical “laboratory of perception” in the nineteenth century. Like many other artists, Claude Monet also sojourned in the city with its lagoons and islands, where he was inspired to create his famous Venice cycle in the autumn of 1908. His Venetian paintings mark a turning point in his work as he adopted an increasingly abstract pictorial vocabulary, demonstrating that Venice made a considerable, albeit little noted, contribution to the emancipation of painting, just as it was poised on the threshold of modernity.

This splendid volume, filled with large-format color illustrations, is the first to provide a comprehensive examination of Venice’s image in European and American painting of the nineteenth and early twentieth centuries. At the center of this well-informed exploration is Monet’s Venice cycle, supplemented by masterpieces by his predecessors and contemporaries, ranging from Canaletto to Turner to Paul Signac.

Artists featured:

Canaletto, Francesco Guardi, J. M. William Turner, James McNeill Whistler, John Singer Sargent, Anders Zorn, Edouard Manet, Pierre-Auguste Renoir, Pietro Fragiacomo, Odilon Redon, Paul Signac, Claude Monet

The exquisite creations of Fulco di Verdura stand out from the designs of other 20th-century jewelers for their exuberance and refined glamour.

His devoted admirers included Cole Porter and his wife Linda, Marlene Dietrich and Greta Garbo, along with prominent society figures such as the Duchess of Windsor, Diana Vreeland and Mona Bismarck. They not only collected Verdura’s jewelry but his wit and erudition were in great demand at their dinner tables.

Patricia Corbett documents Verdura’s fascinating career.
Born into the Sicilian nobility in 1898, he left his ancestral home in the mid-1920s, moving to Paris where he hoped to be a painter, but his true vocation was revealed once he began designing jewelry for the discriminating customers of Chanel.

The author has been given access to all of Verdura’s archives and has interviewed many of his surviving patrons. Wonderful colour photography, as well as illustrations of the celebrities who wore his pieces, convey the irresistible genius of his designs.

Surfaces and secrets. A spellbinding realism and intrigue

Though numbering just 35 known works, the œuvre of Johannes Vermeer (1632–1675) is hailed as one of the most important and inspiring portfolios in art history. His paintings have prompted a New York Times bestseller, a film starring Scarlett Johansson, and record visitor numbers at art institutions from Amsterdam to Washington.

Vermeer’s subjects focus on daily domestic activities, from letter writing to music playing to preparations in the kitchen. The scenes astound with their meticulous detail, majestic planes of light, and with Vermeer’s extraordinary ability to draw out narrative intrigues. In such beloved paintings as Lady Standing at a Virginal, A Lady Writing a Letter with Her Maid and, most famously, the enigmatic, wide-eyed, and enchanting Girl with a Pearl Earring, Vermeer evokes not only the effects of substance and texture but also the many stories and secrets that reside beneath the surface.

Featuring all Vermeer’s known works and succinct, accessible texts, this essential introduction explores Vermeer’s leading place in art history and his unique ability to transform oil paint into a living, breathing scene of human life.

About the Series:

Every book in TASCHEN's Basic Art Serie

- a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
- approximately 100 colour illustrations with explanatory captions
- a concise biography

Vermeer's women, their duties and unspoken dreams

The 35 paintings that have come down to us from the hand of Jan Vermeer (1632-1675) place him beside Rembrandt and Frans Hals as one of the great masters of the golden age of Dutch art.

Little is known of Vermeer's early life and training, though we can be certain that he never knew great success or acclaim during his lifetime, and after his death - reputedly in part because of the stress of his debts - his work was almost completely forgotten for the best part of two centuries. And yet today he is acknowledged as an exquisitely talented and highly original artist. Most of his pictures (all of which are reproduced in this book) show middle-class women about their daily business. Vermeer records the tasks and duties of these women, the imperatives of virtue under which their lives were lived, while also evoking their dreams and their contrasting inner worlds.

About the Series:

Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Startling Life. The astonishing oeuvre of Johannes Vermeer

Just 35 works make up the complete known oeuvre of Johannes Vermeer but in their combination of mimesis and mystery, they have secured his place as one of the most admired artists in history. This jumbo-sized monograph presents his astonishing catalogue with numerous spreads, ravishing details, and an essay exploring his outstanding ability to transform oil paint into life.

This book brings together the complete catalogue of Johannes Vermeer (1632–1675), presenting the calm yet compelling scenes so treasured in galleries across Europe and the United States into one monograph of utmost reproduction quality. With new photography of many works, Vermeer’s restrained but richly evocative repertoire of domestic actions — ranging from letter writing to music-making to preparations in the kitchen — unfolds in generous format. Numerous details emphasize the artist’s remarkable ability not only to bear witness to the trends and trimmings of the Dutch Golden Age but also to encapsulate an entire story in just one transient gesture, expression, or look.

In his lifetime, Vermeer’s fame barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, with works outside of Holland even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural detail, and majestic planes of light, and spotted a forgotten master.

Today, Vermeer’s works have inspired a New York Times bestseller and a film starring Scarlett Johansson and Colin Firth not to mention record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring, also known as the “Dutch Mona Lisa.”

The author

After completing his studies of art history and archaeology at the University of Vienna, Karl Schütz joined the staff of the Gemäldegalerie of the city’s Kunsthistorisches Museum, serving from 1972 as a curator and from 1990 to 2011 as its director. His particular scholarly interests include Netherlandish and Flemish painting, early-16th-century German painting, courtly portraiture, and the history of the Gemäldegalerie collection.

Infallible Eye. The astonishing oeuvre of Johannes Vermeer

Just 35 works make up the complete known oeuvre of Johannes Vermeer but in their combination of mimesis and mystery they have secured his place as one of the most admired artists in history. This monograph presents his astonishing catalogue with numerous spreads, ravishing details, and an essay exploring his outstanding ability to transform oil paint into life.

His works have prompted a New York Times bestseller; a film starring Scarlett Johansson and Colin Firth; record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring, also known as the “Dutch Mona Lisa”.

In his lifetime, however, the fame of Johannes Vermeer (1632–1675) barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers. Outside of Holland, his works were even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural details, and majestic planes of light, spotted a genius, and never looked back.

This edition features the complete catalog of Vermeer’s work, presenting the calm yet compelling scenes so treasured in galleries across Europe and the United States in one monograph of utmost reproduction quality. Crisp details and essays tracing Vermeer’s career illuminate his remarkable ability not only to bear witness to the trends and trimmings of the Dutch Golden Age but also to encapsulate an entire story in just one transient gesture, expression, or look.

The Author:

After completing his studies of art history and archaeology at the University of Vienna, Karl Schütz joined the staff of the Gemäldegalerie of the city’s Kunsthistorisches Museum, serving from 1972 as a curator and from 1990 to 2011 as its director. His particular scholarly interests include Netherlandish and Flemish painting, early-16th-century German painting, courtly portraiture, and the history of the Gemäldegalerie collection.

This generously illustrated volume on the work of Vermeer makes the world’s greatest art accessible to readers of every level of appreciation. A 17th-century Dutch painter who lived his entire life in Delft, Vermeer is renowned for his masterly use of light. Only a very small number of Vermeer’s paintings are known to exist. Overflowing with impeccably reproduced images, this book offers full-page spreads of masterpieces as well as highlights of smaller details — allowing the viewer to appreciate every aspect of the artist’s technique and oeuvre.

Johannes Vermeer (1632-1675) has been one of the most widely admired European painters since his so-called rediscovery in the second half of the nineteenth century.

Until quite recently, the Romantic roots of writing on the Sphinx of Delft have encouraged the image of him as an isolated genius; the artists private life and religion, his supposed use of a camera obscura, and the fact that his teacher has not been identified have all contributed to an air of mystery. As this new monograph demonstrates, Vermeers life is actually well documented and his work may be more appropriately understood by placing the painter in the context of the Delft school as a whole and of Delft society.

The fact that one local patron acquired about twenty pictures by the artist (only thirty-six are known today) must have been significant for Vermeers subtleties of meaning and refinements of technique and style. In the end, however, the most historical approach to Vermeer still leaves us with a master whose rare sensibility and extraordinary powers of observation may be described but not explained.

Долгожданная мировая премьера новой книги под редакцией Умберто Эко – «Vertigo. Круговорот образов, понятий, предметов».

Книга одновременно выходит в 14 странах мира!

В этой книге Умберто Эко рассматривает стремление культуры к упорядочению. Именно из стремления "привести все в порядок", не потеряться в круговороте образов, понятий, предметов возникают списки, перечни, которые красной нитью проходят через всю историю западного искусства и литературы. Отсюда и списки святых, шеренги солдат, каталоги чудовищ или целебных растений, перечни накопленных сокровищ. О том же говорят нам средневековые бестиарии, церковные песнопения, литература от Гомера до Джойса, фантастические картины Босха и экстравагантные композиции Энди Уорхола.

Культура, убежденная в собственной силе и значимости, отдает предпочтение завершенным, стабильным формам; если же ей приходится сталкиваться с хаосом разрозненных явлений и пытаться подобрать к ним общий критерий, она начинает составлять перечни событий, фактов, символов, орнаментов и знаков. Именно стремление мировой культуры к упорядочению становится предметом исследования Умберто Эко.

Как и в книгах История Красоты и История Уродства, мгновенно ставшими мировыми бестселлерами, авторский текст дополняют литературная антология и обширный иллюстративный материал.

История Красоты под редакцией Умберто Эко

История Уродства под редакцией Умберто Эко

История иллюзий. Легендарные места, земли и страны под редакцией Умберто Эко

Книга История Красоты в мягкой обложке.

The entire story of jazz from its earliest days in New Orleans to the 1970s and beyond told through archival material from Verve, the genres most important label.

Verve signed practically every major jazz artist of the 1950s and 1960s and is home to some of the greatest music ever recorded. Charlie Parker, Count Basie, Billie Holiday, Dizzy Gillespie, Oscar Peterson, and Ella Fitzgerald all released records through Verve. This superb new volume presents some of the rarest records and unseen ephemera from the label that helped define the world of jazz. Hundreds of the best examples of iconic seven-inch, ten-inch, and twelve-inch records appear, along with publicity reports, news clippings, posters, telegrams, and programmes.

The ultimate music guide, the book includes features on key artists and key albums as well as insightful timelines that connect Verve with wider musical history. Looking beyond the music scene, the book discusses segregation in America, the missions to take jazz to Europe and the world, the clubs, the places, and the people who made Verve great and jazz cool.

Commentary from the biggest names in jazz today, including some of Verves own artists, complements the text. 1,200 illustrations in color and black and white.